2017 Sullivan Gateway Turns 100 in 2017, Denver Parks Restoring Built in 1917, the Sullivan Gate- Due to the Freeze-Thaw Cycles
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Dolemite Is My Name
DOLEMITE IS MY NAME Written by Scott Alexander and Larry Karaszewski FINAL IN THE BLACK We hear Marvin Gaye's "What's Goin' On" playing softly. VOICE I ain't lying. People love me. INT. DOLPHIN'S - DAY CU of a beat-up record from the 1950s. On the paper cover is a VERY YOUNG Rudy, in a tuxedo. It says "Rudy Moore - BUGGY RIDE" RUDY You play this, folks gonna start hoppin' and squirmin', just like back in the day. A hand lifts the record up to the face of RUDY RAY MOORE, late '40s, black, sweet, determined. RUDY When I sang this on stage, I swear to God, people fainted! Ambulance man was picking them off the floor! When I had a gig, the promoter would warn the hospital: "Rudy's on tonight -- you're gonna be carrying bodies out of the motherfucking club!" We see that we are in a RADIO BOOTH. A sign blinks "On The Air." The DJ, ROJ, frowns at the record. ROJ "Buggy Ride"? RUDY Wasn't no small-time shit. ROJ GodDAMN, Rudy! That record's 1000 years old! I've got Marvin Gaye singin' "Let's Get It On"! I can't be playin' no "Buggy Ride." (beat) Look, I have 60 seconds. I have to cue the next tune. Hm! Rudy bites his lip and walks away. Roj tries to go back to his job. He reaches for a Sly Stone single -- when Rudy suddenly bounds back up. RUDY How about "Step It Up and Go"? That's a real catchy rhythm-and-blues number. -
Un Retrato De La Actriz: Pam Grier
Un retrato de la actriz: Pam Grier Escrito por Kymberly Keeton Viernes 21 de Diciembre de 2012 12:24 La actriz Pam Grier, mejor conocida por sus papeles en películas del género blaxploitation en los años 70, regresa con una nota sobre avance, feminismo, vida, amor, sexualidad e independencia. Estos mensajes son escritos en una lengua vernácula fácil para sus fans. Su autobiografía, My Life in Three Acts: Foxy, echa una mirada fascinante a la vida y legado de Grier. Durante el verano de 2010 hizo una gira por los Estados Unidos presentando el libro. Para Grier, fue “la gira del gran abrazo consolador”. La actriz Afroamericana nació en Winston-Salem, Carolina del Norte. La madre de Pam Grier era enfermera, y su padre era sargento técnico de la fuerza aérea de Estados Unidos. Tiene una hermana y un hermano. Como resultado de vivir en una familia militar, los Grier se mudan a menudo. El libro inicia con Pam Grier hablando sobre su descubrimiento de que los Afroamericanos y los Blancos no se comunicaban entre sí en los años sesenta. 1 / 5 Un retrato de la actriz: Pam Grier Escrito por Kymberly Keeton Viernes 21 de Diciembre de 2012 12:24 La actriz habla abiertamente sobre el racismo en los Estados Unidos mientras crecía en Denver, Colorado. “Te das cuenta que era una opresión {durante esos tiempos} … me daba cuenta de cómo los padres ocultaban su ira para salvar a sus familias. También podías ver que personas de otra raza te veían diferente. En aquel entonces, los padres te decían por qué otras gente tenía prejuicios sobre ti”. -
SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V
SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V" for Vendetta "V" Hugo Weaving Fall 2006 13 Going on 30 Jenna Rink Jennifer Garner Sum 2008 27 Dresses Jane Nichols Katherine Heigl ? 28 Days Gwen Gibbons Sandra Bullock Fall 2006 2LDK (Two Lethal Deadly Killers) Nozomi Koike Eiko Spring 2006 40 Year Old Virgin Andy Stitzer Steve Carell Spring 2005 50 First Dates Henry Roth Adam Sandler Sum 2008 8½ Guido Anselmi Marcello Mastroianni Spring 2007 A Beautiful Mind John Nash Russell Crowe Fall 2006 A Bronx Tale Calogero 'C' Anello Lillo Brancato / Francis Capra Sum 2008 A Bronx Tale Sonny LoSpeecchio Chazz Palmenteri Fall 2006 A Clockwork Orange Alexander de Large Malcolm McDowell Fall 2007 A Doll's House Nora Helmer Claire Bloom ? A Few Good Men Lt. Daniel Kaffee Tom Cruise Fall 2005 A League of Their Own Jimmy Dugan Tom Hanks Fall 2000 A Perfect Murder Steven Taylor Michael Douglas ? A River Runs Through It Paul Maclean Brad Pitt Fall 2005 A Simple Plan Hank Mitchell Bill Paxton Fall 2007 A Streetcar Named Desire Stanley Marlon Brando Fall 2005 A Thin Line Between Love and Hate Brandi Lynn Whitefield Fall 2007 A Time To Kill Carl Lee Haley Samuel L. Jackson Spring 2007 A Walk to Remember Landon Carter Shane West Sum 2008 A Walk to Remember Jaime Mandy Moore ? About Schmidt Warren Schmidt Jack Nickleson Fall 2004 Adaption Charlie/Donald Nicholas Cage Fall 2000 After Hours Paul Hackett Griffin Dunn Spring 2005 Al Capone Al Capone Rod Steiger Fall 2005 Alexander Alexander Colin Farrel Fall 2005 Alice in Wonderland Alice Voice of Kathryn Beaumont -
She's a Whole Lotta Woman. Pam Grier
Lataya Lattany 6th Period April 24, 2017 She’s A Whole Lotta Woman. Pam Grier “I do a movie once every four years and they call it a comeback.” Synopsis Pamela Suzette Grier is an American actress. She was born on May 26, 1949 and she is currently 67 years old. She is known for being in movies such as The Big Bird Cage, Coffy, Foxy Brown, and Sheba Baby. Early Life Pam was born in Winston-Salem, North Carolina. Her mom was a nurse and her dad was an Air Force mechanic. She also had three siblings. Due to her father being in the military, she moved around a lot. She eventually settled in Denver and went to East High School. She participated in stage productions and she entered beauty contests to earn money for college. After she graduated from high school, she went to Metropolitan State College. Movies In 1970, Pam was a character in Beyond the Valley of the Dolls after moving to Los Angeles to go to film school and being discovered by Jack Hill. This marked the start of her acting career. Over time, Pam starred in movies such as Jackie Brown, The Big Doll House, and Above the Law. She also was in movies such as Ghost in Mars and Bones in the early 2000s. Because of her roles in movies, she was nominated for and won many awards. She was mainly in blaxploitation movies which geared towards black audiences and showcased their stereotypes. Pam’s Global Impact Millions of people have watched Pam Grier movies. -
The Problem of Female Antagonisms in Blaxploitation Cinema Melissa
1 Who’s Got the “Reel” Power? The Problem of Female Antagonisms in Blaxploitation Cinema Melissa DeAnn Seifert, University of Wisconsin-Milwaukee Abstract: Between 1973 and 1975, films starring Pam Grier and Tamara Dobson such as Cleopatra Jones (Jack Starrett, 1973), Coffy (Jack Hill, 1973) and Foxy Brown (Hill, 1974) introduced leading black women into the predominantly male blaxploitation scene as aggressive action heroines. Within the cinematic spaces of blaxploitation films which featured women as active agents, a racial and sexual divide exists. These films positioned women either inside or outside of gender tolerability by utilising binary constructions of identity based on race, sex and elementary constructions of good and evil, black and white, straight and gay, and feminine and butch. Popular representations of lesbianism and sisterhood within blaxploitation cinema reflect a dominant social view of American lesbianism as white while straight women are consistently represented as black. However, these spaces also constricted black and white female identities by limiting sexuality and morality to racial boundaries. This article seeks to question the unique solitude of these female heroines and interrogate a patriarchal cinematic world where sisterhood is often prohibited and lesbianism demonised. I don’t believe in [women’s lib] for black people … we’re trying to free our black men … I like being a woman. I have been discriminated against, but not because I’m a woman. It’s because I am black … before [people] see me as being female, they see me as being black. The stigma that’s been placed on you because you’re black gives you enough kill to get you through the woman thing … it’s much tougher being black than being a woman. -
A Queer and Gendered Analysis of Blaxploitation Films
Marquette University e-Publications@Marquette Social and Cultural Sciences Faculty Research and Publications/Department of Social and Cultural Sciences This paper is NOT THE PUBLISHED VERSION; but the author’s final, peer-reviewed manuscript. The published version may be accessed by following the link in the citation below. Western Journal of Black Studies, Vol. 37, No. 1 (2013): 28-38. DOI. This article is © Washington State University and permission has been granted for this version to appear in e- Publications@Marquette. Washington State University does not grant permission for this article to be further copied/distributed or hosted elsewhere without the express permission from Washington State University. Contents Abstract ......................................................................................................................................................... 2 Introduction .................................................................................................................................................. 2 Literature Review .......................................................................................................................................... 3 Social Identity Theory ............................................................................................................................... 3 The Politics of Semiotics ........................................................................................................................... 4 Creating Racial Identity through Film and -
Proquest Dissertations
Love and Cinema- Cinephilia, Style, and the Films of Quentin Tarantino by Matthew Harris A (thesis) submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University OTTAWA, Ontario Tuesday, January 4 2011, Matthew Harris Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-79566-8 Our file Notre reference ISBN: 978-0-494-79566-8 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Movie Suggestions for 55 and Older: #4 (141) After the Ball
Movie Suggestions for 55 and older: #4 (141) After The Ball - Comedy - Female fashion designer who has strikes against her because father sells knockoffs, gives up and tries to work her way up in the family business with legitimate designes of her own. Lots of obstacles from stepmother’s daughters. {The} Alamo - Western - John Wayne, Richard Widmark, Laurence Harvey, Richard Boone, Frankie Avalon, Patrick Wayne, Linda Cristal, Joan O’Brien, Chill Wills, Ken Curtis, Carlos Arru , Jester Hairston, Joseph Calleia. 185 men stood against 7,000 at the Alamo. It was filmed close to the site of the actual battle. Alive - Adventure - Ethan Hawke, Vincent Spano, James Newton Howard, et al. Based on a true story. Rugby players live through a plane crash in the Andes Mountains. When they realize the rescue isn’t coming, they figure ways to stay alive. Overcoming huge odds against their survival, this is about courage in the face of desolation, other disasters, and the limits of human courage and endurance. Rated “R”. {The} American Friend - Suspense - Dennis Hopper, Bruno Ganz, Lisa Kreuzer, Gerard Blain, Nicholas Ray, Samuel Fuller, Peter Lilienthal, Daniel Schmid, Jean Eustache, Sandy Whitelaw, Lou Castel. An American sociopath art dealer (forged paintings) sells in Germany. He meets an idealistic art restorer who is dying. The two work together so the German man’s family can get funds. This is considered a worldwide cult film. Amongst White Clouds - 294.3 AMO - Buddhist, Hermit Masters of China’s Zhongnan Mountains. Winner of many awards. “An unforgettable journey into the hidden tradition of China’s Buddhist hermit monks. -
Belknap Collection for the Performing Arts - the AFRICAN-AMERICAN CINEMA COLLECTION
AFRICAN-AMERICAN CINEMA CINEMA AFRICAN-AMERICAN CINEMA The history of the African-American Cinema is a harsh timeline of racism, repression and struggle contrasted with film scenes of boundless joy, hope and artistic spirit. Until recently, the study of the "separate cinema" (a phrase used by historians John Kisch and Edward Mapp to describe the segregation of the mainstream, Hollywood film community) was limited, if not totally ignored, by writers and researchers. The uphill battle by black filmmakers and performers, to achieve acceptance and respect, was an ugly blot on the pages of film history. Upon winning his Best Actor Oscar for LILLIES OF THE FIELD (1963), Sidney Poitier accepted, on behalf of the countless unsung African-American artists, by acknowledging the "long journey to this moment." This emotional, heartbreaking and inspiring journey is vividly illustrated by the latest acquisition to the Belknap Collection for the Performing Arts - THE AFRICAN-AMERICAN CINEMA COLLECTION. The valuable research material, housed in this collection, includes over 300 pressbooks (illustrated campaign and advertising catalogs sent to theatre owners), press kits (media packages including biographies, promotional essays and illustrations), programs and over 1000 photographs and slides. The journey begins with the blatant racism of D.W. Griffith's THE BIRTH OF A NATION (1915), a film respected as an epic milestone, but reviled as the blueprint for black film stereotypes that would appear throughout the 20th century. Researchers will follow African-American films through an extended period of stereotypical casting (SONG OF THE SOUTH, 1946) and will be dazzled by the glorious "All-Negro" musicals such as STORMY WEATHER (1943), ST.LOUIS BLUES (1958) and PORGY AND BESS (1959). -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Documentary Or Nonfiction Special American Murder: The Family Next Door Using raw, firsthand footage, to examine the disappearance of Shanann Watts and her children, and the terrible events that followed. The Battle Never Ends Millions of American veterans made a sacrifice to protect our country’s democracy. Honoring the 100-year anniversary of the Disabled American Veterans, a group which has fought to protect the rights and improve the lives of those who pay the price of freedom every day. The Bee Gees: How Can You Mend A Broken Heart Chronicling the triumphs and hurdles of The Bee Gees. Brothers Barry, Maurice, and Robin Gibb, found early fame writing over 1,000 songs with twenty No. 1 hits transcending through over five decades. Featuring never-before-seen archival footage of recording sessions, home videos, concert performances, and a multitude of interviews. Belushi Belushi unveils the brilliant life of a comedic legend. Family and friends share memories of a John Belushi few knew, including Dan Aykroyd, Gilda Radner, Chevy Chase, Penny Marshall, Lorne Michaels and Harold Ramis. Biggie: I Got A Story To Tell Featuring rare footage and in-depth interviews, this documentary celebrates the life of The Notorious B.I.G. on his journey from hustler to rap king. BLACKPINK: Light Up The Sky Korean girl band BLACKPINK tell their story — and detail the journey of the dreams and trials behind their meteoric rise. Booker T (Biography) Re-live the journey of Booker T, who transformed himself from teenage criminal serving time in prison to one of the most beloved WWE superstars. -
Face to Race: Gender, Ethnicity and the Media
Issue 2008 23 Face to Race: Gender, Ethnicity and the Media Edited by Prof. Dr. Beate Neumeier ISSN 1613-1878 Editor About Prof. Dr. Beate Neumeier Gender forum is an online, peer reviewed academic University of Cologne journal dedicated to the discussion of gender issues. As an English Department electronic journal, gender forum offers a free-of-charge Albertus-Magnus-Platz platform for the discussion of gender-related topics in the D-50923 Köln/Cologne fields of literary and cultural production, media and the Germany arts as well as politics, the natural sciences, medicine, the law, religion and philosophy. Inaugurated by Prof. Dr. Tel +49-(0)221-470 2284 Beate Neumeier in 2002, the quarterly issues of the journal Fax +49-(0)221-470 6725 have focused on a multitude of questions from different email: [email protected] theoretical perspectives of feminist criticism, queer theory, and masculinity studies. gender forum also includes reviews and occasionally interviews, fictional pieces and Editorial Office poetry with a gender studies angle. Laura-Marie Schnitzler, MA Sarah Youssef, MA Opinions expressed in articles published in gender forum Christian Zeitz (General Assistant, Reviews) are those of individual authors and not necessarily endorsed by the editors of gender forum. Tel.: +49-(0)221-470 3030/3035 email: [email protected] Submissions Editorial Board Target articles should conform to current MLA Style (8th edition) and should be between 5,000 and 8,000 words in Prof. Dr. Mita Banerjee, length. Please make sure to number your paragraphs Johannes Gutenberg University Mainz (Germany) and include a bio-blurb and an abstract of roughly 300 Prof. -
From Headscarves to Afros: Redefining African-American
From Headscarves to Afros 1 FROM HEADSCARVES TO AFROS: REDEFINING AFRICAN-AMERICAN FEMININITY AND EMPOWERMENT IN SELECTED 1970s BLACK ACTION FILMS (published in Ethnic Media: Taking Control, vol 3 eds. Guy T. Miess and Alice Tait: Kendall/Hunt Dubuque, Iowa, 2005 pages 213-229)) Yvonne D. Sims, Ph.D INTRODUCTION In the early 1970s, movie audiences witnessed the emergence of a new genre that provided African-American actresses with their first opportunity to move beyond the confines of domestic and seductress roles. This chapter presents the views of actors and actresses who starred in the popular and successful Black action films, as well as the perspectives of the directors and studio executives responsible for their development. It focuses primarily on the voices and performances of two Black actresses, Pam Grier and Tamara Dobson, who created a new type of onscreen heroine that helped to redefine African-American femininity. For African-American actresses, the genre offered a drastic change from the historic representations of the mammy and the Jezebel stereotypes that had routinely defined the range of roles available to them. The chapter examines three highly successful Black action films and explores the contributions that their stars made to the evolution of Hollywood’s portrayal of African-American women by the way they interpreted those roles. The films are Coffy, Foxy Brown and Cleopatra Jones. Pam Grier and Tamara Dobson are the stars who created those memorable characters and, in From Headscarves to Afros 2 the process, redefined popular culture’s concepts of beauty, sexuality and womanhood for onscreen African-American women.