SIBAST COMPANY PROFILE

DANISH DESIGN AND CRAFTSMANSHIP SINCE 1908

1 The story of Sibast Furniture is the story of a dedica- It was primarily Helge Sibast’s legendary sculptural dining chairs ted family business and Danish furniture enterprise – Sibast No 7, No 8 and No 9 from 1953 – which became the which, since it was established more than a century hallmarks of Sibast Furniture, and it is this same design heritage ago, has raised the bar in efforts to deliver sublime that has been re-established by the fourth generation: Helge Si- craftsmanship and well-conceived design. It is also bast’s grandson Ditlev Sibast and his wife Anna Sibast. Although a story about wood, passion and four generations of the Sibast family lost ownership of Sibast Furniture for a while targeted efforts to develop a classic collection where after Helge Sibast’s passing in 1985, they retained the right to every single piece of furniture excels by virtue of its his design. So in 2013, Ditlev Sibast decided to re-establish his powerful integrity and extraordinarily high level of grandfather’s enterprise with the same focus on craftsmanship artisanal quality. and quality, supplemented by a desire to tell new design stories.

The cornerstone of this enterprise, which is now internationally Sibast Furniture is embarking on a new narrative which involves renowned under the name Sibast Furniture, was laid by P. Olsen the relaunching and further development of Helge Sibast’s fur- Sibast when he established Sibast Møbler in the Danish village niture from the 1950s and 1960s. Based on Sibast No 8, which of Stenstrup in 1908. The enterprising cabinetmaker built up a is a striking piece of signature design, Sibast Furniture is care- growing business over the years, which would eventually im- fully selecting furniture designs from the archives and bringing pact the Danish furniture industry for decades. From the outset, them into the 21st century. In addition, the results of new col- Sibast Møbler was a supplier of quality furniture to customers laborative efforts with contemporary designers – who share in and, from the early 1950s, increasingly to export the company’s goal to produce furniture embodying powerful markets as well. aesthetic and artisanal values – will see the light of day on an ongoing basis. In other words, it was a well-established business that was handed over to the next generation of the Sibast family when To ensure the familiar high level of craftsmanship that has cha- Helge and his two siblings got the opportunity to take the en- racterised Sibast Furniture ever since Helge Sibast frequented terprise (now known as Sibast Furniture) to the next level. It the workshop, the entire range of furniture is made in Denmark. soon became evident that Helge Sibast would embody the new In other words, there is still an unwavering focus on the craft Sibast Furniture. By virtue of his creativity and flair for designing and all the artisanal subtleties that infuse the furniture with and developing extraordinary, innovative furniture, Helge Sibast identity, comfort and strength. was naturally put in charge of design, product development and production. The export venture was established in earnest in the Sibast Furniture’s collection is manufactured according to sus- 1950s, particularly through a collaborative effort with furniture tainable principles and exclusively uses sustainable wood from designer and based on Helge Sibast’s own designs. European forests. To Sibast Furniture, sustainability is not only a question of materials and manufacturing methods. The furnitu- Over the years, Helge Sibast collaborated with a number of re must also embody a manifest beauty – a powerful aesthetic ’s most accomplished designers. For more than value that is viable in the very long term. Preferably for as long twenty years, he engaged in design dialogue with designer Arne as the furniture can be handed down from one generation to Vodder, who early on designed much of the line furniture that the next. was exported to the US. Later on, the company collaborated with , Kurt Østervig, Børge Rammeskov and others on From this powerful platform of design and values, Ditlev and designing the collection for a while, a period when Sibast Furni- Anna Sibast continue where Helge Sibast left off, and that inclu- ture supplied furniture to such distinguished customers as the des maintaining a keen international outlook. Sibast Furniture White House in Washington D.C. and the Pope in Rome. currently supplies design furniture to both private and public interiors in most parts of the world. Its award-winning furniture Helge Sibast soon stood out as one of the most proficient furni- is featured at a number of high-end, Michelin-star restaurants ture designers and cabinetmakers of the era and, from the early in Paris, , Stockholm, New York City, Kuala Lumpur 1950s, he created a series of iconic designs which still make up and Tokyo. the foundation of the Sibast Furniture collection. Early on, Helge Sibast demonstrated his unique insight into the inherent po- tential of wood – enhanced by his boldness and his abilities to challenge the material to the utmost. His approach to furniture design gained distinction through his ability to combine a profu- sion of details with artisanal ingenuity and innovative design – without losing sight of functionality or comfort.

2 CONTACT Press material can be downloaded via www.sibast-furniture.com

For further information, please contact:

Sibast Furniture Ronnie Golan Tlf: +4520313321 [email protected]

ABOUT SIBAST FURNITURE Sibast is a Danish family company with a proud history of wooden furniture making dating back to 1908. Since 2012, the fourth generation has been running Sibast Furniture with the same attention to detail, craftsmanship, and quality as previous generations while also adding new perspectives and creating new design stories. The family company combines respectful reissues and refinements of iconic 1950s furniture by Helge Sibast with contemporary designs of a timeless appearance in a collection that passes a Danish design heritage on to future generations.

DANISH DESIGN AND CRAFTSMANSHIP SINCE 1908

3