Talking Objects of Denys Arcand1
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Yves Jacques Comédien
YVES JACQUES COMÉDIEN CINÉMA 2020 MARIA Rôle: Yves Jacques Réalisation: Alec Pronovost Production: Groupe Entourage 2020 ALINE Rôle: Présentateur TV Réalisation: Valérie Lemercier Production: PCF Aline Le Film 2018 LES FLEURS OUBLIÉES Rôle: Marie-Victorin Réalisation: André Forcier Production: Les Films du Paria 2017 UN HOMME PRESSÉ (AVEC FABRICE LUCHINI) Rôle: Éric Réalisation: Hervé Mimran Production: Société Albertine Productions 2017 JUSTICE DOT NET Rôle: Jean Dubois Réalisation: Pol Cruchten Production: Lyla Films, Iris Productions Distribution: Filmoption International Scénariste: Thom Richardson 2017 CA$H NEXU$ Rôle: Psychologue Réalisation: François Delisle Production: Films 53/12 2017 LOUE-MOI! Rôle: Jacques Réalisation: Coline Assous et Virginie Schwartz Production: My Family, Davis-Films et Metropolitan Filmexport 2016 DE PÈRE EN FLIC II Rôle: Tristan Réalisation: Émile Gaudreault Production: Film Noces 2015 LES FAUSSES CONFIDENCES (AVEC ISABELLE HUPPERT) Rôle: Dubois Réalisation: Luc Bondy Production: Idéale Audience, Arte France, Odéon-Théâtre de l'Europe, Maha Productions 2015 PAYS Rôle: Ministre Perreault Réalisation: Chloé Robichaud Production: La boîte à Fanny 2015 PÈRE FILS THÉRAPIE Rôle: Commissaire Collet Réalisation: Émile Gaudreault Production: Film Fabuleux Inc. 2015 LE TALENT DE MES AMIS Rôle: Homme stage Thibault Réalisation: Alex Lutz Production: Same Player 2015 MAURICE Rôle: Narrateur Réalisation: François Jaros Format: Court-métrage Production: La Boîte à Fanny Coscénariste-s: François Jaros et Marie-Eve Leclerc-Dion 2014 BELLES FAMILLES Rôle: Maître Ribain Réalisation: Jean-Paul Rappeneau Production: ARP Sélection (France) 2014 NEPHEW Réalisation: David Findlay Format: Court-métrage Production: Yassmina Karajah et Patty Facy 2013 LE RÈGNE DE LA BEAUTÉ Rôle: Pascal Montambault Réalisation: Denys Arcand Production: Cinémaginaire Inc. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
A Film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS
ÉRIC MÉLANIE MELANIE MARIE-JOSÉE BRUNEAU THIERRY MERKOSKY CROZE AN EYE FOR BEAUTY A film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS before An Eye for Beauty written and directed by Denys Arcand producers DENISE ROBERT DANIEL LOUIS THEATRICAL RELEASE May 2014 synopsis We spoke of those times, painful and lamented, when passion is the joy and martyrdom of youth. - Chateaubriand, Memoirs from Beyond the Tomb Luc, a talented young architect, lives a peaceful life with his wife Stephanie in the stunning area of Charlevoix. Beautiful house, pretty wife, dinner with friends, golf, tennis, hunting... a perfect life, one might say! One day, he accepts to be a member of an architectural Jury in Toronto. There, he meets Lindsay, a mysterious woman who will turn his life upside down. AN EYE FOR BEAUTY | PRESS KIT cast Luc Éric Bruneau Stéphanie Mélanie Thierry Lindsay Melanie Merkosky Isabelle Marie-Josée Croze Nicolas Mathieu Quesnel Roger Michel Forget Mélissa Geneviève Boivin-Roussy Karine Magalie Lépine-Blondeau Museum Director Yves Jacques Juana Juana Acosta Élise Johanne-Marie Tremblay 3 AN EYE FOR BEAUTY | PRESS KIT crew Director Denys Arcand Producers Denise Robert Daniel Louis Screenwriter Denys Arcand Director of Photography Nathalie Moliavko-Visotzky Production Designer Patrice Bengle Costumes Marie-Chantale Vaillancourt Editor Isabelle Dedieu Music Pierre-Philippe Côté Sound Creation Marie-Claude Gagné Sound Mario Auclair Simon Brien Louis Gignac 1st Assistant Director Anne Sirois Production manager Michelle Quinn Post-Production Manager Pierre Thériault Canadian Distribution Les Films Séville AN EYE FOR BEAUTY | PRESS KIT 4 SCREENWRITER / DIRECTOR DENYS ARCAND An Academy Award winning director, Denys Arcand's films have won over 100 prestigious awards around the world. -
Festival Centerpiece Films
50 Years! Since 1965, the Chicago International Film Festival has brought you thousands of groundbreaking, highly acclaimed and thought-provoking films from around the globe. In 2014, our mission remains the same: to bring Chicago the unique opportunity to see world- class cinema, from new discoveries to international prizewinners, and hear directly from the talented people who’ve brought them to us. This year is no different, with filmmakers from Scandinavia to Mexico and Hollywood to our backyard, joining us for what is Chicago’s most thrilling movie event of the year. And watch out for this year’s festival guests, including Oliver Stone, Isabelle Huppert, Michael Moore, Taylor Hackford, Denys Arcand, Liv Ullmann, Kathleen Turner, Margarethe von Trotta, Krzysztof Zanussi and many others you will be excited to discover. To all of our guests, past, present and future—we thank you for your continued support, excitement, and most importantly, your love for movies! Happy Anniversary to us! Michael Kutza, Founder & Artistic Director When OCTOBEr 9 – 23, 2014 Now in our 50th year, the Chicago International Film Festival is North America’s oldest What competitive international film festival. Where AMC RIVER EaST 21* (322 E. Illinois St.) *unless otherwise noted Easy access via public transportation! CTA Red Line: Grand Ave. station, walk five blocks east to the theater. CTA Buses: #29 (State St. to Navy Pier), #66 (Chicago Red Line to Navy Pier), #65 (Grand Red Line to Navy Pier). For CTA information, visit transitchicago.com or call 1-888-YOUR-CTA. Festival Parking: Discounted parking available at River East Center Self Park (lower level of AMC River East 21, 300 E. -
News Release. Piers Handling Announces 2018 Will Be His
September 2, 2017 .NEWS RELEASE. PIERS HANDLING ANNOUNCES 2018 WILL BE HIS FINAL YEAR AT TIFF Handling leaves behind unparalleled legacy of accomplishments and innovation TORONTO – Piers Handling, Director and CEO of TIFF, announced today 2018 will be his final year leading the Toronto International Film Festival®. After almost 25 years at the helm of one of Canada’s most important cultural organizations Piers will leave behind an unparalleled legacy of accomplishments and innovation. “Because of Piers’ leadership, TIFF is the leading cultural organization it is today, with a global reach and impact,” said Jennifer Tory, Chair of the Board of Directors of TIFF. “We are all indebted to him for his years of vision, innovation and dedication to the art of film.” Handling’s tenure at TIFF has been both ground-breaking and prolific, with career highlights including: Growing TIFF from a 10-day event into a thriving year-round arts organization with global impact; Leading the Festival into the top tier of internationally recognized film events; Leading and mentoring a strong and seasoned team of executives and management and a passionate and dedicated staff; Supporting the careers of many Canadian and international filmmakers, including David Cronenberg, Atom Egoyan, Deepa Mehta, Guy Maddin, Denys Arcand, Denis Villeneuve, Jean-Marc Vallee, François Girard, Xavier Dolan, Michael Haneke, Danny Boyle, Kathryn Bigelow, Nanni Moretti, Agnieszka Holland, Abbas Kiarostami, Alfonso Cuarón, Jonathan Glazer, Antoine Fuqua, Pedro Almodóvar, Aki Kaurismäki, Patricia Rozema, Jennifer Baichwal, Guillermo Del Toro, Steven Soderbergh; and many others. Leading the campaign to design, fund and build TIFF Bell Lightbox, a permanent home for TIFF and film, now a cornerstone of engaging and innovative programming for audiences and professionals, here and around the world. -
The Far Side of the Moon Credits and Biographies
The Far Side of the Moon credits and biographies by Robert Lepage based on an original idea by Peder Bjurman written in collaboration with Adam Nashman produced by Ex Machina Ex Machina In 1994, when Robert Lepage asked his collaborators to help find a name for his new company, he had one condition: the word theatre could not be part of the name. Ex Machina is thus a multidisciplinary company bringing together actors, writers, set designers, technicians, opera singers, puppeteers, computer graphic designers, video artists, contortionists and musicians. Ex Machina’s creative team believes that the performing arts - dance, opera, music - should be mixed with recorded arts - filmmaking, video art and multimedia. That there must be meetings between scientists and playwrights, between set painters and architects, and between artists from Québec and the rest of the world. New artistic forms will surely emerge from these gatherings. Ex Machina wants to rise to the challenge and become a laboratory, an incubator for a form of theatre that will reach and touch audiences from this new millennium. Robert Lepage Versatile in every form of theatre craft, Robert Lepage is equally talented as a director, playwright, actor and film director. His creative and original approach to theatre has won him international acclaim and shaken the dogma of classical stage direction to its foundations, especially through his use of new technologies. Among his most noticed work for the stage: Dragons’ Trilogy (1985), Needles and Opium (1991), The Far Side of The Moon (2000), The Andersen Project (2005), Lipsynch (2007), his solo performance 887 (2015) and his most recent production Quills (2016); his multimedia creations: The Image Mill (2008) and The Library at Night (2015); at the opera: The Damnation of Faust (1999), The Nightingale and Other short Fables (2009), Wagner’s Der Ring des Nibelungen (2010) and L'Amour de loin (2015). -
Mirror of Simulation in Denys Arcand's "Jesus of Montreal"
THE MIRROR OF SIMULATION IN DENYS ARCAND ’ S JESUS OF MONTREAL By Robert J. Roy Submitted to the Faculty of the College of Arts and Sciences of American University in Partial Fulfillment of the Requirements for the Degree of Master of Arts In Literature Chair: / Jeffpey MjddenfsSs^ David L. Pike Dean 6f the College Date 0 2006 American University Washington, D.C. 20016 AMERICAN UNIVERSITY LIBRARY Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 1437772 Copyright 2006 by Roy, Robert J. All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 1437772 Copyright 2006 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. © COPYRIGHT by Robert J. Roy 2006 ALL RIGHTS RESERVED Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. THE MIRROR OF SIMULATION IN DENYS ARC AND ’ S JESUS OF MONTREAL BY Robert J. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Yves Jacques Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ)
Yves Jacques Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ) L'État de Grace https://bg.listvote.com/lists/film/movies/l%27%C3%A9tat-de-grace-3205451/actors See How They Dance https://bg.listvote.com/lists/film/movies/see-how-they-dance-3563457/actors Michael Kael in Katango https://bg.listvote.com/lists/film/movies/michael-kael-in-katango-3308281/actors Asterix and Obelix: God Save https://bg.listvote.com/lists/film/movies/asterix-and-obelix%3A-god-save-britannia-747919/actors Britannia 48 heures par jour https://bg.listvote.com/lists/film/movies/48-heures-par-jour-16303465/actors Thérèse Desqueyroux https://bg.listvote.com/lists/film/movies/th%C3%A9r%C3%A8se-desqueyroux-2367980/actors Class Trip https://bg.listvote.com/lists/film/movies/class-trip-3207506/actors Hold-Up https://bg.listvote.com/lists/film/movies/hold-up-1192633/actors False Confessions https://bg.listvote.com/lists/film/movies/false-confessions-100701022/actors Laurence Anyways https://bg.listvote.com/lists/film/movies/laurence-anyways-2615443/actors The Crime of Ovide Plouffe https://bg.listvote.com/lists/film/movies/the-crime-of-ovide-plouffe-23303580/actors Memories Unlocked https://bg.listvote.com/lists/film/movies/memories-unlocked-3492416/actors Jesus of Montreal https://bg.listvote.com/lists/film/movies/jesus-of-montreal-1675125/actors Alfred https://bg.listvote.com/lists/film/movies/alfred-10405097/actors Grace of Monaco https://bg.listvote.com/lists/film/movies/grace-of-monaco-137098/actors Me, Myself and Mum https://bg.listvote.com/lists/film/movies/me%2C-myself-and-mum-13380366/actors -
Cinéma Canadien
Document generated on 09/28/2021 3:10 a.m. Séquences La revue de cinéma Cinéma canadien Number 108, April 1982 URI: https://id.erudit.org/iderudit/51021ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review (1982). Review of [Cinéma canadien]. Séquences, (108), 16–21. Tous droits réservés © La revue Séquences Inc., 1982 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ f jKj ** - « " > * CINEMA CANADIEN AVRIL 1982 15 proportions qu'elle aurait pu avoir en réalité. Une seule chose m'a un peu embarrassé: la disparité des paysages. On passe sans transitions de la luxuriance du Kenya à l'aus tère (et pelée!) grandeur des monts Grampian, en Ecosse, puis le long des côtaux verdoyants du Haut-Ontario. Cela m'a semblé un peu brusque et parfois difficilement plausi ble. Je pense que c'était une question — non résolue — de montage. Mais ce n'est vraiment qu'un défaut mineur parmi tant de qualités. À Saint-Césaire, en France, on vient de mettre la main sur une preuve. Voilà trente mille ans seulement, il y avait encore des Néanderthaliens (la tribu rivale de celle à laquelle appartient Naoh, le héros du film) sur le territoire français. -
Winter Film Highlights
The Museum off Modern Art For Immediate Release December 1992 WINTER FILM HIGHLIGHTS The Museum of Modern Art's winter season features programs ranging from the New York premieres of two new Canadian films to African-American films made in the late silent/early-sound era, as well as a look at Ken Russell's films of the 1980s. THIS FILM IS FROM CANADA January 5, 1993 In Montreal vu par... (Montreal Sextet) (1991), six of Canada's most talented filmmakers joined forces to offer a cinematic tribute to the city of Montreal on the occasion of its 350th birthday. The diversity, idiosyncrasy, and romance of the city and its citizens are captured in sketches by Denys Arcand, Michel Brault, Atom Egoyan, Jacques Leduc, Lea Pool, and Patricia Rozema. Organized by Adrienne Mancia, curator, Department of Film. AFRICAN-AMERICAN PIONEERS January 16 - 18, 1993 Six films from the late silent/early sound era, in which African-American artists participated either in front of or behind the camera, are presented in this three-day program. Selected from the Circulating Film and Video Library, the series includes films with two vastly different starring roles by Paul Robeson, the melodrama Body and Soul (1924) and the experimental narrative Borderline (1928). Also featured are St. Louis Blues (1928), with Bessie Smith, and Black and Tan (1929), with Duke Ellington. Organized by Jytte Jensen, assistant curator, Department of Film. FROM THE ARCHIVES: CONRAD VEIDT January 22 - 26, 1993 The actor Conrad Veidt (1883-1943) is remembered with a program of four films, beginning on the 100th anniversary of his birth. -
And the Beau
MEDIA MANIA and the Beau by Maurie Alioff Jessica Pare "Beauty is a beautiful girl" — Plato ndy Warhol's everybody–will–get–their-15–minutes Schatzberg's 1970 directorial debut, Puzzle of a Downfall Child, revelation has materialized on a scale that would shows Faye Dunaway grappling with the aftermath of a have astounded the king of pop art. Ordinary peo- crack–up. And in Gia, Angelina Jolie's performance electrifies ple are acting out a rampant yearning to be glam- the story of real–life, wild–spirited Gia Carangi, who died of ourized and mythologized by eagerly submitting the AIDS virus she probably picked up by mainlining heroin. to reality TV's 24 / 7 camera surveillance. A While Stardom's storyline recalls Darling's, the film plays far Among the Survivor "castaways" and Big Brother "house more light–heartedly. It even bursts into irreverent slapstick in guests," who provide spellbinding voyeurism for the millions scenes like the one where a fur–coated Tina punches out an who gawk at them, Survivor's Jenna admits she craved the obnoxious animal–rights activist. From its first shot, Arcand's spotlight as much as the show's prize money. Her fellow cast- movie is a giddy whirl, vibrating with sensuous detail away Sean, a successful neurologist, dreams about acting on (Fellini's Ginger and Fred comes to mind) and closing on a ten- ER and coming home to find the National Enquirer checking tatively happy ending. Perhaps, as the film implies, Tina's out his garbage. The most subtle of the new reality stars is Who journey through mindless superficiality ultimately liberates Wants to Marry a Multimillionaire?'s Darya Conger.