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Chemical Groups and Botanical Distribution
International Journal of Pharmacy and Pharmaceutical Sciences ISSN- 0975-1491 Vol 8, Issue 10, 2016 Review Article REVIEW: FROM SCREENING TO APPLICATION OF MOROCCAN DYEING PLANTS: CHEMICAL GROUPS AND BOTANICAL DISTRIBUTION IMANE ALOUANI, MOHAMMED OULAD BOUYAHYA IDRISSI, MUSTAPHA DRAOUI, MUSTAPHA BOUATIA Laboratory of Analytical Chemestry, Faculty of Medicine and Pharmacy, Mohammed V University in Rabat Email: [email protected] Received: 19 May 2016 Revised and Accepted: 12 Aug 2016 ABSTRACT Many dyes are contained in plants and are used for coloring a medium. They are characterized by their content of dyes molecules. They stimulate interest because they are part of a sustainable development approach. There are several chemicals families of plant dye which are contained in more than 450 plants known around the world. In this article, a study based on literature allowed us to realize an inventory of the main dyes plants potentially present in Morocco. A list of 117 plants was established specifying their botanical families, chemical Composition, Colors and parts of the plant used. Keywords: Natural dye, Morocco, Chemical structures, Plant pigments, Extraction © 2016 The Authors. Published by Innovare Academic Sciences Pvt Ltd. This is an open access article under the CC BY license (http://creativecommons. org/licenses/by/4. 0/) DOI: http://dx.doi.org/10.22159/ijpps.2016v8i10.12960 INTRODUCTION [5]. They are also biodegradable and compatible with the environment [12]. Several hundred species of plants are used around the world, sometimes for thousands of years for their ability to stain a medium In this article, we process methods of extraction and analysis, or material[1]. -
Creative Designing of Fabric Patterns by Tie-Dyeing with Synthetic Dyes
www.ijird.com February, 2020 Vol 9 Issue 2 ISSN 2278 – 0211 (Online) Creative Designing of Fabric Patterns by Tie-Dyeing with Synthetic Dyes Nelima Barasa Lecturer, Department of Physical sciences, Rongo University, Kenya Francis Ongachi Olal Senior Lecturer, Department of Physical sciences, Rongo University, Kenya Abstract: Tie and dye are a resist method of fabric decoration where patterns are skillfully introduced on plain fabrics through tying and dyeing with synthetic dyes. Hot synthetic dyes were used in this study due to their advantage in terms of color variety, brightness and fastness. This study produced fabric pattern designs by tie and dyeing with hot water dyes which are good in terms of color fastness. Different types, forms, techniques, and processes of creating unique patterns by tie and dyeing was done. Basic tie-dyeing methods twisting, folding, pleating, wrapping, crumbling and sewing were then used to create new patterns when dyeing each color. Though tie and dye as a technique is familiar to many people, exploration in terms of the unique fabric patterns design has not been done especially in Kenya thus making us to get the tie-dyed fabrics from the international market. This paper therefore creatively introduced unique patterns on fabrics through folding, twisting, crumpling and tie and dye. The fabric patterns formed are very unique compared to what is available in the Kenyan market. The tie-dyed fabrics can be used in designing and developing fashion items like men’s shirts, ladies wear, ladies hand bags and scuffs. The methodology involved aims at create unique fabric patterns which was done through folding, twisting, crumpling and tying, followed by preparation of the dye bath and then dyeing the prepared fabrics. -
Fundamentals of Natural Dyes and Its Application on Textile Substrates Virendra Kumar Gupta
Chapter Fundamentals of Natural Dyes and Its Application on Textile Substrates Virendra Kumar Gupta Abstract The meticulous environmental standards in textiles and garments imposed by countries cautious about nature and health protection are reviving interest in the application of natural dyes in dyeing of textile materials. The toxic and allergic reactions of synthetic dyes are compelling the people to think about natural dyes. Natural dyes are renewable source of colouring materials. Besides textiles it has application in colouration of foods, medicine and in handicraft items. Though natural dyes are ecofriendly, protective to skin and pleasing colour to eyes, they are having very poor bonding with textile fibre materials, which necessitate mordant- ing with metallic mordants, some of which are not eco friendly, for fixation of natural dyes on textile fibres. So the supremacy of natural dyes is somewhat sub- dued. This necessitates newer research on application of natural dyes on different natural fibres for completely eco friendly textiles. The fundamentals of natural dyes chemistry and some of the important research work are therefore discussed in this review article. Keywords: colour fastness, dyeing, extraction of natural dyes, natural dyes 1. Introduction After the advent of mauveine by Henry Perkin in 1856 and subsequent commer- cialization of synthetic dyes had replaced natural dyes, and since then consumption and application of natural dyes for textiles got reduced substantially. In present scenario environmental consciousness of people about natural products, renewable nature of materials, less environmental damage and sustainability of the natural products has further revived the use of natural dyes in dyeing of textile materials. -
Chemistry of Blue Jeans: Indigo Synthesis and Dyeing
E36 Chemistry of Blue Jeans: Indigo Synthesis and Dyeing William Henry Perkin (1838-1907) 1 The Task The goal of this experiment is to synthesise the vat dye, indigo and compare the properties of cloth that has been dyed with indigo and a mordant dye alizarin. Skills At the end of this laboratory session you should be able to: • vacuum filtrate. • accurately weigh out samples. Other outcomes At the end of the laboratory session you should be able to: • synthesise indigo. • dye cloth using a vat. • dye cloth using a mordant dye. • observe the colours of the mordant dyes formed with different divalent metal ions. • test and compare the dyed material for solubility and fading. 2 History Indigo The blue dye indigo has been used in India for about the last 4000 years. It was derived from the plant Indigofera tinctoria. Phoenican traders and migrating peoples gradually introduced this dye to the Mediterranian area and then spread to Europe. In Northern Europe from the Bronze Age (2500 – 850 BC) people used a blue dye, waod from the plant Isatis tinctoria. It has since been discovered that this plant contains the chemical indigo, but due to other compounds in the plant it is not a ‘pure’ blue like the Indigofera.1 Indigo is a vat dye. The plant was fermented and then treated with urine. The fibre was dipped into the colourless dye bath and then hung out in the sun to contain a blue insoluble dye on the fibre.1 In 1865, the German chemist Johann Friedrich Wilhelm Adolf von Baeyer began working with indigo. -
Assessment of the Impact of Resist Techniques of Fabric Decoration on Students' Interest in Clothing and Textiles in Borno
ASSESSMENT OF THE IMPACT OF RESIST TECHNIQUES OF FABRIC DECORATION ON STUDENTS’ INTEREST IN CLOTHING AND TEXTILES IN BORNO STATE, NIGERIA BY Yarmi NGGUSHAM DECEMBER, 2017 i ASSESSMENT OF THE IMPACT OF RESIST TECHNIQUES OF FABRIC DECORATION ON STUDENTS’ INTEREST IN CLOTHING AND TEXTILES IN BORNO STATE, NIGERIA BY Yarmi NGGUSHAM, BSC.ED HOME ECONOMICS (2009, ABU ZARIA) P13EDVE8029 A THESIS SUBMITTED TO THE SCHOOL OF POSTGRADUATE STUDIES, AHMADU BELLO UNIVERSITY, ZARIA, NIGERIA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF MASTER DEGREE IN HOME ECONOMICS (CLOTHING AND TEXTILES) DEPARTMENT OF HOME ECONOMICS, FACULTY OF EDUCATION, AHMADU BELLO UNIVERSITY, ZARIA, NIGERIA DECEMBER, 2017 ii DECLARATION I declare that this dissertation work entitledASSESSMENT OF THE IMPACT OF RESIST TECHNIQUES OF FABRIC DECORATION ON STUDENTS’ INTEREST IN CLOTHING AND TEXTILES IN BORNO STATE, NIGERIA has been carried out by me in the Department of Home Economics. The information derived from the literature has been duly acknowledged in the text and a list of references provided. No part of this project was previously presented for another degree or diploma at this or any other Institution. _______________________ _________________________ Yarmi, NGGUSHAM Date P13EDVE8029 iii CERTIFICATION This dissertation report entitledASSESSMENT OF THE IMPACT OF RESIST TECHNIQUES OF FABRIC DECORATION ON STUDENTS’ INTEREST IN CLOTHING AND TEXTILES IN BORNO STATE, NIGERIAby Yarmi NGGUSHAM meets the regulations governing the award of the Master degree of the Ahmadu Bello University, and is approved for its contribution to knowledge and literary presentation. _________________________ ___________________________ Dr. M. F. Ahuwan Date Chairperson, Supervisory Committee _______________________ ___________________________ Prof. S. L. Ajayi Date Member, Supervisory Committee ________________________ ___________________________ Prof. -
ABSTRACT YI, DING. a Comparison of Mordant and Natural Dyes In
ABSTRACT YI, DING. A Comparison of Mordant and Natural Dyes in Dyeing Cotton Fabrics. (Under the direction of Dr. Harold S. Freeman and Dr. Peter J. Hauser). Mordant dyes constitute a class of synthetic colorants that are applied to textile fibers mainly through the aid of transition metal ions such as Cr3+. The resultant dye-metal complexes are key to the fastness properties produced on wool. In the same way, most natural dyes require the use of a mordant to have coloring power on textiles such as cotton. Unlike mordant dyes on wool, the fastness properties of natural dyes on cotton are generally quite low. Consequently, they have largely been replaced by synthetic dyes that are more cost effective, brighter, and more durable under end-use applications. Interest in green technologies has led to renewed consideration of natural dyes for textile coloration because they are biodegradable and do not involve manufacturing processes requiring genotoxic aromatic amines. Interestingly, such a shift would bring dyeing technology full circle to a family of colorants lacking the vibrancy and technical properties of most synthetic dyes. However, similarities between the dyeing method for mordant and natural dyes brought to mind the potential for reducing the level of synthetic dyes used commercially by combining suitable dyes from these two classes for dyeing textiles. This thesis research was devoted to stage 1 of this idea, namely the evaluation of mordant dyes as colorants for cotton fabric. With this in mind, dyes such as Mordant Blue 13, Mordant Brown 40, Mordant Orange 6 and Mordant Yellow 8 were applied to cotton using various dyeing times, temperatures, dye bath concentrations and mordants. -
Green Technology in Textile Processing: Part IV-Eco-Friendly Dyeing of Polyester/Cotton Fabric
Indian Journal of Fibre & Textile Research Vol. 24, March 1999,-pp. 64-69 Green technology in textile processing: Part IV-Eco-friendly dyeing of polyester/cotton fabric H T Deo', A I Wasif, B K Desai & Arindam Chakraborty Division of Technology of Fibres and Textile Processing, Department of Chemical Technology, University ofMumbai, Matunga, Mumbai 400 019, India Received 31 March 1998; accepted 3 June 1998 New eco-friendly dyeing processes are described for dyeing of polyester/cotton blend fabrics with disperselreactive and di sperse/vat dyes. By process modifications (Eco-Dyeing I and Eco-Dyeing II) and by substituting the non-ecofriendly chemicals with the eco-friendly ones, a significant reduction in pollution load in terms of Biochemical Oxygen Demand (BOD) and Chemical Oxygen Demand'(COD) has been achieved. The reductions achieved in BOD and COD respectively are 10.47% and 14.38% for dyeing with disperse/reactive dyes and 7.56% and 12.82% for dyeing with disperse/vat dyes. A substantial saving in water consumption has also been achieved in both the methods of dyeing. Eco-Dyeing II , in particular, results in 85 % saving in water consumption. Keywords : Disperse dye, Dyeing, Eco-dyeing, Polyester/cotton fabric, Reactive dye, Vat dye, Water recycl in g I Introduction Kenyon4 reported that polyester/cotton blends can In recent years, the production capacity of polyes be dyed by reverse dyeing technique with vinyl sul ter has increased tremendously in India. Due to the phone colours. leI reported a process for batch col existing tropical conditions, a large proportion of the ouration of polyester/cotton blends, wherein alkali polyester produced is blended with cotton, viscose stable disperse dyes and high-exhaust reactive dyes and . -
Indigo How to Make, Use, and Tend Two Kinds of Natural Vats + Clay Resist
INDIGO HOW TO MAKE, USE, AND TEND TWO KINDS OF NATURAL VATS + CLAY RESIST KIM EICHLER-MESSMER Background Indigo cultivation is thought to have existed in the Indus Valley (present-day Pakistan and Northwest India) more than 5,000 years ago and there have been recent discoveries in Peru that date Indigo cultivation and use to 6,000 years ago. It is the only plant pigment that creates a permanent blue dye, and varieties of the plant were discovered and used as dye in many different parts of the world including Africa, Asia, South and Central America, and Europe. The word “indigo” is now used to describe the dyestuff, the plant, and the color. There are a variety of plants that contain the dye molecule indigotin. Indigofera tinctoria, indigofera suffruticosa, Persicaria tinctoria, and Isatis tinctoria (woad) are the most common plants to be grown for their indigo content. Each plant thrives in a different climate. Indigotin is the only blue natural dye, and it is extracted from the leaves of the plant in a number of ways, including water extraction and composting. Indigo is a very unusual type of dye called a vat dye. Most natural dyes are mordant dyes. They can easily be extracted in water or dissolved in water and they require a mineral mordant (usually alum) to bond with the fiber. Indigo does not require a mordant to bond and the indigo dye molecule is not water-soluble. If you add indigo powder to water the indigo will not dissolve. It will float around, suspended in the water. -
Indigo Dye Demos
Jacquard Products Demo Handbook Indigo Dye Demos: Materials needed: • Indigo Dye Kit: read all instructions thoroughly before starting, and be sure to check out all the additional resources available at www.JacquardProducts.com (videos, FAQs, galleries, projects, etc.) • Extra rubber gloves for attendees (long kitchen rubber gloves are nice because we are submerging fabric in a bucket) • Paper towels or rags for cleaning up • Plastic sheeting to protect floors and tables • Clothes pins or binder clips • Twine or string for tying • Jacquard Reusable Zip Ties • T-shirts, tea towels, or other cotton items for dyeing • Two 5-gallon buckets (one for the dye bath, one for the rinsing) • The kit comes with Rubber Bands, but it doesn’t hurt to have extras • Plastic bags to carry home dyed items • Post-Its • Clothesline or a drying rack can be useful, if possible, for hanging during oxidation • White Washable School glue (for easy faux-batik techniques) or Jacquard Water-based Resist • Applicator bottles (for the glue or resist) • Hairdryer (only for school glue version) Trivia: • Indigo is the oldest known dye. Famously found in ancient Egyptian tombs, the oldest known Indigo was actually discovered in Peru, and dates back more than 5,000 years. • Indigo has been used all over the world in many different cultures. • Indigoids, which are found in many different plants, are the basis for all-natural blue dyes. Even the famously odd blue dye found in sea snails are indigoid-based. In other words, Indigo can be extracted from all sorts of organisms, which is why countless cultures on earth have a history with indigo. -
Colour Chemistry 2Nd Edition
Colour Chemistry 2nd edition Robert M Christie School of Textiles & Design, Heriot-Watt University, UK and Department of Chemistry, King Abdulaziz University, Saudi Arabia Email: [email protected] Print ISBN: 978-1-84973-328-1 A catalogue record for this book is available from the British Library r R M Christie 2015 All rights reserved Apart from fair dealing for the purposes of research for non-commercial purposes or for private study, criticism or review, as permitted under the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003, this publication may not be reproduced, stored or transmitted, in any form or by any means, without the prior permission in writing of The Royal Society of Chemistry or the copyright owner, or in the case of reproduction in accordance with the terms of licences issued by the Copyright Licensing Agency in the UK, or in accordance with the terms of the licences issued by the appropriate Reproduction Rights Organization outside the UK. Enquiries concerning reproduction outside the terms stated here should be sent to The Royal Society of Chemistry at the address printed on this page. The RSC is not responsible for individual opinions expressed in this work. Published by The Royal Society of Chemistry, Thomas Graham House, Science Park, Milton Road, Cambridge CB4 0WF, UK Registered Charity Number 207890 Visit our website at www.rsc.org/books Preface I was pleased to receive the invitation from the RSC to write this second edition of Colour Chemistry following the success of the first edition published in 2001. -
The Innovative Wet-Dyeing Batik T-Shirt Technique
International Journal of Academic Research and Reflection Vol. 4, No. 1, 2016 ISSN 2309-0405 THE INNOVATIVE WET-DYEING BATIK T-SHIRT TECHNIQUE ABRAHAM EKOW ASMAH1, VINCENTIA OKPATTAH 2 & SAMUEL TEYE DAITEY3 1, 2 & 3. Department of Integrated Rural Art and Industry, Kwame Nkrumah University of Science and Technology (KNUST), Kumasi-GHANA ABSTRACT Dye-print crafts in Ghana have assumed a multidisciplinary experimentation stage, where several types of integrative approach to fabric decoration require the knowledge of scientific discipline and expertise. This paper investigates the prospect of utilizing appropriate materials, techniques and a coordination of individual creativity to achieve an innovative wet dyeing T-shirt batik print. It emphasises on creating an innovative T-shirt wet dyeing effect as the background, to mount a batik printed effect. This integrative dye-print style with the vat dye used the experimental and descriptive approach under the qualitative design methodology. The result of the research showed an attainment of a dye-print colouration that produced a diversity of watery background shadow coloured images mixed with a contour batik print definition of shapes on the T-shirt via the dyeing by absorption. The product positively competes with traditional table-dyed and batik, and also conveys visual dynamism inherent in both tie-dye and batik prints that exhibit groundbreaking domino effect. Discussions were based on academic and functional contexts. The advanced dye-prints have tremendous significance for batik design concepts to enhance coloured dye-printed T-shirt fabrics in the local batik industry. Keywords: Tie-dye, batik, wet-dyeing, T-shirt, dye-print colouration. INTRODUCTION Textile embellishment, a creative form of self-expression in fabric design, uses countless media and procedures to produce dyed and printed fabrics (Asmah et al, 2015). -
Maiwa - Vat Dye Recipe: Directions for Application of Vat Dyes on Cellulose and Silk
604365 $1.00 maiwa - vat dye Recipe: Directions for application of vat dyes on cellulose and silk. For approximately 1lb. of cloth: 1 Tbsp. Lye (caustic soda) 1 Tbsp. hydrosulphite OR thiourea dioxide (better for silk) 1 -2 Tbsp. vat dye Use Three or more gallons of water or enough to allow cloth to move freely in dyebath. Directions: 1. Dissolve Lye in a cup of warm water. Use a glass, ceramic or stainless steel container. Vat dyes are discharge dyes which enable the replacement 2. Dissolve hydrosulphite or thiourea dioxide of a background colour through various processes of by adding it to the above lye solution. appliction. Vat dyes can be used to replace a previously dyed, fairly dark ground colour without effecting the hand 3. Dissolve dye separately in a small amount of warm water. of the cloth. With fewer registration problems than direct printing, the relatively simple process of vat dyeing is a 4. Stir the dye solution into 3 gallons of warm fantastic alternative for creating brightly coloured and water (85 - 120 °F) . detailed results. Not all dyes are dischargeable. Most fibre 5. Enter the cloth which is clean and wet or reactive dyes, many acid dyes and some direct dyes will damp into the bath. Add pre-mixed produce good results. Be aware, even within their catego- lye/hydrosulphite or lye/thiourea solution and ry, some colours will not discharge. This can produce raise temperature up to about 120 - 160 °F . interesting effects when one of the base colours remains Some colours require slightly less or more heat to fully discharge.