January 20, 2012 Vol. 116 No. 3
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Isabella Stewart Gardner Museum Appoints a Far Cry As Newest Chamber Orchestra in Residence
Isabella Stewart Gardner Museum appoints A Far Cry as newest chamber orchestra in residence Innovative Jamaica Plain-based string ensemble debuts at the Gardner’s holiday celebration on December 5th; introduces an educational partnership with the museum in spring 2010; and will present four concerts as part of the 2010-11 Sunday Concert Series DEBUT PERFORMANCE: SATURDAY, DECEMBER 5, 2009 AS PART OF ARTFUL HOLIDAYS AT THE GARDNER EDUCATION OUTREACH PROGRAM: SPRING 2010, ONGOING SUNDAY CONCERT SERIES PERFORMANCES: 2010-2011 SEASON (4 PROGRAMS) BOSTON, NOVEMBER 25, 2009 — The Isabella Stewart Gardner Museum, home to the country’s oldest museum music program, now in its 83rd season, has named local string orchestra A Far Cry its newest chamber orchestra in residence. The Jamaica Plain-based ensemble will present its introductory concert in the Gardner’s Tapestry Room on Saturday, December 5th as part of the museum’s annual Artful Holidays at the Gardner evening event in celebration of the season. In becoming part of the Gardner’s music program, A Far Cry joins other notable ensembles, including the Borromeo String Quartet, that have developed an ongoing residency relationship with the museum. “We are delighted to welcome A Far Cry to the Gardner Museum as our newest chamber orchestra in residence,” says Scott Nickrenz, the Gardner’s Curator of Music, who celebrates 20 years at the museum this season. “The group’s bold, eclectic programming reflects Isabella Gardner’s adventurous spirit, and their strong vision for what a musical ensemble can be—combined with their dynamic musicianship—will captivate Gardner audiences.” “Isabella Gardner was a devoted supporter of emerging local musicians and artists, and was committed to engaging the community at large with all of the arts,” says Anne Hawley, Norma Jean Calderwood Director of the Gardner Museum. -
THE ARMENIAN Mirrorc SPECTATOR Since 1932
THE ARMENIAN MIRRORc SPECTATOR Since 1932 Volume LXXXXI, NO. 45, Issue 4687 MAY 29, 2021 $2.00 Members of Congress Urge US to Suspend Military Aid to Azerbaijan WASHINGTON — The Armenian Assembly of America (Assembly) welcomed a biparti- san letter on May 24, spearheaded by Congres- sional Armenian Caucus Co-Chair Rep. David Valadao (R-CA), along with the Caucus leader- ship, calling on the Administration “to suspend any existing military or security assistance to Azerbaijan,” given the war it launched last year against Art- sakh, reported the Assembly. In a statement re- leased today, Rep. Valadao remarked: “Not a single American tax dol- lar should be sent to the armed forces of oil-rich Azerbai- jan - a country that ethnically cleansed Rep. David Valadao Artsakh, holds Ar- Harvard Square Protestors Call for Release of Armenian POWS, End to US Military Aid to Azerbaijan, Page 11 menian POWs, and now occupies territory in the Republic of Armenia.” Highlighting concerns over the Adminis- tration’s decision to waive Section 907 of the Armenia Rules out Border Demarcation Talks until Freedom Support Act, the letter states in part: “We are concerned that the State Department did not fully consider Azerbaijan’s lack of Azerbaijani Forces Pull out of Armenian Territory progress in ceasing its blockades and other of- By Raffi Elliott nian forces around Lake Sev (Sev Lidj). to the unrecognized nation’s legal status fensive uses of force against Armenia and Na- gorno-Karabakh (Artsakh), and instead moved Special to the Mirror-Spectator A similar intrusion was also halted south under the auspices of the Organization of the village of Verin Shorja in the Ge- for Security and Cooperation in Europe forward with this waiver without detailing se- YEREVAN –– Armenia will only gharkyunik province. -
MASCO|NOW 2010 Annual Report
MASCO|NOW 2010 AnnuAl Report 2010 Annual Meeting Janet E. Porter, PhD, Dana-Farber Cancer Sandra Fenwick, President of Children’s Holli Roth, MASCO Chief Financial Officer, Institute Executive Vice President and Chief Hospital Boston and Vice Chair of the and Jane Krantz, Executive Director, Operating Officer; Rick Markello, Chief MASCO board, with Marilyn Swartz-Lloyd, Temple Israel. Financial Officer, Joslin Diabetes Center; MASCO President and Chief Executive and Dorothy Puhy, chair of MASCO’s board Officer. and Chief Financial Officer of Dana-Farber. Arthur Mombourquette, Vice President George Humphrey, PhD, Vice President for David Eppstein, MASCO Vice President of Support Services at Brigham and College Relations, Massachusetts College for Operations, catches up with Timothy Women’s Hospital and co-chair of of Pharmacy and Health Sciences; Marilyn Carroll, PhD, MBA, Director, Merck MASCO’s Operating Services Committee Swartz-Lloyd, MASCO President and Chief Financial Services at Merck Research with annual meeting keynote speaker Executive Officer; and Kay Sloan, DA, Laboratories-Boston. John F. McCarthy, ScD, CIH, President, President, Massachusetts College of Art Environmental Health & Engineering, Inc. and Design. George Humphrey, PhD, Vice President for Marvin Schorr, PhD, former MASCO board Janet Fishstein, Director of Facilities College Relations and Mark Fuller, trustee, chair, receives a gift for 21 years of service Planning, Simmons College, confers with both from Mass. College of Pharmacy from Jon C. Lundell, Executive Assistant Sarah Hamilton, MASCO Vice President for and Janet E. Porter, PhD, Executive Vice to the MASCO President and General Area Planning and Development. President and Chief Operating Officer, Counsel. Dana-Farber Cancer Institute. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Touching the Void: The museological implications of theft on public art collections Jillian Seaton Ph.D. University of Edinburgh 2014 Abstract Of central importance to this thesis is the way security measures contradict the process through which museums have been seeking to divest themselves of theoretical hierarchies and value judgments in recent years. A context for investigation is established that considers how a perceptible increase in art theft, complicated by the escalating value of individual objects and the proliferation of museums as represented by a rise in attendance figures has produced a climate of vulnerability for arts collections around the world. In response, museums are installing unprecedented levels of security that are having a significant impact on established viewing conditions and redefining museum space. Further hindering this situation is the disparity between the fields of museology and museum security. -
Arts&Sciences
CALENDAR College of Liberal Arts and Sciences The University of Iowa School of Music is 240 Schaeffer Hall celebrating its centennial throughout 2006-07; The University of Iowa visit www.uiowa.edu/~music for a calendar Iowa City, Iowa 52242-1409 of events. November E-mail: [email protected] Visit the College of Liberal Arts and Sciences REQUIEM at www.clas.uiowa.edu By Giuseppe Verdi A School of Music, Division of Performing Arts, centennial event featuring the University Symphony Orchestra and Choirs with alumni Arts&Sciences guest soloists FALL 2006 Arts & Sciences is published for alumni and friends of the College of Liberal Arts and Sciences December at The University of Iowa. It is produced by the Offi ce of the Dean of the College of Liberal Arts and Sciences and by the Offi ce of University Relations Publications. WINTER COMMENCEMENT Address changes: Readers who wish to change their mailing address for JanuaryFebruary Arts & Sciences may call Alumni Records at 319-335-3297 or 800-469-2586; or send an e-mail to [email protected]. INTO THE WOODS Music and lyrics by Stephen Sondheim DEAN Linda Maxson Department of Theatre Arts, Division of E XECUTIVE E DITOR Carla Carr Performing Arts M ANAGING E DITOR Linda Ferry February CONSULTING E DITOR Barbara Yerkes M AIA STRING QUARTET DESIGNER Anne Kent COLLABORATION P HOTOGRAPHER Tom Jorgensen Department of Dance and School of Music, CONTRIBUTING FEATURE WRITERS Division of Performing Arts Peter Alexander, Winston Barclay, Lori Erickson, Richard Fumerton, Gary W. May Galluzzo, Lin Larson, Jen Knights, Sara SPRING COMMENCEMENT Epstein Moninger, David Pedersen COVER P HOTO: Art Building West provides a study June in refl ected light. -
Annual Report 2004
mma BOARD OF TRUSTEES Richard C. Hedreen (as of 30 September 2004) Eric H. Holder Jr. Victoria P. Sant Raymond J. Horowitz Chairman Robert J. Hurst Earl A. Powell III Alberto Ibarguen Robert F. Erburu Betsy K. Karel Julian Ganz, Jr. Lmda H. Kaufman David 0. Maxwell James V. Kimsey John C. Fontaine Mark J. Kington Robert L. Kirk Leonard A. Lauder & Alexander M. Laughlin Robert F. Erburu Victoria P. Sant Victoria P. Sant Joyce Menschel Chairman President Chairman Harvey S. Shipley Miller John W. Snow Secretary of the Treasury John G. Pappajohn Robert F. Erburu Sally Engelhard Pingree Julian Ganz, Jr. Diana Prince David 0. Maxwell Mitchell P. Rales John C. Fontaine Catherine B. Reynolds KW,< Sharon Percy Rockefeller Robert M. Rosenthal B. Francis Saul II if Robert F. Erburu Thomas A. Saunders III Julian Ganz, Jr. David 0. Maxwell Chairman I Albert H. Small John W. Snow Secretary of the Treasury James S. Smith Julian Ganz, Jr. Michelle Smith Ruth Carter Stevenson David 0. Maxwell Roselyne C. Swig Victoria P. Sant Luther M. Stovall John C. Fontaine Joseph G. Tompkins Ladislaus von Hoffmann John C. Whitehead Ruth Carter Stevenson IJohn Wilmerding John C. Fontaine J William H. Rehnquist Alexander M. Laughlin Dian Woodner ,id Chief Justice of the Robert H. Smith ,w United States Victoria P. Sant John C. Fontaine President Chair Earl A. Powell III Frederick W. Beinecke Director Heidi L. Berry Alan Shestack W. Russell G. Byers Jr. Deputy Director Elizabeth Cropper Melvin S. Cohen Dean, Center for Advanced Edwin L. Cox Colin L. Powell John W. -
The Wanderer”
Dion – From “A Teenager in Love” to “The Wanderer” Dion (left) and the Belmonts Although he originally emerged as a swaggering, Doo Wop-singing teen idol in the late 1950s, streetwise New Yorker Dion DiMucci (better known simply as Dion) quickly showed himself to be a sublimely soulful vocalist as well as an artist of depth and versatility. His musical sensibility was shaped by the Blues, R&B and Country records he heard while growing up in the Bronx in the pre- Rock and Roll 1950s. After an unsuccessful 1957 solo single, he recruited harmonizing neighborhood pals Carlo Mastrangelo, Fred Milano, and Angelo D'Aleo to form the Belmonts. With Dion singing lead, the foursome scored a series of hits — "I Wonder Why," "No One Knows," "A Teenager in Love," "Where or When" — whose adolescent orientation couldn't disguise DiMucci's fluid, deeply expressive singing. Dion went solo in 1960, and scored even greater success with such smashes as "Runaround Sue," "Lovers Who Wander" and the anthemic "The Wanderer" – adopting a more macho persona as credible as the youthful longing expressed in “A Teenager in Love.” After signing with Columbia Records in 1962, he began to emerge as a distinctive songwriter, while experimenting with a grittier Blues-Folk-Rock style that showed him to be in tune with the changing musical times. Little of that material was released at the time, and that which was released didn't sell well. A 1966 reunion album with the Belmonts was better received, and in 1968 Dion experienced a life-changing religious conversion and conquered a longstanding heroin addiction. -
The Buddy Holly Story Production Written by Alan Janes November 21 — December 20, 2015 Table of Contents
Buddy- The Buddy Holly Story Production written by Alan Janes November 21 — December 20, 2015 Table Of Contents Page 3 Buddy Holly Page 8 The Crickets Page 11 Ritchie Valens Page 13 The Big Bopper Page 15 Dion & The Belmonts Page 16 Frankie Sardo Page 17 Winter Dance Party Tour Page 19 The Day the Music Died Page 21 Discussion Questions & Class Activities Page 24 Bibliography Study guide published by History Theatre © 2014 historytheatre.com 2 Buddy Holly 1936-1959 Charles Hardin Holley was born on September 7, 1936 in Lub- bock, Texas. Being the youngest of four children, he was always called “Buddy” by his family. Holly, the popularized spelling of his last name, came later from a spelling error in a record con- tract. His two older brothers taught him how to play the guitar and, at age eleven, he began taking piano lessons, but soon switched to the steel guitar. Thoroughly inspired by the blues and country that he heard on the radio, Holly won five dollars at age five singing Down the River of Memories. In 1951, Holly met Bob Montgomery, a fellow seventh-grader at Hutchinson Jr. High, who also played guitar and sang country songs. By the time Holly and Montgomery entered high school, they were growing their audience by appearing at youth clubs, performing music they now dubbed as "Western and Bop." Local radio stations also developed Holly and Montgomery’s career. KDAV, the nation's first all-country radio station, held a weekly "Sunday Party" live on air, where Holly and Montgomery were frequent guests. -
The Character of an Art Collection
The Character of an Art Collection: Isabella Stewart Gardner, Henry Clay Frick, Albert C. Barnes, David Lloyd Kreeger, and the Donor Memorial in the U.S. Dana D. Litowitz A Senior Thesis Submitted to the Growth and Structure of Cities Program Bryn Mawr College, Bryn Mawr, PA December 2007 The Character of an Art Collection i ABSTRACT Donor memorial museums represent a unique group of American art collections. These museums, created by private art collectors to perpetuate their own legacies, are among the most interesting institutions in the American art world. House museums like the Isabella Stewart Gardner Museum, the Frick Collection, and the Kreeger Museum are especially intriguing because each iconoclastic collector conceived and implemented a specific vision for how visitors would view the collection. These museums, along with one of the most controversial private art collections in the country, the Barnes Foundation, share many similarities in format and creation. Each is an anomaly in its respective setting and fully projects the force and personality of its creator. The architectural styles of the buildings especially convey the eccentricities of the donors, who chose ostentatious, incongruous architectural vocabularies for 20th century Boston, New York, Philadelphia, and Washington, DC. Strong desires and wishes of the collection creators, coupled with virtually iron-clad legal wills, ensure constancy and permanence for these institutions. Although it no longer seems to be the fashion or convention of the wealthy to devote energies and resources to cultivating such private art collections, these institutions remain popular destinations for art lovers. Their continued existence allows us to understand how people of another age created monuments to themselves—museums that still fascinate and attract us today. -
Museum Directors Play Favorites by Thomasine Berg | GLOBE STAFF OCTOBER 19, 2013
Theater & art Museum directors play favorites By Thomasine Berg | GLOBE STAFF OCTOBER 19, 2013 If it’s your job to oversee an art museum’s holdings and exhibitions, do you ever allow yourself to play favorites? Are there works you find uniquely delightful or compelling? The Globe asked directors of a range of area museums to share a favorite artwork in their institution’s collections — a piece they seek out for a quiet moment of appreciation or inspiration when the doors are closed. Here’s what they told us. Sharon Corwin Colby College Museum of Art Georgia O’Keeffe’s radical interpretation of a landscape is unlike any we are used to seeing. There is no horizon line to direct our perception; perspectival space is denied as the blue, aqueous orb in the center of the composition flattens against the picture plane. O’Keeffe’s command of her medium — the chalky softness of pastel — blends and bleeds into a swirling vortex of color. O’Keeffe conveys something beyond what this landscape looks like and gives us a sensorial experience of this place — the saturation of the wooded air, the dense growth of foliage, and the teeming pulse of the natural world. “Lake George in Woods” (1922) By Georgia O’Keefe Mark Bessire PORTLAND MUSEUM OF ART I love the collaborative nature of Tim Rollins’s work with the Kids of Survival (K.O.S.) and his use of classic literature to create conversations with viewers. Taking from Mark Twain’s “Huckleberry Finn,” Rollins chose an image that is projected and layered directly on the pages. -
Connecting People and Parks Through Preservation
EMERALD NECKLACE CONSERVANCY ANNUAL Connecting REPORT 2015 People and Parks “In an increasingly segmented society, the Emerald Necklace is the common ground that Letter from the President unites us—a place where people from all walks of life come together for respite, recreation It has been a joy and honor to lead the Emerald and community, just as Frederick Law Olmsted envisioned more than a century ago.” Necklace Conservancy for the past eight years. —Julie Crockford, President, Emerald Necklace Conservancy Looking back at what we have accomplished together has crystalized my realization that great parks happen only when there is both public and private BOARD OF DIRECTORS EX-OFFICIO DIRECTORS Franklin Park Coalition Stan Everett support. A strong partnership in which we all invest Franklin Park Zoo / Zoo New Dan Herzlinger Michael S. Dukakis, Life Christopher Cook, in our parks gives the greatest return. England Lola Heiler-Stillman Trustee Commissioner, Boston Parks Friends of Jamaica Pond Judy MacNeill Benjamin Taylor, Chair and Recreation Friends of Leverett Pond Dan Moulton Thanks to your support, our capacity and impact John R. Cook, Jr., Vice Chair Erin Gallentine, Director, Friends of the Muddy River Barbara Nazarewicz expanded in 2015 with the addition of new staff. Leo Swift, Treasurer Brookline Parks and Open Garden Club Federation of MA Lucy Robb Message from the Board Chair Susan Helms Daley, Clerk Space Volunteer coordinator, Ellen Arnstein, is bringing Isabella Stewart Gardner Nancy Stutzman Janet P. Atkins Leo Roy, Commissioner, MA record numbers of individuals and groups into Museum I’d like to share a few words with you about the Peter Barber Department of Conservation the parks for clean-ups, rose care and woodlands Jamaica Hills Association Eleanor Cornish Chu and Recreation STAFF accomplishments of the Conservancy under Julie Jamaica Pond Association restoration.