81 Danish Modern, Then and Now Donlyn Lyndon
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The Danish Sense of 'Design Better'
ENTREPRENEURSHIP PLATFORM COPENHAGEN BUSINESS SCHOOL enter #1 October 2013 Professor Robert Austin from the De partment of Management, Politics and Philosophy at CBS has studied the Danish company VIPP to explore why some services and products, like the VIPP trash bins, stand out in a crowd. Photo: VIPP PR photo The Danish sense of ‘design better’ Professor Robert Austin from the Department of Management, the Power of Plot to Create Extraordinary Products, which is ba- Politics and Philosophy at Copenhagen Business School heads sed on case studies of these companies. up the newly established Design and Entrepreneurship cluster He discovered, among other things, that VIPP ‘works harder on of the Entrepreneurship Platform. In his view, Denmark is one the intangibles that surround their physical products – the stories, of the best places in the world to understand how companies the imagery, the casual associations – than many other compa- become good at the deep and multifaceted sense of ‘design nies, and this helps them create meaning for their products. And better’ that makes products like VIPP’s trash bins stand out. He thus products that stand out as better and more desirable,’ he says. believes that there are new textbooks to be written about mana New cluster brings together design entrepreneurship ging creative businesses, and that some of this work involves competencies at CBS flipping ideas around to the opposite. ‘In the industrial society, Today, Robert Austin lives in Denmark and heads up the newly outliers were something companies tried to kill off. Today, har established Design and Entrepreneurship cluster of the Entrepre- vesting valuable outliers is at the core of innovation,’ he argues. -
A Danish Museum Art Library: the Danish Museum of Decorative Art Library*
INSPEL 33(1999)4, pp. 229-235 A DANISH MUSEUM ART LIBRARY: THE DANISH MUSEUM OF DECORATIVE ART LIBRARY* By Anja Lollesgaard Denmark’s library system Most libraries in Denmark are public, or provide public access. The two main categories are the public, local municipal libraries, and the public governmental research libraries. Besides these, there is a group of special and private libraries. The public municipal libraries are financed by the municipal government. The research libraries are financed by their parent institution; in the case of the art libraries, that is, ultimately, the Ministry of Culture. Most libraries are part of the Danish library system, that is the official library network of municipal and governmental libraries, and they profit from and contribute to the library system as a whole. The Danish library system is founded on an extensive use of inter-library lending, deriving from the democratic principle that any citizen anywhere in the country can borrow any particular book through the local public library, free of charge, never mind where, or in which library the book is held. Some research libraries, the national main subject libraries, are obliged to cover a certain subject by acquiring the most important scholarly publications, for the benefit not only of its own users but also for the entire Danish library system. Danish art libraries Art libraries in Denmark mostly fall into one of two categories: art departments in public libraries, and research libraries attached to colleges, universities, and museums. Danish art museum libraries In general art museum libraries are research libraries. Primarily they serve the curatorial staff in their scholarly work of documenting artefacts and art historical * Paper presented at the Art Library Conference Moscow –St. -
The Danish Design Industry Annual Mapping 2005
The Danish Design Industry Annual Mapping 2005 Copenhagen Business School May 2005 Please refer to this report as: ʺA Mapping of the Danish Design Industryʺ published by IMAGINE.. Creative Industries Research at Copenhagen Business School. CBS, May 2005 A Mapping of the Danish Design Industry Copenhagen Business School · May 2005 Preface The present report is part of a series of mappings of Danish creative industries. It has been conducted by staff of the international research network, the Danish Research Unit for Industrial Dynamics, (www.druid.dk), as part of the activities of IMAGINE.. Creative Industries Research at the Copenhagen Business School (www.cbs.dk/imagine). In order to assess the future potential as well as problems of the industries, a series of workshops was held in November 2004 with key representatives from the creative industries covered. We wish to thank all those who gave generously of their time when preparing this report. Special thanks go to Nicolai Sebastian Richter‐Friis, Architect, Lundgaard & Tranberg; Lise Vejse Klint, Chairman of the Board, Danish Designers; Steinar Amland, Director, Danish Designers; Jan Chul Hansen, Designer, Samsøe & Samsøe; and Tom Rossau, Director and Designer, Ichinen. Numerous issues were discussed including, among others, market opportunities, new technologies, and significant current barriers to growth. Special emphasis was placed on identifying bottlenecks related to finance and capital markets, education and skill endowments, labour market dynamics, organizational arrangements and inter‐firm interactions. The first version of the report was drafted by Tina Brandt Husman and Mark Lorenzen, the Danish Research Unit for Industrial Dynamics (DRUID) and Department of Industrial Economics and Strategy, Copenhagen Business School, during the autumn of 2004 and finalized for publication by Julie Vig Albertsen, who has done sterling work as project leader for the entire mapping project. -
Reassessment of Values and Aesthetics in Contemporary Nordic Design Skou, Niels Peter; Munch, Anders V
University of Southern Denmark New Nordic and Scandinavian retro Reassessment of values and aesthetics in contemporary Nordic design Skou, Niels Peter; Munch, Anders V. Published in: Journal of Aesthetics & Culture DOI: 10.3402/jac.v8.32573 Publication date: 2016 Document version: Final published version Citation for pulished version (APA): Skou, N. P., & Munch, A. V. (2016). New Nordic and Scandinavian retro: Reassessment of values and aesthetics in contemporary Nordic design. Journal of Aesthetics & Culture, 8(1), [32573]. https://doi.org/10.3402/jac.v8.32573 Go to publication entry in University of Southern Denmark's Research Portal Terms of use This work is brought to you by the University of Southern Denmark. Unless otherwise specified it has been shared according to the terms for self-archiving. If no other license is stated, these terms apply: • You may download this work for personal use only. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying this open access version If you believe that this document breaches copyright please contact us providing details and we will investigate your claim. Please direct all enquiries to [email protected] Download date: 30. Sep. 2021 Journal of AESTHETICS & CULTURE Vol. 8, 2016 New Nordic and Scandinavian Retro: reassessment of values and aesthetics in contemporary Nordic design Niels Peter Skou and Anders V. Munch* Department of Design and Communication, University of Southern Denmark, Odense, Denmark Abstract Anders V. Munch, Dr. Phil., is a The ‘‘New Nordic’’ label has spread in the design world professor in design culture at the Depart- since 2005, but it is quite difficult to distinguish from the ment of Design and Communication, Uni- image of ‘‘Scandinavian Design’’ and the heritage of values versity of Southern Denmark, Kolding. -
Onecollection-Finn-Juhl.Pdf
1912-1989 1912-1989 1912-1989 The 5 categories Finn Juhl – education, working and life The furniture sculptor reflects on the art of his time Finn Juhl’s furniture design – a cabinetmaker’s challenge Completeness in the interior Finn Juhl – international reputation Timeline Prizes Onecollection A/S has the sole rights worldwide to produce and market the furniture of We are very honoured working with the furniture art of Finn Juhl. He played an impor- the architect Finn Juhl (1912-1989). tant role in the time of unrest and upheaval within the development of Danish furniture design and put Denmark on the map of international design through his work. How to get the best out of the story Decoration In 2001 the rights were handed over personally by Finn Juhl’s widow, the music – and theatre publisher Hanne Wilhelm Hansen. After her death in 2003 the copyright belongs This gives us a certain obligation towards gathering and re-communicating knowledge The story is divided into 5 categories. Furniture to the Wilhelm Hansen Foundation which Onecollection is working with. of Finn Juhl and his work. This categorisation is chosen in order to create a complete impression of Finn Juhl by Today Finn Juhl is considered the father of the concept “Danish Modern” or “Danish With the history we should like to invite you into the universe of Finn Juhl, where his presenting different facets of Finn Juhl as a person and as an architect. Exhibition Design”. passion for the art got a significant impact on his work as a furniture architect. -
Scandi Navian Design Catalog
SCANDI NAVIAN DESIGN CATALOG modernism101 rare design books Years ago—back when I was graphic designing—I did some print advertising work for my friend Daniel Kagay and his business White Wind Woodworking. During our collaboration I was struck by Kagay’s insistent referral to himself as a Cabinet Maker. Hunched over my light table reviewing 35mm slides of his wonderful furniture designs I thought Cabinet Maker the height of quaint modesty and humility. But like I said, that was a long time ago. Looking over the material gathered under the Scandinavian Design um- brella for this catalog I now understand the error of my youthful judgment. The annual exhibitions by The Cabinet-Makers Guild Copenhagen— featured prominently in early issues of Mobilia—helped me understand that Cabinet-Makers don’t necessarily exclude themselves from the high- est echelons of Furniture Design. In fact their fealty to craftsmanship and self-promotion are constants in the history of Scandinavian Design. The four Scandinavian countries, Denmark, Sweden, Norway and Finland all share an attitude towards their Design cultures that are rightly viewed as the absolute apex of crafted excellence and institutional advocacy. From the first issue of Nyt Tidsskrift for Kunstindustri published by The Danish Society of Arts and Crafts in 1928 to MESTERVÆRKER: 100 ÅRS DANSK MØBELSNEDKERI [Danish Art Of Cabinetmaking] from the Danske Kunstindustrimuseum in 2000, Danish Designers and Craftsmen have benefited from an extraordinary collaboration between individuals, manufacturers, institutions, and governments. The countries that host organizations such as The Association of Danish Furniture Manufacturers, The Association of Furniture Dealers in Denmark, The Association of Interior Architects, The Association of Swedish Furni- ture Manufacturers, The Federation of Danish Textile Industries, Svenska Slojdforeningen, The Finnish Association of Designers Ornamo put the rest of the globe on notice that Design is an important cultural force deserv- ing the height of respect. -
Lecture Handouts, 2013
Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #1 INTRODUCTION & OVERVIEW Introductions Expectations Textbooks Assignments Electronic reserves Research Project Sources History-Theory-Criticism Methods & questions of Architectural History Assignments: Initial Paper Topic form Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #2 ARCHITECTURE OF WWII The World at War (1939-45) Nazi War Machine - Rearming Germany after WWI Albert Speer, Hitler’s architect & responsible for Nazi armaments Autobahn & Volkswagen Air-raid Bunkers, the “Atlantic Wall”, “Sigfried Line”, by Fritz Todt, 1941ff Concentration Camps, Labor Camps, POW Camps Luftwaffe Industrial Research London Blitz, 1940-41 by Germany Bombing of Japan, 1944-45 by US Bombing of Germany, 1941-45 by Allies Europe after WWII: Reconstruction, Memory, the “Blank Slate” The American Scene: Pearl Harbor, Dec. 7, 1941 Pentagon, by Berman, DC, 1941-43 “German Village,” Utah, planned by US Army & Erich Mendelsohn Military production in Los Angeles, Pittsburgh, Detroit, Akron, Cleveland, Gary, KC, etc. Albert Kahn, Detroit, “Producer of Production Lines” * Willow Run B-24 Bomber Plant (Ford; then Kaiser Autos, now GM), Ypsilanti, MI, 1941 Oak Ridge, TN, K-25 uranium enrichment factory; town by S.O.M., 1943 Midwest City, OK, near Midwest Airfield, laid out by Seward Mott, Fed. Housing Authortiy, 1942ff Wartime Housing by Vernon Demars, Louis Kahn, Oscar Stonorov, William Wurster, Richard Neutra, Walter Gropius, Skidmore-Owings-Merrill, et al * Aluminum Terrace, Gropius, Natrona Heights, PA, 1941 Women’s role in the war production, “Rosie the Riverter” War time production transitions to peacetime: new materials, new design, new products Plywod Splint, Charles Eames, 1941 / Saran Wrap / Fiberglass, etc. -
Architecture, Design and Conservation Danish Portal for Artistic and Scientific Research
Architecture, Design and Conservation Danish Portal for Artistic and Scientific Research Aarhus School of Architecture // Design School Kolding // Royal Danish Academy On why even Danish Design needs Theory Munch, Anders V.; Lentz, Uffe Published in: Doctoral Education in Design Publication date: 2003 Document Version: Publisher's PDF, also known as Version of record Link to publication Citation for pulished version (APA): Munch, A. V., & Lentz, U. (2003). On why even Danish Design needs Theory: Theoretical First Aid Kit to the Handyman in Research. In D. Durling, & K. Sugiyama (Eds.), Doctoral Education in Design: proceedings of the third conference (pp. 87-94). Institute of Art & Design, University of Tsukuba. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. Sep. 2021 On why even Danish Design does need Theory Theoretical First Aid Kit for Handymen in Research Anders Munch Department of Theory and History, Aarhus School of Architecture, Denmark Uffe Lentz Institute of Design, Aarhus School of Architecture, Denmark Abstract Living in a Paradise of Danish Design where things express all the correct ideals, it would appear that you don’t need elaborate design theory. -
Danish Vernacular – Nationalism and History Shaping Education
Danish Vernacular – Nationalism and History Shaping Education Inger Berling Hyams Roskilde University, Roskilde, Denmark ABSTRACT: Despite the number of internationally successful Danish architects like Jacobsen, Utzon and in recent years Ingels just to name a few, Danish architecture has always leaned greatly on international architectural history and theory. This is only natural for a small nation. However, since the beginning of Danish architecture as a professional discipline, there has also been a formation of a certain Danish vernacular. This paper explores how the teaching of and interest in Danish historical buildings could have marked the education of Danish architecture students. Through analysis of the drawings of influential teachers in the Danish school, particularly Nyrop, this development is tracked. This descriptive and analytic work concludes in a perspective on the backdrop of Martin Heidegger’s differentiation between Historie and Geschichte – how history was used in the curriculum and what sort of impact the teachers had on their students. Such a perspective does not just inform us of past practices but could inspire to new ones. KEYWORDS: Danish architecture education, National Romanticism, Martin Nyrop, Kay Fisker Figur 1: Watercolor by Arne Jacobsen, depicting the SAS hotel, Tivoli Gardens and City Hall in Copenhagen. Is there a link between functionalism and Danish vernacular? INTRODUCTION: WHAT IS VERNACULAR? Despite a long and proud tradition of Danish design, there has been very little research into Danish architecture and design education and it was discovering this lack that sparked my research. Through an investigation of different educational practices in the 20th century I am concerned with answering how knowledge is produced and transferred through the act of drawing. -
Architectural Wonders in Denmark Itinerary
To change the color of the coloured box, right-click here and select Format Background, change the color as shown in the picture on the right. Architectural wonders in Denmark To change the color of the coloured box, right-click here and select Format Background, change the color as shown in the picture on the right. Land of Architectural Wonders In Denmark, we look for a touch of magic in the ordinary, and we know that travel is more than ticking sights off a list. It’s about finding the wonder in the things you see and the places you go. One of the wonders that we are particularly proud of is our architecture. Danish architecture is world-renowned as the perfect combination of cutting-edge design and practical functionality. We've picked some of Denmark's most famous and iconic buildings that are definitely worth seeing! s. 2 © Robin Skjoldborg, Your rainbow panorama, Olafur Eliasson, 2006 ARoS Aarhus Art Museum To change the color of the coloured box, right-click here and select Format Background, change the color as shown in the picture on the right. Denmark and its regions Geography Travel distances Aalborg • The smallest of the Scandinavian • Copenhagen to Odense: Bornholm countries Under 2 hours by car • The southernmost of the • Odense to Aarhus: Under 2 Scandinavian countries hours by car • Only has a physical border with • Aarhus to Aalborg: Under 2 Germany hours by car • Denmark’s regions are: North, Mid, Jutland West and South Jutland, Funen, Aarhus Zealand, and North Zealand and Copenhagen Billund Facts Copenhagen • Video -
Finn Juhl(30 January 1912 – 17 May 1989) Was a Danish Architect
Finn Juhl (30 January 1912 – 17 May 1989) was a Danish architect, interior and industrial designer and industrial designer, most known for his furniture design. He was a leading figures in the creation of "Danish design" in the 1940s and he was the designer who introduced Danish Modern to America. Wikipedia Finn Juhl Finn Juhl was born January 30th 1912 at Frederiksberg as son of cloth a subject of discussion. The furniture architects, who were known, all merchant Johannes Juhl and his German born wife, who unfortu- had either a carpenter’s education or were educated by Kaare Klint at nately died three days after the birth of little Finn. The Royal Danish Academy of Fine Arts, School of Architecture. But not Finn Juhl, who was self taught and who broke the craftsman like He grew up together with his two years older brother Erik Juhl and traditions within the design of furniture. their authoritarian father in a home with Tudor and Elizabethan din- ning room, leaded windows and tall panels. Even though there was a lack of acknowledgement to begin with of Finn Juhl’s furniture design, he, ten years after his debut, got his fur- Originally Finn Juhl wanted to become an art historian but his father niture in a series production at the company Bovirke and later with persuaded him to join The Royal Danish Academy of Fine Arts, School France & Son, and others. From 1951 the company Baker Furniture of Architecture after his graduation in 1930. During the Summer of Inc. in Grand Rapids, Michigan produced his furniture in USA. -
Maplewood NJ
Kessler House History 15 Tower Drive | Maplewood NJ www.15TowerDr.com The Kessler House John Rattenbury and the team at Taliesin Architects custom-designed every aspect of this mid- century modern, organic gem---even the lighting, furniture, and cabinetry. On nearly two acres of park-like grounds, the Kessler House features bu-colored Roman brick, terrazzo and teak parquet oors, teak-paneled walls and ceilings, oor-to-ceiling windows, 7 bedrooms, 8 full and 2 half baths, 5 terraces and balconies, and 36 skylights. According to Rattenbury, “The workmanship was outstanding, and the entire house was built like a Swiss watch.” The Kessler Family The Kesslers---Dan and Helene and children Bruce, Rona Sue, and Mark---lived in a small house on Warner Road in Maplewood. After three years looking1 for a suitable house in or around Maplewood, Helene gave Dan the green light to build his dream house on the largest residential property in Maplewood. Dan was a fan of Frank Lloyd Wright. According to Helene, Dan went to college with Edgar Kaufman, Jr., and his love of Wright’s designs sprang from spending weekends with Edgar at Fallingwater, the Kaufman’s Wright-designed country home in southwestern Pennsylvania. Dan was president of Unishops, a large chain of discount department stores, while the Kessler House was under construction. The family moved into their new home in February 1968, but Dan died in 1969 at age 43. Helene raised Bruce, Rona Sue, and Mark in the Kessler House. Rattenbury, Hill, & Taliesin Architects John Rattenbury joined the Taliesin Fellowship, a group of apprentices and associates to Frank Lloyd Wright, in 1950 at age 21.