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Music and Myth of the Sea William Pint and Felicia Dale Have Boundless Enthusiasm for Creating Music and Sharing It with Their Audience
william pint and felicia dale Contact Information: mailing address: William Pint & Felicia Dale 321 Avenue G Snohomish, WA USA 98290 telephone: 360-440-0654 email: [email protected] website: www.pintndale.com music and myth of the sea William Pint and Felicia Dale have boundless enthusiasm for creating music and sharing it with their audience. Critics have delighted in their recordings and crowds have listened, laughed, shed a tear and sung along with them wherever they have played. With guitar, hurdy-gurdy, Their airtight harmonies, mandolin, solid musical arrangements violin, whistles, harmony, joy and flair for the theatricality and pure energy Pint and Dale of song make Pint & Dale entertain and one of the best duos around." perhaps enlighten as well, giving listeners an insight into another age. There is humor and Woods Hole Folk Music Society, Massachusetts drama on a great scale. The hurdy-gurdy or vielle-à-roue (a rarely seen and heard musical instrument dating from the 12th century) features a William Pint and keyboard and a cranked wheel. It produces sounds similar Felicia Dale rank among to a bagpipe with drones, melody and rhythmic percussion. Traditionally used in French dance tunes, it is capable of a North America’s most wide range of musical expression. exciting interpreters William and Felicia record on Waterbug, one of America’s of music based in the most respected independent labels. At this time they have recorded seven critically acclaimed albums: Port of traditions of the Dreams, Hearts of Gold, Round the Corner, When I See British Isles and Winter Return, Hartwell Horn, White Horses, Seven Seas and The Set of the Sail. -
What They're Sayin'about Steel String “Americana”
What They’re Sayin’About Steel String “Americana”... “Paul Asbell’s ‘Steel String Americana” is a wonderful album! What I keep coming back to is how musical it is... I’ve actually been a fan of Paul’s guitar playing for quite a few years - I think he’s one of the best-kept secrets in American music today!” David Bromberg, acoustic guitar legend “...Steel String Americana is... a sumptuously recorded showcase for the myriad wondrous tones of the solo acoustic guitar- played by one who knows how to extract them all... Definitely one of my favorite guitar CDs of 2002.” Vintage Guitar Magazine, “Check this Action”, Dec. ‘02, written by Dan Forte “...veteran guitarist Paul Asbell fingerpicks his way through a stylistically diverse collection of tunes plucked from the great American musical canon and arranged and played with finesse, imagination, and humor. Asbell’s beautiful instrumental versions of the 1960s pop hit “Will You Still Love Me Tomorrow” and the ven- erable jazz standard “Stardust” seem right at home in a set that also includes... a funky fingerstyle rendition of Jerry Reed’s “Amos Moses” that just might make you reassess the original.” Acoustic Guitar Magazine, in the April ‘03 “Hit List” section “Solo acoustic guitarists tend to specialize in one genre, but Paul Asbell delights in exploring a spectrum of styles. With steady hands and a relaxed sense of swing, he tackles bouncy ragtime fingerpicking, crisp flat- picking, and lush, jazzy chording with equal aplomb... Asbell - who began his career backing Otis Rush and Magic Sam in Chicago blues clubs - knows how to sneak passing chords and moving bass lines into his arrangements without obscuring the melody or cluttering the groove. -
Folklife Center News Volume 27(1-2) Winter/Spring
ONLINE INFORMATION STAFF RESOURCES Administration The American Folklife Center’ s Peggy A. Bulger, Director Website provides full texts of Gene Berry, Assistant to the Director many AFC publications, informa- Doris Craig, Administrative Assistant tion about AFC projects, multi- Michael Taft, Head, Archive of Folk Culture media presentations of selected Acquisitions and Programs collections, links to Web re s o u rc e s David A. Taylor, Coordinator on ethnography, and announce- Research and Programs ments of upcoming events. The Ilana Harlow, Folklife Specialist The American Folklife Center a d d ress for the hom e page is Guha Shankar, Folklife Specialist was created in 1976 by the U.S. h t t p : / / w w w. l o c . g o v / f o l k l i f e / A n Congress to “preserve and present Processing and Cataloging index of the site’s contents is American folklife” through pro- Sarah Bradley-Leighton, grams of research, documentation, available at h t t p : / / w w w. l o c . g o v/ Processing Technician archival preservation, reference ser- f o l k l i f e/a f c i n d e x . h t m l Catherine Hiebert Kerst, Archivist vice, live performance, exhibition, Maggie Kruesi, Cataloger publication, and training. The The Website for The Ve t e r a n s Judy Ng, Processing Technician Center incorporates the Archive of History Project p ro v i de s a n Valda Morris, Processing Technician Folk Culture, which was established o v e rviewofthe project, an online Marcia Segal, Processing Technician in the Music Division of the Library “kit” for participants re c o rding oral Nora Yeh, Archivist, Coordinator of Congress in 1928 and is now one histories of veterans, and a brief of the largest collections of ethno- Publications p resentation of some examples of g r a p h i cmaterial from the United Stephen D. -
September CALENDAR of EVENTS
September CALENDAR 2014 of EVENTS 2020 Addison Street • Berkeley, California • (510) 644-2020 • www.freightandsalvage.org SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY Freight 2014 Berkeley Open Old Time The Misner Subdudes & Smith Mic Music Convention New orleans’ poetic folk songwriting, Fall Classes start the ground zero roots rockers gorgeous harmonies of the Workshops & Jams reunion tour hootenany week of September 8 revival Sept 18, 19 & 21 see page 5 for schedule & details 7:30 showtime see page 4 for details $5/$7 September 2 $35/$37 September 5 $22/$24 September 6 Alphabet Bill Monroe Nora Jane Rockers On Struthers & 11am kids show Ensemble Birthday contemporary the Party Line, taiko quartet Tribute Eliza Gilkyson laurie lewis & other bay Area luminaries T Sisters pay tribute to the intelligent americana, w/ Nina Gerber father of bluegrass fun tune weaving album release show $21/$23 September 7 $22/$24 September 11 $16/$18 September 12 $26/$28 September 13 2014 Berkeley Old Time Music Convention Lucy Joseph Decosimo & Ginny Hawker & Eric Wainwright the Bucking Mules, Tracy Schwarz, Catie Bibb Roche, Franklin George The Cliffhangers, Curtis louisiana blues, & Kim Johnson, intrepid and endearing folk, and gospel Barnaby The Onlies folksinger & activist Bright Twice As Nice $25/$27 September 14 $19/$21 September 17 $16/$18 September 18 $16/$18 September 19 $22/$24 September 20 Free Friday Freight Whiskey at the Freight UCLA Open & Women, MAD NOISE Charles Mingus Beoga Mic Emily Bonn American Nomad Elvin popular Ensemble -
BRT Past Schedule 2004
Join Our Mailing List! 2004 Past Schedule current schedule 2012 past schedule 2011 past schedule 2010 past schedule 2009 past schedule 2008 past schedule 2007 past schedule 2006 past schedule Partial programming support provided by the John H. Chafee Blackstone River Valley National Heritage Corridor Commission JANUARY Saturday, January 10, 8 PM, $12.00 Atwater-Donnelly Aubrey Atwater and Elwood Donnelly return to present an enthralling concert of traditional American and Celtic American folk songs, a cappella pieces, hymns, dance tunes, and original works. Elwood and Aubrey blend unusual harmonies and play guitar, Appalachian mountain dulcimer, Irish tin whistle, harmonica, banjo, bones, spoons and other musical surprises. Their performance is appealing to all ages, and with humor, audience participation, and a highly relaxed stage presence, Aubrey and Elwood explain song origins to give more relevance to the material. Aubrey and Elwood met as volunteers at the Stone Soup Coffeehouse in Providence and formed a duo in the fall of 1987. They perform widely in the Northeast and other parts of the United States and Great Britain and their recordings receive international airplay. Atwater and Donnelly have performed and researched folk music extensively in New England, Ireland, England, Prince Edward Island, the Ozarks, and Appalachia. They recently released a new recording called "And Then I'm Going Home: Atwater- Donnelly Live," which was recorded at the Blackstone River Theatre and other R.I. coffeehouses in 2000. Sunday, January 11, 2-5 PM, $6.00 Irish Ceili and Set Dance Partial support provided by the Rhode Island State Council on the Arts. -
Musik - Kultur Und Widerstand
ISSN 0259-7446 € 4,40 Kommunikation in Vergangenheit und Gegenwart Thema: Musik - Kultur und Widerstand Musik und Widerstand in der SMS-Zeit Mikis Theodorakis Karajan und die Musikkritik der 1960er Jahre Irish Folk und bulgarische Folklore Klangräume Industrial Folk Songs Rezensionen Jahrgang 18 medien Impressum Medieninhaber. Herausgeber und Verleger: Verein „Arbeitskreis für historische Kommunikationsforschung (AHK)“, A-l 180 Wien, Postfach 442 http://muz.pub.univie.ac.at WAP: http://inuz.pub.univie.ac.at/wap/ Inhalt © Die Rechte für die Beiträge in diesem Heft liegen beim „Arbeitskreis für historische Kommunikationsforschung (AHK)“ „Mein lustigstes Lied wird ein Vorstand des AHK: Univ.-Doz. Dr. Wolfgang Duchkowitsch (Obmann), Trauermarsch sein" a.o. Univ.-Prof. Dr. Fritz Hausjell (Obmann-Stv.), Musik und Widerstand gegen den Mag. Fritz Randl (Geschäftsführer), Mag. Bernd Semrad (Geschäftsführer-Stv.), Nationalsozialsozialismus............_................... 4 Mag. Claudia Spitznagel (Schriftführerin). Christian Schwarzenegger (Schriftführer-Stv.) Primavera Gruber Mag. Wolfgang Monschein (Kassier), Marion Linger (Kassicr-Stv.) Secular and Sacred: Redaktion: Carina Sulzer Mikis Theodorakis and the Lektorat: Politics of Greec Music - _ ...... 11 Iris Hajicsck, Bernd Semrad Gail Holst-Warhaft Bildredaktion und Layout: Iris Hajicsek Kulturwissenschaftliche Zugänge zu Korrespondenten: Prof. Dr. Hans Bohrmann (Dortmund), Musikkritik(ern) und Herbert von Univ.-Prof. Dr. Hermann Haarmann (Berlin), Univ.-Prof. Dr. Ed Mc Luskie (Boise, Idaho), Karajan in den 1960er Jahren 19 Univ.-Prof. Dr. Arnulf Kutsch (I xripy.ig), Lydia Rathkolb Dr. Edmund Schulz (Leipzig), Dr. Markus Behmer (München) Prof. Dr. Rudolf Stöber (Bamberg) Die Dublin-Sofia-Connection Druck: Buch- und Offsetdruckerei Fischer, Ein Essay................................................................ 27 1010 Wien, Dominikanerbastei 10 Richard Schuberth Erscheinungsweise: Medien & Zeit erscheint vierteljährlich Von der Wachswalze zum Bezugsbedingungen: Einzelheft (exkl. -
2007 Catalogue (PDF)
What’s New in 2007? MARKET SQUARE on Market Square Records… Alan Hull Ollie Halsall – Abbots Langley More previously unreleased tracks by the – Phantoms in The Radiator First time compilation of the late, former- guitar maestro (ex-Patto, -Tempest, -Kevin Ayers, -Grimms) measuring his much- Lindisfarne mainman’s ‘70s solo album plus his work with band Radiator. Bonus missed virtuosity as well as an anarchic RECORD CATALOGUE tracks are from unreleased demos and humour in this musical sparring with live tracks. former Patto drummer, John ‘Admiral’ 2006/7 Halsey. Sonja Kristina Introducing Market Square Records and Dusk Fire Records– on Dusk Fire Records… home to quality CD reissues of collectable catalogue spanning – Harmonics Of Love rock to jazz as well as new releases by established artists. Reissue of the Curved Air chanteuse’s spacy solo release bridges more than any Various Artists other her transition from progressive rock – Mike Taylor Remembered recordings to ambient, acid folk First official release for 1973’s memorial to late British jazz composer Taylor by Lindisfarne – Happy Daze friends and admirers in modern jazz ofdistinction including Neil Ardley, Norma Winstone, Ian A real rarity and welcome first-time on CD for the band’s 1974 release. Carr, Jon Hiseman and Barbara Thompson. Market Square Music Ltd Keep watching the News pages Market House • Market Square • Winslow MK18 3AF UK. Lady June – Linguistic Leprosy on our sites for the latest on Tel 00 44 (0)1296 715228 other exciting reissues email [email protected] Reissue and repackaging of the late, lamented Canterbury Scene artist and projects and brand new eccentric’s quirky 1974 release in the www.marketsquarerecords.co.uk releases by existing artists! good company of Kevin Ayers, Brian Eno, www.duskfire.co.uk Pip Pyle and others. -
2007 Catalog
2 Table Of Contents / Welcome Where To Find Us 3 Table Of Contents Arhoolie Welcomes You How To ORDER Arhoolie’s History. 4 to the best authentic, and pure roots & You can order ALL items in this ARHOOLIE CATALOG and most items in the Arhoolie Foundation . 12 NEATWORK Catalog by filling out the enclosed ORDER FORM and enclosing the 40th Anniversary Box Set. 14-15 vernacular music on records! In the fall of correct amount, or you can order by phone TOLL FREE with VISA or Blues . 16-48 MASTERCARD by calling 888-ARHOOLIE (888-274-6654). (This is an order Cajun/Zydeco . 50-77 2005 Arhoolie celebrated its 45th year of number only – for all other Arhoolie business, please call 510-525-7471.) Or, you can order via our website, www.arhoolie.com. Mexican-American/Tejano/ presenting these traditions. Tex-Mex/Conjunto/Mexico . 79-115 Thank you, World Music . 116-130 This 2007 ARHOOLIE/FOLKLYRIC The ARHOOLIE staff Afghanistan . 116 CATALOG lists all items released through Caribbean/Bahamas . 116 Where To Find Us Caribbean/Belize . 117 JULY 30, 2007. For details about releases ARHOOLIE RECORDS ARHOOLIE WEBSITE: Caribbean/Dominican Rep. 117 10341 San Pablo Avenue Caribbean/Martinique . 117 after July 2007, please request our www.arhoolie.com El Cerrito, CA 94530 Keep up to date with our latest releases Caribbean/Trinidad . 118 CATALOG SUPPLEMENTS or visit our Carribbean/Puerto Rico . 119 Phone: (510) 525-7471 and news by visiting our website. You’ll Colombia . 119 WEBSITE: WWW.ARHOOLIE.COM. Fax: (510) 525-1204 find our complete catalog with full color Cuba. -
Ij217 S 001-006 Musik 01 U1+Intro-Edit.Pmd 1 17.10.2017, 22:39 Musik Aus Irland – Auf Tour
musik aus irland – auf tour Schön,Schön, daßdaß IHRIHR unsuns lestlest ……* Wir laden Euch herzlich ein zu einer musikalischen (Lese)-Reise nach Irland. Mit dieser Zusammenstellung in unserem aktuellen Jahrbuch Irland 2017/2018 und dem Magazin irland journal 2+3.2017 * Wir haben das alles auch schon länger online für Euch im Angebot – also immer mal wieder bei uns vorbeischauen: Art.- Nr. 1221 im www.irish-shop. Oder auch auf der Eingangsseite von „Helfer gesucht“, oder … Hier kommt Ihr gut drauf: www.gaeltacht.de www.alyth.net www.ebzirland.de [email protected] www.irish-shop.de 02841 - 930 123 Jahrbuch Irland 2017/2018 (I) und irland journal 2+3.2017 1 ij217 _S 001-006 _musik 01 U1+Intro-Edit.pmd 1 17.10.2017, 22:39 musik aus irland – auf tour der besagte „dialann“, die CD-Rezensionen det ihr das irische Herbst/Winterprogramm _INTRO / und Einzelbeiträge zum Thema Musik sind von Magentic Music. Für das Irish Folk Festi- Zeugnis dafür (unsere speziellen Musikrei- val gibt es darüber hinaus noch ein paar Ex- Musik-Editorial_ sen nach Irland übrigens auch – tra-Seiten. siehe bei www.ebzirland.de). Moers und Irland im September 2017 Freilich gibt es noch zahlreiche weitere Allerdings sind auch wir auf Experten rund Experten, die im Celtic-Folk-Genre tätig Liebe Musikfreundinnen um dieses Business angewiesen. Ein solches sind. Zu nennen sind hier u.a. RAINER ZELL- und Musikfreunde, Expertenteam sitzt zum Beispiel in Reutlin- NER, der Chef von MUSIC CONTACT. Seit gen bei der Firma MAGNETIC MUSIC, an vielen Jahren holt das in Tübingen ansässi- es war und ist seit über 30 Jahren schon deren Spitze der Musikmanager PETR PAN- ge Unternehmen Stars der irischen Folk-Sze- immer unser Bestreben (gewesen), unse- DULA steht. -
Like a Wrecking Ball: Gillian Welch and the Modern South
LIKE A WRECKING BALL: GILLIAN WELCH AND THE MODERN SOUTH Jason Kirby A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Dr. Jeremy Wallach, Advisor Dr. Bill Albertini ii ABSTRACT Dr. Jeremy Wallach, Advisor This thesis explores the work of “alternative country” music performer Gillian Welch in the context of modern-day Southeastern American regional identity. Gillian Welch, along with her accompanist and songwriting partner David Rawlings, has been known since the mid-1990s for making spare acoustic music which incorporates elements of early country and string-band music, bluegrass, gospel, rock, punk, and folk music. Her songs’ lyrics obliquely address themes of change and continuity central to the Southern roots music she draws upon. Welch has been celebrated as an innovator in the “alt.country” scene, but her detractors have labeled her as inauthentic, due to her status as a woman raised in privilege in California performing music most commonly associated with Southern working-class people. The authenticity debate surrounding Welch is particularly relevant considering the shifting boundaries of Southern regional identity following latter 20th century industrialization and re-migration to the area. Having first established the social and historical context to the debate, in this thesis I argue that Gillian Welch’s music opens up traditionally limited definitions of what it means to be Southern in modern America. Welch’s work proves that it is possible to use the region’s past as a tool to understand its present situation, without sinking into a sort of white nostalgia. -
Jill Cohn, Full-Time Talent from Local Roots Cohn Full Circle on Many Personal Fron T S
Three Rivers Folklife Society U.S. POSTAGE PAID P.O. Box 1098 NON-PROFIT ORGANIZATION Richland, WA 99352 PERMIT #70 KENNEWICK, WA Return Service Requested A Newsletter for Columbia, Snake, and Yakima River Folk November 2007 Help us promote 3RFS events! Post the enclosed flyer where the most Nothing Small About Small Potatoes! Let’s Eat! people will see it. tune or a tender, traditional ballad-- and fun spud facts collected from friends, Friday, 16 November, 7:30 PM Thanks! though there are no rules here either, family, fans and folk music folks. Like Small Potatoes, the Chicago-based folk sometimes traditional sounds contem- their music, this book runs the gamut duo of Jacquie Manning and Rich po r a r y , and contemporary sounds tra- from the simplest of “Common Tat e r s ” Prezioso, say it has taken them years ditional. They also pay attention to the to complex and elegant recipes; from of “careful indecision” to develop a little things, like the warmth, the humor the Classic Potato Chip Sandwich to repertoire they describe as “Celtic to and a rapport with the audience that Pr ovençal Potatoes in Parchment; from c o w b o y.” Superb musicianship and makes for a memorable performance. The Annual Dead Cats and Doily Party, showmanship, award-winning song- Some tracks on “Waltz of the Wal l f l o w e r s , ” to 13 Ways of Looking at a Potato; from writing, and a strong sense of tradi- such as Jacquie’s one-of-a kind 1998 B r ú n a _ a r Kartöflur to Haluschia tion has made them, as Dirty Linen Kerrville New Folk winning title track, cuKolompede. -
Early Music and Folk-Rock
quick song backed with strummed dulcimers, keyboards, recorder, and xylophone. On Ousflug, several of the instrumentals are standouts, including “Basse Danse La Gatta,” which uses organ, recorders, and percussion to state the theme, then adds guitars, a rhythm section, and wordless vocals for a richer sound. The final Ougenweide CD includes Ja-Markt and Noch Aber ist Abril Corvus Corax [BCD 15974], the band’s seventh and eighth studio albums. These were recorded without the help of the group’s longtime producer Achim Reichel, which may help explain the radical change in the group’s sound. Gone are most of the medieval elements, leaving a more conventional rock band with only a few folk touches. There are moments of beauty on both these albums, including some pretty oboe playing and Tull-style flute on Ja- Markt. They’re well-done early-80s pop albums, much like what its contemporary Malicorne achieved with its final two albums. Like those Malicorne albums, however, these appealed less to the group’s original fans than the earlier mate- rial, and have aged less well since. Thus, this is my least favorite of the Ougenweide reissues. One note on all the Ougenweide material: The two CDs reviewed in # 128 had extensive liner notes in English; these three CDs have all the notes in German only. Staying with reissues for the moment, Giles Farnaby’s Dream Band [Walhalla WH90324 (2004)], the 1973 album by the short-lived band of the same name, must count as one of the classics of early-music/ s we’ve seen in recent However, be warned that the group for the soundtrack of a TV series folk-rock crossover.