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Perceptions of Success from Members of the Founding Class of MC Squared STEM High School Jeffrey D
National Louis University Digital Commons@NLU Dissertations 6-2013 The esM sage 2.0: Perceptions of Success from Members of the Founding Class of MC Squared STEM High School Jeffrey D. McClellan National Louis University Follow this and additional works at: https://digitalcommons.nl.edu/diss Part of the Curriculum and Instruction Commons, Curriculum and Social Inquiry Commons, Disability and Equity in Education Commons, Educational Leadership Commons, Educational Methods Commons, Elementary and Middle and Secondary Education Administration Commons, Science and Mathematics Education Commons, and the Urban Education Commons Recommended Citation McClellan, Jeffrey D., "The eM ssage 2.0: Perceptions of Success from Members of the Founding Class of MC Squared STEM High School" (2013). Dissertations. 193. https://digitalcommons.nl.edu/diss/193 This Dissertation - Public Access is brought to you for free and open access by Digital Commons@NLU. It has been accepted for inclusion in Dissertations by an authorized administrator of Digital Commons@NLU. For more information, please contact [email protected]. THE MESSAGE 2.0: PERCEPTIONS OF SUCCESS FROM MEMBERS OF THE FOUNDING CLASS OF MC SQUARED STEM HIGH SCHOOL Jeffrey D. McClellan Dissertation Educational Leadership Doctoral Program Submitted in partial fulfillment of the requirements of Doctor of Education in the Foster G. McGaw Graduate School National College of Education National-Louis University February, 2013 Copyright by Jeffrey David McClellan, 2013 All rights reserved ABSTRACT This dissertation examines the methods of learning from the student’s perspective in order to understand what made the first graduating class of MC Squared successful. The conceptual model of student success composed of non-academic factors of motivation, social connectedness, and self-management was used for the lens from which to understand the six students in depth. -
Rush Three of Them Decided to - Geddy Recieved a Phone Reform Rush but Without Call from Alex
history portraits J , • • • discography •M!.. ..45 I geddylee J bliss,s nth.slzers. vDcals neil pearl: percussion • alex liFesDn guitars. synt.hesizers plcs: Relay Photos Ltd (8); Mark Weiss (2); Tom Farrington (1): Georg Chin (1) called Gary Lee, generally the rhythm 'n' blues known as 'Geddy' be combo Ogilvie, who cause of his Polish/Jewish shortly afterwards also roots, and a bassist rarely changed their me to seen playing anything JUdd, splitting up in Sep other than a Yardbirds bass tember of the sa'l1le year. line. John and Alex, w. 0 were In September of the same in Hadrian, contacted year The Projection had Geddy again, and the renamed themselves Rush three of them decided to - Geddy recieved a phone reform Rush but without call from Alex. who was in Lindy Young, who had deep trouble. Jeff Jones started his niversity was nowhere to be found, course by then. In Autumn although a gig was 1969 the first Led Zeppelin planned for that evening. LP was released, and it hit Because the band badly Alex, Geddy an(i John like needed the money, Geddy a hammer. Rush shut them helped them out, not just selves away in their rehe providing his amp, but also arsal rooms, tUfned up the jumping in at short notice amp and discovered the to play bass and sing. He fascination of heavy was familiar with the Rush metaL. set alreadY, as they only The following months played well-known cover were going toJprove tough versions, and with his high for the three fYoung musi voice reminiscent of Ro cians who were either still bert Plant, he comple at school or at work. -
Examining Television Narrative Structure
Butler University Digital Commons @ Butler University Scholarship and Professional Work - Communication College of Communication 2002 Re(de)fining Narrative Events: Examining Television Narrative Structure M. J. Porter D. L. Larson Allison Harthcock Butler University, [email protected] K. B. Nellis Follow this and additional works at: https://digitalcommons.butler.edu/ccom_papers Part of the Communication Commons Recommended Citation Porter, M.J., Larson, D.L., Harthcock, A., & Nellis, K.B. (2002). Re(de)fining narrative events: Examining television narrative structure, Journal of Popular Film and Television, 30, 23-30. Available from: digitalcommons.butler.edu/ccom_papers/9/ This Article is brought to you for free and open access by the College of Communication at Digital Commons @ Butler University. It has been accepted for inclusion in Scholarship and Professional Work - Communication by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. Re(de)fining Narrative Events: Examining Television Narrative Structure. This is an electronic version of an article published in Porter, M.J., Larson, D.L., Harthcock, A., & Nellis, K.B. (2002). Re(de)fining narrative events: Examining television narrative structure, Journal of Popular Film and Television, 30, 23-30. The print edition of Journal of Popular Film and Television is available online at: http://www.tandf.co.uk/journals/VJPF Television's narratives serve as our society's major storyteller, reflecting our values and defining our assumptions about the nature of reality (Fiske and Hartley 85). On a daily basis, television viewers are presented with stories of heroes and villains caught in the recurring turmoil of interrelationships or in the extraordinary circumstances of epic situations. -
Book > Deluxe Guitar TAB Collection Authentic
PK8C8FRUTC \ Deluxe Guitar TAB Collection Authentic Guitar TAB Authentic Guitar-Tab Editions / Book Deluxe Guitar TA B Collection A uth entic Guitar TA B A uth entic Guitar-Tab Editions By Staff Alfred Music. Paperback. Condition: New. 220 pages. Dimensions: 11.8in. x 8.9in. x 0.6in.This collection, covering 30 years in the career of the most successful and influential progressive rock band in history is a tribute to Rushs brilliant guitarist Alex Lifeson, one of the fathers of the progressive rock guitar genre. The book contains 22 prog-rock classics commencing in the mid-70s and concluding with chart success Snakes and Arrows, all in complete TAB. Titles: The Big Money Closer to the Heart Distant Early Warning Dreamline Far Cry Fly by Night Freewill Ghost of a Chance The Larger Bowl Limelight New World Man One Little Victory Red Barchetta Show Dont Tell The Spirit of Radio Subdivisions Test for Echo The Trees Tom Sawyer Vital Signs Working Man YYZ. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Perfect Paperback. READ ONLINE [ 1.16 MB ] Reviews Completely essential read through publication. It normally does not expense excessive. It is extremely diicult to leave it before concluding, once you begin to read the book. -- Morris Cruickshank Here is the best pdf i actually have go through till now. We have study and i also am certain that i am going to planning to go through once again once more in the future. You will not sense monotony at at any time of the time (that's what catalogs are for regarding in the event you question me). -
Womenpreneurs in a Digital Environment: Utilizing Instagram to Build a Personal Brand
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School June 2019 Womenpreneurs in a Digital Environment: Utilizing Instagram to Build a Personal Brand Michelle N. Nuñez University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Marketing Commons, and the Mass Communication Commons Scholar Commons Citation Nuñez, Michelle N., "Womenpreneurs in a Digital Environment: Utilizing Instagram to Build a Personal Brand" (2019). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/7874 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Womenpreneurs in a Digital Environment: Utilizing Instagram to Build a Personal Brand by Michelle N. Nuñez A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts with a concentration in Media Studies The Zimmerman School of Advertising and Mass Communications College of Arts and Sciences University of South Florida Major Professor: Artemio Ramirez Jr., Ph.D. Travis Bell, Ph.D. Kelli S. Burns, Ph.D. Date of Approval: March 19, 2019 Keywords: Digital entrepreneur, grounded theory, social media, branding practices Copyright © 2019, Michelle N. Nuñez Dedication I dedicate this thesis to the students that have ever felt like giving up. Completing this thesis has been an experience of growth and learning and the strength that I have gained will be carried with me throughout the rest of my life. -
Getting to the Heart of Cultural Safety in Unama'ki
Getting to the Heart of Cultural Safety in Unama’ki: Considering kesultulinej (Love) De-Ann Sheppard Cape Breton University Cite as: Sheppard, D. M. (2020). Getting to the Heart of Cultural Safety in Unama’ki: Considering kesultulinej (Love). Witness: The Canadian Journal of Critical Nursing Discourse, Vol 2 (1), 51-65 https://doi.org/ 10.25071/2291-5796.57 Abstract Reflecting upon my early knowledge landscapes, situated within the unceded Mi’kmaq territory of Unama’ki (Cape Breton, Nova Scotia), living the Peace & Friendship Treaty and the teachings of Mi’kmaw Elders, I contemplate the essential relationship with land and language, specifically, kesultulinej (love as action) and etuaptmumk (two-eyed seeing) to Cultural Safety. I recognize my position, privilege, and Responsibility in teaching and learning about the contextual meanings of Cultural Safety, situated in specific Indigenous terrains and in relation with the land, across time, and relationships. Critical reflection on my story and experiences challenge me to consider why and how Maori nursing theorizations of Cultural Safety have been indoctrinated into the language of national nursing education by the Canadian Association of Schools of Nursing (CASN), Canadian Nurses Association (CNA) and most provincial nursing regulatory bodies; this is increasingly relevant as nursing education is progressively shaped by neoliberal and Indigenizing agendas. As I contemplate wrapping Cultural Safety with kesultulinej, I see the potential to decolonize nursing. Mi’kmaw teachings of etuaptmumk and kesultulinej call forth Responsibilities to act, and in doing so move us into a space of potential to resist the colonizing forces within nursing. In this moment I realize the interconnected meaning of being amidst these relationships that matter to me as a person and as a nurse; relationships that are marked by love, care and compassion. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Fighting for Fellowship: an Ethnographic Exploration of Mixed Martial Arts Culture in Las Vegas
UNLV Theses, Dissertations, Professional Papers, and Capstones 8-1-2018 Fighting For Fellowship: An Ethnographic Exploration of Mixed Martial Arts Culture in Las Vegas Brian O'hara Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Sociology Commons Repository Citation O'hara, Brian, "Fighting For Fellowship: An Ethnographic Exploration of Mixed Martial Arts Culture in Las Vegas" (2018). UNLV Theses, Dissertations, Professional Papers, and Capstones. 3374. http://dx.doi.org/10.34917/14139897 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. FIGHTING FOR FELLOWSHIP: AN ETHNOGRAPHIC EXPLORATION OF MIXED MARTIAL ARTS CULTURE IN LAS VEGAS By Brian Scott O’Hara Bachelor of Arts – Speech Communication Colorado State University 2004 Master of Arts – Communication Studies University of Nevada, Las Vegas 2008 A dissertation -
'69 Bryan Adams 2 New Orleans Is Sinking the Tragically Hip 3 Life Is
1 Summer of '69 Bryan Adams 2 New Orleans Is Sinking The Tragically Hip 3 Life Is A Highway Tom Cochrane 4 Takin' Care of Business Bachman Turner Overdrive 5 Tom Sawyer Rush 6 Working For The Weekend Loverboy 7 American Woman The Guess Who 8 Bobcaygeon The Tragically Hip 9 Roll On Down the Highway Bachman Turner Overdrive 10 Heart Of Gold Neil Young 11 Rock and Roll Duty Kim Mitchell 12 38 Years Old The Tragically Hip 13 New World Man Rush 14 Wheat Kings The Tragically Hip 15 The Weight The Band 16 These Eyes The Guess Who 17 Everything I Do (I Do IT For You) Bryan Adams 18 Born To Be Wild Steppenwolf 19 Run To You Bryan Adams 20 Tonight is a Wonderful Time to Fall in Love April Wine 21 Turn Me Loose Loverboy 22 Rock You Helix 23 We're Here For A Good Time Trooper 24 Ahead By A Century The Tragically Hip 25 Go For Soda Kim Mitchell 26 Whatcha gonna Do (When I'm Gone) Chilliwack 27 Closer To The Heart Rush 28 Sweet City Woman The Stampeders 29 Chicks ‘N Cars (And the Third World War) Colin James 30 Rockin' In The Free World Neil Young 31 Black Velvet Alannah Myles 32 Heaven Bryan Adams 33 Feel it Again Honeymoon Suite 34 You Could Have Been A Lady April Wine 35 Gimme Good Lovin' Helix 36 The Spirit Of Radio Rush 37 Sundown Gordon Lightfoot 38 This Beat Goes on/ Switchin' To Glide The Kings 39 Sunny Days Lighthouse 40 Courage The Tragically Hip 41 At the Hundreth Meridian The Tragically Hip 42 The Kid Is Hot Tonite Loverboy 43 Life is a Carnival The Band 44 Don't It Make You Feel The Headpins 45 Eyes Of A Stranger Payolas 46 Big League -
The Spirit of May '97
the spirit of May '97 Issue 38 . • • ..• ..• • ..• Editor/ill Hello and welcome to yet once again agreed to supply us now and it improves with every another action packed issue of with a selection of items, for use listen (check out how to order a The Spirit of Rush. We have in the raffle/auction part of the copy direct on the inside back tried to get this issue to you as event. Some ofthe confirmed cover)-any news of a UK! soon as we could after no.37 in items are as follow ... Roll the European release Chris? From case any of you were planning Bones - Award Plaque. the opening fusion sounding Editorial Address: a trip to North America to catch Complete sets of the re "Patterns" through the epic nd the band on the 2 leg of the mastered albums, Tour closing number 23 Garden Close, t4e tour. You should have Merchandise & some other "Checkerboards" Tiles cover all ChinbrookRoad, picked this issue up in mid-May surprises. As you can see the the bases, why this band are Grove Park,· from your doormat (if all went band and their management not signed to a major label is London, SE12 9TG. well between here and the have been very generous once beyond belief. Personal England printers). As you read this only again. Many, many thanks to favourites include "Anothers a couple of weeks of the 2nd leg them. Hand" and It's marvellous mid would have taken place and section extended instrumental North America with the tour running until the We have included a page or two passage. -
Rush's Lyrical Rhetoric of Oppression and Liberation
Relevant Rhetoric, Vol. 7 (2016): Rush’s Lyrical Rhetoric of Oppression and Liberation Rush’s Lyrical Rhetoric of Oppression and Liberation: Extending “Freedom Songs” into the Progressive Rock Genre Brett A. Barnett Associate Professor of Communication Slippery Rock University of Pennsylvania [email protected] Relevant Rhetoric, Vol. 7 (2016): Rush’s Lyrical Rhetoric of Oppression and Liberation 2 On April 18, 2013, members of the Canadian power trio Rush were among the artists inducted into the Rock and Roll Hall of Fame, a well-deserved honor that was long overdue. Formed in August 1968, Rush would join artists like Pink Floyd and Yes in shaping the music movement that would come to be categorized as “progressive” rock, or “prog rock,” a rock music sub-genre that Rush. Photo credit: By Enrico Frangi (Uploaded by User:Jonasz) [Public domain], via Wikimedia Commons also developed in the late 1960s.1 As reflected in the music of Rush, progressive rock involves more advanced musical forms, including an expanded instrumental palette and increased com- plexity in terms of instrumentation, as well as more sophisticated lyrical themes ranging from unconventional subject matter to increased social commentary. After years playing on the Toronto music scene, Rush formed their own label, Moon Records, and shortly thereafter released their first album, Rush, in 1974.2 Rush’s self-titled debut album did not garner much attention until Cleveland’s WMMS (100.7 FM), widely regarded as one of the most influential rock radio stations in North America, -
Pablo Escobar: Drug Lord As Heroic Archetype Adem Ahmed Bucknell University, [email protected]
Bucknell University Bucknell Digital Commons Honors Theses Student Theses 2016 Pablo Escobar: Drug Lord as Heroic Archetype Adem Ahmed Bucknell University, [email protected] Follow this and additional works at: https://digitalcommons.bucknell.edu/honors_theses Recommended Citation Ahmed, Adem, "Pablo Escobar: Drug Lord as Heroic Archetype" (2016). Honors Theses. 344. https://digitalcommons.bucknell.edu/honors_theses/344 This Honors Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Honors Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. PABLO ESCOBAR Drug Lord as Heroic Archetype by Adem Ahmed Submitted to the Honors Council For Honors In Comparative Humanities April 1, 2016 Approved by: ________________________ Adviser: James Mark Shields ________________________ Co-Adviser: David Rojas _______________________ Department Chair: Katherine Faull 2 ACKNOWLEDGEMENTS First and foremost, I would like to thank Professor James Shields, both my academic and primary thesis advisor. His patience, dedication and continual support in my endeavors have played a large role in my accomplishments. I would like to thank Professor David Rojas, who courteously agreed to serve as my co- advisor. As a native Colombian, without his expertise I would not have been able to complete this thesis. I also find it appropriate to thank Professor Slava Yastremski, who served as my advisor for as long as he could. Lastly, I would like to thank my family for their continuous support in both my personal and academic success. My gratitude towards them cannot be expressed in words.