Danish Design Wonders
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Born 2 Oct. 1966 in Denmark. Nordvangen 2, 3730 Nexø
CV born 2 Oct. 1966 in Denmark. Nordvangen 2, 3730 Nexø. Bornholm, Denmark Email: [email protected] www.michaelgeertsen.com phone: +45 27284584 Michael Geertsen (b. 1966) trained as a potter in Stensved, Denmark in 1988 and graduated from the department of Industrial Design at The Royal Danish Academy of Fine Arts, School of Design in 1993. His works are represented at the Metropolitan Museum, Cooper Hewitt National Design Museum and MAD/Museum of Arts and Design, all in New York City, The Victoria and Albert Museum in London and Designmuseum Danmark in Copenhagen. In 2012 he created a permanent installation at The V&A in London. Represented by: Jason Jacques Gallery in New York, Galerie NeC nilsson et chiglien in Paris and Køppe Contemporary Objects at Bornholm, Denmark EDUCATION 1988-93 Danish Design school, Copenhagen 1984-88 Trained with a potter (apprentice) MUSEUMS REPRESENTATIONS Cooper–Hewitt, Smithsonian Design Museum, New York, USA Metropolitan Museum of Art, New York, USA Museum of Arts and Design, New York, USA Victoria and Albert Museum, London, England Designmuseum Denmark, Copenhagen, Denmark Næstved Museum, Næstved. Denmark Trapholt Kunstmuseum, Kolding, Denmark Magnelli Museum, Vallauris, Frankrig. Ceramic Museum, Inceon, Korea. Museum of Fine Art, Huston, Texas, USA Nordenfjeldske Kunstindustrimuseum. Tronheim. Norway RAM – Racine Art Museum, Wisconsin, USA Fuller Museum, Massachusetts, USA FULE ceramic Museum, Fuping, China McManus museum, Dundee, Scotland International Ceramic Museum, Middelfart, Denmark Sealand Ceramic -
The Midcentury As Muse a NEW SANTA MONICA HOME LOOKS AS IF IT SPRANG from DECADES PAST, DOWN to SOME CLEVERLY RESURRECTED MODERNIST FURNITURE by ANN HEROLD
Shop LA HOME The Midcentury As Muse A NEW SANTA MONICA HOME LOOKS AS IF IT SPRANG FROM DECADES PAST, DOWN TO SOME CLEVERLY RESURRECTED MODERNIST FURNITURE BY ANN HEROLD WNERS OF MIDCENTURY modern homes tend to be acolytes of—or at least familiar with—the works of such L.A. icons as Rudolph Schindler, Richard Neutra, John Lautner, and Pierre Koenig. For Eline Hissink, the names didn’t register a blip. But she knew what she O wanted for the house she and her husband, Scott Yasharian, were building in Santa Monica: simplicity, function- ality, durability, and most of all, an absence of clutter. That checklist, she discovered, perfectly defined midcentury modern architecture. Culver City-based architects Brett Woods and Joseph Dangaran helped the Dutch-born Hissink realize the thrill of flinging open floor-length glass doors to the earth and sky. Along with other mod- ernist touches, the cactus garden was extended into the house, which was completed in 2015, and an opening was left in the patio overhang for the sun to shine through. The challenge for Hissink was to furnish the house in the spirit of its roots, and she found herself drawn to Danish midcentury decor. The chairs of Finn Juhl and Hans Wegner. Lights by Arne Jacobsen, Verner Panton, and Poul Henningsen. Chairs, desks, and pendant lights by the team of Preben Fabricius and Jørgen Kastholm, who became an obsession. WEATHER WISE The owner adapted a set of Hans Wegner chairs Little from the pair’s body of work is still produced, so she con- for use in an outdoor dining area by the lap pool tracted with a small Danish manufacturer to craft a desk and “Scimitar” chair from the original blueprints. -
DESIGN DESIGN Traditionel Auktion 899
DESIGN DESIGN Traditionel Auktion 899 AUKTION 10. december 2020 EFTERSYN Torsdag 26. november kl. 11 - 17 Fredag 27. november kl. 11 - 17 Lørdag 28. november kl. 11 - 16 Søndag 29. november kl. 11 - 16 Mandag 30. november kl. 11 - 17 eller efter aftale Bredgade 33 · 1260 København K · Tlf. +45 8818 1111 [email protected] · bruun-rasmussen.dk 899_design_s001-276.indd 1 12.11.2020 17.51 Vigtig information om auktionen og eftersynet COVID-19 har ændret meget i Danmark, og det gælder også hos Bruun Rasmussen. Vi følger myndig- hedernes retningslinjer og afholder den Traditionelle Auktion og det forudgående eftersyn ud fra visse restriktioner og forholdsregler. Oplev udvalget og byd med hjemmefra Sikkerheden for vores kunder er altafgørende, og vi anbefaler derfor, at flest muligt går på opdagelse i auktionens udbud via bruun-rasmussen.dk og auktionskatalogerne. Du kan også bestille en konditions- rapport eller kontakte en af vores eksperter, der kan fortælle dig mere om specifikke genstande. Vi anbefaler ligeledes, at flest muligt deltager i auktionen uden at møde op i auktionssalen. Du har flere muligheder for at følge auktionen og byde med hjemmefra: • Live-bidding: Byd med på hjemmesiden via direkte videotransmission fra auktionssalen. Klik på det orange ikon med teksten ”LIVE” ud for den pågældende auktion. • Telefonbud: Bliv ringet op under auktionen af en af vores medarbejdere, der byder for dig, mens du er i røret. Servicen kan bestilles på hjemmesiden eller via email til [email protected] indtil tre timer før auktionen. • Kommissionsbud: Afgiv et digitalt kommissionsbud senest 24 timer inden auktionen ud for det pågældende emne på hjemmesiden. -
The Danish Sense of 'Design Better'
ENTREPRENEURSHIP PLATFORM COPENHAGEN BUSINESS SCHOOL enter #1 October 2013 Professor Robert Austin from the De partment of Management, Politics and Philosophy at CBS has studied the Danish company VIPP to explore why some services and products, like the VIPP trash bins, stand out in a crowd. Photo: VIPP PR photo The Danish sense of ‘design better’ Professor Robert Austin from the Department of Management, the Power of Plot to Create Extraordinary Products, which is ba- Politics and Philosophy at Copenhagen Business School heads sed on case studies of these companies. up the newly established Design and Entrepreneurship cluster He discovered, among other things, that VIPP ‘works harder on of the Entrepreneurship Platform. In his view, Denmark is one the intangibles that surround their physical products – the stories, of the best places in the world to understand how companies the imagery, the casual associations – than many other compa- become good at the deep and multifaceted sense of ‘design nies, and this helps them create meaning for their products. And better’ that makes products like VIPP’s trash bins stand out. He thus products that stand out as better and more desirable,’ he says. believes that there are new textbooks to be written about mana New cluster brings together design entrepreneurship ging creative businesses, and that some of this work involves competencies at CBS flipping ideas around to the opposite. ‘In the industrial society, Today, Robert Austin lives in Denmark and heads up the newly outliers were something companies tried to kill off. Today, har established Design and Entrepreneurship cluster of the Entrepre- vesting valuable outliers is at the core of innovation,’ he argues. -
81 Danish Modern, Then and Now Donlyn Lyndon
Peer Reviewed Title: Danish Modern, Then and Now -- The AIA Committee on Design, Historic Resources Committee [Forum] Journal Issue: Places, 20(3) Author: Lyndon, Donlyn FAIA Publication Date: 2008 Publication Info: Places Permalink: http://escholarship.org/uc/item/812847nf Acknowledgements: This article was originally produced in Places Journal. To subscribe, visit www.places-journal.org. For reprint information, contact [email protected]. Keywords: places, placemaking, architecture, environment, landscape, urban design, public realm, planning, design, volume 20, issue 3, forum, AIA, Donlyn, Lyndon, Danish, modern, then, now, historic, resources Copyright Information: All rights reserved unless otherwise indicated. Contact the author or original publisher for any necessary permissions. eScholarship is not the copyright owner for deposited works. Learn more at http://www.escholarship.org/help_copyright.html#reuse eScholarship provides open access, scholarly publishing services to the University of California and delivers a dynamic research platform to scholars worldwide. Forum Donlyn Lyndon, FAIA Danish Modern, Then and Now The American Institute of Architects Committee on Design Historic Resources Committee These Forum pages were printed under an agreement between Places/Design History Foundation and The American Institute of Architects. They report on the conference “Danish Modern: Then and Now,” held in Copenhagen, Denmark, in September, jointly sponsored by the Committee on Design (2008 Chair, Carol Rusche Bentel, FAIA) and the Historic Resources Committee (2008 Chair, Sharon Park, FAIA). T. Gunny Harboe, AIA, served as Conference Chair. For additional conference documentation and photos, go to: http://aiacod.ning.com/. In 2009, the COD theme will be “The Roots of Modernism and Beyond” (2009 Chair, Louis R. -
A Danish Museum Art Library: the Danish Museum of Decorative Art Library*
INSPEL 33(1999)4, pp. 229-235 A DANISH MUSEUM ART LIBRARY: THE DANISH MUSEUM OF DECORATIVE ART LIBRARY* By Anja Lollesgaard Denmark’s library system Most libraries in Denmark are public, or provide public access. The two main categories are the public, local municipal libraries, and the public governmental research libraries. Besides these, there is a group of special and private libraries. The public municipal libraries are financed by the municipal government. The research libraries are financed by their parent institution; in the case of the art libraries, that is, ultimately, the Ministry of Culture. Most libraries are part of the Danish library system, that is the official library network of municipal and governmental libraries, and they profit from and contribute to the library system as a whole. The Danish library system is founded on an extensive use of inter-library lending, deriving from the democratic principle that any citizen anywhere in the country can borrow any particular book through the local public library, free of charge, never mind where, or in which library the book is held. Some research libraries, the national main subject libraries, are obliged to cover a certain subject by acquiring the most important scholarly publications, for the benefit not only of its own users but also for the entire Danish library system. Danish art libraries Art libraries in Denmark mostly fall into one of two categories: art departments in public libraries, and research libraries attached to colleges, universities, and museums. Danish art museum libraries In general art museum libraries are research libraries. Primarily they serve the curatorial staff in their scholarly work of documenting artefacts and art historical * Paper presented at the Art Library Conference Moscow –St. -
The Danish Design Industry Annual Mapping 2005
The Danish Design Industry Annual Mapping 2005 Copenhagen Business School May 2005 Please refer to this report as: ʺA Mapping of the Danish Design Industryʺ published by IMAGINE.. Creative Industries Research at Copenhagen Business School. CBS, May 2005 A Mapping of the Danish Design Industry Copenhagen Business School · May 2005 Preface The present report is part of a series of mappings of Danish creative industries. It has been conducted by staff of the international research network, the Danish Research Unit for Industrial Dynamics, (www.druid.dk), as part of the activities of IMAGINE.. Creative Industries Research at the Copenhagen Business School (www.cbs.dk/imagine). In order to assess the future potential as well as problems of the industries, a series of workshops was held in November 2004 with key representatives from the creative industries covered. We wish to thank all those who gave generously of their time when preparing this report. Special thanks go to Nicolai Sebastian Richter‐Friis, Architect, Lundgaard & Tranberg; Lise Vejse Klint, Chairman of the Board, Danish Designers; Steinar Amland, Director, Danish Designers; Jan Chul Hansen, Designer, Samsøe & Samsøe; and Tom Rossau, Director and Designer, Ichinen. Numerous issues were discussed including, among others, market opportunities, new technologies, and significant current barriers to growth. Special emphasis was placed on identifying bottlenecks related to finance and capital markets, education and skill endowments, labour market dynamics, organizational arrangements and inter‐firm interactions. The first version of the report was drafted by Tina Brandt Husman and Mark Lorenzen, the Danish Research Unit for Industrial Dynamics (DRUID) and Department of Industrial Economics and Strategy, Copenhagen Business School, during the autumn of 2004 and finalized for publication by Julie Vig Albertsen, who has done sterling work as project leader for the entire mapping project. -
Poul Henningsen Table Lamp Replica
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Jason Jacques Inc. Art Nouveau & Japonist Ceramic Masterworks Michael Geertsen
JASON JACQUES INC. ART NOUVEAU & JAPONIST CERAMIC MASTERWORKS MICHAEL GEERTSEN MICHAEL GEERTSEN, born 1966 in Denmark FREELANCE INDUSTRIAL DESIGN Lives & works in Copenhagen MUUTO Cor Unum Kähler City and Housing Department Royal Copenhagen House of Prince Paustian IKEA EDUCATION GROUP EXHIBITIONS (selected since 2003) 1988-93 Danish Design School, Copenhagen 2011 Flora & Fauna - MAD about Nature. Museum of Arts & 1984-88 Trained with a potter (apprentice) Design NYC 2010 ‘Across’ Carlsberg, Copenhagen MUSEUM REPRESENTATION European Ceramic Context. Bornholm Art Museum, Metropolitan Museum of Art, New York City, USA Denmark Trapholt Kunstmuseum, Kolding, Denmark 2009 Cheongju International Craft Biennale 2009, South Korea Magnelli Museum, Vallauris, Frankrig Kuwait Art Foundation LLC, Kuwait Ceramic Museum, Inceon, Korea ‘Collect” Saatchi Gallery, Køppe Gallery, London Museum of Fine Art, Huston, Texas, USA 2008 Røsska Design Museum, Sweden Nordenfjeldske Kunstindustrimuseum, Tronheim, Norway Opening Show at Columbus Circle. Museum of Arts & RAM – Racine Art Museum, Wisconsin, USA Design, NYC, USA Victoria and Albert Museum, London, England ‘Statistic Ceramic’ New Danish Ceramics, Kunst & Fuller Museum, Massachusetts, USA Gewerbe Museum, Hamburg, Germany Museum of Arts and Design, New York City, USA Duo show with Bodil Manz, Tong in Gallery, Seoul, South FULE Ceramic Museum, Fuping, China Korea McManus Museum, Dundee, Scotland Ceramic Biennial Vallauris. Winner in the ‘Container” International Ceramic Museum, Middelfart, Denmark category -
Download Exhibition Catalog
Bend, Bubble and Shine 2 Preface 5 Copenhagen Ceramics 8 Touching from a Distance Garth Johnson 15 Artist plates 52 Artist biographies 56 Colophon Gallery owners Kim Hostler Preface & Juliet Burrows, 2019. Though varying in style and process, they advance an art which is central to the creative culture of Denmark, evolving the possibilities of the medium and expanding its future. Each demonstrates a profound investigation within their practice, and they express themselves through a myriad of energies and tone. Composition, structure, proportion, and glazing in the end leave us with profound beauty and conflict, and a vibrance which emanates from the clay. These enigmatic and multi-faceted works evoke music, mystery, and narratives of which we may not know the details, but can grasp nonetheless. It is an honor to collaborate with Copenhagen Ceramics in bringing this exhibition to the US, and working with Martin, Bente, and Steen has been a delight as well as a sustaining reprieve from the isolation of Covid Bend, Bubble and Shine; these three words, describing varying aspects quarantine; they are exemplary ambassadors for Danish art and culture. of the ceramic process, also imply a kind of sorcery, vaguely reminiscent We are deeply thankful to all nine artists for their contributions to this of a spell invoked over a simmering cauldron. For me there has always endeavor and for the trust they have placed in us as gallerists in been a sense of enchantment to the ceramic process, whether wrought presenting their works to a wider audience. by the artist as sorcerer, or the intensity of the kiln, or the element of chance. -
Annual Report 2017 Louis Poulsen Holding A/S Short Version
Annual report 2017 Short version Contents Management report Financial statements Business Consolidated 3 We design to shape light 22 Income statement for 2017 4 The word of Louis Poulse 22 Balance sheet at 31.12.2017 5 2017 at a glance 23 Statement of changes in equity for 2017 6 Strong results in 2017 24 Cash flow statement for 2017 7 Key figures and ratios 24 Notes to consolidated financial statements 9 Developments in 2017 Parent Corporate 29 Income statement for 2017 11 Corporate information 29 Balance sheet at 31.12.2017 14 Danish design and world-class craftsmanship 30 Statement of changes in equity for 2017 17 Risk management 31 Notes to parent financial statements Governance Accounting policies and statements 19 Governance 32 Accounting policies 37 Statement by Management on the annual report 38 Independent auditor’s report Louis Poulsen · 2 · Annual report 2017 We design to shape light Louis Poulsen is a Danish lighting manufacturer founded in 1874 and born out of the Scandinavian design tradition where form follows function. The function and design of our products are tailored to reflect and support the rhythm of natural light. Since our first collaboration with Poul Henningsen in 1924, his views on the dualities of design and light have influenced our light philosophy. Every detail in the design has a purpose. Every design starts and ends with light. We believe in passionate craftsmanship that produces quality lighting and appealing design products. In close partnership with world- class designers, architects and other talents, as Poul Henningsen, Arne Jacobsen, Verner Panton, Øivind Slaatto, Alfred Homann, Oki Sato and GamFratesi we have established Louis Poulsen as one of the key global suppliers of architectural and decorative lighting across the professional and private lighting markets for both indoor and outdoor applications. -
Scandi Navian Design Catalog
SCANDI NAVIAN DESIGN CATALOG modernism101 rare design books Years ago—back when I was graphic designing—I did some print advertising work for my friend Daniel Kagay and his business White Wind Woodworking. During our collaboration I was struck by Kagay’s insistent referral to himself as a Cabinet Maker. Hunched over my light table reviewing 35mm slides of his wonderful furniture designs I thought Cabinet Maker the height of quaint modesty and humility. But like I said, that was a long time ago. Looking over the material gathered under the Scandinavian Design um- brella for this catalog I now understand the error of my youthful judgment. The annual exhibitions by The Cabinet-Makers Guild Copenhagen— featured prominently in early issues of Mobilia—helped me understand that Cabinet-Makers don’t necessarily exclude themselves from the high- est echelons of Furniture Design. In fact their fealty to craftsmanship and self-promotion are constants in the history of Scandinavian Design. The four Scandinavian countries, Denmark, Sweden, Norway and Finland all share an attitude towards their Design cultures that are rightly viewed as the absolute apex of crafted excellence and institutional advocacy. From the first issue of Nyt Tidsskrift for Kunstindustri published by The Danish Society of Arts and Crafts in 1928 to MESTERVÆRKER: 100 ÅRS DANSK MØBELSNEDKERI [Danish Art Of Cabinetmaking] from the Danske Kunstindustrimuseum in 2000, Danish Designers and Craftsmen have benefited from an extraordinary collaboration between individuals, manufacturers, institutions, and governments. The countries that host organizations such as The Association of Danish Furniture Manufacturers, The Association of Furniture Dealers in Denmark, The Association of Interior Architects, The Association of Swedish Furni- ture Manufacturers, The Federation of Danish Textile Industries, Svenska Slojdforeningen, The Finnish Association of Designers Ornamo put the rest of the globe on notice that Design is an important cultural force deserv- ing the height of respect.