20H Remember Shakti John Mclaughlin, Guitare Zakir Hussain
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ICICI Bank Organizes 'Spandan'- a Fusion Music Night
ICICI Bank Limited ICICI Towers Bandra Kurla Complex IIICC Bank Mumbai 400 051 Press Note August 3,2002 ICICI Bank organizes ‘Spandan’- a fusion music night. Exclusive music evening for its corporate clients ICICI Bank, India’s largest private sector bank, today organised ‘Spandan’, an exclusive evening of fusion music for its corporate clients in Mumbai. ‘Spandan’, which means Heartbeat in Sanskrit, was a melange of five different musical performances by well known artistes like Shankar Mahadevan as the vocalist, Anandan Sivamani on the drum, Niladri Kumar playing the sitar; Vikku Vinayakram on the Ghatam; V.Selvaganesh on the Kanjira; Fazal Qureshi on the Tabla and Bhawani Shankar on the Pakhawaj and Tabla. Together they promise to blend the world of music with the pulse beats of every individual present there. The programme started with the invocation prayer followed by an enticing Madhalaya performance. The tempo of the music slowly increased to a breathtaking percussion item followed by a Jam session. The highlight of the concert was the grand finale, a symphony of sound that left audience asking for more. The programme, organized in Mumbai, attracted a wide audience of industrialists and top executives of the corporate world and noted celebrities including Javed Akhtar, Bhupendra and Mitali, Roopkumar and Sonali Rathod, Raageshwari, and Dipti Naval. Said Mr. Nachiket Mor, Executive Director, ICICI Bank, “It was a pleasure to see so many of our clients enjoying the performance and having a relaxed time this evening. We are delighted to meet them outside the work purview and share some lighter moments together." For any further query please contact Madhvendra Das at (022) 6536124 or e-mail at [email protected] ******* Except for the historical information contained herein, statements in this News Release which contain words or phrases such as 'will', 'would', and similar expressions or variations of such expressions may constitute 'forward-looking statements'. -
World Music Series, Zakir Hussain with Rahul Sharma, April 26, 2017 Lawrence University
Lawrence University Lux Conservatory of Music Concert Programs Conservatory of Music 4-26-2017 8:00 PM World Music Series, Zakir Hussain with Rahul Sharma, April 26, 2017 Lawrence University Follow this and additional works at: http://lux.lawrence.edu/concertprograms Part of the Music Performance Commons © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "World Music Series, Zakir Hussain with Rahul Sharma, April 26, 2017" (2017). Conservatory of Music Concert Programs. Program 144. http://lux.lawrence.edu/concertprograms/144 This Concert Program is brought to you for free and open access by the Conservatory of Music at Lux. It has been accepted for inclusion in Conservatory of Music Concert Programs by an authorized administrator of Lux. For more information, please contact [email protected]. WORLD MUSIC SERIES Zakir Hussain with Rahul Sharma award in India; National Heritage Fellowship; and Officier in France’s Order of Arts and Letters. In 2015, he was voted “Best Percussionist” by Zakir Hussain with Rahul Sharma both the DownBeat Critics’ Poll and Modern Drummer’s Reader’s Poll. As an educator, he conducts many workshops and lectures each year, has been in residence at Princeton University and Stanford University Wednesday, April 26, 2017 and, in 2015, was appointed Regents Lecturer at University of California, 8 p.m. Berkeley. He is the founder and president of Moment Records, an Lawrence Memorial Chapel independent record label presenting rare live concert recordings of Indian classical music and world music. Hussain was resident artistic director at SFJazz from 2013 until 2016. Program announced from stage Rahul Sharma learned music and the santoor from his father, Guru No intermission Pandit Shivkumar Sharma, who is a music legend in India and throughout the world. -
Zakir Hussain & Masters of Percussion
CAL PERFORMANCES PRESENTS Sunday, March 23, 2014, 7pm Zellerbach Hall Zakir Hussain & Masters of Percussion with Zakir Hussain tabla Selvaganesh Vinayakram kanjira & ghatam Steve Smith Western drums Niladri Kumar sitar Dilshad Khan sarangi Deepak Bhatt dhol Vijay Chavan dholki and special guest Antonia Minnecola Kathak dancer PROGRAM Tonight’s program will be announced from the stage. There will be one intermission. Cal Performances’ – season is sponsored by Wells Fargo. PLAYBILL ABOUT THE ARTISTS The foremost disciple of his father, the leg- endary Ustad Allarakha, Mr. Hussain was a child prodigy who began his professional career at the age of twelve and had toured internation- ally with great success by the age of 18. He has been the recipient of many awards, grants and honors, including Padma Bhushan (2002), Padma Shri (1988), the Sangeet Natak Akademi Award (1991), Kalidas Samman (2006), the 1999 National Heritage Fellowship Award, the Bay Area Isadora Duncan Award (1998–1999), and Grammy Awards in 1991 and 2009 for Best World Music Album for Planet Drum and Global Drum Project, both collaborations with Mickey Hart. His music and extraordinary con- tribution to the music world were honored in April 2009, with four widely heralded and sold- out concerts in Carnegie Hall’s “Perspectives” series. Also in 2009, Mr. Hussain was named a Susana Millman Susana Member in the Order of Arts and Letters by AKIR HUSSAIN (tabla) is today appreciated France’s Ministry of Culture and Commun - Zboth in the field of percussion and in the ication. Most recently, the National Symphony music world at large as an international phe- Orchestra with Christoph Eschenbach com- nomenon. -
FW May-June 03.Qxd
IRISH COMICS • KLEZMER • NEW CHILDREN’S COLUMN FREE Volume 3 Number 5 September-October 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY Tradition“Don’t you know that Folk Music is Disguisedillegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers THE FOLK ART OF MASKS BY BROOKE ALBERTS hy do people all over the world end of the mourning period pro- make masks? Poke two eye-holes vided a cut-off for excessive sor- in a piece of paper, hold it up to row and allowed for the resump- your face, and let your voice tion of daily life. growl, “Who wants to know?” The small mask near the cen- The mask is already working its ter at the top of the wall is appar- W transformation, taking you out of ently a rendition of a Javanese yourself, whether assisting you in channeling this Wayang Topeng theater mask. It “other voice,” granting you a new persona to dram- portrays Panji, one of the most atize, or merely disguising you. In any case, the act famous characters in the dance of masking brings the participants and the audience theater of Java. The Panji story is told in a five Alban in Oaxaca. It represents Murcielago, a god (who are indeed the other participants) into an arena part dance cycle that takes Prince Panji through of night and death, also known as the bat god. where all concerned are willing to join in the mys- innocence and adolescence up through old age. -
Red Bank Register Volume Lxi, No
AIX the SEWS of BED PA N E SECflg and Surrounding Town* - Told Fearlessly and Without Bis* RED BANK REGISTER VOLUME LXI, NO. 42, RED BANK, N. J., THURSDAY, APRIL 13,1939. PAGES 1 Eatontown Order Thursday Morning Engineer Makes Miss Edwa Herndon Plan Inauguration of Elects Officers To Wed C. E. Wilhelm Dance To Raise Fu Mt&s' Hilde Ha&geri and Clarence Choral Concert To Report To Council Lieutenant Commander and Mrs. Rank were elected as worthy Matron Preston Herndon, Sr., of New Or- Annual "Y" Campaign and worthy patron,' respectively, Be HeldApril 21 On Drainage Plan leans, Loulsanti, announeo the en- Tuesday night at the annual election gagement of their daughter. Miss For High School Ba of officers of Eatontown chapter, Edwa Herndon of Old Bridge, to Eastern Star. They succeed Mrs. William Hain, Tenor, to Lancaster Explains Pro- Chester E. Wilhelm, a member of John B. Allen And Theodore J. Labrecque Alice Hill'and Milton Smith. the Red Bank Junior high school Others elected were Mrs, Agnes Be Guest Artist—Sekt- gress of Project to Fair faculty. Mr.. Wilhelm is the son of Middletown Township HigK School , - VanBrunt associate matron, Mrs. Mr, and Mrs. Jacob C. Wilhelm of Chairmen Of Field Organization Selma Schultz secretary, Mrs. Emma berg to Conduct Body Summit avenue, Phllllpsburg. Rank treasurer, Mrs. Ruth Crawford Students To Represent County at Fair I Plans are rapidly being completes conductress and Mrs, WUma Wllklns associate conductress. The installa- Plans are being completed for the Lionel W. Lancaster, borough en- for the inauguration of the W39 an- annual spring concert of the Thurs- gineer of Fair Haven, reported to The Mlddfotown Township ;,_ nual maintenance drive of the Red tion of officers will take place Tues- Teacher association will hold a d day night, April 25, when Miss day morning choral to be held Fri- the mayor and council of that place Junior Service Bank T. -
Program Notes
Home delivery plus 2021 SeRIeS ZAKIR HUSSAIN AND MASTERS OF PERCUSSION PREMIERING FRI, APR 30, 8pm (ET) STREAMING ON DEMAND THROUGH THU, MAY 6, 11:59pm (ET) zakir hussain and masters of percussion Every other year since 1996, Zakir Hussain has Zakir Hussain, Tabla served as curator, conductor, and producer, bringing the very cream of Indian music to tour Pezhham Akhavass, Tombak and Daf America and Europe with his series, Zakir Hussain Marcus Gilmore, Drum Set and Masters of Percussion. Growing out of his Anantha Krishnan, Mridangam renowned international tabla duet tours with his father, the legendary Ustad Allarakha, Masters of with Percussion began as a platform for both popular Sabir Khan, Sarangi and rarely heard rhythm traditions from India. While performing and collaborating in India for a few months every year, Zakir has sought and and spontaneous combinations of percussive and unearthed lesser-known folk and classical tradi- melodic performances. tions which feed into the greater stream of Indian Maestro Hussain comments, “Masters of music, playing an educational role in affording Percussion 2021 features master drummers them greater visibility, as well as introducing them from Iran, India, and the U.S. Anantha Krishnan to audiences in the West. Over time, the constantly is a master of the two-headed south Indian cylin- changing ensemble has expanded to include great drical drum known as the mridangam. Pezhham drummers and percussionists from many world Akhavass is an acclaimed exponent of the tombek traditions, including jazz. and the Iranian frame drum, daf. I represent the All of it creates a truly beautiful field from which traditional rhythm repertoire of north India on he can bring Masters of Percussion to the West. -
Sociological Aspects of Poverty Is One of 27 New Courses Offered Atiupul This Fall
Sociological aspects of poverty is one of 27 new courses offered atIUPUl this Fall. See page 8. 2 M arch M, 1177 PIP IS YOUR PRINTER YOUR PRINTER IS PIP Letter/ Besmirching I.U. , Purdue To the editor: If you wish to forfeit the readers to think everything is Your recent decision to refer prestige associated with the to every school at this campus, the IUPUI----------- , when in names of I.U. and Purdue, if fact your nomenclature is regardless of the school’s of you are for independence, or if ficial title, as the IUPU1 School simply wrong. you want an official name Your persisting in this error is of ------------ , is very disap change, I encourage your unethical. It is regrettable that pointing. freedom to campaign for your you who desire good things for Anything associated with cause. IUPUI actually cheapen her either Indiana University or However, what I disapprove (sic) image, at least in the eyes Purdue University should strive of is your insidious design that of anyone who knows both the for excellence, and as of now effectively turns every inac facts and honest journalism, by this campus is so associated. curate mention of one of our such an ill-considered policy. I Your editorial policy besmir schools into an editorial, hope you will reconsider. ches the name and reputation without giving your readers fair Sincerely, for excellence of both univer notice, in every Ifcue, of your David Muller sities and hurts any in most unprofessional jour Indiana Univeristy (IUPUI) dependent prestige this campus nalistic approach. School of Law-Indianapolis ha% by being an irresponsible By referring to everything at and inaccurate approach to this campus as the IUPUI — both the facts and to jour ------- , you lead uninformed nalism. -
Tension Grows As Seventh Student Attacked *F
" 1^77 Apr. 18-26 (tonnttttmt Satlg Campus Serving Storrs Since 1896 VOL. LXXX NO. 110 STORRS, CONNECTICUT MONDAY, APRIL 18, 1977 Tension grows as seventh student attacked By LYNDA CRAWFORD policeman, said Sunday he was "glad the taken these precautionary methods one Campus News Staff incident was reported." adding. "We Anyone with any information concern- step further. "Each house has agreed to A young woman was attacked in increased the patrols after than inci- ing the attacker, is urged to contact the lock its back doors after dinner and its McMahon Hall at about 10:30 p.m. dent." Rape Crisis Center at 423-9595, and ask front doors between 10 and II at night," Friday night. Luckily, her reflexes were "The use of the campus student escort for Cynthia Roy or Sue Menzel or call resident assistant Tim Chung said. sharp enough for her to kick the attacker service has increased since the article on UConn police at 486-4800. All calls will be Not all women arc adhering to these in his groin and she escaped without rape was printed in the newspaper," kept confidential. being raped. McKelvey said, referring to an article in precautionary methods, howevlcr. Some The campus police were then notified. the Daily Campus last week. frequently refer to as the "buddy women still resist being "forced into In this situation, the young woman did Along with the increase in police patrols system." hiding because of mere males." One not have to leave her dormitory and walk and the use of the escort service, "1 usually ask two girsl to walk with mc woman said that if she "walked the main, along a dark deserted road to be women's awareness of the danger on to the library, instead of one. -
Advance Program Notes Zakir Hussain and Masters of Percussion Monday, March 31, 2014, 8 Pm
Advance Program Notes Zakir Hussain and Masters of Percussion Monday, March 31, 2014, 8 pm These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. ZAKIR HUSSAIN and Masters of Percussion with Selvaganesh Vinayakram (kanjira and ghatam) Steve Smith (western drums) Niladri Kumar (sitar) Dilshad Khan (sarangi) Deepak Bhatt (dhol) Vijay Chavan (dholki) The preeminent classical tabla virtuoso of our time, Zakir Hussain delivers brilliant performances that have established him as a national treasure in his native India and as one of the world’s most esteemed and influential musicians, renowned for his genre-defying collaborations. His playing is marked by uncanny intuition and masterful improvisational dexterity, founded in formidable knowledge and study. Masters of Percussion, an outgrowth of Hussain’s memorable tours with his father, the legendary Ustad Allarakha, has enjoyed successful tours in the West since 1996. Joining the 2014 tour will be Selvaganesh Vinayakram (kanjira and ghatam), Steve Smith (western drums), Niladri Kumar (sitar), Dilshad Khan, (sarangi), Deepak Bhatt (dhol), and Vijay Chavan (dholki). Zakir Hussain appears by arrangement with IMG Artists 152 W. 57th Street, 5th Floor, New York, N.Y. 10019 For more information, please visit www.zakirhussain.com. Artist Biographies Zakir Hussain Zakir Hussain is appreciated both in the field of percussion and in the music world at large as an international phenomenon. A classical tabla virtuoso of the highest order, his consistently brilliant and exciting performances have not only established him as a national treasure in his own country, India, but gained him worldwide fame. -
Zakir Hussain, Tabla with Niladri Kumar, Sitar and Special Guest Mickey Hart
Wednesday, October 26, 2016, 8pm Zellerbach Hall Zakir Hussain, tabla with Niladri Kumar, sitar and special guest Mickey Hart Tonight’s concert will last approximately two hours and will include an intermission. ABOUT THE ARTISTS Tonight’s concert will present an exploration of Arts and Letters. In 2015 he was voted Best Indian music, both ancient and cutting-edge, Percussionist by both the Down bea t Critics’ Poll combining a traditional classical offering with and Modern Drummer ’s Readers’ Poll. a collaborative exploration of the raga and tala As an educator, Zakir Hussain conducts systems. The concert will begin with a rendition many workshops and lectures each year, has of a classical raga performed on sitar by Niladri been in residence at Princeton University and Kumar and accompanied on tabla by Zakir Stanford University, and, in 2015, was ap - Hussain. This piece will begin with a full alaap pointed Regents Lecturer at UC Berkeley. He is by Niladri Kumar in the Hindustani classical the founder and president of Moment Records, tradition, presenting and expounding on the an independent record label presenting rare live raga . The concert will also include a tabla solo concert recordings of Indian classical music and piece by Zakir Hussain, and will conclude with world music. Zakir Hussain was resident artis - a contemporary-style performance based on tic director at SFJazz from 2013 until 2016. the folk melodies of India. Zakir Hussain and Niladri Kumar are delighted to welcome Mickey Niladri Kumar, a renowned, fifth-generation Hart as a special guest at tonight’s concert. sitar player, is an unconventional and rare in - strumentalist, honing a unique repertoire and Zakir Hussain (tabla ) is the pre-eminent clas - deep understanding of traditional and classical sical tabla virtuoso of our time. -
WDR 3 Jazz & World, 08. März 2019
WDR 3 Jazz & World, 08. März 2019 John McLaughlin & Shakti live/ All is Bliss. Indo-Jazz 22:04-24:00 Stand: 01.03.2019 E-Mail: [email protected] WDR JazzRadio: http://www.wdr.de/radio/jazz Moderation: Hans-Jürgen Schaal Redaktion: Tinka Koch Laufplan 1. Joy K: John McLaughlin/ L. Shankar 18:12 SHAKTI Columbia 88697145452CD1; LC: 023561 CD: Shakti with John McLaughlin 2. Lotus Feet K: John McLaughlin 4:32 SHAKTI Columbia 88697145452CD1; LC: 023561 CD: Shakti with John McLaughlin 3. What Need Have I For This/ What K: John McLaughlin/ L. Shankar 29:02 Need Have I For That/ I Am Columbia 88697145452CD1; LC: 02361 Dancing At The Feet Of My Lord/ CD: Shakti with John McLaughlin All Is Bliss/ All Is Bliss 4. Kriti K: L. Shankar 2:58 SHAKTI Columbia 88697145452CD2; LC: 02361 CD: A Handful Of Beauty 5. Lady L K: L. Shankar 7:23 SHAKTI Columbia 88697145452CD2; LC: 02361 CD: A Handful Of Beauty 6. La Danse Du Bonheur K: John McLaughlin/ L. Shankar 4:48 SHAKTI Columbia 88697145452CD2; LC: 02361 CD: A Handful Of Beauty 7. The Daffodil And The Eagle K: John McLaughlin/ L. Shankar 6:57 SHAKTI Columbia 88697145452CD3; LC: 02361 CD: Natural Elements 8. Bridge Of Sighs K: John McLaughlin/ L. Shankar 3:52 SHAKTI Columbia 88697145452CD3; LC: 02361 CD: Natural Elements 9. Happiness is Being Together K: John McLaughlin 4:29 SHAKTI Columbia 88697145452CD3; LC: 02361 CD: Natural Elements 10. Get Down And Sruti K: John McLaughlin/ L. Shankar 7:03 SHAKTI Columbia 88697145452CD3; LC: 02361 CD: Natural Elements Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. -
University of Alberta 'Indo-Jazz Fusion'
University of Alberta ‘Indo-Jazz Fusion’: Jazz and Karnatak Music in Contact by Tanya Kalmanovitch A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Music Edmonton, Alberta Spring 2008 Abstract An inherently intercultural music, jazz presents a unique entry in the catalog of interactions between Indian music and the west. This dissertation is situated in a line of recent accounts that reappraise the period of Western colonial hegemony in India by tracing a complex continuum of historical and musical events over three centuries. It charts the historical routes by which jazz and Karnatak music have come into contact in the twentieth and twenty-first centuries, both in India and abroad. It presents a detailed account of the history of jazz in India, and Indian music in jazz, and examines jazz’s contact with Karnatak music in three contexts—jazz pedagogy, intercultural collaboration, and the Indian diaspora in the United States—illustrating the musical, social and performative spaces in which these musics come into contact, and describing the specific musical and social practices, and political and social institutions that support this activity. Case studies in this dissertation include an educational exchange between the Jazz and Contemporary Music Program of the New School University (New York, NY) and the Brhaddhvani Research and Training Centre for Musics of the World (Chennai, India), directed by the author in December 2003 – January 2004; a 2001 collaboration between Irish jazz/traditional band Khanda and the Karnataka College of Percussion; and analyses of recent recordings by pianist Vijay Iyer, saxophonist Rudresh Mahanthappa and drummer Ravish Momin.