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Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Bibliographie Der Filmmusik: Ergänzungen II (2014–2020)
Repositorium für die Medienwissenschaft Hans Jürgen Wulff; Ludger Kaczmarek Bibliographie der Filmmusik: Ergänzungen II (2014– 2020) 2020 https://doi.org/10.25969/mediarep/14981 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen; Kaczmarek, Ludger: Bibliographie der Filmmusik: Ergänzungen II (2014–2020). Westerkappeln: DerWulff.de 2020 (Medienwissenschaft: Berichte und Papiere 197). DOI: https://doi.org/10.25969/mediarep/14981. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0197_20.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 197, 2020: Filmmusik: Ergänzungen II (2014–2020). Redaktion und Copyright dieser Ausgabe: Hans J. Wulff u. Ludger Kaczmarek. ISSN 2366-6404. URL: http://berichte.derwulff.de/0197_20.pdf. CC BY-NC-ND 4.0. Letzte Änderung: 19.10.2020. Bibliographie der Filmmusik: Ergänzungen II (2014–2020) Zusammengestell !on "ans #$ %ul& und 'udger (aczmarek Mit der folgenden Bibliographie stellen wir unseren Leser_innen die zweite Fortschrei- bung der „Bibliographie der Filmmusik“ vor die wir !""# in Medienwissenschaft: Berichte und Papiere $#% !""#& 'rgänzung )* +,% !"+-. begr/ndet haben. 1owohl dieser s2noptische 3berblick wie auch diverse Bibliographien und Filmographien zu 1pezialproblemen der Filmmusikforschung zeigen, wie zentral das Feld inzwischen als 4eildisziplin der Musik- wissenscha5 am 6ande der Medienwissenschaft mit 3bergängen in ein eigenes Feld der Sound Studies geworden ist. -
Riy ERN Ot a Gain
X B E > s s r NOTRE D A * r i y E R Thursday, April 20, 1995* Vol. XXVI No. 124 THE INDEPENDENT NEWSPAPER SERVING NOTRE DAME AND SAINT MARY'S Not Again... Tuition jumps 5.9 percent By ETHAN HAYWARD Assistant News Editor Tuition and Fees 1991-95 Notre Dame’s Board of Trustees has approved a 5.9 room and board percent increase in tuition and room and board, raising com t u i t i o n bined costs for the 1995-96 academic year to $22,340. The cost of tuition now stands at a record $17,830 while room 17,830 and board costs up to $4,510. The decision was announced in a letter from University Presi 16,840 dent Father Edward Malloy to the parents of undergraduate 15,810 students. From 1990 to 1994, the cost of full-time undergraduate tu 14,650 ition increased from $12,390 to 13,506 $16,840, while room and board cost grew from $3,414 to $4,300. The letter from Malloy states that the rates were increased Photo courtesy of EMI Records/Daniela Federici in order to help continue the Digable Planets, the Grammy winning rap group, will not be perform pursuit of a “superior educa ing on campus next week for AnTostal as previously expected. tion” for students. In addition, Malloy cited a need to develop T o ta l 17,112 18,480 19,870 21,140 22,340 <CoSt several long-term university Safety concerns leave plans, including the develop ment of “a learning environ 1991 1992 1993 1994 1995 ment of cutting-edge technolo AnTostal '95 bandless gy,” and “a constant enhance $11.5 million mark. -
The Arts and Entertainment Supplement to the Daily Nexus, For
4 The Arts and Entertainment Supplement to the Daily Nexus, for December 1st through December 7th, 1994 1 Textures. Rhythms. nute due to pressure from Beats. These three things the police department. are important attributes to Are you used to that kind any song. But how are of thing? Discuss the cur these characteristics coal rent state of dance culture esced? In the world of in England. dance music, hardly any Paul Hartnoll: Oh, one does this as well as Or there’s loads of rubbish bital. Their recent show at going on in England, isn’t the Shrine Auditorium there.... Unless you do ev proved that not only are erything well above board, they the premiere house/ you’re really setting your techno group, but further self up for trouble, and if proved that die emergence you get away with it, it’s of underground dance lucky, with underground music is a force steadily be parties where it’s not coming impossible to ig strictly organized.... Even nore as we approach the if you hire the place off of next century, coupled with someone, you might have the imminent death of a license to have that many rock music. Artsweek'% people in it. You’ve got to Monty Luke cornered Phil be lucky to get away with and Paul Hartnoll of Orbi it. tal in Los Angeles to dis Especially now with the cuss music, politics and criminal justice bill gone spiders. through, if you get caught Artsweek: 1 under doing something like that, stand the venue for Satur day[ night's'. -
Film Music: History and Function from 1930 to Present
Film Music: History and Function from 1930 to Present Units: 4 Term—Day—Time: Fall 2020—Tuesdays and Thursdays—4:00–5:50pm (Pacific Time) Location: ONLINE Instructor: Tim Greiving Office: Virtual Office Hours: Virtually anytime Contact Info: [email protected] Course Description Music is the soul of film. Film scores can animate, enhance, pump blood into, subvert, and often transcend their movie. This underlooked, underappreciated art form is almost 100 years old—still an infant compared to its predecessors like opera, ballet, and theatre music, but old enough to have a rich, fascinating history worth exploring. In this course we’ll take a trip through that history, at times skimming along the surface, at times diving deep. With the aid of film clips, live watch parties, and the occasional special guest, you’ll gain a solid knowledge of and appreciation for the most-heard, least-noticed art form of the past century. (Because we’re cramming one hundred years of history into a single—shortened!—semester, we’ll primarily focus on Hollywood film music, although a few classes will be devoted to international films and composers. We’ll also limit our study to feature films, without spending time on television or videogame music.) Recommended Reading • King Kong chapter from Music by Max Steiner, by Steven. C. Smith (Blackboard / Content) • “The sound of movie music,” New York Times, March 28, 1976 • “Underscoring Richard Wagner's influence on film music,” L.A. Times, June 17, 2010 • “John Williams’ early life: How a NoHo kid and UCLA Bruin became the movie music man” L.A. -
October 20, 1994 (The Famuan: October 2, 1986
Fare free zone is An open letter to Find out how to 'Little Gerald' back at FAMU President Ilumphries cure midterm madness supports women's intramurals News 2 Opinion 6 &7 Features 9 Sports II The Famnan OCTOBER 20, 1994 The Voice of Florida A&M University - Tallahassee, Fla. Vol. 80 -No. 6 Delayed SGA confirmations Tait and cause confusion, debate Humphrries By Tacuma Roeback meet over Staff Writer Elections and Appointments Committee Conflict and controversy continued to demands blur the Student Government Evaluation Questions of tranquillity By Ingrid Middleton and Association's vision * Knowledge of Job Description/Job Area Skills Tacuma Roeback between the Senate and executive branch, *Experience Related To and/or Can Be Used Staff Writers which some say is a power struggle between them. *Teamwork Skills *Commitment To the Job Student Government Association At issue are three cabinet members *Quality of Programs Planned To Implement president Larry Tait is calling for the res- who have not been confirmed by the sen- *Ability to Conceptualize/Creativity*Special Skills ignation of several university officials, ate. *Performance Under Stress/Performance saying, among other "Confirmations take two weeks. But things, that he was mis- since the third week of school confirma- * Communication Skills*Problem solving Skills treated by FAMU tions have been dragged on," said William "Assertiveness police. Ashanti Hobbs, nominee for SGA secre- 49.5 points and above (90%+):Highly Qualified Tait called for the tary of communications, who was not con- 44 points and above (80%+):Qualified resignation of Richard firmed. Flamer, vice president However, sophomore senator Joseph Less than 44 points:Unqualified of Student Affairs; Brown sees it differently. -
Type Artist Album Barcode Price 32.95 21.95 20.95 26.95 26.95
Type Artist Album Barcode Price 10" 13th Floor Elevators You`re Gonna Miss Me (pic disc) 803415820412 32.95 10" A Perfect Circle Doomed/Disillusioned 4050538363975 21.95 10" A.F.I. All Hallow's Eve (Orange Vinyl) 888072367173 20.95 10" African Head Charge 2016RSD - Super Mystic Brakes 5060263721505 26.95 10" Allah-Las Covers #1 (Ltd) 184923124217 26.95 10" Andrew Jackson Jihad Only God Can Judge Me (white vinyl) 612851017214 24.95 10" Animals 2016RSD - Animal Tracks 018771849919 21.95 10" Animals The Animals Are Back 018771893417 21.95 10" Animals The Animals Is Here (EP) 018771893516 21.95 10" Beach Boys Surfin' Safari 5099997931119 26.95 10" Belly 2018RSD - Feel 888608668293 21.95 10" Black Flag Jealous Again (EP) 018861090719 26.95 10" Black Flag Six Pack 018861092010 26.95 10" Black Lips This Sick Beat 616892522843 26.95 10" Black Moth Super Rainbow Drippers n/a 20.95 10" Blitzen Trapper 2018RSD - Kids Album! 616948913199 32.95 10" Blossoms 2017RSD - Unplugged At Festival No. 6 602557297607 31.95 (45rpm) 10" Bon Jovi Live 2 (pic disc) 602537994205 26.95 10" Bouncing Souls Complete Control Recording Sessions 603967144314 17.95 10" Brian Jonestown Massacre Dropping Bombs On the Sun (UFO 5055869542852 26.95 Paycheck) 10" Brian Jonestown Massacre Groove Is In the Heart 5055869507837 28.95 10" Brian Jonestown Massacre Mini Album Thingy Wingy (2x10") 5055869507585 47.95 10" Brian Jonestown Massacre The Sun Ship 5055869507783 20.95 10" Bugg, Jake Messed Up Kids 602537784158 22.95 10" Burial Rodent 5055869558495 22.95 10" Burial Subtemple / Beachfires 5055300386793 21.95 10" Butthole Surfers Locust Abortion Technician 868798000332 22.95 10" Butthole Surfers Locust Abortion Technician (Red 868798000325 29.95 Vinyl/Indie-retail-only) 10" Cisneros, Al Ark Procession/Jericho 781484055815 22.95 10" Civil Wars Between The Bars EP 888837937276 19.95 10" Clark, Gary Jr. -
Notice of Opposition Opposer Information Applicant Information
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA855790 Filing date: 11/01/2017 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Notice of Opposition Notice is hereby given that the following party opposes registration of the indicated application. Opposer Information Name MaryAnn Santos Vieira Entity Individual Citizenship UNITED STATES Address 115 Pocono Road #813 Brookfield, CT 06804 UNITED STATES Attorney informa- William R. Samuels tion Scarinci Hollenbeck 3 Park Avenue, 15th Floor New York, NY 10016 UNITED STATES Email: [email protected] Applicant Information Application No 87213864 Publication date 10/03/2017 Opposition Filing 11/01/2017 Opposition Peri- 11/02/2017 Date od Ends Applicant Butler, Ishmael 815 30th Avenue Seattle, WA 98122 UNITED STATES Goods/Services Affected by Opposition Class 025. First Use: 1993/01/01 First Use In Commerce: 1993/01/01 All goods and services in the class are opposed, namely: Bottoms; Eyeshades; Head wraps; Head- bands for clothing; Headwear for men, womenand children including caps; Hooded sweatshirts for men, women and children; Hoods; Jackets; Jackets for men, women andchildren; Jerseys; Pajamas for men, women and children; Shirts for men, women and children; Sweaters for men, women and- children; Sweatpants for men and women;Sweatshirts for men and women; T-shirtsfor men, women and children; Ties; Tops; Wearable garments and clothing, namely, shirts; Women's clothing, namely, shirts, dresses, skirts, blouses; Wristbands Grounds for Opposition Fraud on the USPTO In re Bose Corp., 580 F.3d 1240, 91 USPQ2d 1938 (Fed. -
Rap Vs. Hip Hop
Chris L. Terry’s debut novel Zero Fade was on Best of 2013 lists by Kirkus Reviews and Slate.com, and shortlisted for the American Library Association’s Best Fiction for Young Adults. He lives in Los Angeles, and has contributed to Razorcake since 2006. Born in East L.A., like every good Mexican boy, Art was raised in the Imperial Valley of California, where he was bathed in cartoon and monster movie glory from both sides of the border. He began scribbling at a young age and later found out he could get paid meager wages to do artwork and illustration. He currently lives in Orange County CA and spends his time spilling ink on his drawing board and trying to sell his paintings. One Punk’s Guide is a series of articles where Razorcake contributors share their love for a topic that is not traditionally considered punk. Previous Guides have explored everything from pinball, to African politics, to outlaw country music. Razorcake is a bi-monthly, Los Angeles-based fanzine that provides consistent coverage of do-it-yourself punk culture. We believe in positive, progressive, community-friendly DIY punk, and are the only bona fide 501(c)(3) non-profit music magazine in America. We do our part. One Punk’s Guide to Rap Music originally appeared in Razorcake #96, February/March 2017. Original article layout by Todd Taylor. Adapted to zine by Matthew Hart. Printing courtesy of Razoracake Press, Razorcake.org This zine is made possible in part by grants from the City of Los Angeles, Department of Cultural Affairs, is supported by the Los Angeles County Board of Supervisors through the Los Angeles Arts Commission, and funded by the California Arts Council, a state agency. -
Getting Hip to the Hop: a Rap Bibliography/Discography
Music Reference Services Quarterly. 1996, vol.4, no.4, p.17-57. ISSN: 1540-9503 (online) 1058-8167 (print) DOI: 10.1300/J116v04n04_02 http://www.tandfonline.com/toc/wmus20/current http://www.tandfonline.com/toc/wmus20/4/4 © 1996 The Haworth Press, Inc. All rights reserved. Getting Hip to the Hop: A Rap Bibliography/Discography Leta Hendricks ABSTRACT. This bibliographic/discographic essay examines works which may be used to develop a core collection on Rap music. A selected bibliography and discography is also provided. INTRODUCTION Research interest has recently emerged in the popular African-American musical idiom known as Rap and continues to grow as social and cultural scholars have embarked on a serious study of Rap music and culture. Therefore, the student, scholar, and general library patron may seek information on Rap and its relationship with the African-American community. During the 1970's, libraries rushed to include in their holdings culturally diverse materials, especially materials on African-American history, literature, and culture. Today, emphasis is placed on cultural diversity, Rap is sometimes deemed to be low art and may be overlooked in the collecting of diverse materials. However, Rap has already celebrated its sixteenth anniversary and, like Rock and Roll, Rap is here to stay. Rap music research is difficult because (1) the librarian or information provider generally lacks knowledge of the category,' and (2) primary/ephemeral materials are not widely accessible.2 This selective bibliographic and discographic essay examines a variety of Rap resources and materials including biographies, criticisms, discographies, histories, recordings, and serials to help fill the Rap knowledge and culture gap and assist in the development of a core collection on Rap music.