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ANNUAL , ANNUAL MEMBE~SHIP WATER COLOR JN AND THE PENNSYLVANIA ACADEMY "MINIATURE · OF THE FINE ARTS EXH.IBITIONS Annual members are such persons as contribute $10 annually for the maintenance of the Academy. ,;t i;t LIFE MEMBERSHIP CATALOGUE f{ - _,........ Life members are those who contribute the sum -~·- of $100. Annual and life members are admitted to all the public exhibitions and lectures at the Academy, have a right to use its library, subject to the regula­ tions of the institution, and receive an admission ticket. They have all the privileges of stock­ holders except the right to vote. Checks may be sent to George H. McFadden, Treasurer, at the Academy. FORM OF BEQU~T I giale, Jeoise anJ bequeath to "The Pennsgl­ oania Academy of the Fine Arts"·············-····· Dollars In trust lo invest and keep lrtPesieJ anJ appiJ, the income only to the maintenance of the The Pennsylvania Academy said Academ_y. of the Fine Arts 1914 MOST OF THE WORK IN THIS EXHI­ BITION IS FOR SALE AT STUDIO PRICES. INFORMATION IN REGARD TO SALES MAY BE HAD FROM THE SALES-MAN­ AGER OR FROM ANY ATTENDANT IN THE GALLERIES OR AT THE OFFICE. DUPLICATE PRINTS OF ETCHINGS CAN, IN MOST CASES, BE SUPPLIED. THE PENNSYL V ANJA ACADEMY OF THE FINE ARTS FOUNDED 1805 • THE PHILADELPHIA WATER COLOR CLUB The Schools of The Pennsylvania Academy THE PENNSYLVANIA SOCIETY o.f the Fine Arts train students in painting, OF MINIATURE PAINTERS sculpture and illustrating. The success achieved by the Schools is testified to by the number of artists of great reputation CATALOGUE OF THE TWELFTH who recelved their training in them. The present instructors are : Cecilia Beaux, ANNUAL PHILADELPHIA WATER Hugh H . Breckenridge, Charles Grafly, Henry Mccarter, Frank Miles Day, Joseph COLOR EXHIBITION, AND THE T. Pearson, Jr., Daniel Garber, Violet Oakley, Philip L. Hale, Emil Carlsen, and Henry THIRTEENTH ANNUAL EXHIBITION Erdmann Radasch, M .Sc., M.D. Detailed information in regard to the Schools will OF MINIATURES gladly be furnished to any one interested in the subject. The second term of the present school year begins February r, r915, NOVEMBER 8 TO DECEMBER 13, 1914 but students may enter at any time,· • PHILADELPHIA 1914 \ MANAGEMENT OF THE PENNSYLVANIA ©fficers anti members of tbe ACADEMY OF THE FINE ARTS lPbilabelpbia 'il'Ulater <rolor <riub 1914 PRESIDENT, VICE-PRESIDENT, PRESIDENT, GEORGE WALTER DAWSON. DLANCHE DILLA YE. JOHN FREDERICK LEWIS. SECRETARY, TREASURER, JOHN J. DULL. VICE-PRESIDENT, THORNTON OAKLEY. CLEMENT B. NEWBOLD. EXECUTIVE COMMITTEE THE OfFICE!tS A N U HONORARY VICE-PRESIDENT, HUGH H . BRECKENRIDGE, GEORGE M. HARDING, E. BURGESS WARREN. ANNA WHELAN BETTS, JESSIE WILLCOX SMITH. DIRECTORS, 'iHonorar'Q members THEOPHILUS P. CHANDLER, ALFRED C. HARRISON, CECILIA BEAU~, ALEXANDER HARRISON, HERBERT M. HOWE, M.D., CLARENCE C. ZANTZINGER, FLORENCE ESTE, MAXFIELD PARRISH, GEORGE H. MCFADDEN, T. DEWI'fT CUYLER, JOHN MCLURE HAMILTON, JOSEPH PENNELL, CLEMENT B. NEWBOLD, ARTHUR H. LEA, JOHN S. SARGENT. EDWARD T. STOTESBURY, CHARLEMAGNE TOWER, THEODORE N. ELY, JOSEPH E. WIDENER, ~embers FRANK H. CAVEN. ELENORE PLAISTED ABBOTT, ELIZABETH H. INGHAM, ELLEN WETHERALD AHRENS, LAURA D. S. LADD, JOHN WESLEY LITTLE, TREASURER, W. ]. AYLWOOD, ETHEL FRANKLIN BETTS BAINS, DODGE MACKNIGHT, GEORGE H. MCFADDEN. PAULA HIMMELSBACH BA.LANO, CLARA N. MADEIRA, ANNA WHELAN BETTS, DAVID B. MILNE, SECRETARY, ALEXANDER BOWER, THORNTON OAKLEY, SUSAN A. BRADLEY, VIOLET OAKLEY, JOHN ANDREW MYERS. HUGH H. BRECKENRIDGE, AMY OTIS, CHARLOTTE HARDING BROWN, MARGARET PATTERSON, HONORARY CURATOR OF PRINTS, EDWIN S. CLYMER, KATHERINE PATTON, SARAH MINIS HAYS. MARY RUSSELL FERREL COLTON, MARGARET REDMOND, LUCY S. CONANT, ALEXANDER ROBINSON, ALICE SCHILLE, CURATOR OF SCHOOLS, COLIN CAMPBELL COOPER, EMMA LAMPERT COOPER, SARAH C. SEARS, ANNA T. BENNETT. EMMA.SITA REGISTER CORSON, JESSIE WILLCOX SMITH, ALICE CUSHMAN, HENRY J. THOURON, FRED WAGNER, CURATOR OF PAINTINGS, GEORGE WALTER DAWSON, BLANCHE DILLA YE, FRANK REED WHITESIDE, GILBERT S. PARKl';R:· JOHN J. DULL, ELEANOR PALMER WILLIAMS, ELIZABETH SHIPPEN GREEN ELLIOTT, ALBERT PAUL WILLIS, SOLICITOR, HERBERT E. EVERETT, LOUISE WOOD WRIGHT, N. C. WYETH, JOHN G, JOHNSON. W. W. GILCHRIST, JR., BLANCHE GREER, M. W. ZIMMERMAN. GEORGE M. HARDING, COMMITTEE ON EXHIBITIONS, CLEMENT B. NEWBOLD, CHAIRMAN, IDeceaseO Members GEORGE H. MCFADDEN, THEODORE N. BLY, EDWIN A. ABBEY, MAY S. HAYDOCK, EDWARD T. STOTESBURY, ALFRED C. HARRISON, THOMAS P. AllSHUTZ, MARGARETTE LIPPINCOTT. JOSEPH E. WIDENER. CHARLES E. DANA, 2 3 -~ ®tftcers an~ .Members of tbe JPenns}2l'1anla Soclet}2 Of miniature !Painters • PRESIDENT, EMILY DRAYTON TAYLOR. I ,; VICE-PRESIDENT, HARRY L. JOHNSON. 11 SECRETARY, THE PHILADELPHIA ~ A. MARGARETTA ARCHAMBAULT, WATER COLOR CLUB TREASURER,_ .. EDNA F. HUESTIS SIMPSON. EXECUTIVE COMMITTEE, 5ut}2 of Selection ELLEN WETHERALD AHRENS, AMY OTIS, COLIN CAMPBELL COOPER, VIOLET OAKLEY, SARAH YOCUM MCFADDEN BOYLE. JOHN J. DULL, ALICE SCHILLE, MEMBERS, DODGE MACKNIGHT, FRED WAGNER. ELLEN WETHERALD AHRENS, JEAN WILLIAMS LUCAS, A. MARGARETTA ARCHAMBAULT, AMY OTIS, EULABEE DIX BECKER, REBECCA BURD PEALE PATTERSON, 'ltanglng <tommlttee ALICE SECKINGTON, BERTHA E. PERRIE, JOHANNA M. BOERICKE, EVELYN PURDIE, GEORGE WALTER DAWSON, THORNTON OAKLEY. MARY W. BONSELL, HELOISE GILLOfr REDFIELD SARAH YOCUM MCFADDEN BOYLE, CARLOTA SAINT-GAUDENS, ELLA SHEPARD BUSH, EDNA F. HUESTIS SIMPSON, SALLY CROSS, LUCY MAY ST ANTON, HELEN WINSLOW DURKEE, MARIE JUDSON STREAN, LUCIA FAIRCHILD FULLER, MARY H. TANNAHILL, MARGARET FOOTE HAWLEY, EMILY DRAYTON TAYLOR, HARRY L. JOHNSON, MABEL R. WELCH, HELEN V. LEWIS, ALICE RUSHMORE WELLS, LYDIA EASTWICK LONGACRE, DECEASED MEMBERS, LUDWIG E. FABER, CAROLINE S. YARDLEY. ISABEL NASH, 4 5 / ' E .flq .tit 11• .. '"' •' ,I l ~ D'j.1["1. _f ... ~ c i ·- THE PENNSYLVANIA SOCIETY OF MINIATURE PAINTERS ... 5Ut)2 of Selection WILLIAM J. BAER, VIOLET OAKLEY, EMIL CARLSEN, EDNA HUESTIS SIMSON, RICHARD BLOSSOM FARLEY, EMILY DRAYTON TAYLOR. 'JHa ngtng aommtttee JOHANNA M. BOERICKE, HENRY L. JOHNSON REBECCA BURD PEALE PATTERSON. A K I ,/}rood JTFe.-r 6 PLAN OF THE ACADEMY GALLERIES 7 THE BECK PRIZE • Through the liberality of Mr. Charles W. Beck, Jr., a prize of One Hundred Dollars is awarded this year for the tenth time to the best work in this exhibition, which has been reproduced in color. The award is made by the Jury of Selection. The prize has been pre­ viously awarded· to Joseph Lindon Smith, Henry McCarter, Elizabeth Shippen Green, Maxfield Parrish, Ernest L. Blumenschein, N. C. Wyeth, Jessie Willcox Smith, W. J. Aylward, and J nles Guerin. 8 THE CARPET BA ZAAR : CA IRO. BY CH ARLES E. DANA SNOW-COVERED HILLS. BY FRED WAGNER ------- - ll3d00'.l TI3S:dWV'.l NI'IO'.l AH '3SDOH 3J,IHM 3HL THE AQUEDUCT. llY JOHN \\"RIGHT 0 XHdl!Ql'J: A:!nana NNVrna3H MI V'!Q}~ va OZV'I'!Vd MILLS ON THE MEUSE. BY JOSEPH PENNELL KOSNH!Oll <I:'!ONVX'1"JV .UI 'll'11'.JNV.L WINTER LANDSCAPE. BY JOHN J. DULL FLORETTA. BY LILIAN WESTCOTT HALE THE AMBUSCADE. BY F. WALTER TAYLOR ~ f-< ~ >< ~ 0 z >< j P'l DEAD GOOSE. BY FRANK W. BENSON LH '.ll N)IJVW 3'.1000 All .3dV:JSONV"I _.... ___ _ ~' ,,:; < ~ P'1 ,...:, ::;; < ::l ~ "' 3: "..-< >< § P'1 ;;: <z <::; z "::> ..."' 0 "':i: >< <) >o.. °'0 u 3:TIIH'.JS 3:'.J n V 1-U 0 SUV3:1' 9NISSVd :>!HJ, ,) MINIATURE l\llN"fA'l'URF. JUNIOR. BY JOSEPHINE J. FOOTE FORTRAIT OF SALLY C.\ ME RON. BY ETiTEL FRANCES MUNDY '1' 1~T?\T .\ TVRE l\TTXTA'l'UnE FRANCES. BY A. MARGARETTA ARCHAMBAULT PETIT JEAN. BY ANNA HURLBURT JACKSON ..{ MINIATURE THE PINK SCARF. llY ELSIE DODGE PATTEE MlXl.A'J'liHE CORINNE DORDEN FREEMAN. BY EMILY DRAYTON TAYLOR CATALOGUE OF THE I THIRTEENTH ANNUAL EXHIBITION OF MIN IATURES. 9 GALLERY I. 9 BRENETTA HERRMAN CRAWFGRD. 1 Riccardo Martin. MARTHA WHEELER BAXTER. 2 My Mother. EDITH SA WYER. 3 Mrs. Andrew Sawyer. EMMA K. H. INGERSOLL. 4 Portrait Sketch. MINIATURE BABY. BY EULABEE DIX BECKER CLARA LOUISE BELL. .~ 5 Elizabeth. REBECCA BURD PEALE PATTERSON. 6 George, Jr. LUCIA FAIRCHILD FULLER. 7 In the Looking-Glass. 9 MINIATURES. MINIATURES. HELEN WINSLOW DURKEE. MARIA J. STREAN. 8 The Flowered Dress. 19 Portrait. ADELYN BUSHNELL. CAROLYN D. TYLER. 9 Portrait of an Old Man. 20 Jeannette. HELEN WINSLOW DURKEE. BERTHA COOLIDGE. 21 Portrait of a Russian Girl. 10 Still Life. ELSIE DODGE PATTEE. GERTRUDE J. BARNES. · II The Pink Scarf. 22 Girl With Persian Cat. ANNIE M. FENDERSON. LILA CHASE. 12 Portrait: Wilhilmenia. 23 Elizabeth. HARRY L. JOHNSON. MARTHA WHEELER BAXTER. 24 Moon Before Sundown. 13 Theodore. EULABEE DIX BECKER. SALLY CROSS. 25 Philip Dix Becker. 14 Portrait: Miss Lilian Gardener. WILLIAM J. BAER. ANNA LYNCH. 26 Young Diana. 15 Marion Stanton. EDNA HUESTIS SIMPSON. MARTHA WHEELER BAXTFR. 27 Outdoor Sketch. 16 The Peacock Fan. HARRY L. JOHNSON. EVELYN PURDIE. 28 The Inquiry. 17 Portrait. SARAH BARTRAM STEWART. MARY H. TANNAHILL. 29 Brother and Sister. 18 Girl With Parrot. II IO MINIATURES. MINIATURES. LYDIA EASTWICK LONGACRE. A. MARGARETTA ARCHAMBAULT. 30 The Blue Kimono. 41 Portrait. 42 Frances. BRENETTA HERRMAN CRAWFORD. 43 Miss K. c. 31 Colonel Bradley. MARIAN DUNLAP HARPER. S. CORINNE JAMAR. 44 Miss G. 32 Bob. LUCIA FAIRCHILD FULLER. BERTHA COOLIDGE. 45 Head of a Young Woman. 33 Portrait of Miss E. L. S. ANNIE HURLBURT JACKSON. , A HELOISE GUILLOU REDFIELD. 46 Petit Jean. 31 Portrait of Miss Sarah Y erxa. 47 Helen Kreck. EMMA K. H. INGERSOLL. EDITH SA WYER. 35 Baby Dan. 48 Miss Katherine Ecob. ELLEN WETHERALD AHRENS. EMILY ORA YTON TAYLOR. 36 Miss G. C. 49 Miss Corinne B. Freeman. LUCIA FAIRCHILD FULLER. MARTHA B. WILLSON. 37 Sketch of a Man. 50 The Lace Cap. MABEL R. WELCH. ANNIE HURLBURT JACKSON. 38 Mrs,.Sheridan. 51 Louise Russell. A. MARGARETTA ARCHAMBAULT. MARGARET HERR. 39 Miss J. C. 52 Malvina. EDA NEMOEDE CASTERTON. ELIZABETH F. WASHINGTON. 40 Miss Pauline Batchelder. 53 Abdul Baha. 12 13 MINIATURES. MINIATURES.
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  • A Lasting Impression

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    1 A Lasting Impression An Introduction to Pennsylvania Impressionism James A. Michener Art Museum’s Traveling Trunk James A. Michener Art Museum • 138 South Pine Street • Doylestown, PA 18901 MichenerArtMuseum.org • 215-340-9800 2 A Lasting Impression James A. Michener Art Museum’s Traveling Trunk Table of Contents Lessons Lesson 1: First Impressions pages 3-4 Lesson 2: Improvisational Theater pages 5-6 Lesson 3: Journals and Boxes page 7 Lesson 4: Contemporary Connections pages 8-9 Lesson 5: The Arts and Media pages 10 Lesson 6: Painting Impressions page 11 Lesson 7: Michener Museum Impressions pages 12-13 Lesson 8: Women in the Arts pages 14-15 Lesson 9: Impressionism and the Environment page 16 Lesson 10: Your Last Impression page 17 Appendix 1: Vocabulary pages 18-24 Appendix 2: Standards pages 25-40 Appendix 3: Biographies and Visuals pages 41-102 Appendix 4: Bibliography pages 103-104 James A. Michener Art Museum • 138 South Pine Street • Doylestown, PA 18901 MichenerArtMuseum.org • 215-340-9800 3 A Lasting Impression James A. Michener Art Museum’s Traveling Trunk Lesson 1: First Impressions Social Studies, Studio Art, Language Arts, Art History Connections Objectives: Students will be introduced to the themes and materials in the James A. Michener Art Museum Culture Kit, A Lasting Impression. Students will demonstrate an understanding of the vocabulary presented in the Lasting Impressions Culture Kit Students will become familiar with the distinctive style in Pennsylvania Impressionist paintings, through the works of Lathrop, Redfield, and Sotter Students will use original documentation to learn about the history of Pennsylvania Impressionism Students will understand the importance of Bucks County heritage as it relates to Pennsylvania, American, and French Impressionism Lesson Ideas Explore the Culture Kit Display the contents of the Culture Kit in your classroom or school library.
  • Milford Mine National Register Historic District, Crow Wing County, Minnesota

    Milford Mine National Register Historic District, Crow Wing County, Minnesota

    MILFORD MINE NATIONAL REGISTER HISTORIC DISTRICT, CROW WING COUNTY, MINNESOTA CULTURAL LANDSCAPE REPORT Site History, Existing Conditions, Analysis and Evaluation Prepared by Two Pines Resource Group, LLC and 10,000 Lakes Archaeology, Inc. March 2015 PUBLIC VERSION MILFORD MINE NATIONAL REGISTER HISTORIC DISTRICT, CROW WING COUNTY, MINNESOTA CULTURAL LANDSCAPE REPORT Site History, Existing Conditions, Analysis and Evaluation Prepared for Crow Wing County Land Services 322 Laurel Street, Suite 12 Brainerd, MN 56401 Prepared by Michelle M. Terrell, Ph.D., RPA Two Pines Resource Group, LLC 17711 260th Street Shafer, MN 55074 Amanda Gronhovd, M.S., RPA 10,000 Lakes Archaeology, Inc. 220 9th Avenue South South St. Paul, MN 55075 THIS PROJECT WAS FUNDED IN PART BY THE ARTS AND CULTURAL HERITAGE FUND March 2015 PUBLIC VERSION MILFORD MINE NATIONAL REGISTER HISTORIC DISTRICT CULTURAL LANDSCAPE REPORT This publication was made possible in part by the people of Minnesota through a grant funded by an appropriation to the Minnesota Historical Society from the Minnesota Arts and Cultural Heritage Fund. Any views, findings, opinions, conclusions or recommendations expressed in this publication are those of the authors and do not necessarily represent those of the State of Minnesota, the Minnesota Historical Society, or the Minnesota Historic Resources Advisory Committee. MILFORD MINE NATIONAL REGISTER HISTORIC DISTRICT CULTURAL LANDSCAPE REPORT MILFORD MINE NATIONAL REGISTER HISTORIC DISTRICT CULTURAL LANDSCAPE REPORT They came mostly to fulfill dreams of a better life and were willing to work hard and long to achieve that – if not for themselves, at least for their children… ~ ~ ~ Among the miners there developed a closeness and camaraderie that transcended the differences in language, ethnic background, and religion.
  • USING the WOODMERE ART MUSEUM AS a CASE STUDY a Thesis Submitted To

    USING the WOODMERE ART MUSEUM AS a CASE STUDY a Thesis Submitted To

    THE ORIGIN, PRESENT, AND FUTURE OF REGIONAL ART MUSEUMS — USING THE WOODMERE ART MUSEUM AS A CASE STUDY A Thesis Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS by Hua Zhang May 2021 Thesis Approvals: Linda Earle, Thesis Advisor, Art History Department James Merle Thomas, Second Reader, Art History Department ABSTRACT This paper uses the Woodmere Art Museum in Philadelphia as a case study to examine the origins and institutional evolution of American regional art museums, identify some of the challenges they currently face, and the important civic and cultural roles they play in their communities. The chapter “Origins” provides a basic overview of Woodmere’s founding and history and considers how, within an American context, such museums eventually evolved from private galleries to publicly engaged nonprofit organizations over the course of the twentieth century as their missions, stakeholders, and audiences evolved. Like other regional art museums that demonstrate the same model, Woodmere’s regional identity and its focus on local art deepen the ties between itself and the community it serves and creates cultural resonances that make regional art museums an irreplaceable part of the American museum industry. However, small regional art museums face important challenges as their finances are more vulnerable, and they must deal with some of the same social, institutional, and ethical issues faced by larger public- facing institutions with a smaller pool of resources. The chapter “Present Challenges” looks at the need to develop sustainable management and financial structures and inclusive strategies to understand and build on audience relationships as a way to survive and grow.
  • Van Gogh Museum Journal 2002

    Van Gogh Museum Journal 2002

    Van Gogh Museum Journal 2002 bron Van Gogh Museum Journal 2002. Van Gogh Museum, Amsterdam 2002 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012200201_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 7 Director's foreword In 2003 the Van Gogh Museum will have been in existence for 30 years. Our museum is thus still a relative newcomer on the international scene. Nonetheless, in this fairly short period, the Van Gogh Museum has established itself as one of the liveliest institutions of its kind, with a growing reputation for its collections, exhibitions and research programmes. The past year has been marked by particular success: the Van Gogh and Gauguin exhibition attracted record numbers of visitors to its Amsterdam venue. And in this Journal we publish our latest acquisitions, including Manet's The jetty at Boulogne-sur-mer, the first important work by this artist to enter any Dutch public collection. By a happy coincidence, our 30th anniversary coincides with the 150th of the birth of Vincent van Gogh. As we approach this milestone it seemed to us a good moment to reflect on the current state of Van Gogh studies. For this issue of the Journal we asked a number of experts to look back on the most significant developments in Van Gogh research since the last major anniversary in 1990, the centenary of the artist's death. Our authors were asked to filter a mass of published material in differing areas, from exhibition publications to writings about fakes and forgeries. To complement this, we also invited a number of specialists to write a short piece on one picture from our collection, an exercise that is intended to evoke the variety and resourcefulness of current writing on Van Gogh.