Notre Dame Collegiate Jazz Festival Program, 1962
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Big Band Jazz and 20th C. Art Music: The Historical Relationship Documented Aaron Hedenstrom Music Composition University of Wisconsin-Eau Claire Faculty Mentor: Ethan Wickman, DMA The Premise Data Analysis: Timeline of Events The art music tradition (music stemming from the European Classical tradition) and the jazz tradition have had major impacts on one another throughout the 20th and 21st 1920s 1922: Darius Milhaud composes composes Trois rag caprices centuries. This project was designed to lay out history's events to show the 1923: Darius Milhaud premieres La création du monde 1924: Gershwin premieres "Rhapsody in Blue" 1926: Duke Ellington's 10-piece band records "East St. Louis Toodle-oo" which was their first recording progression of 20th century music as it relates to the big band and art music traditions. 1927: Ellington's 10-piece band records "Black and Tan Fantasy" 1928: Ravel tours North America and composes Sonata for Violin and Piano, which has a slow movement called Blues. American press notes Ravel's love of jazz The importance of this relationship is evident in the immense popularity of jazz-art and blues music hybrids like Rhapsody in Blue and also in the vast range of possibilities to be 1929: Gershwin premieres "An American in Paris" found in future musical creations. 1930s 1930: Duke Ellington's 12-piece band appears in film Check and Double Check and records the famous Mood Indigo. 1930: Gershwin writes "I Got Rhythm" 1932-1942: Ellington band enlarges to become 6 brass, 4 reeds, and rhythm section 1933-1938: -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
The Descending Diminished 7Ths in the Brass in the Intro
VCFA TALK ON ELLINGTON COMPOSITION TECHNIQUES FEB.2017 A.JAFFE 1.) Clarinet Lament [1936] (New Orleans references) https://www.youtube.com/watch?v=FS92-mCewJ4 (3:14) Compositional Techniques: ABC ‘dialectical’ Sonata/Allegro type of form; where C = elements of A + B combined; Diminution (the way in which the “Basin St. Blues” chord progression is presented in shorter rhythmic values each time it appears); play chord progression Quoting with a purpose (aka ‘signifying’ – see also Henry Louis Gates) 2.) Lightnin’ [1932] (‘Chorus’ form); reliance on distinctively individual voices (like “Tricky Sam” Nanton on trombone) – importance of the compositional uses of such voices who were acquired by Duke by accretion were an important element of his ‘sonic signature’ – the opposite of classical music where sonic conformity in sound is more the rule in choosing players for ensembles. https://www.youtube.com/watch?v=3XlcWbmQYmA (3:07) Techniques: It’s all about the minor third (see also discussion of “Tone Parallel to Harlem”) Motivic Development (in this case the minor 3rd; both harmonically and melodically pervasive) The descending diminished 7ths in the Brass in the Intro: The ascending minor third motif of the theme: The extended (“b9”) background harmony in the Saxophones, reiterating the diminished 7th chord from the introduction: Harmonic AND melodic implications of the motif Early use of the octatonic scale (implied at the modulation -- @ 2:29): Delay of resolution to the tonic chord until ms. 31 of 32 bar form (prefigures Monk, “Ask Me Now”, among others, but decades earlier). 3.) KoKo [1940]; A tour de force of motivic development, in this case rhythmic; speculated to be related to Beethoven’s 5th (Rattenbury, p. -
Keeping the Tradition by Marilyn Lester © 2 0 1 J a C K V
AUGUST 2018—ISSUE 196 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM P EE ING TK THE R N ADITIO DARCY ROBERTA JAMES RICKY JOE GAMBARINI ARGUE FORD SHEPLEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2018—ISSUE 196 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : ROBERTA GAMBARINI 6 by ori dagan [email protected] Andrey Henkin: [email protected] Artist Feature : darcy james argue 7 by george grella General Inquiries: [email protected] ON The COver : preservation hall jazz band 8 by marilyn lester Advertising: [email protected] Encore : ricky ford by russ musto Calendar: 10 [email protected] VOXNews: Lest We Forget : joe shepley 10 by anders griffen [email protected] LAbel Spotlight : weekertoft by stuart broomer US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 31 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, Event Calendar 32 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mathieu Bélanger, Marco Cangiano, Ori Dagan, George Grella, George Kanzler, Annie Murnighan Contributing Photographers “Tradition!” bellowed Chaim Topol as Tevye the milkman in Fiddler on the Roof. -
Duke Ellington Blues in Orbit Mp3, Flac, Wma
Duke Ellington Blues In Orbit mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Blues In Orbit Country: UK Released: 1960 Style: Big Band MP3 version RAR size: 1617 mb FLAC version RAR size: 1299 mb WMA version RAR size: 1670 mb Rating: 4.5 Votes: 427 Other Formats: MPC DMF ASF AIFF AHX VOC MIDI Tracklist Hide Credits Three J's Blues A1 Saxophone – Jimmy Hamilton Smada A2 Saxophone – Johnny HodgesTrumpet – Ray Nance Pie Eye's Blues A3 Saxophone – Jimmy HamiltonTrumpet – Ray Nance Sweet And Pungent A4 Clarinet – Jimmy HamiltonTrombone – Booty Wood C Jam Blues A5 Clarinet – Jimmy HamiltonSaxophone – Paul Gonzalves*Trombone – Booty Wood, Mathew Gee Jr.*Violin – Ray Nance In A Mellow Tone B1 Saxophone – Harry CarneyTrumpet – Ray Nance Blues In Blueprint B2 Bass – Jimmy WoodeClarinet – Harry CarneyTrumpet – Ray Nance The Swingers Get The Blues Too B3 Horn – Mathew Gee Jr.*Saxophone – Johnny HodgesTrumpet – Ray Nance The Swingers' Jump B4 Clarinet – Jimmy HamiltonSaxophone – Jimmy Hamilton, Johnny HodgesTrombone – Booty WoodTrumpet – Ray Nance B5 Blues In Orbit Villes Ville Is The Place, Man B6 Saxophone – Harry Carney, Johnny HodgesTrumpet – Ray Nance Other versions Category Artist Title (Format) Label Category Country Year Blues In Orbit (LP, CL 1445 Duke Ellington Columbia CL 1445 US 1960 Album, Mono) CS 8241 Duke Ellington Blues In Orbit (LP) Columbia CS 8241 Canada 1960 Blues In Orbit (CD, Columbia, CK 87041 Duke Ellington CK 87041 US 2004 Album, RE, RM) Legacy Blues In Orbit (LP, CS 8241 Duke Ellington Columbia CS 8241 US 1960 -
Lead Belly November 1-7, 2004
September/October 2004 Issue 270 Free 30th Anniversary Year www.jazz-blues.com Ninth Annual American Music Masters Shine A Light On Me, the Life and Legacy of Lead Belly November 1-7, 2004 Lead Belly September/October 2004 • Issue 270 Ninth Annual American Music Masters Shine A Light On Me, the Life and Legacy of Lead Belly November 1-7, 2004 Presented by the Rock and Roll Hall of Fame and Museum and Case Published by Martin Wahl Communications ead Belly was inducted into the feur (for John Lomax) and occasional per- Editor & Founder Bill Wahl Rock and Roll Hall of Fame former. During the last 15 years of his life, Land Museum in 1988. The he found an appreciative new audience in Layout & Design Bill Wahl Rock Hall will celebrate Lead Belly’s the leftist folk community, befriending the legacy in their Ninth Annual American likes of Woody Guthrie and Pete Seeger. Operations Jim Martin Music Masters, this November. Lead Much like Guthrie, he performed for politi- Pilar Martin Belly was one of the most influential art- cal rallies and labor unions in his later ists of the twentieth century. An emblem years. His keening, high-pitched vocals and Contributors of American Folk music, Lead Belly had powerful, percussive guitar playing com- Michael Braxton, Mark Cole, Chris a profound influence on artists such as manded attention, and he became known Hovan, Nancy Ann Lee, David Muddy Waters, Pete Seeger, Neil Young, as “the King of the Twelve-String Guitar.” McPherson, Peanuts, Mark Bob Dylan, George Harrison and Kurt Lead Belly recorded for a variety of labels, Smith, Duane Verh and Ron Cobain. -
Guide to the Felix Grant Collection
Guide to the Felix Grant Collection NMAH.AC.0410 Ben Nicastro and Scott Schwartz 1996 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical/Historical note.............................................................................................. 1 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 3 Felix Grant Collection, [sound recordings] NMAH.AC.0410 Collection Overview Repository: Archives Center, National Museum of American History Title: Felix Grant Collection, [sound recordings] Identifier: NMAH.AC.0410 Date: 1935-1985 Creator: Grant, Felix, 1918-1993 Ellington, Duke, 1899-1974 Extent: 4.3 Cubic feet (6 boxes) Language: English . Summary: Collection consists of 128 albums featuring -
Promotional Materials Box 1
HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES 1: PAPERS SUBSERIES G: PROMOTIONAL MATERIALS BOX 1: 1940s & 1950s 1.G.1.1: POSTERS & FLYERS, 1940s & 1950s a- Guy Lombardo & His 14 Piece Orchestra [DB opening act], Dreamland Ballroom, Stockton, Feb 1947 [P; photocopy] b- A Show of Monotypes by Daniel Milhaud & New Chamber Music, Jul 1947 [P; ] c- Dave Brubeck: The Band That Jumps, Civic Aud., Stockton, Oct 4, 1947 [P] d- New Sounds In Modern Music w/ the Jazz-Work Ensemble, SF, 1949 [F] e- ”Goings On At The Playroom, 346 Jones Street [SF]...Starting January 28th/ The Three D’s,” n.d. [c1949; F] f- Photo of DB printed on pink card stock (ca. 3 x 7) g- DBQ table tents 1954 (photo copy) h- UC Berkeley University Extension Lifelong Learning catalog, Fall 1949. Includes jazz classes taught by Brubeck. 1.G.1.2: MAGAZINE ADVERTISING, 1950s a- DBQ Opening Tonight at Clayton Club, 11-13-51 [SF area newspaper ad] b- Seattle Guide (Oct 30-Nov 5, 1953) c- “Rubinstein’s New Lipstick Color: Jazz Red Hot & Cool,” Vogue (9-15-55 ) d- “O Thanks! All Ye Faithful” Down Beat (1-11-56) [DBQ Xmas greetings] e- DB letter [in English] to Polish fans, Tlumaczenie Listu - Strona (4-58) 1.G.1.3: NEWS RELEASES, 1950s a- “I hope the enclosed publicity material will...,” c1950 [promo for Trio] b- “What’s New With the DBQ,” Jan 1954 c- “What’s New With the DBQ,” Feb 1954 d- “What’s New With the DBQ,” Fall 1954 e- “DB coming on Aug 9th & 10th, “New Lagoon News [Salt Lake City] (1957 f- “Sustaining Fund Set Up For Brubeck’s Friend,” 1-24-58 [Al Naukana] g- ”DBQ to Warsaw for ANTA,” 2-25-58 h- American Embassy Karachi, Pakistan. -
LP Inventory
Allen Red Ride, Red, Ride RCA $ 5 Allen Red With Coleman Hawkins Smithsonian $ 5 Allen Red Live at the Roundtable Forum Records $ 5 Allen Steve With Gus Bivona - Music For Swingers Mercury $ 5 Allison Mose Ever Since The World Ended Blue Note $ 5 Alpert Herb Going Places A&M Records $ 5 Alpert Herb South of the Border A&M Records $ 5 Armstrong Louis Ambassador Satch Columbia Hi Fidelity $ 5 Armstrong Louis With the Dukes of Dixieland Audio Fidelity $ 5 Armstrong Louis Greatest Of Columbia Records $ 5 Armstrong Louis Hot Fives and Hot Sevens Columbia Masterpieces $ 5 Armstrong Louis Live Recording Polskie Records $ 5 Armstrong Louis Plays W.C. Handy Columbia $ 5 Armstrong Louis The Greatest of L. Armstrong Columbia $ 5 Armstrong Louis The Hot 5’s and Hot 7’s Columbia Masterpieces $ 5 Armstrong Louis Giants of Jazz Series Time-Life $ 10 Armstrong Louis Town Hall Concert RCA $ 5 Artin Tom Condon’s Hot Lunch Slide Records $ 5 Astaire Fred Starring Fred Astaire Columbia $ 5 Auld George Manhattan Coral Records $ 5 Ballou Monte Moving Willie’s Grave $ 5 Barefield Eddie Indestructible Eddie Barefield Famous Records $ 5 Barnet Charlie Best Of MCA $ 5 Basie Count Basie's Basement feat. Jimmy Rushing $ 5 Basie Count Basie's Best Columbia $ 5 Basie Count Best Of Decca $ 5 Basie Count Blues By Basie Columbia (set of four ’78 discs $ 10 Basie Count Good Morning Blues $ 5 Basie Count In Kansas City 1930-32 RCA $ 5 Basie Count The Count RCA Camden $ 5 Basie Count The Count’s Men $ 5 Basie Count & Duke Ellington Great Jazz 1940 Jazz Anthology $ 5 Basie -
Uptown Conversation : the New Jazz Studies / Edited by Robert G
uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M. -
Дўðº Елинð³ñ‚Ñšð½ Ðлбуð¼ ÑпиÑÑšðº (Ð
Дюк Елингтън ÐÐ »Ð±ÑƒÐ¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð ´Ð¸ÑÐ ºÐ¾Ð³Ñ€Ð°Ñ„иÑÑ ‚а & график) https://bg.listvote.com/lists/music/albums/duke-ellington-%26-john-coltrane- Duke Ellington & John Coltrane 2473088/songs Such Sweet Thunder https://bg.listvote.com/lists/music/albums/such-sweet-thunder-833545/songs Black, Brown and Beige https://bg.listvote.com/lists/music/albums/black%2C-brown-and-beige-3640656/songs https://bg.listvote.com/lists/music/albums/duke-ellington-meets-coleman-hawkins- Duke Ellington Meets Coleman Hawkins 3716164/songs Dance to the Duke! https://bg.listvote.com/lists/music/albums/dance-to-the-duke%21-5215314/songs https://bg.listvote.com/lists/music/albums/first-time%21-the-count-meets-the-duke- First Time! The Count Meets the Duke 5453893/songs Ellington '55 https://bg.listvote.com/lists/music/albums/ellington-%2755-5365430/songs Liberian Suite https://bg.listvote.com/lists/music/albums/liberian-suite-6541181/songs Masterpieces by Ellington https://bg.listvote.com/lists/music/albums/masterpieces-by-ellington-6785409/songs Ellington '66 https://bg.listvote.com/lists/music/albums/ellington-%2766-5365407/songs It Don't Mean a Thing If It Ain't Got That https://bg.listvote.com/lists/music/albums/it-don%27t-mean-a-thing-if-it-ain%27t-got- Swing that-swing-6091720/songs Blues in Orbit https://bg.listvote.com/lists/music/albums/blues-in-orbit-886050/songs Duke Ellington Presents... https://bg.listvote.com/lists/music/albums/duke-ellington-presents...-5312769/songs The Duke Plays Ellington https://bg.listvote.com/lists/music/albums/the-duke-plays-ellington-7731175/songs Swinging Suites by Edward E. -
Duke Ellington and His Orchestra Newport 1958 Mp3, Flac, Wma
Duke Ellington And His Orchestra Newport 1958 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Newport 1958 Country: Netherlands Released: 1958 Style: Bop, Post Bop, Big Band, Contemporary Jazz, Cool Jazz MP3 version RAR size: 1725 mb FLAC version RAR size: 1261 mb WMA version RAR size: 1248 mb Rating: 4.5 Votes: 933 Other Formats: MP2 DMF AC3 MP3 ADX AU DXD Tracklist Hide Credits Just Scratchin' The Surface A1 Written-By – D. Ellington* El Gato A2 Written-By – W. Anderson* Happy Reunion A3 Written-By – D. Ellington* Multicolored Blue A4 Vocals – Ozzie BaileyWritten-By – Strayhorn* Princess Blue A5 Written-By – D. Ellington* Jazz Festival Jazz B1 Written-By – Strayhorn*, D. Ellington* Mr. Gentle And Mr. Cool B2 Written-By – D. Ellington*, H. Baker* Juniflip B3 Written-By – D. Ellington* Prima Bara Dubla B4 Written-By – Strayhorn*, D. Ellington* Hi Fi Fo Fum B5 Written-By – D. Ellington* Companies, etc. Recorded At – Newport Jazz Festival Credits Baritone Saxophone – Gerry Mulligan Bass – Jimmy Wood* Drums – Sam Woodyard Liner Notes – Irving Townsend Painting – Bob Parker* Piano – Duke Ellington Saxophone – Harry Carney, Jimmy Hamilton, Johnny Hodges, Paul Gonsalves, Russell Procope Trombone – Britt Woodman, John Sanders, Quentin Jackson Trumpet – "Cat" Anderson*, Clark Terry, "Shorty" Baker*, Ray Nance Barcode and Other Identifiers Matrix / Runout: Side 1 / 4B AA840026 / 1Y / 2 / 670111 Matrix / Runout: Side 2 / 4B AA840026 / 2Y / 2 / 670112 Other versions Category Artist Title (Format) Label Category Country Year Duke Ellington