DOCSLIB.ORG

Rowan Jazz Camp Faculty

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rowan Jazz Camp Faculty 301623 ROWAN BROCH_Layout 1 10/20/10 9:14 AM Page 2 Name of Parent/Guardian _______________ Rowan Jazz Camp Faculty Address _____________________________ Brian Betz is a guitarist, composer, and educator who The Delaware Symphony, and the Relâche Ensemble. He THE resides in the Philadelphia Metro Area, performing received a Bachelor of Music from the University of the City_________________________________ throughout the USA with many different musical artists. Arts and a Master of Music from Temple University. Brian has 6 CD releases available on the Dreambox MAYNARD FERGUSON Media label: Up and Running (2001), Without a Doubt Jim McFalls is a twenty-one year veteran of the famed State___________ Zip_________ (2003), Dichotomy (2005), Muted Bebop (2006), United States Army Jazz Ambassadors. As the lead and INSTITUTE OF The Denis DiBlasio/Brian Betz Project (2007), Denis Jazz trombonist of the JAS, has performed and recorded Day-time phone___________________ DiBlasio/Brian Betz Project-Flute/Guitar (2010). with veritable “who’s who” of jazz luminaries including JAZZ STUDIES Brian holds two degrees from Rowan University (BM, Dave Liebman, Geoff Keezer, Denis Diblasio, Ingrid Evening phone ___________________ MM) and is endorsed by GHS guitar strings. He is a Jensen, Clark Terry, Jim Ridl, Slide Hampton, Tim two-time winner of the Betty Carter International Jazz Hagans, Gary Thomas, Christian McBride, Ron Blake, AT Special Medical needs/Food Limitations Competition (2004, 2007) and a runner up for the 2006 Dave Samuels, Jeff Coffin, Carl Fontana, Jon Faddis, Henry Mancini Jazz competition. Brian is currently on and Toots Thielmans. In addition to his performance the faculty at Rowan University where he teaches jazz schedule, Jim serves as a full-time faculty member of the ____________________________________ guitar and jazz improvisation. Jazz and Commercial Music Studies Division at Towson University where he directs the big band and teaches jazz ____________________________________ Denis DiBlasio is the Executive Director of the history and jazz trombone. Mr. McFalls is an Antoine Maynard Ferguson Institute of Jazz Studies at Rowan Courtois Artist/Clinician appearing throughout the US How did you learn of the Rowan Jazz Camp? University, saxophonist, composer, arranger and musical and abroad as a performer, guest conductor and lecturer. ____________________________________ director for the Institute. He is an internationally acclaimed performer, clinician, and educator for the Dan Monaghan is one of the busiest drummers in the Roommate preference (Optional) _________ Yamaha Music Corporation of America. He is the author Philadelphia area. After studying classical percussion Housing status (circle one) of five texts on jazz improvisation and a recording artist for eight years he went on to earn a Bachelors of Music Commuter Resident for Encounter Records with nine CD’s under his own in jazz studies from Temple University. Since then name. He received the Master of Music degree from the he has performed with some of the top names in jazz, University of Miami. including Eric Alexander, Peter Bernstein, Uri Caine, T-shirt size (circle one) and Randy Brecker. In addition, he has recorded with M L XL XXL George Genna’s professional resume runs the gamut of Dick Oatts, Garry Dial, Joe Magnarelli, Jimmy Bruno, PRESENTS THE the music business including gigs with Sammy Davis Elio Villafranca, Joanna Pascale, John Vanore & Abstract I agree to abide by camp rules and regulations*. Jr., Frank Sinatra, Jerry Lewis, Chuck Berry, Chubby Truth, Larry McKenna, Jon Lundbom & Big Five Chord, I give the Camp Director permission to seek Checker, Joe Lovano, Randy Brecker, Sean Jones, and Norman David, Tom Tallitsch, Mike Kennedy, and many qualified medical attention in the event of an Jack Sheldon. Well versed in every style of piano, he others. Dan has performed at the Mellon Jazz Festival, emergency. has recently retired as Instructor of Jazz Piano at Rowan the East Coast Jazz Festival, the Wilmington Latino ELEVENTH ANNUAL University. Festival, the Cremona Jazz Festival, the Blue Note, Applicant Signature Blues Alley, Smoke, Ortlieb’s Jazzhaus, Zanzibar Blue, Douglas Mapp ________________________Date________ (CAMP DIRECTOR) is a Professor of and Chris’ Jazz Cafe, among other well-known venues. Jazz Studies and String Bass at Rowan University where he coordinates the small jazz ensemble program. He has George Rabbai is an instructor of both jazz and classical ROWAN JAZZ CAMP Parent/Guardian Signature performed with numerous jazz artists including Monty trumpet at Rowan University and a freelance trumpet Alexander, Terrance Blanchard, Natalie Cole, Patti player in New York, Philadelphia, and Atlantic City. ________________________Date________ Austin, Randy Brecker, Sean Jones, Ernie Watts, Doc He is currently performing with friend and colleague • Jazz Camp rules and regulations will be in Severenson, Larry McKenna, Bootsie Barnes, Jimmy Denis DiBlasio, and Michael Feinstein in New York. the information packet that each registered Bruno, Donald Byrd, Ray Charles, James Moody, and Mr. Rabbai has recently recorded a new CD with JULY 9 – JULY 13, 2017 camper will receive prior to the camp. George Russell. He can be heard on recordings by Michael Feinstein entitled “Romance on Broadway” and Jeff Majors, Philip Glass, R Kelly, Lana Del Rey, “Romance on Film” where he is a featured jazz soloist. 301623 ROWAN BROCH_Layout 1 10/20/10 9:14 AM Page 1 The Maynard Ferguson Institute of Jazz Studies the newly renovated Student Center Dining Rowan Jazz Camp Schedule Application at Rowan University Department of Music Hall. Dormitory and campus supervision will be proudly announces provided by Rowan University music students and Sunday July 9, 2017 Rowan University Campus Security. 9:00 – 12:00 Student registration, check Name ______________________________ The Eleventh Annual into dorms, and auditions Evening events will feature performances by camp 12:00 – 1:00 Lunch Sex (circle one) Male Female Rowan Jazz Camp faculty and will highlight students performing 1:00 – 1:30 Camp meeting both with each other and the faculty. The closing 1:30 – 3:00 Big Band Rehearsal The Rowan Jazz Camp offers students from Date of birth___________ Gala Concert on Thursday July 13, 2017 will be 3:30 – 4:30 Intro to Jazz Improvisation southern New Jersey and surrounding states a an outdoor concert in the Wilson Music Building 5:30 Dinner chance to study with some of the region’s finest Courtyard (weather permitting). Address _____________________________ jazz educators and performers. During this 7:00 Faculty Septet in Concert dynamic five-day camp, students will learn big Description of fees: Monday July 10 -Wednesday July 12, 2017 City_________________________________ band and small jazz combo techniques as well Resident $775.00 8:00 – 8:45 Breakfast as improvisation and other musicianship skills Commuter $575.00 necessary for today’s jazz students (ages 14 – 18) 9:00 – 9:30 Group Warm-up State___________ Zip________ 9:45 – 11:00 Big Band and tomorrow’s performers. * After June 1, 2017 fees are as follows Resident $825.00 11:15 – 12:00 Theory/Improvisation Classes Day-time phone______________________ Hosted by The Rowan University Department of Commuter $625.00 Rhythm Section Clinic Music and The Maynard Ferguson Institute of Jazz 12:15 – 1:15 Lunch Evening phone_______________________ Studies, the students will study in the spacious Checks should be payable to: 1:45 – 2:45 Faculty Master-Classes Wilson Music Building which houses Pfleeger Rowan Jazz Camp 3:00 – 4:15 Elective Classes Email address ________________________ Concert Hall, Boyd Recital Hall, two very newly 4:15 – 5:15 Small Combo Sessions renovated rehearsal rooms, and over 80 practice Mail application form and check to: 5:30 Dinner Name of High School __________________ rooms including several with “Smart Room” Rowan Jazz Camp 7:00 (Mon.) Faculty Big Band technology. The various performing and rehearsal (Wed.) Student Combo Douglas Mapp, Camp Director Grade you will enter in the Fall of 2017____ spaces allow for the students to perform in both Department of Music Performances small groups and full big bands. In addition, 201 Mullica Hill Rd. students will also be given the opportunity to Glassboro, NJ 08028-1701 Thursday July 13, 2017 Name of Band Director _______________ perform in master-classes as well as attend music 8:00 – 8:45 Breakfast theory, jazz improvisation, MIDI technology, and 9:00 – 9:30 Group Warm-up Name of Private Teacher_______________ special sessions dedicated to issues unique to each NOTE: A non-refundable deposit of $100.00 9:45 – 11:00 Big Band instrument. reserves your space at this camp. Payment is due 11:15 – 12:00 Theory Classes Primary instrument _________________ in full by June 1, 2017. Enrollment is limited. Rhythm Section Clinic Classes will cover a vast array of topics, including Students who fail to have their tuition paid in full 12:15 – 1:15 Lunch but not limited to: Latin rhythms for drum set, Years of study________ by due date risk losing their reservation. 1:30 – 2:45 Group workshop: Music introduction to MIDI (including Finale, Smart Music, Sibelius, Garage Band and Band in a beyond high school. Music as Secondary instrument _______________ For more information contact the camp director a profession. Box). Other important topics include preparation Professor Douglas Mapp for college auditions, practice techniques, the 3:00 – 4:15 Big Band Rehearsal Years of study ________ 856-256-4500 Ext. 3591 4:30 – 5:30 Dinner business of music, transcription, and keyboard [email protected] harmony. 5:45 – 6:30 Check-out of dorms 7:00 Final concert apply online @ www.rowan.edu/musiccamps apply online @ www.rowan.edu/musiccamps Students will be housed in air-conditioned Rowan University dormitories and will eat in .
Load more

Recommended publications
  • New York Meets Vienna
    Magazin der Gesellschaft der Musikfreunde in Wien März 2005 New York meets Vienna Dave Liebman: Zu Wien pflegt er zweifellos eine partikuläre Beziehung. Nicht nur weil er hier – beginnend mit „Lookout Farm“ 1974 im Jazzland – bereits häufig gastiert hat, nein: Wien beherbergt mit dem Porgy & Bess auch jenen Club, von dem er erst kürzlich, im letzten seiner dreimal jährlich verschickten E-Mail-Newsletter, erneut bekannte, dieser sei sein weltweiter Favorit unter den Jazzetablissements. Nun gastiert Dave Liebman mit mehreren Programmen im Magna Auditorium des Musikvereins. Der Mann, der solcherart eine besondere Wien-Affinität zum Ausdruck bringt, ist weit herumgekommen: Dave Liebmans Name hat Rang und Klang in der internationalen Jazz- Community. Als Saxophonist, Komponist und auch als Pädagoge hat er Spuren in der Geschichte hinterlassen, um noch in der Gegenwart Akzente zu setzen. Dave Liebman, das ist jener New Yorker Haudegen, der noch bei den Giganten des Jazz gelernt hat. John Coltrane war es, der den Jugendlichen für jene Musik begeisterte und ihm im persönlichen Kontakt Anregungen mit auf den Weg gab. Zum gemeinsamen Spiel reichte es freilich nicht: Denn als jene Lichtgestalt der sechziger Jahre, Konsensfigur für Avantgardisten und gemäßigte Modernisten, 1967 im Alter von nicht einmal 41 Jahren starb, war Liebman gerade 20 Jahre alt. Lehrling bei Miles Davis Höhere Weihen sollte der in einer liberalen jüdischen Familie in Brooklyn Aufgewachsene durch sein Engagement in der Band des ehemaligen Coltrane-Schlagzeugers Elvin Jones (den er in seinem Nachruf 2004 als eigentlichen musikalischen „Vater“ bezeichnete) erhalten, wie auch durch Miles Davis himself: 1972 als Ersatz für den kurzfristig ausgefallenen Carlos Garnett zu einem Aufnahmetermin für das Meisterwerk „On The Corner“ ins Studio gerufen, gehörte Liebman 1973/74 der Band des genial-schwierigen Trompeters nach dessen Umorientierung hin zum Rock-Jazz an – und erlebte in diesen knapp eineinhalb „Lehrlingsjahren“ (Liebman), die u.
    [Show full text]
  • Liebman Expansions
    MAY 2016—ISSUE 169 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE LIEBMAN EXPANSIONS CHICO NIK HOD LARS FREEMAN BÄRTSCH O’BRIEN GULLIN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2016—ISSUE 169 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Chico Freeman 6 by terrell holmes [email protected] Andrey Henkin: [email protected] Artist Feature : Nik Bärtsch 7 by andrey henkin General Inquiries: [email protected] On The Cover : Dave Liebman 8 by ken dryden Advertising: [email protected] Encore : Hod O’Brien by thomas conrad Editorial: 10 [email protected] Calendar: Lest We Forget : Lars Gullin 10 by clifford allen [email protected] VOXNews: LAbel Spotlight : Rudi Records by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above CD Reviews or email [email protected] 14 Staff Writers Miscellany David R. Adler, Clifford Allen, 37 Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Ken Dryden, Donald Elfman, Event Calendar 38 Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Tracing the history of jazz is putting pins in a map of the world.
    [Show full text]
  • David Liebman Papers and Sound Recordings BCA-041 Finding Aid Prepared by Amanda Axel
    David Liebman papers and sound recordings BCA-041 Finding aid prepared by Amanda Axel This finding aid was produced using the Archivists' Toolkit November 30, 2018 Describing Archives: A Content Standard Berklee Archives Berklee College of Music 1140 Boylston St Boston, MA, 02215 617-747-8001 David Liebman papers and sound recordings BCA-041 Table of Contents Summary Information ................................................................................................................................. 3 Biographical/Historical note.......................................................................................................................... 4 Scope and Contents note............................................................................................................................... 4 Arrangement note...........................................................................................................................................4 Administrative Information .........................................................................................................................5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 Scores and Charts...................................................................................................................................
    [Show full text]
  • Beirach - Huebner - Mraz
    BEIRACH - HUEBNER - MRAZ ROUND ABOUT BARTÓK Richie Beirach Gregor Huebner George Mraz ACT 9276-2 Release Date Germany: April 2000 Pianist Richie Beirach and bassist George Mraz have long been major creative forces in the jazz world, while violinist Gregor Huebner has made a career straddling the worlds of classical and jazz music. On Round About Bartók the three master musicians collaborate with the intention of transposing motifs from European classical and folk compositions into the improvisatory language of jazz. Such a project has its dangers. Ever since composer Gunther Schuller began experimenting in the late 1950's with what became known as "Third Stream" music by bringing improvising jazz musicians into orchestral settings, classical and jazz musicians have been attempting to integrate the two musics with only occasional success. Round About Bartók may be counted as one of those successes; the unique concomitant sensibilities of Beirach, Huebner and Mraz make for a creative process which transforms motifs from Bartók, Scrijabin, Kodaly and Porumbescu, Russian and Romanian folk songs, and a Richie Beirach original composition into moving vehicles for the expression of the trio's own passions and discoveries. Richie Beirach was born in 1947 in Brooklyn, N.Y. His love for classical music is reflected in his innovative chordal vision which has often borrowed and then extended and amplified 20th century classical harmonic concepts. Richie Beirach says he often feels like "Bartók's great nephew from New York". Bartók spent years in the field studying Hungarian folk music, which in turn influenced the Hungarian's compositional direction; it's understandable that Beirach has a like affinity for East European folk and classical music.
    [Show full text]
  • From Birth to Death of Cool
    Western Michigan University ScholarWorks at WMU Honors Theses Lee Honors College 4-2009 From Birth to Death of Cool Brandon Theriault Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/honors_theses Part of the Music Commons Recommended Citation Theriault, Brandon, "From Birth to Death of Cool" (2009). Honors Theses. 1657. https://scholarworks.wmich.edu/honors_theses/1657 This Honors Thesis-Open Access is brought to you for free and open access by the Lee Honors College at ScholarWorks at WMU. It has been accepted for inclusion in Honors Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. FROM BIRTH TO DEATH OF COOL by Brandon Theriault An Honors Thesis Submitted to the Lee Honors College of Western Michigan University April, 2009 INTRODUCTION "Miles Davis was a bad dude. He was one of the baddest men in jazz... baddest jazzman ever." -Alvin Jones. Who is Alvin Jones? Alvin Jones is the man I just met outside of the Bernhard Center on Western Michigan University's campus in Kalamzoo, MI. I have been laboring over my honors thesis for months now; I am approaching its completion and was at a loss for a way to start the piece. As Alvin Jones stumbled up to me panhandling for a cigarette I could not help but notice his physical similarity to Miles. He looked to be approaching 65, white whiskers sparsely covering his face and making appearances throughout his eyebrows. He was slender, taller than average, and had exaggerated facial features; large luminous eyes, long eyelashes and high cheekbones.
    [Show full text]
  • The Art of Skill Establishing the Mindset for Unleashing the Music Inside You the Art Ofthe Art Skill
    DAVE LIEBMAN The Art of Skill Establishing the Mindset For Unleashing the Music Inside You The Art of Skill ArtThe of Edited and Designed by Michael Lake Foreword by Steve Swallow The Art of Skill Contents Foreword ......................................................................................................................................V Introduction ................................................................................................................................VI I Seeing the Light.......................................................................................................... 1 II Finding Your Voice ..................................................................................................... 7 III The Quest for Competence ........................................................................................ 25 When is your result good enough? ...................................................................................26 Practicing towards excellence ............................................................................................37 The artist’s challenge ...........................................................................................................28 Nature versus nurture .........................................................................................................29 Synchronicity .......................................................................................................................30 Fear ........................................................................................................................................31
    [Show full text]
  • Paul Blaney Joseph Bowie Alvin Cornista Milt Hinton Fred Van Hove Lyn Stanley
    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Paul blaney joseph bowie Alvin Cornista Milt Hinton Fred Van Hove Lyn Stanley M International Jazz News Photo jazz Stories CD Reviews Book Reviews DVD Reviews Obituaries Volume 40 Number 3 Jul Aug Sept 2014 THE DIFFERENT DRUMMER... IS ON OUR LABEL WWW.INNOVA.MU 2 | CADENCE MAGAZINE | JUL AUG SEPT 2014 CORINA BARTRA & HER AZÚ PROJECT TRIBUTE TO CHABUCA GRANDA AVAILABLE ON CDBABY 4 | CADENCE MAGAZINE | JUL AUG SEPT 2014 ___ IC 1001 Doodlin’ - Archie Shepp ___ IC 1070 City Dreams - David Pritchard ___ IC 1002 European Rhythm Machine - ___ IC 1071 Tommy Flanagan/Harold Arlen Phil Woods ___ IC 1072 Roland Hanna - Alec Wilder Songs ___ IC 1004 Billie Remembered - S. Nakasian ___ IC 1073 Music Of Jerome Kern - Al Haig ___ IC 1006 S. Nakasian - If I Ruled the World ___ IC 1075 Whale City - Dry Jack ___ IC 1012 Charles Sullivan - Genesis ___ IC 1078 The Judy Roberts Band ___ IC 1014 Boots Randolph - Favorite Songs ___ IC 1079 Cam Newton - Welcome Aliens ___ IC 1016 The Jazz Singer - Eddie Jefferson ___ IC 1082 Monica Zetterlund, Thad Jones/ ___ IC 1017 Jubilant Power - Ted Curson Mel Lewis Big Band ___ IC 1018 Last Sessions - Elmo Hope ___ IC 1083 The Glory Strut - Ernie Krivda ___ IC 1019 Star Dance - David Friesen ___ IC 1086 Other Mansions - Friesen/Stowell ___ IC 1020 Cosmos - Sun Ra ___ IC 1088 The Other World - Judy Roberts ___ IC 1025 Listen featuring Mel Martin ___ IC 1090 And In This Corner… - Tom Lellis ___ IC 1027 Waterfall Rainbow - David Friesen ___ IC 1094 NY State of Mind - Ann
    [Show full text]
  • Richie Beirach & Gregor Huebner
    Richie Beirach & Gregor Huebner Live at Birdland New York ACT 9839-2 German release date: 28.04.2017 Happy Birthday Richie Beirach and Gregor Huebner! A couple of the tracks from these albums are revisited on the CD. “Around Bartók Bagatelle #4” at first When it comes to jazz musicians improving with reflects the elegant classicism of Beirach’s mesmerizing age, the pianist Richie Beirach is a perfect example. With solo piano recordings then later his restless, harmonically the release of “Live at Birdland New York” the pianist- adventurous artistry that has glimpses of the early influence composer is celebrating his 70th birthday, and of McCoy Tyner and Bill Evans among other piano demonstrates he’s still at the top of his game alongside his modernist giants. As does his solo on Johann Sebastian congenial partner of two decades, the Stuttgart-born, New Bach’s “Siciliana” with Huebner’s violin adding a York based violinist Gregor Huebner. Another birthday boy, bewitching yearning, jazz-inflected mediterranean quality. Huebner is also celebrating a milestone, reaching half a century on May 23, the exact same day as Beirach. “I think the music of certain composers is more approachable for improvisation then others,” observes As a tribute, the leading Munich-based jazz label ACT Huebner. “For example Bach was a great improviser and releases a CD featuring highlights recorded in 2012 from you hear that in his music. In some of the romantic their decade long annual week’s ‘live’ residence at the composers you find similar harmonic structures which were illustrious Birdland in New York, in which they are joined by used later in jazz and with Bártok and other composers from the high calibre lineup of bassist George Mraz, trumpeter the 20th century the rhythmic part is very interesting.
    [Show full text]
  • Quadraphonicquad Multichannel Engineers of All Surround Releases
    QuadraphonicQuad Multichannel Engineers of all surround releases JULY 2021 UPDATED 2021-7-16 Type Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow MCH Dishwalla Services, State MCH Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Quad Abramson, Mark 1973 Judy Collins Colors of the Day - The Best Of CD-4/Q8/QR/SACD MCH Acquah, Ebby Depeche Mode 101 Live SACD The Outrageous Dr. Stolen Goods: Gems Lifted from P: Alan Blaikley, Ken Quad Adelman, Jack 1972 Teleny's Incredible CD-4/Q8/QR/SACD the Masters Howard Plugged-In Orchestra MCH Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A MCH Ainlay, Chuck David Alan David Alan DVD-A MCH Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD MCH Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V MCH Ainlay, Chuck Everclear So Much for the Afterglow DVD-A MCH Ainlay, Chuck George Strait One Step at a Time DTS CD MCH Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD MCH Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc MCH Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD MCH Ainlay, Chuck Mavericks, The Trampoline DTS CD MCH Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD MCH Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD MCH Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD MCH Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD MCH Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD QSS: Ron & Howard Quad Albert, Ron & Howard 1975
    [Show full text]
  • Jazz Rock Fusion Surviving Four Decades and Counting…
    1 of 38 Jazz Rock Fusion Surviving Four Decades and Counting… By, Rick Calic www.jazzrockworld.com March 2006 Writing an article about Jazz Rock Fusion these days might seem as pointless as debating the benefits of Hi-Fi equipment with vacuum tubes vs. transistors to someone that uses an iPod. The only people that would care are older folks who even remember tubes and dedicated enthusiasts. On the other hand, while Jazz Rock Fusion might be older or seem equally pointless to many reading this article, there remains a large but scattered segment of the world’s population that sees the genre as a vibrant and legitimate art form. Sadly though, the musical perspective regarding Jazz Rock Fusion was narrow from the beginning and will probably always be that way. Jazz Rock Fusion, in terms of the entire world of music, constitutes just a tiny fraction of interest. Yet, if we accept this as fact, which most fans, musicians and certainly “big business” does, the generation of any interest at all is meritorious. In order to discuss the music with integrity, a ground rule needs to be established. This ground rule is required due to the unsolved, long lasting, and ongoing mysteries of the music and its unique identity. Mysteries such as: What is Jazz Rock Fusion? Who started Jazz Rock Fusion? What should it be called? And finally, with no major media support why is there still a market? So, what are the answers you ask? Quite simply these mysteries will remain mysteries. Answering the questions definitively will end up as trivial as the facts regarding the creation and development of the gut bucket.
    [Show full text]
  • The Jazz and Improvised Music Scene in Vienna After Ossiach (1971-2011)
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2013 Free from Jazz: The Jazz and Improvised Music Scene in Vienna after Ossiach (1971-2011) Thomas Albert Zlabinger Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1684 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] FREE FROM JAZZ: THE JAZZ AND IMPROVISED MUSIC SCENE IN VIENNA AFTER OSSIACH (1971-2011) by THOMAS ALBERT ZLABINGER A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2013 ii 2013 THOMAS ALBERT ZLABINGER All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Prof. Jeffrey Taylor Date Chair of Examining Committee Prof. David Olan Date Executive Officer Prof. Peter Manuel Prof. Stephen Blum Prof. Reinhold Wagnleitner (Universität Salzburg) Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv ABSTRACT Free from Jazz: The Jazz and Improvised Music Scene in Vienna after Ossiach (1971-2011) by Thomas Albert Zlabinger Advisor: Prof. Peter Manuel Focusing on a diverse and eclectic scene that is under-documented, this dissertation investigates the historical, social, and cultural aspects of jazz and improvised music in Vienna over the last four decades.
    [Show full text]
  • PRISM Quartet Heritage/Evolution
    PRISM Quartet Heritage/Evolution Volume 1 featuring Steve Lehman Dave Liebman Rudresh Mahanthappa Greg Osby Tim Ries Miguel Zenón PRISM Quartet Heritage/Evolution DISC 1 3 1 I Will Not Apologize For My Tone Tonight 16:37 Composed in 2014 by Rudresh Mahanthappa PRISM Quartet with Rudresh Mahanthappa, alto Recorded April 13, 2014 in Brooklyn, NY at The Bunker Studio Aaron Nevezie, engineer Published by Mahanthappa Music (BMI) 2 The Missing Piece 9:34 Composed in 1999; arranged in 2014 by Miguel Zenón PRISM Quartet with Miguel Zenón, alto Recorded May 10, 2014 in Brooklyn, NY at The Bunker Studio Aaron Nevezie, engineer Published by Mazenon Music (BMI) 3 X Marks the Square 12:01 Composed in 2014 by Miguel Zenón PRISM Quartet with Tim Ries, tenor; Miguel Zenón, alto and percussion Recorded May 10, 2014 in Brooklyn, NY at The Bunker Studio Aaron Nevezie, engineer Published by Mazenon Music (BMI) 4 Name Day 15:22 Composed in 2014 by Tim Ries PRISM Quartet with Tim Ries, tenor and Miguel Zenón, alto Recorded May 10, 2014 in Brooklyn, NY at The Bunker Studio Aaron Nevezie, engineer Published by Rieses Pieses (BMI) 4 DISC 2 15 Places at the Same Time 1 Line/Texture 3:21 2 Gesture/Rhythm 4:16 3 Solo 1:50 4 Radical Alignment 3:31 5 Afterlife 3:18 Composed in 2014 by Steve Lehman PRISM Quartet with Steve Lehman, alto Recorded April 13, 2014 in Brooklyn, NY at The Bunker Studio Aaron Nevezie, engineer Published by Density Music (BMI) 6 Covenant of Voices 17:12 Composed in 2014 by Greg Osby PRISM Quartet with Dave Liebman, soprano and Greg Osby, alto
    [Show full text]