VFX Prime 2018-19 Course Code: OV-3103 Course Category : Career VFX INDUSTRY
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Gestaltungspotenzial Von Digitalen Compositingsystemen
Gestaltungspotenzial von digitalen Compositingsystemen Thorsten Wolf Diplomarbeit Wintersemester 03/04 1. Betreuer Herr Prof. Martin Aichele 2. Betreuer Herr Prof. Christian Fries Fachhochschule Furtwangen Fachbereich Digitale Medien „Das vielleicht größte Missverständnis über die Fotografie kommt in den Worten ‚die Kamera lügt nicht‛ zum Ausdruck. Genau das Gegenteil ist richtig. Die weitaus meisten Fotos sind ‚Lügen‛ in dem Sinne, daß sie nicht vollkommen der Wirklichkeit entsprechen: sie sind zweidimensionale Abbildungen dreidimensionaler Objekte, Schwarzweißbilder farbiger Wirklichkeit, ‚starre‛ Fotos bewegter Objekte. … “ [Kan78] S. 54f Für Mama und Papa, of course. Eidesstattliche Erklärung i Eidesstattliche Erklärung Ich, Thorsten Wolf, erkläre hiermit an Eides statt, dass ich die vorliegende Diplomarbeit selbstständig und ohne unzulässige fremde Hilfe angefertigt habe. Alle verwendeten Quellen und Hilfsmittel sind angegeben. Furtwangen, 24. Februar 2004 Thorsten Wolf Vorwort iii Vorwort In meiner Diplomarbeit „Gestaltungspotenzial von digitalen Compositingsystemen“ untersuche ich den vielseitigen visuellen Bereich der Medieninformatik. In der vorliegenden Arbeit sollen die gestalterischen Potenziale von digitalem Compositing ausgelotet werden. Hierzu untersuche ich theoretisch wie praktisch die digitalen Bildverarbeitungsverfahren und –möglichkeiten für analoge und digitale Bildquellen. Mein besonderes Augenmerk liegt hierbei auf dem Bereich der Bewegtbildgestaltung durch digitale Compositingsysteme. Diese Arbeit entstand in enger Zusammenarbeit mit der Firma on line Video 46 AG, Zürich. Besonderen Dank möchte ich Herrn Richard Rüegg, General Manager, für seine Unterstützung und allen Mitarbeitern, die mir in technischen Fragestellung zur Seite standen, aussprechen. Des weiteren bedanke ich mich bei Patrischa Freuler, Marian Kaiser, Marianne Klein, Jörg Volkmar und Tanja Wolf für ihre Unterstützung während der Diplomarbeitszeit. Für die gute Betreuung möchte ich meinen beiden Tutoren, Herrn Prof. Martin Aichele (Erstbetreuer) und Prof. -
Product Note: VFX Film Making 2018-19 Course Code: OV-3108 Course Category: Career INDUSTRY
Product Note: VFX Film Making 2018-19 Course Code: OV-3108 Course Category: Career INDUSTRY Indian VFX Industry grew from INR 2,320 Crore in 2016 to reach INR 3,130 Crore in 2017. The Industry is expected to grow nearly double to INR 6,350 Crore by 2020. From VFX design & pre-viz to the creation of a digital photo-realistic fantasy world as per the vision of a Film director, Visual effects has become an essential part of today's filmmaking process. The Study of Visual effects is a balance of both art and technology. You learn the art of VFX Design as well as the latest VFX techniques using the state-of-the-art 3D &VFX soft wares used in the industry. * Source :FICCI-EY Media & Entertainment Report 2018 INDUSTRY TRENDS India Becoming a Powerhouse in Global VFX Share market India has evolved in terms of skillset which has helped local & domestic studios work for Global VFX projects. The VFX Industry is expected to hire about 2,500-3,000 personnel in the coming year. Visual Effects in Hollywood Films Top Studios working on Global VFX Top International Studios like MPC, Double Negative & Frame store who have studios & Film Projects partners in India have worked on the VFX of Top Hollywood Blockbuster Films Blade Runner 2049, The Fast & the Furious 8, Pirates of the Caribbean- Dead men Tell No Tales, Technicolor India The Jungle Book and many more. MPC TIPS VFX Trace VFX Visual Effects in Bollywood Films Prime Focus World BAHUBALI 2 – The Game Changer for Bollywood VFX Double Negative Post the Box office success of Blockbuster Bahubali 2, there is a spike in VFX Budgets in Legend 3D Bollywood as well as Regional films. -
Avid DS - Your Future Is Now
DSWiki DSWiki Table Of Contents 1998 DS SALES BROCHURE ............................................. 4 2005 DS Wish List ..................................................... 8 2007 Unfiltered DS Wish List ............................................. 13 2007 Wish Lists ....................................................... 22 2007DSWishListFinalistsRound2 ........................................... 28 2010 Wish List ........................................................ 30 A ................................................................. 33 About .............................................................. 53 AchieveMoreWithThe3DDVE ............................................. 54 AmazonStore ......................................................... 55 antler .............................................................. 56 Arri Alexa ........................................................... 58 Avid DS - Your Future Is Now ............................................. 59 Avid DS for Colorists ................................................... 60 B ................................................................. 62 BetweenBlue&Green ................................................... 66 Blu-ray Copy ......................................................... 67 C ................................................................. 68 ColorItCorrected ...................................................... 79 Commercial Specifications ............................................... 80 Custom MC Color Surface Layouts ........................................ -
Curriculium Vitae Biography Main Software
CURRICULIUM VITAE BIOGRAPHY MAIN SOFTWARE ...................................................................................................................................................................................... ...................................................................................................................................................................................... I’m an energetic and diligent Compositor with an eye for pixel Nuke Studio Nuke X perfection. During my last years, I have been working with high-end visual effects houses in London combining the experience of working in films, tv-shows and commercials. SECONDARY SOFTWARE Working on these subfields gave me the ability to solve different types ...................................................................................................................................................................................... of shots proposing distinct solutions. I reshuffled my approaches and merged all the knowledge improving my workflow and technical PF Track After Effects Photoshop proficiency in digital compositing. Silhouette FX Mocha Pro DaVinci Resolve As an information-seeker, I am always eager to push my boundaries facing each project as a new challenge, opportunity to learn and self-development. PROJECT MANAGEMENT SOFTWARE Believing that quality is of utmost importance, my major goal is to ..................................................................................................................................................................................... -
PDF File .Pdf
Creative Software Useful Linux Commands Software Overview Useful Linux Commands Ghostscript (Link) RGB to CMYK Conversion This command will convert PDFs in the RGB color space, such as those created in Inkscape, to CMYK for print. Within the terminal navigate to the file directory and replace out.pdf with the desired output CMYK file name and in.pdf with the existing RGB file: gs -o out.pdf -sDEVICE=pdfwrite -dUseCIEColor -sProcessColorModel=DeviceCMYK - sColorConversionStrategy=CMYK -dEncodeColorImages=false - sColorConversionStrategyForImages=CMYK in.pdf Compress CMYK File This command will reduce the dpi of a PDF to 300 (and possibly other compression). This is useful after converting PDFs to CMYK using the prior command because they can be very large. gs -dBATCH -dNOPAUSE -q -sDEVICE=pdfwrite -dPDFSETTINGS=/prepress -sOutputFile=out.pdf in.pdf Merge and Compress PDF Files This command will merge two PDF files and reduce the dpi to 300. This is useful when generating PDFs in Inkscape. gs -dBATCH -dNOPAUSE -q -sDEVICE=pdfwrite -dPDFSETTINGS=/prepress -sOutputFile=out.pdf in1.pdf in2.pdf Convert PNG's to JPG's in a sub-directory Inkscape only exports files in PNG format. This is a simple command to convert them those PNG files to JPG (with default compression?) using Imagemagick to a subdirectory called Exported_JPGs. Run this command inside of the directory of the PNG files. mogrify -path Exported_JPGs -format jpg *.png Software Overview We use the following software during the course of our work. All of these applications are Free and Open Source Software (FOSS). Operating Systems Solus - A GNU/Linux based operating system with great performance and stability. -
NANCE PATERNOSTER Digital Artist - Compositor - Instructor 503 • 621 • 1073
NANCE PATERNOSTER Digital Artist - Compositor - Instructor 503 • 621 • 1073 OBJECTIVE: Working in a Creative Capacity for Apple Computer or Adobe Products Digital Compositing, Motion Graphics & Special Effects Animation Creating Digital Art & Animated Sequences Teaching in an Animation Department at an Art School EDUCATION: MA 1993 – San Francisco State University Masters in Computer & Film Animation/Video Disk Technology BFA 1984 - Syracuse University: Syracuse, New York Art Media Program: Computer Graphics Major/College of Visual & Performing Arts (Film, Video, Photo. & Computer Graphics/Programming - Fine Art Emphasis) Additional Computer Graphics Training: Art Institute of Portland - Maya Courses Academy of Art College 1994; Pratt Institute, N.Y., NY 1985; The School of Visual Art, NY 1984 N.Y. Institute of Technology 1984-1985; Pratt Brooklyn, 1985 Center for Electronics Arts, S.F., CA 1988-1989 COMPUTER GRAPHIC EQUIPMENT Platforms - Mac/SGI/PC Software - Flame, After Effects Photoshop, Illustrator, Painter, Quark Some - Maya, Max, Lightwave, Soft Image Xaos Tools - Pandemonium, NTITLE Some - Avid, Final Cut, Premiere Amazon Paint 2D/3D, PIRANHA Unix, Dos, + Some C++, Pascal, Fortran, Javascript , HTML Additional Photography, Stereo Photography. Analog and Digital Video editing, Film editing. RELATED WORK: Art Institute of Portland - Adjunct Faculty VEMG/DFV Depts. - Present Pacific Northwest College of Art - Adjunct Faculty - Present Art Institutes Online - Adjunct Faculty - Present Art Institutes Online- Full Time Faculty - Animation Department - 2006-2007 Art Institute of Portland - Full Time Faculty - Animation Department Teaching Compositing, Motion Graphics, Special FX Animation, Advanced Image Manipulation, Digital Paint, Independent Study for Senior Animation Students, & Digital Portfolio. 2000 - 2005 Art Institutes Online - Adjunct Faculty - Game Art & Design Department Teaching Digital Ink & Paint Online, 2D Animation, Image Manipulation. -
Natron – Kostenlose Compositing-Alternative?
FOKUS FIlm & VFX 3d & ANImAtION INTERACTIVE dIgItAl ARt SCIeNCe & edUCAtION SERVICE Natron – Kostenlose Compositing-Alternative? Ein kostenloses Compositing-Tool, das so ähnlich aussieht wie Nuke? Klingt vielversprechend! In diesem Artikel möchte ich die Open-Source-Software Natron vorstellen, indem ich einige Vergleiche mit Nuke anstelle und zeige, wie weit der momentane Entwicklungsstand der Software ist. von Rayk Schroeder atron ist ein Node-basiertes Compo- Plug-ins. Da der Source Code ebenfalls frei inklusive dem dazugehörigen Bildmaterial siting-Tool, das es sowohl für Win- verfügbar ist, kann man sich leicht an der heruntergeladen (www.thefoundry.co.uk/ Ndows als auch für Mac OS und Li- Entwicklung beteiligen beziehungsweise die support/user-guides). Damit lassen sich die nux gibt. Laut Internetseite (natron.inria. Software an die eigene Arbeitsumgebung/ Schritt-für-Schritt-Anleitungen direkt in Na- fr) rühmt es sich damit, dass es „auf den Pipeline anpassen. tron nachvollziehen. The Foundry bietet vier gleichen Prinzipien basiert wie State-of-the- Um einen Vergleich mit Nuke anstellen Tutorials zu Compositing Basics, Tracking, Art-Tools“. Es ist sogar für die kommerzielle zu können, habe ich mir die Einsteiger- Keying und 3D-Integration an. Da Natron Nutzung kostenlos und unterstützt OpenFX- Tutorials von The Foundrys Internetseite noch keinen 3D-Space besitzt, beschränke ich mich auf die ers- ten drei Tutorials. Für diesen Artikel habe Bilder: Natron ich die Version 1.2.1 von Natron und die Version 9.0v4 von Nuke für Linux ver- wendet. Bei Proble- men habe ich auch in die Windows- Version hineinge- schaut, ob diese dort auch auftreten. Im Folgenden zeige ich die größten Un- terschiede zwischen den beiden Pro- grammen, die mir beim Durcharbeiten der Tutorials aufge- fallen sind. -
Toon Boom Harmony 12.1 Essentials
TOON BOOM HARMONY 12.1 - Essentials Edition - Compositing and Effects Guide Legal Notices Toon Boom Animation Inc. 4200 Saint-Laurent, Suite 1020 Montreal, Quebec, Canada H2W 2R2 Tel: +1 514 278 8666 Fax: +1 514 278 2666 toonboom.com Disclaimer The content of this guide is covered by a specific limited warranty and exclusions and limit of liability under the applicable License Agreement as supplemented by the special terms and conditions for Adobe®Flash® File Format (SWF). For details, refer to the License Agreement and to those special terms and conditions. The content of this guide is the property of Toon Boom Animation Inc. and is copyrighted. Any reproduction in whole or in part is strictly prohibited. Trademarks Harmony is a trademark of Toon Boom Animation Inc. Publication Date 2015-08-07 Copyright © 2015 Toon Boom Animation Inc. All rights reserved. 2 Harmony 12.1 Essentials - Compositing and Effects Guide Contents Toon Boom Harmony 12.1- Essentials Edition -Compositing and Effects Guide 1 Contents 3 Chapter 1: Compositing - An Introduction 7 Chapter 2: Import 9 Importing Bitmap Images 9 Importing a Bitmap Image Without Vectorization 10 Bitmap Image Quality 11 Importing and Vectorizing Bitmap Images 11 Importing PSD Files as Separate Layers 14 Exporting a Layout 20 Scanning Images 24 Importing AI and PDF Files 32 Importing SWF Files 34 Redistributing Elements 36 Importing QuickTime Movies 37 Custom Vectorization Parameters 38 Options Tab 39 Help Tab 41 File IO Options 41 Registration Options 42 Filtering Options 42 Options for bitmap -
Catalogue De Formation 2017-2018
CATALOGUE DE FORMATION 2017-2018 UN PLURIEL BIEN SINGULIER Qui sommes-nous ? Studio d'animation basé à Montpellier, la SCOP Les Fées Spéciales a pris la décision éthique, morale et technique d’utiliser principalement des logiciels libres pour la fabrication de ses projets. Ainsi, Blender, Natron, Krita et bien d’autres sont utilisés autant que possible sur des stations Linux. Les Fées Spéciales sont référencées par Datadock et éligibles par les financeurs de la formation continue. PRÉSENTATION DES PROGRAMMES «Initiation au logiciel 3D Blender» Blender est un logiciel libre et gratuit de création 3D. 6 Stagiaires par session - 5 jours Devis disponible sur demande Pour qui Contenu Toute personne souhaitant acquérir rapidement les Comprendre la philosophie du logiciel et bases du logiciel pour une utilisation professionnelle. l’organisation de l’interface, acquérir les bases de Notions sur des logiciels d’images de type Krita ou la modélisation, du shading, de l’animation et des Photoshop, ou des connaissances de base sur effets spéciaux. Autocad ou Maya ou 3DSmax. Programme détaillé Objectif : se familiariser avec les rudiments de la 3D sous Blender Jour 1 : Jour 2 : Installation et présentation du logiciel, de Modélisation. Edit mode, les outils de modélisation la communauté Blender et de ses ressources et de sélection. Les composants du mesh, leurs disponibles. L’interface de Blender. Les fenêtres, groupes et leurs utilités multiples. Les modifiers organiser l’interface. Aperçu de chacune des fenêtres. comme outils de modélisation. Les objets text, curve, La 3D view, manipulation des datas et des vues metaballs. Utilisation du snap et du cursor. Sculpt 3D. -
Third Semester
PUNJAB TECHNICAL UNIVERSITY, JALANDHAR COURSE CURRICULUM FOR BACHELORS IN ANIMATION & MULTIMEDIA TECHNOLOGY (BAMT) THIRD SEMESTER Sr.No Subject Marks Maximum credits Subject Code L T P Marks Int. Ext. 1 Web Designing AMT-301 3 0 0 40 60 100 3 Technologies 2 Animation - Modeling AMT-302 1 0 6 60 40 100 4 Lab 3 Fundamentals of AMT-303 3 0 0 40 60 100 3 Pre-Production 4 Digital Film Making AMT-304 1 0 6 60 40 100 4 Lab 5 Print & Advertising AMT-305 1 0 4 60 40 100 3 Graphic Design Lab 6 Character Animation - AMT-306 1 0 4 60 40 100 3 1 Lab TOTAL 10 0 20 320 280 600 SEMESTER - III Internal: 40 Marks External: 60 Marks AMT- 301 Web Designing Technologies L-3 T-0 P-0 OBJECTIVE - The main objective of the subject is to impart the basic understanding of the methods and techniques of developing a web site. 1) Introduction to the Internet (5%) Modes of connecting to internet, search optimization on internet, applications of internet, introduction to World Wide Web (WWW). 2) Introduction to HTML (5%) HTML tags, HTML Editor. 3) Tags, Attributes, Lists and Tables (15%) Structure Tags (HTML,HEAD,TITLE,BODY),Paired and unpaired tags, Ordered list, unordered list, formatting list, tables in HTML, formatting table, cell spacing, cell padding 4) Links and Images (15%) Making hyper links- anchor tag, images as link, Adding Images, Aligning the image Using Images as a link, Using Background images. 5) Cascading Style Sheets (5%) Style sheet design, using internal and external style sheets 6) Creating a Basic Web Page (20%) Creating web pages using basic HTML Tags. -
Scale Based Model for the Psychology of Crowds Into Virtual Environments»
« Scale Based Model for the psychology of crowds into virtual environments» Fabien Tschirhart ATI – University of Paris VIII [email protected] Crowds into virtual environments Different purposes Crowds into virtual environments Different purposes Video Games ↑ Hitman Absolution ↓ Supreme Commander ↑ Theme Hospital ↓ Total War : Shogun 2 Crowds into virtual environments Different purposes Cinema ↑ King Kong ↓ The Curious Case of Benjamin Button ↑ Troie ↓ The Mummy : Tomb of the Dragon Emperor Crowds into virtual environments Different purposes Simulation ↑ SpirOps Crowd ↓ MassMotion ↑ Geppetto ↓ Myriad II Existing crowd models The macroscopic approach Macroscopic models assimilates people as a unique mass behaving like a fluid or a gas : This kind of model was introduced by Henderson in 1971 who identified people as a fluid flowing out in a building. In 1992, Helbing suggested that people could be acting like gas particles, making a comparison between an individual state and the different states gases have according to the Maxwell-Boltzmann distribution. ← Myriad II Existing crowd models The macroscopic approach This approach was then ehanced with more complex models : Predtechenshkii and Milinskii suggested a model to estimate the local density of a flow of people and it’s propagation between blocs : The conflagration model from Takahashi, Tanaka and Kose, cuts infrastructures into different kinds of generic areas, then it computes the maximal time required for the evacuation of each area according to the room obstruction : Existing crowd models The macroscopic approach Strenght and weakness : => Can be used for sequences with thousands individuals for a low cost. => Easy to set up. => Very fast to compute. => Almost exclusively designed for the simulation of massive evacuations of buildings. -
Op E N So U R C E Yea R B O O K 2 0
OPEN SOURCE YEARBOOK 2016 ..... ........ .... ... .. .... .. .. ... .. OPENSOURCE.COM Opensource.com publishes stories about creating, adopting, and sharing open source solutions. Visit Opensource.com to learn more about how the open source way is improving technologies, education, business, government, health, law, entertainment, humanitarian efforts, and more. Submit a story idea: https://opensource.com/story Email us: [email protected] Chat with us in Freenode IRC: #opensource.com . OPEN SOURCE YEARBOOK 2016 . OPENSOURCE.COM 3 ...... ........ .. .. .. ... .... AUTOGRAPHS . ... .. .... .. .. ... .. ........ ...... ........ .. .. .. ... .... AUTOGRAPHS . ... .. .... .. .. ... .. ........ OPENSOURCE.COM...... ........ .. .. .. ... .... ........ WRITE FOR US ..... .. .. .. ... .... 7 big reasons to contribute to Opensource.com: Career benefits: “I probably would not have gotten my most recent job if it had not been for my articles on 1 Opensource.com.” Raise awareness: “The platform and publicity that is available through Opensource.com is extremely 2 valuable.” Grow your network: “I met a lot of interesting people after that, boosted my blog stats immediately, and 3 even got some business offers!” Contribute back to open source communities: “Writing for Opensource.com has allowed me to give 4 back to a community of users and developers from whom I have truly benefited for many years.” Receive free, professional editing services: “The team helps me, through feedback, on improving my 5 writing skills.” We’re loveable: “I love the Opensource.com team. I have known some of them for years and they are 6 good people.” 7 Writing for us is easy: “I couldn't have been more pleased with my writing experience.” Email us to learn more or to share your feedback about writing for us: https://opensource.com/story Visit our Participate page to more about joining in the Opensource.com community: https://opensource.com/participate Find our editorial team, moderators, authors, and readers on Freenode IRC at #opensource.com: https://opensource.com/irc .