James Leigh ACO Camera Operator, Steadicam Operator
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
Sub Committees on the Smoke-Free Premises Etc. (Wales) (Amendment
Public Document Pack Sub Committees on The Smoke -free Premises etc. (Wales) (Amendment) Regulations 2012 Meeting Venue: Committee Room 3 - Senedd Meeting date: 22 January 2013 Meeting time: 09:00 For further information please contact: Lara Date Committee Clerk 029 2082 1821 Agenda 1. Introductions, apologies and substitutions (09.00) 2. The S moke -free Premises etc. (Wales) (Amendment) Regulations 2012 - Evidence session 1 (09.00 - 10.00) (Pages 1 - 23) BBC Cymru Wales SFP(4)-01-13 – Paper 1 SFP(4)-01-13 – Paper 1a SFP(4)-01-13 – Paper 1b • Clare Hudson – Head of BBC Cymru Wales Productions PACT (Producers Alliance for Cinema and Television) SFP(4)-01-13 – Paper 2 • Sue Vertue, Hartswood Films and Member of PACT Teledwyr Annibynnol Cymru (Welsh Independent Producers) SFP(4)-01-13 – Paper 3 SFP(4)-01-13 – Paper 3a • Sion Clwyd Roberts, Media and IP Specialist - Capital Law and a Member of the TAC Council 3. The Smoke -free Premises etc. (Wales) (Amendment) Regulations 2012 - Evidence Session 2 (10.00 - 11.00) (Pages 24 - 35) ASH Wales SFP(4)-01-13 – Paper 4 • Felicity Waters, Press and Campaigns Manager British Heart Foundation SFP(4)-01-13 – Paper 5 • Delyth Lloyd, Public Affairs and Comms Manager Cancer Research UK SFP(4)-01-13 – Paper 6 • Dr Jean King, Director of Tobacco Control Agenda Item 2 Paper 1 STATEMENT FROM BBC CYMRU WALES ON THE SMOKE-FREE PREMISES ETC. (WALES) (AMENDMENT) The BBC operates a strict policy on smoking which holds programme-makers responsible for any portrayal of smoking. It is never justifiable to promote cigarettes and any portrayal of smoking should always have strong editorial grounds. -
Agenda Dogfen I/Ar Gyfer Pwyllgor Diwylliant, Y
------------------------Pecyn dogfennau cyhoeddus ------------------------ Agenda - Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu Lleoliad: I gael rhagor o wybodaeth cysylltwch a: Fideogynhadledd drwy Zoom Rhys Morgan Dyddiad: Dydd Iau, 14 Ionawr 2021 Clerc y Pwyllgor Amser: 09.30 0300 200 6565 [email protected] ------ Rhag-gyfarfod (09:00 - 09:30) 1 Cyflwyniadau, ymddiheuriadau, dirprwyon a datgan buddiannau 2 Craffu ar Gyllideb Ddrafft Llywodraeth Cymru ar gyfer 2021-22 (09.30-10.30) (Tudalennau 1 - 44) Dafydd Elis-Thomas AS, Y Dirprwy Weinidog Diwylliant, Chwaraeon a Thwristiaeth Jason Thomas, Cyfarwyddwr Diwylliant, Chwaraeon a Thwristiaeth Jo Thomas, Uwch Reolwr Cynllunio Ariannol a Rheoli Cyllidebol Egwyl (10:30 - 10:45) 3 Craffu ar Gyllideb Ddrafft Llywodraeth Cymru ar gyfer 2021-22 (10.45-11.45) (Tudalennau 45 - 73) Eluned Morgan AS, y Gweinidog Iechyd Meddwl, Llesiant a’r Gymraeg Bethan Webb, Dirprwy Gyfarwyddwyr, Is-adran y Gymraeg Jeremy Evas, Pennaeth Prosiect 2050 4 Papur(au) i’w nodi 4.1 Gohebiaeth gan y Llywydd ynghylch effaith COVID ar newyddiaduraeth (Tudalennau 74 - 75) 4.2 Gohebiaeth â BBC Cymru Wales ynghylch proses setliad ffi’r drwydded ac adolygiad Ofcom (Tudalennau 76 - 78) 4.3 Gohebiaeth â Llywodraeth Cymru ynghylch cymorth i’r diwydiannau creadigol (Tudalennau 79 - 81) 4.4 Gohebiaeth â Llywodraeth Cymru ynghylch cronfa grantiau gweithwyr llawrydd (Tudalennau 82 - 86) 4.5 Gohebiaeth â Llywodraeth Cymru ynghylch Llyfrgell Genedlaethol Cymru ac addysg (Tudalennau 87 - 94) 4.6 Gohebiaeth â Llywodraeth Cymru ynghylch yr adolygiad wedi’i deilwra o Lyfrgell Genedlaethol Cymru (Tudalennau 95 - 96) 4.7 Gohebiaeth gyda Llywodraeth Cymru ynghylch penodiadau cyhoeddus (Tudalennau 97 - 100) 5 Cynnig o dan Reol Sefydlog 17.42 i benderfynu gwahardd y cyhoedd o weddill y cyfarfod. -
Independent Television Producers in England
Negotiating Dependence: Independent Television Producers in England Karl Rawstrone A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts and Creative Industries, University of the West of England, Bristol November 2020 77,900 words. Abstract The thesis analyses the independent television production sector focusing on the role of the producer. At its centre are four in-depth case studies which investigate the practices and contexts of the independent television producer in four different production cultures. The sample consists of a small self-owned company, a medium- sized family-owned company, a broadcaster-owned company and an independent- corporate partnership. The thesis contextualises these case studies through a history of four critical conjunctures in which the concept of ‘independence’ was debated and shifted in meaning, allowing the term to be operationalised to different ends. It gives particular attention to the birth of Channel 4 in 1982 and the subsequent rapid growth of an independent ‘sector’. Throughout, the thesis explores the tensions between the political, economic and social aims of independent television production and how these impact on the role of the producer. The thesis employs an empirical methodology to investigate the independent television producer’s role. It uses qualitative data, principally original interviews with both employers and employees in the four companies, to provide a nuanced and detailed analysis of the complexities of the producer’s role. Rather than independence, the thesis uses network analysis to argue that a television producer’s role is characterised by sets of negotiated dependencies, through which professional agency is exercised and professional identity constructed and performed. -
Carmen Sanchez Roberts
6 Davies Place, Fairwater. Cardiff.CF5 3AQ. 07813823071 [email protected] www.carmensanchezroberts.com CARMEN SANCHEZ ROBERTS Editor / Assembly Editor / Experienced Assistant Editor. SKILLS I specialise in Drama productions, however I am very proud to have worked on many genres of television production including Natural History, Factual and Documentary. I have a very broad range of technical skills and a deep knowledge of post production methodology, which I keep updated. This is essential in order to establish and maintain the best possible workflow setups. I would like to think that one of my best assets however is my ability to establish good communications with all members of a production team, from runners to executive producers ( when required ), I am happiest as a part of a strong focused team, whilst the nature of what I do also requires that I am able and work independently and manage my own time. EXPERIENCE I have over 10 years of invaluable experience starting as an assistant editor in 2007 at BBC Wales , I have now been a freelancer since early 2011. More recently, I have been developing my skills and experience as an editor, particularly in the drama genre, working with experienced directors and producers on network TV shows. Here is a list of most of the projects I have worked on... DOCTOR WHO (SERIES 11) – Additional Editor April 2018 - Additional editing required to implement executive producers/ directors notes and restructure elements of storylines as original editor had moved onto another project. ----------------------------------------------------------------------------------------------------------------------------------- 4STORIES – Assistant Editor March – April 2018 Directors: Dionne Edwards, Stella Corradi and Anwar Boulifa Editor: Sara Jones 3 x short films for Channel 4. -
James Strong Director
James Strong Director Agents Michelle Archer Assistant Grace Baxter [email protected] 020 3214 0991 Credits Television Production Company Notes CRIME Buccaneer/Britbox Lead Director and Executive Producer. 2021 Episodes 1-3. Writer: Irvine Welsh, based on his novel by the same name. Producer: David Blair. Executive producers: Irvine Welsh, Dean Cavanagh, Dougray Scott andTony Wood. VIGIL World Productions / BBC One Lead Director and Executive Producer. 2019 - 2020 Episodes 1- 3. Starring Suranne Jones, Rose Leslie, Shaun Evans. Writer: Tom Edge. Executive Producer: Simon Heath. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes LIAR 2 Two Brothers/ ITV Lead Director and Executive Producer. 2019 Episodes 1-3. Writers: Jack and Harry Williams Producer: James Dean Executive Producer: Chris Aird Starring: Joanne Froggatt COUNCIL OF DADS NBC/ Jerry Bruckheimer Pilot Director and Executive Producer. 2019 Television/ Universal TV Inspired by the best-selling memoir of Bruce Feiler. Series ordered by NBC. Writers: Tony Phelan, Joan Rater. Producers: James Oh, Bruce Feiler. Exec Producers: Jerry Bruckheimer, Jonathan Littman, KristieAnne Read, Tony Phelan, Joan Rater. VANITY FAIR Mammoth/Amazon/ITV Lead Director and Executive Producer. 2017 - 2018 Episodes 1,2,3,4,5&7 Starring Olivia Cooke, Simon Russell Beale, Martin Clunes, Frances de la Tour, Suranne Jones. Writer: Gwyneth Hughes. Producer: Julia Stannard. Exec Producers: Gwyneth Hughes, Damien Timmer, Tom Mullens. LIAR ITV/Two Brothers Pictures Lead Director and Executive Producer. 2016 - 2017 Episodes 1 to 3. Writers: Harry and Jack Williams. -
Mckinney Macartney Management Ltd
McKinney Macartney Management Ltd STUART BIDDLECOMBE - Director of Photography CRAITH Director: Gareth Bryn. Producer: Ed Talfan. Severn Screen. CALL THE MIDWIFE (Series 7) Director: Syd Macartney. Producer: Annie Tricklebank. Starring: Jenny Agutter, Helen George and Laura Main. Neal Street Productions. DOCTOR WHO (Series 10, Episode 8) Director: Wayne Yip. Producer: Nikki Wilson. Starring: Peter Capaldi and Pearl Mackie. BBC. YEAR MILLION Director: Mark Elijah Rosenberg. Producer: Ben Rimmer. Starring: Stephen Hawking and Margaret Atwood. Radical Media / National Geographic. CALL THE MIDWIFE (Series 6) Directors: James Larkin and Syd Macartney. Producer: Annie Tricklebank. Starring: Jenny Agutter, Helen George and Laura Main. Neal Street Productions. SHERLOCK (Series 4) Director: Rachel Talalay. Producer: Sue Vertue. Starring: Benedict Cumberbatch and Martin Freeman. Hartswood Films Ltd. HINTERLAND (Series 3) Director: Gareth Bryn. Producer: Ed Talfan. Starring: Richard Harrington, Mali Harries and Hannah Daniel. Fiction Factory / S4C / BBC Wales / All3Media. RTS Craft and Design Award Nomination 2016 – Best Photography Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 Fax: 020 8995 2414 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 STUART BIDDLECOMBE Contd … 2 DOCTOR WHO (Series 9, Episodes 11 & 12) Director: Rachel Talalay. Producer: Peter Bennett. Starring: Peter Capaldi and Jenna Louise Coleman. BBC. HINTERLAND Director: Gareth Bryn. Producer: Ed Talfan. Starring: Richard Harrington, Mali Harries and Hannah Daniel. All3Media / BBC Wales / S4C. TIR Director: Lee Haven-Jones. Producers: Lee Haven-Jones and Roger Williams. Starring: Lucy Hannah, Sion Ifan, Gwawr Loader and Rhian Morgan. Joio. BAFTA Cymru Nomination 2015 – Best Photography & Lighting DOCTOR WHO (Series 8, Episodes 11 & 12 - 2nd Unit) Director: Rachel Talalay. -
Codes Used in D&M
CODES USED IN D&M - MCPS A DISTRIBUTIONS D&M Code D&M Name Category Further details Source Type Code Source Type Name Z98 UK/Ireland Commercial International 2 20 South African (SAMRO) General & Broadcasting (TV only) International 3 Overseas 21 Australian (APRA) General & Broadcasting International 3 Overseas 36 USA (BMI) General & Broadcasting International 3 Overseas 38 USA (SESAC) Broadcasting International 3 Overseas 39 USA (ASCAP) General & Broadcasting International 3 Overseas 47 Japanese (JASRAC) General & Broadcasting International 3 Overseas 48 Israeli (ACUM) General & Broadcasting International 3 Overseas 048M Norway (NCB) International 3 Overseas 049M Algeria (ONDA) International 3 Overseas 58 Bulgarian (MUSICAUTOR) General & Broadcasting International 3 Overseas 62 Russian (RAO) General & Broadcasting International 3 Overseas 74 Austrian (AKM) General & Broadcasting International 3 Overseas 75 Belgian (SABAM) General & Broadcasting International 3 Overseas 79 Hungarian (ARTISJUS) General & Broadcasting International 3 Overseas 80 Danish (KODA) General & Broadcasting International 3 Overseas 81 Netherlands (BUMA) General & Broadcasting International 3 Overseas 83 Finnish (TEOSTO) General & Broadcasting International 3 Overseas 84 French (SACEM) General & Broadcasting International 3 Overseas 85 German (GEMA) General & Broadcasting International 3 Overseas 86 Hong Kong (CASH) General & Broadcasting International 3 Overseas 87 Italian (SIAE) General & Broadcasting International 3 Overseas 88 Mexican (SACM) General & Broadcasting -
Jndesign CV Nov20.Pdf
JAMES NORTH Production Designer PROFILE EXPERIENCE Having undertaken a traditional art school 2020 THE LAST BUS SEASON ONE Wildseed Studios / NETFLIX education, James has a wide skills base Production Designer in all aspects of design. Pencil sketching has always been a quick visual aid to his 2019 A DISCOVERY OF WITCHES SEASON TWO BADWolf / SKY ONE design led conversation, and transferring Production Designer this to finished designs and technical drawing has been invaluable to furthering 2018 HIS DARK MATERIALS SEASON ONE BADWolf / BBC / HBO his career within art departments. Despite Supervising Art Director James’ technical ability at all levels of design, he has found himself in more 2017 A DISCOVERY OF WITCHES SEASON ONE BADWolf / SKY ONE managerial roles due to his strong Production Designer communication skills and ability to present ideas and concepts in a cohesive 2016 ORDINARY LIES SEASON TWO RED Production Co / BBC manner. These leadership skills have seen Production Designer him manage large art departments on numerous high profile shows, as well as 2015 THE BASTARD EXECUTIONER. SEASON ONE 21st Century fox always being able to pick up a pencil to Senior Art Director help meet those ever more challenging deadlines. 2014 DA VINCI’S DEMONS SEASON THREE STARZ / BBC Worldwide Associate Designer As an Art Director James has managed budgets and teams of varying size, 2014 SET FIRE TO THE STARS FEATURE Mad As Birds Films working at numerous locations, both here Associate Designer and aboard. As Supervising Art Director, managing the department from a more 2013 DA VINCI’S DEMONS SEASON TWO STARZ / BBC Worldwide logistical and budget point of view, but Associate Designer also as Associate Designer. -
Investigating Sound: Visual and Aural Style from Broadchurch to Gracepoint
Marquette University e-Publications@Marquette College of Communication Faculty Research and Publications Communication, College of 2017 Investigating sound: Visual and aural style from Broadchurch to Gracepoint Amanda R. Keeler Follow this and additional works at: https://epublications.marquette.edu/comm_fac Part of the Communication Commons Marquette University e-Publications@Marquette Communication Faculty Research and Publications/College of Communication This paper is NOT THE PUBLISHED VERSION; but the author’s final, peer-reviewed manuscript. The published version may be accessed by following the link in the citation below. The Soundtrack, Vol. 10, No. 1 (2017) : 43-57. DOI. This article is © Intellect Ltd. and permission has been granted for this version to appear in e-Publications@Marquette. Intellect Ltd. does not grant permission for this article to be further copied/distributed or hosted elsewhere without the express permission from Intellect Ltd. Investigating sound: Visual and aural style from Broadchurch to Gracepoint AMANDA KEELER: Marquette University ABSTRACT Using Broadchurch and its American version Gracepoint as a case study, this article explores the aesthetic relationship between these two television programmes through an analysis of their visual and aural styles. The increasing proliferation of television-to-television adaptations and remakes necessitates revisiting the terminology to assess how it accommodates methodological approaches that extend beyond cross-cultural analyses. As narrative content and style are inextricably connected, this article attends to the complexity of employing existing terms to analyse the new version of a programme that simultaneously replicates and departs from the style and tone of its predecessor. KEYWORDS Television, adaptation, remake, format, sound, aesthetics In March 2013 ITV began airing the crime drama Broadchurch (2013–17), which television critic Mike Hale describes as ‘a moody, slow-moving, complicated crime story with damaged heroes and not much redemption to go around’ (2013). -
MPLC Producer List Is Broken Down Into Seven Genres for Your Programming Needs
9/1/2020 CLU CLU The MPLC producer list is broken down into seven genres for your programming needs. Subject to the Umbrella License ® Terms and Conditions, Licensee may publicly perform copyrighted motion pictures and other audiovisual programs intended for personal use only, from the list of producers and distributors below in the following category: General Membership Clubs MAJOR HOLLYWOOD STUDIOS & AFFILIATED LABELS 20th Century Studios (f/k/a Twentieth Buena Vista Pictures Cannon Pictures Century Fox Film Corp.) Dreamworks Animation SKG Dreamworks Pictures (Releases 2011 to Dreamworks Pictures (Releases prior to present) 2011) Fine Line Features Focus Features Fox - Walden Fox 2000 Films Fox Look Hanna-Barbera Hollywood Pictures Lionsgate US Lorimar Telepictures Lucasfilm Marvel Studios Metro-Goldwyn-Mayer (MGM) Studios New Line Cinema Nickelodeon Movies Orion Pictures Paramount Classics Paramount Pictures Paramount Vantage Picturehouse Pixar Animation Studios Polygram Filmed Entertainment Republic Pictures RKO Pictures Searchlight Pictures (f/ka/a Fox Searchlight Pictures) STX Entertainment Touchstone Pictures United Artists Pictures Universal Pictures USA Films Walt Disney Pictures Warner Bros. Pictures Warner Independent Pictures CHILDRENS Central Park Media Cosgrove Hall Films DC Comics D'Ocon Dreamworks Classics (f/k/a Classic Family Entertainment Library Media) Golden Books Entertainment Harvey Entertainment Peter Pan Video Scholastic Entertainment Warner Bros. Animation Zodiak Kids Studios UK (fka The Foundation) 9/1/2020