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Conversation with Rosi Braidotti 27/01/16 11:33
Conversation with Rosi Braidotti 27/01/16 11:33 nYwebsite en tijdschrift voor literatuur, kritiek & amusement, voorheen yang & freespace Nieuwzuid Nieuwste nummer > Transitzone/ RosiConversation Braidotti, Sarah Posman with Rosi Braidotti Published: 19/06/2013 Tags: litcrit interview philosophy psychoanalysis Sarah Posman (nY) in conversation with Rosi Braidotti on contemporary feminism and amor fati, in March 2012. Sarah Posman: In Metamorphosis: Towards a Materialist Theory of Becoming you write that “time is on our side.” Do you still feel that way in the light of the present moments of crisis that we’re witnessing in society and academia – the lack of funding for Women’s Studies departments in the low countries is an urgent example. When there is revolt against these developments – the riots in cities across Europe, the academe-affiliated Occupy movements – it doesn’t seem to come in the Dionysian guise you promote. Rosi Braidotti: The phrase “time is on our side” is grounded both in an intellectual and institutional practice of feminism. For me feminist theory is transformative. This implies a debate with gender and gender mainstreaming, which is one of the great growth areas not only of the academe but of our society, and an area that will produce a great deal of employment for our students. Gender mainstreaming is egalitarian and terribly important. I support it completely, but it is not transformative, necessarily. I was watching TV last night, on the eve of international women’s day, and all the major international networks were doing features on the status of women. Al Jazeera had a wonderful set of interviews about women in the Arab world and women entrepreneurs in India. -
Urbandignityvolume9 2014.Pdf
Journal of Urban Culture Research Volume 9 Jul - Dec 2014 Published jointly by Chulalongkorn University, Thailand and Osaka City University, Japan The views and opinions expressed herein are those of the individual author(s) BOEEPOPUOFDFTTBSJMZSFÏFDUUIFQPMJDJFTPSPQJOJPOTPGUIFJournal (JUCR), it editors and staff, Chulalongkorn University, or Osaka City University. Authors authorize the JUCR to publish their materials both in print and online while retaining their full individual copyright. The copyright of JUCR volumes is retained by Chulalongkorn University. © 2014 BY CHULALONGKORN UNIVERSITY ISSN 2228 – 8279 (Print) ISSN 2408 – 1213 (Online) JUCR is listed in the Thai-Journal Citation Index – TCI 5IJTQVCMJDBUJPOJTBOPOQSPÎUFEVDBUJPOBMSFTFBSDIKPVSOBMOPUGPSTBMF Journal of Urban Culture Research Executive Director Suppakorn Disatapandhu, Chulalongkorn University, Thailand Editor in Chief Kjell Skyllstad, University of Oslo, Norway International Editor Alan Kinear, Chulalongkorn University, Thailand Contributing Editors Bussakorn Binson, Chulalongkorn University, Thailand Shin Nakagawa, Osaka City University, Japan Managing Editor Pornprapit Phoasavadi, Chulalongkorn University, Thailand Editorial Board Frances Anderson, College of Charleston, USA Bussakorn Binson, Chulalongkorn University, Thailand Naraphong Charassri, Chulalongkorn University, Thailand Dan Baron Cohen, Institute of Transformance: Culture and Education, Brazil Gavin Douglas, University of North Carolina, USA Made Mantle Hood, University of Putra, Malaysia Geir Johnson, Music -
PTW14-Program.Pdf
performing the world 2014 Participant Countries Argentina Denmark Nepal Romania Australia England Netherlands Scotland Austria Ghana Nicaragua Serbia Bangladesh Greece Nigeria South Africa Norway Botswana India Taiwan The Sultanate Brazil Israel of Oman Uganda Canada Italy Pakistan United States Chile Japan Peru Colombia Mexico Philippines (as of 10/21/14) how shall we become? NEW YORK CITY performing the world 2014 Contents Greetings ...............................................................page 3 Schedule ................................................................page 11 Session Descriptions ...........................................page 19 Visitors Guide .......................................................page 51 Thanks ....................................................................page 59 Welcome from the All Stars Project On behalf of the All Stars Project’s board of directors, staff, donors, young people Note: You will find presenter bios online at www.performingtheworld.org and volunteers, I welcome you to Performing the World 2014 and to the All Stars Project’s performing arts and development center. We are proud to be co- sponsoring this extraordinary international gathering. “How Shall We Become?” is a question that permeates everything we do at the All Stars. How shall the people we work with —young people and adults, from corporate boardrooms to inner-city communities — become deeper, broader, more worldly and more developed? We can never know in advance what we shall become, but we believe that how we become — through play and performance — gives us all the best chance for development. performing We look forward to these three days of asking “How Shall We Become?” with all of you. We hope you enjoy our theatres, our volunteer staff, New York City — and “becoming” together. the Warm regards, world 2014 Gabrielle L. Kurlander President and CEO All Stars Project, Inc. -
Debashish Banerji Makarand R. Paranjape Editors Critical Posthumanism and Planetary Futures Critical Posthumanism and Planetary Futures Debashish Banerji • Makarand R
Debashish Banerji Makarand R. Paranjape Editors Critical Posthumanism and Planetary Futures Critical Posthumanism and Planetary Futures Debashish Banerji • Makarand R. Paranjape Editors Critical Posthumanism and Planetary Futures 123 Editors Debashish Banerji Makarand R. Paranjape California Institute of Integral Studies Jawaharlal Nehru University San Francisco, CA New Delhi USA India ISBN 978-81-322-3635-1 ISBN 978-81-322-3637-5 (eBook) DOI 10.1007/978-81-322-3637-5 Library of Congress Control Number: 2016947189 © Springer India 2016 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Printed on acid-free paper This Springer imprint is published by Springer Nature The registered company is Springer (India) Pvt. -
Writing As a Nomadic Subject
Comparative Critical Studies 11.2–3 (2014): 163–184 Edinburgh University Press DOI: 10.3366/ccs.2014.0122 C British Comparative Literature Association www.euppublishing.com/ccs Writing as a Nomadic Subject ROSI BRAIDOTTI I am rooted but I flow Virginia Woolf, The Waves1 My lifelong engagement in the project of nomadic subjectivity has been partly motivated by the conviction that, in these globalized times of accelerating technologically mediated changes, many traditional points of reference and age-old habits of thought are being re-composed, albeit in contradictory ways. Paradoxically, old power relations are not only confirmed but in many ways exacerbated in the new geo-political context.2 At such a time more conceptual creativity is necessary, and more theoretical courage is needed in order to bring about the leap across inertia, nostalgia, aporia and the other forms of critical stasis induced by our historical condition. It has become like a mantra to me: we need to learn to think differently about the kind of subjects we have already become and the processes of deep-seated transformation we are undergoing. The philosopher in me believes that a new alliance between philosophy, the arts and science is a crucial building block for this qualitative shift of perspective.3 The writer in me, on the other hand, continues to muse about the complex ways in which the imaginary both propels and resists in-depth transformations. A MATTER OF STYLE At the beginning of it all, for my generation, is the commitment to writing. Presented as a form of political and ethical engagement, it is essentially a visceral gesture. -
Rosi Braidotti, the Posthuman
The Posthuman The Posthuman Rosi Braidotti polity Copyright © Rosi Braidotti 2013 The right of Rosi Braidotti to be identifi ed as Author of this Work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988. First published in 2013 by Polity Press Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Polity Press 350 Main Street Malden, MA 02148, USA All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. ISBN-13: 978-0-7456-4157-7 ISBN-13: 978-0-7456-4158-4 (pb) A catalogue record for this book is available from the British Library. Typeset in 10.5 on 12 pt Sabon by Toppan Best-set Premedia Limited Printed and bound in Great Britain by MPG Books Group Limited, Bodmin, Cornwall The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. -
A Cartography of Angry Indian Goddesses Towards Nomadic Affect
Indi@logs Vol 7 2020, pp 11-25, ISSN: 2339-8523 DOI https://doi.org/10.5565/rev/indialogs.150 ------------------------------------------------------------------------------------------------ A CARTOGRAPHY OF ANGRY INDIAN GODDESSES TOWARDS NOMADIC AFFECT INDRANI MUKHERJEE Jawaharlal Nehru University [email protected] Received: 31-10-2019 Accepted: 17-12-2019 ABSTRACT This paper attempts to draw a cartography of becoming Angry Indian Goddesses as transnational nomadism towards an embodied and material rethinking of women’s friendships from outside the constraints of systemic binaries. The friends are all professional women who are globally wired, whose thinking minds and non-docile bodies detach themselves from any normative modes of belonging in their respective personal and professional realms. They map a post-humanist spatiality of rhizomic linkages with other animate and non-animate entities, throwing up a new ethics of nomadic affect and responsibility. The film begins with a panoramic gaze of the Goan landscape, overlapped with flash images of Hindu goddesses and their animal escorts framed within a power packed song “Kattey”, which intersects Bhanwari Devi’s powerful folk composition of Meera Bai’s 15th century mystic tradition with Haard Kaur’s rap. The crossing of the song and the violent events of rejection that the women face, unbridle a becoming angry goddesses through a pastiche of the anxious goddesses and women sited on an axis of re/de-valorised difference. Goa becomes a potential third space entangled with all of the above, as it dwells on the contemplative scope of this cartography as redemptive and suggests a re-humanization of schizophrenic splintered objects through love and affect. -
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Completed and Resubmitted Within the Time Frame Speci!Ed
Journal of Urban Culture Research !"#$%&'(#)*'+#$&,+ Suppakorn Disatapandhu, !"#$%$&'()&*'+,'-./*0-123+4"%-$%'5 !-'&,+)'.)/0'#1 Bussakorn Binson, !"#$%$&'()&*'+,'-./*0-123+4"%-$%'5 2.&#+.3&',.34)!-'&,+ Alan Kinear, !"#$%$&'()&*'+,'-./*0-123+4"%-$%'5 /,.&+'5%&'.6)!-'&,+ Kjell Skyllstad, ,'-./*0-12+&6+70$&3+8&*9%2 73.36'.6)!-'&,+ Pornprapit Phoasavadi, !"#$%$&'()&*'+,'-./*0-123+4"%-$%'5 !-'&,+'34)8,3+- Frances Anderson, !&$$/(/+&6+!"%*$/01&'3+,:; Bussakorn Binson, !"#$%$&'()&*'+,'-./*0-123+4"%-$%'5 Naraphong Charassri, !"#$%$&'()&*'+,'-./*0-123+4"%-$%'5 Dan Baron Cohen, <'01-1#1/+&6+4*%'06&*=%'>/?+!#$1#*/+%'5+@5#>%1-&'3+A*%B-$ Gavin Douglas, ,'-./*0-12+&6+8&*1"+!%*&$-'%3+,:; Geir Johnson, C#0->+<'6&*=%1-&'+!/'1*/+C<!D4*%'0E&0-1-&'3+8&*9%2 Zuzana Jurkova, !"%*$/0+,'-./*0-123+!B/>"+F/E#G$-> Prapon Kumjim, !"#$%$&'()&*'+,'-./*0-123+4"%-$%'5 Le Van Toan,+8%1-&'%$+;>%5/=2+&6+C#0->3+H-/1'%= Shin Nakagawa, 70%)%+!-12+,'-./*0-123+I%E%' Svanibor Pettan, ,'-./*0-12+&6+JK#G$K%'%3+:$&./'-% Leon Stefanija,+,'-./*0-12+&6+JK#G$K%'%3+:$&./'-% Deborah Stevenson,+,'-./*0-12+&6+L/01/*'+:25'/23+;#01*%$-% Pornsanong Vongsingthong, !"#$%$&'()&*'+,'-./*0-123+4"%-$%'5 9#5:3;&#+ Alan Kinear <3=,%&)>)*#;'6. Alan Kinear3+!&./*+G2 Nawarat Sitthimongkolchai /,?=+'60& It is a condition of publication that the Journal assigns copyright or licenses the publication rights in their articles, including abstracts, to the authors. /,.&3$&)2.1,+:3&',.@ Journal of Urban Culture Research Faculty of Fine and Applied Arts Chulalongkorn University Payathai Road, Pathumwan Bangkok, Thailand 10330 Voice/Fax: 662-218-4582 Email: [email protected] Website: www.cujucr.com This publication is a non-pro!t educational research journal not for sale. -
February 26, 2011
Daniel Roche (480) 938-7755 [email protected] www.daniel-roche.com Degrees and Certifications Master of Fine Arts, Creative Writing, San Francisco State University 2012 Concentration in Playwriting • Thesis: “Virginia Woolf’s Mrs. Dalloway” Advisor: Roy Conboy Second Thesis Reader: Brian Thorstensan Master of Arts, English San Francisco State University 2011 Concentration in Creative Writing, Poetry • Thesis: “The Paperwork Rebuttal” Advisor: Camille Dungy Second Thesis Reader: Maxine Chernoff Bachelor of Arts, English Literature Arizona State University 2004 TEFL Certification (Teaching English as a International TEFL and TESOL 2014 Foreign Language) Training (120 hours) Honors and Awards Teacher Ranked as Outstanding, University of Illinois at Urbana Champaign Dec. 2019 Playwright in Residence, Catwalk Institute Nov. 2019 Best Screenplay Nominee, Sparrow Film Project Dec. 2018 Instructor of the Year, Guangdong Peizheng College May 2014 Finalist, DIAGRAM Award for Innovative Fiction March 2012 Finalist, Platypus Prize for Innovative Fiction April 2012 Honorable Mention, Robert Browning Society Award for Dramatic Monologues Dec. 2011 Honorable Mention, Writer’s Digest International Playwriting Contest May 2004 Roche, Daniel - 1 Academic Teaching Experience LECTURER, Department of English University of Illinois, Urbana Champaign August 2019 - Present Courses: BTW 250, Principles of Business and Technical Writing DANC 451, Social Impact Through Motion Media Arts and Technology (Assistant to John Toenjas) Volunteer: Robotics, Animation, and Dance Lab (RAD Lab) • Instruct students in the fundamentals of business and technical writing by emphasizing the importance of target audience, format, and writing multiple drafts. • Lecture on narrative structure as applied to film and game design. • Introduce the fundamentals of Unity Game Engine and C# programming for the development of performance experiences. -
World Creativity Summit 2008 Taipei Report
World Creativity Summit Volume 1, Number 1 July 2008 Edited by Marjorie Cohee Manifold & Enid Zimmerman 2008 Taipei Report Michael Day, InSEA Secretary Welcome to the Inaugural Edition Leaders of InSEA and two other international of the InSEA Newsletter! arts education organizations met together at the 2006 Lisbon UNESCO World Congress and created an alliance designed to combine their voices and expand INSIDE THIS ISSUE their influence. InSEA President Doug Boughton 1. Day, M. - World Creativty Summit Report (2004-2006) and members of the InSEA World 3. Memories of the World Creativity Summit Council established a working party to explore ways 5. Schilz, C. - Children’s Art Exchange 6. Manifold, M. C. & Zimmerman, E. - Editor’s to respond to recent UNESCO arts policy. Leaders Corner of the International Drama/Theatre and Education 6. InSEA World Councilors & Regional World Cou- Association (IDEA) and the International Society for nilors Music Education (ISME) were invited to contribute 7. De, M. & Bhat, G. - The Traditional Practice of to this discussion and one of the most important Chittara and the Challenge of Reviving this outcomes of the meeting was the creation of the World Practice of Deevaru Community in Southern Alliance for Arts Education (WAAE). The first result India (Featured Article) of the international multi-disciplinary alliance was the 13. Andrews, B. - Identity and Student Artwork at the Joint Declaration on Arts Education for the UNESCO World Creativity Summit 2008 World Congress of Arts in Education held in Lisbon, 16. Rees, J. - Visual Culture in English Foreign Portugal, in March 2006. This document established a Language Learning 18. -
Anthropos Redux: a Defence of Monism in the Anthropocene Epoch
© FRAME NO. 29.2 NOVEMBER 2016 | 29 – 46 Anthropos Redux: A Defence of Monism in the Anthropocene Epoch ROSI BRAIDOTTI ABSTRACT This essay starts from the new and internally contradictory assumption that the historical contemporary concerns, such as the situation of today is unprecedented fast technological developments on in ecological, economic, socio- the one hand and the perpetuation political, as well as affective of more familiar patterns of terms. The era known as the oppression, like structural Anthropocene requires new ways economic inequalities, on the of thinking in order to account other. Both aspects of the present for new practices and discourses predicament will receive critical related to this situation. By attention in the cartography of offering a defence of Spinozist the Anthropocenic era that I will monism, this essay attempts to discuss here and which I read in strike a critical balance between terms of the posthuman condition. 30 ROSI BRAIDOTTI About Monism Monistic ontologies have had a hard time in critical thought. A “monistic universe,” predicated upon the rejection of binary oppositions and dialectical negativity has often been misunderstood or dismissed. In this paper I will therefore challenge this knee-jerk reaction and defend monism by exploring some of its implications for a theory and practice of neo-material vitalist vision of political subjectivity. In the recently emerged framework of the Anthropocene,1 a monistic approach to subjectivity can offer not only an escape from the dualistic foundations locatable in most ideological and political social structures, but also the starting-point of a new relational ecology that rejects violent hierarchies, is more compassionate, and actively de-centres anthropocentrism.