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Nord Stage 2 EX English User Manual V2.X Edition B.Pdf
User Manual Nord Stage 2 EX 88 Nord Stage 2 EX HP76 Nord Stage 2 EX Compact OS Version 2.x Part No. 50444 Copyright Clavia DMI AB Print Edition: B The lightning flash with the arrowhead symbol within CAUTION - ATTENTION an equilateral triangle is intended to alert the user to the RISK OF ELECTRIC SHOCK presence of uninsulated voltage within the products en- DO NOT OPEN closure that may be of sufficient magnitude to constitute RISQUE DE SHOCK ELECTRIQUE a risk of electric shock to persons. NE PAS OUVRIR Le symbole éclair avec le point de flèche à l´intérieur d´un triangle équilatéral est utilisé pour alerter l´utilisateur de la presence à l´intérieur du coffret de ”voltage dangereux” non isolé d´ampleur CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK suffisante pour constituer un risque d`éléctrocution. DO NOT REMOVE COVER (OR BACK). NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. The exclamation mark within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the ATTENTION:POUR EVITER LES RISQUES DE CHOC ELECTRIQUE, NE literature accompanying the product. PAS ENLEVER LE COUVERCLE. AUCUN ENTRETIEN DE PIECES INTERIEURES PAR L´USAGER. Le point d´exclamation à l´intérieur d´un triangle équilatéral est CONFIER L´ENTRETIEN AU PERSONNEL QUALIFE. employé pour alerter l´utilisateur de la présence d´instructions AVIS: POUR EVITER LES RISQUES D´INCIDENTE OU D´ELECTROCUTION, importantes pour le fonctionnement et l´entretien (service) dans le N´EXPOSEZ PAS CET ARTICLE A LA PLUIE OU L´HUMIDITET. -
A Journal for Contemporary Music (1971-1988)
Contact: A Journal for Contemporary Music (1971-1988) http://contactjournal.gold.ac.uk Citation Reynolds, Lyndon. 1975. ‘Miles et Alia’. Contact, 11. pp. 23-26. ISSN 0308-5066. ! [I] LYNDON REYNOLDS Ill Miles et Alia The list of musicians who have played with Miles Davis since 1966 contains a remarkable number of big names, including Wayne Shorter, Herbie Hancock, Tony Williams, Chick Corea, Joe Zawinul, Jack de Johnette, Dave Hol l and, John McLaughlin and Miroslav Vitous. All of these have worked success fully without Miles, and most have made a name for themselves whilst or since working with him. Who can say whether this is due to the limelight given them by playing alongside , Miles, the musical rewards of working with him, or Miles's talent-spotting abili- ties? Presumably the truth is a mixture of all these. What does Miles's music owe to the creative personalities of the musicians working with him? This question is unanswerable in practice, for one cannot quan- tify individual responsibility for a group product - assuming that is what Miles's music is. It is obvious that he has chosen very creative musicians with which to work, and yet there has often been an absence of conspicuous, individual, free solo playing in his music since about 1967. It would appear that Miles can absorb musical influences without losing his balance. What we find then, is a nexus of interacting musicians, centring on Miles; that is, musicians who not only play together in various other combinations, but influence each other as well. Even if the web could be disentangled (I know not how, save with a God's-eye-view), a systematic review of all the music that lies within it would be a task both vast and boring. -
Instruments Included in Sampletank 4
Instruments included in SampleTank 4 6,000 instruments. Including: Over 100 GB of samples. 70 GB of all-new SampleTank 4 samples. SampleTank 33Instruments GB of legacy SampleTank 3 samples (the full SampleTank 3 legacy product). All versions of SampleTank 4 include the full SampleTank 4 engine ACOUSTIC PIANOS (123) ACOUSTICSampleTank PIANOS 4 New Instruments (20) 123 BASSBad Stories 224 BRASSC7 Grand Cinematic 1 247 CHROMATICC7 Grand Close Mic - Natural 92 ACOUSTICC7 Grand DRUMS Close Mic - Natural SE 303 ELECTRONICC7 Grand DRUMS Close Mic Sharp 282 C7 Grand Delicate ELECTRIC PIANOS 204 C7 Grand Digi Piano Shine ETHNIC 206 C7 Grand Digi Piano ACOUSTIC GUITARS 101 C7 Grand House Piano ELECTRIC GUITARS 331 C7 Grand Pop Piano 1 LOOPS 423 C7 Grand Pop Piano 2 ORGANSC7 Grand Rock Piano 233 PERCUSSIONC7 Grand Tremolo Piano 77 SOUNDDelay FX Grand Delicate 16 STRINGSLFO Piano 375 SYNTHLoft BASIC Piano 106 Modern Piano SYNTH BASIC VARIATIONS 246 Ode to Robert SYNTH ARPEGGIO 34 Radio Piano SYNTH BASS 482 Very Old Friend SYNTH FX 63 SampleTank 3 Instruments (65) SYNTH LEAD 385 Grand Piano 1 SYNTH PAD 420 Grand Piano 1 Classical SYNTH PLUCK 29 Grand Piano 1 Mono Pop SYNTH SWEEP 16 VOICES 240 WOODWINDS 1 189 1 Instruments included in SampleTank 4 SampleTank Instruments ACOUSTIC PIANOS (123) SampleTank 4 New Instruments (20) Bad Stories C7 Grand Cinematic 1 C7 Grand Close Mic - Natural C7 Grand Close Mic - Natural SE C7 Grand Close Mic Sharp C7 Grand Delicate C7 Grand Digi Piano Shine C7 Grand Digi Piano C7 Grand House Piano C7 Grand Pop Piano 1 C7 -
FM ~110Bpm Steely Dan
FM ~110bpm Steely Dan Intro: |-----------------|------|-Bass-Lick-------|-Guitar Lick-------|-9-9-9---9-9-9-9-|--9-|-9----9----||-7/9--------------| |-2-3-2-3-2-3-2-3-|------|-----|-----------|-------------------|-8-8-8---8-8-8-8-|-10-|-8h10-8h10-||-----11----9-11p9-| |-2-4-2-4-2-4-2-4-|-%-x4-|-----|-----------|---------7-5-------|-9-9-9---9-9-9-9-|--9-|-9----9----||--------11--------| |-----------------|-%----|-----|-----------|-------7-------5-7-|-----------------|----|-----------||------------------| |-----------------|------|---0-|-2-2-----0-|---7h9-------------|-----------------|----|-----------||------------------| |-"A-D"-----------|------|-2---|-----2-0---|-------------------|-----------------|----|-"A7Lick"--||-dawn-------------| E5 F#5 G5 E5 A7Lick |---------||-----0-0-0-0-2-| Give us some funked up Muzak Cmaj7 Bm7 Am7 G F#7 B7 |---------||-0-3-----------| |---------||-Vocal Start---| she treats you The girls don't seem to care tonight |---------|| nice (A7Lick) Emaj13 G#7#5 C#m11 F#13 |-2--4/5--|| As long as the mood is right |-0--2/3--|| |-E---------------------| F#m7 A7 |-------3h5p3---3-3h5---| |---2/4-------4---------| No static at all (no static at all) E5 F#5 G5 E5 "A7Lick" |-----------------------| D/E C7 Worry the bot- tle mama it's grape-fruit |-----------------------| F M E5 F#5 G5 E5 "A7Lick" |-nice------------------| |---------------|---3--| Wine. |-1-------1-1---|---3--| E5 F#5 G5 E5 F#5 G5 |-----------------|----| |-3-------3-3---|---2--| |-2-------2-2---|---1--| Kick off your high heeled sneakers |-----3h5p3-------|----| -
Phil Sumpter Dir
Contact: Phil Sumpter Dir. of Marketing & Communications 215.925.9914 ext. 15 FOR IMMEDIATE RELEASE: November 19, 2010 JAZZ GIANT DAVE HOLLAND DEBUTS 2 TIME GRAMMY-AWARD WINNING BIG BAND PROJECT AT PAINTED BRIDE DEC. 11, BAR NONE ROSTER OF TALENT TO PERFORM TWO SHOWS HOLLAND “PASSES IT ON” TO NEXT GENERATION DURING 3-DAY RESIDENCY ON AVENUE OF THE ARTS WITH CAPA HIGH SCHOOL BIG BAND MADE POSSIBLE THROUGH SUPPORT FROM PHILADELPHIA MUSIC PROJECT PHILADELPHIA – Painted Bride Art Center proudly presents the Philadelphia debut of Dave Holland’s Big Band as part of Jazz on Vine, Philadelphia’s longest continuing jazz series. Double-bassist-composer-arranger Holland leads his 13 piece all-star ensemble in two full-length shows (7pm and 9pm) on Saturday, December 11, 2010. Tickets are $25. For tickets and show info, visit paintedbride.org, call the Box Office at 215- 925-9914 or visit the Painted Bride Art Center, located at 230 Vine Street in Philadelphia. The box office is open Tuesday through Saturday, 12pm until 6pm. Crush Card holders receive a 20% discount. Students and seniors receive a 25% discount on tickets. Three days leading up to his concerts at the Bride, Mr. Holland arrives as artist-in- residence at the High School for the Creative Arts and Performing (CAPA). Using newly written charts created specifically for this special residency, Holland will lead rehearsals while discussing his creative process and approaches to arrangement and orchestration. 17 students, including one standout freshman, will work with the jazz icon for three days straight. A culminating performance will take place in CAPA’s auditorium on Friday, December 10 at 7pm. -
Chick Corea Bio 2015 Chick Corea Has Attained Iconic Status in Music
Chick Corea Bio 2015 Chick Corea has attained iconic status in music. The keyboardist, composer and bandleader is a DownBeat Hall of Famer and NEA Jazz Master, as well as the fourth- most nominated artist in Grammy Awards history with 63 nods – and 22 wins, in addition to a number of Latin Grammys. From straight-ahead to avant-garde, bebop to jazz-rock fusion, children’s songs to chamber and symphonic works, Chick has touched an astonishing number of musical bases in his career since playing with the genre-shattering bands of Miles Davis in the late ’60s and early ’70s. Yet Chick has never been more productive than in the 21st century, whether playing acoustic piano or electric keyboards, leading multiple bands, performing solo or collaborating with a who’s who of music. Underscoring this, he has been named Artist of the Year twice this decade in the DownBeat Readers Poll. Born in 1941 in Massachusetts, Chick remains a tireless creative spirit, continually reinventing himself through his art. As The New York Times has said, he is “a luminary, ebullient and eternally youthful.” Chick’s classic albums as a leader or co-leader include Now He Sings, Now He Sobs (with Miroslav Vitous and Roy Haynes; Blue Note, 1968), Paris Concert (with Circle: Anthony Braxton, Dave Holland and Barry Altschul; ECM, 1971) and Return to Forever (with Return to Forever: Joe Farrell, Stanley Clarke, Airto Moreria and Flora Purim; ECM, 1972), as well as Crystal Silence(with Gary Burton; ECM, 1973), My Spanish Heart (Polydor/Verve, 1976), Remembering Bud Powell (Stretch, 1997) and Further Explorations (with Eddie Gomez and Paul Motian; Concord, 2012). -
Top 10 Male Indian Singers
Top 10 Male Indian Singers 001asd Don't agree with the list? Vote for an existing item you think should be ranked higher or if you are a logged in,add a new item for others to vote on or create your own version of this list. Share on facebookShare on twitterShare on emailShare on printShare on gmailShare on stumbleupon4 The Top Ten TheTopTens List Your List 1Sonu Nigam +40Son should be at number 1 +30I feels that I have goten all types of happiness when I listen the songs of sonu nigam. He is my idol and sometimes I think that he is second rafi thumbs upthumbs down +13Die-heart fan... He's the best! Love you Sonu, your an idol. thumbs upthumbs down More comments about Sonu Nigam 2Mohamed Rafi +30Rafi the greatest singer in the whole wide world without doubt. People in the west have seen many T.V. adverts with M. Rafi songs and that is incediable and mind blowing. +21He is the greatest singer ever born in the world. He had a unique voice quality, If God once again tries to create voice like Rafi he wont be able to recreate it because God creates unique things only once and that is Rafi sahab's voice. thumbs upthumbs down +17Rafi is the best, legend of legends can sing any type of song with east, he can surf from high to low with ease. Equally melodious voice, well balanced with right base and high range. His diction is fantastic, you may feel every word. Incomparable. More comments about Mohamed Rafi 3Kumar Sanu +14He holds a Guinness World Record for recording 28 songs in a single day Awards *. -
ICICI Bank Organizes 'Spandan'- a Fusion Music Night
ICICI Bank Limited ICICI Towers Bandra Kurla Complex IIICC Bank Mumbai 400 051 Press Note August 3,2002 ICICI Bank organizes ‘Spandan’- a fusion music night. Exclusive music evening for its corporate clients ICICI Bank, India’s largest private sector bank, today organised ‘Spandan’, an exclusive evening of fusion music for its corporate clients in Mumbai. ‘Spandan’, which means Heartbeat in Sanskrit, was a melange of five different musical performances by well known artistes like Shankar Mahadevan as the vocalist, Anandan Sivamani on the drum, Niladri Kumar playing the sitar; Vikku Vinayakram on the Ghatam; V.Selvaganesh on the Kanjira; Fazal Qureshi on the Tabla and Bhawani Shankar on the Pakhawaj and Tabla. Together they promise to blend the world of music with the pulse beats of every individual present there. The programme started with the invocation prayer followed by an enticing Madhalaya performance. The tempo of the music slowly increased to a breathtaking percussion item followed by a Jam session. The highlight of the concert was the grand finale, a symphony of sound that left audience asking for more. The programme, organized in Mumbai, attracted a wide audience of industrialists and top executives of the corporate world and noted celebrities including Javed Akhtar, Bhupendra and Mitali, Roopkumar and Sonali Rathod, Raageshwari, and Dipti Naval. Said Mr. Nachiket Mor, Executive Director, ICICI Bank, “It was a pleasure to see so many of our clients enjoying the performance and having a relaxed time this evening. We are delighted to meet them outside the work purview and share some lighter moments together." For any further query please contact Madhvendra Das at (022) 6536124 or e-mail at [email protected] ******* Except for the historical information contained herein, statements in this News Release which contain words or phrases such as 'will', 'would', and similar expressions or variations of such expressions may constitute 'forward-looking statements'. -
World Music Series, Zakir Hussain with Rahul Sharma, April 26, 2017 Lawrence University
Lawrence University Lux Conservatory of Music Concert Programs Conservatory of Music 4-26-2017 8:00 PM World Music Series, Zakir Hussain with Rahul Sharma, April 26, 2017 Lawrence University Follow this and additional works at: http://lux.lawrence.edu/concertprograms Part of the Music Performance Commons © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "World Music Series, Zakir Hussain with Rahul Sharma, April 26, 2017" (2017). Conservatory of Music Concert Programs. Program 144. http://lux.lawrence.edu/concertprograms/144 This Concert Program is brought to you for free and open access by the Conservatory of Music at Lux. It has been accepted for inclusion in Conservatory of Music Concert Programs by an authorized administrator of Lux. For more information, please contact [email protected]. WORLD MUSIC SERIES Zakir Hussain with Rahul Sharma award in India; National Heritage Fellowship; and Officier in France’s Order of Arts and Letters. In 2015, he was voted “Best Percussionist” by Zakir Hussain with Rahul Sharma both the DownBeat Critics’ Poll and Modern Drummer’s Reader’s Poll. As an educator, he conducts many workshops and lectures each year, has been in residence at Princeton University and Stanford University Wednesday, April 26, 2017 and, in 2015, was appointed Regents Lecturer at University of California, 8 p.m. Berkeley. He is the founder and president of Moment Records, an Lawrence Memorial Chapel independent record label presenting rare live concert recordings of Indian classical music and world music. Hussain was resident artistic director at SFJazz from 2013 until 2016. Program announced from stage Rahul Sharma learned music and the santoor from his father, Guru No intermission Pandit Shivkumar Sharma, who is a music legend in India and throughout the world. -
Album Name Ganesh the Most Potent Prayers Sr Track Title Track Type
Album Name Ganesh the most potent prayers Track Type Sr Track title (Vocal / Duration Artiste Name Composer Lyricist Instrumental) 1 Shri Ganeshay namah vocal 2:17' Lata Mangeshkar Mayuresh Pai Traditional 2 Shri Siddhivinayak Naman vocal 4:15' Lata Mangeshkar Mayuresh Pai Traditional Shri Ganesh Mahamantra and 3 Ganesh Gayatri vocal 4:00' Lata Mangeshkar Mayuresh Pai Traditional 4 Kleshanashak shri Ganesh Mantra vocal 4:16' Lata Mangeshkar Mayuresh Pai Traditional Shri siddhivinayak santati-prapti 5 and Aashirvaad mantra vocal 4:17' Lata Mangeshkar Mayuresh Pai Traditional Shri Lakshmi-Vinayak Mantra and 6 Mahaganapati Moolmantra vocal 4:17' Lata Mangeshkar Mayuresh Pai Traditional 7 Shri Mayuresh Stavaha vocal 4:16' Lata Mangeshkar Mayuresh Pai Traditional 8 Jai Jai Ganesh Moraya vocal 4:11' Lata Mangeshkar Mayuresh Pai Traditional Shyam Manohar 9 Inner Voice Signature Shlok Vocal 0:52' Pt. Jasraj Vinayak Netke Goswami 10 Ganapati Atharvashirshya Vocal 15:37' Suresh Wadkar Vinayak Netke Traditional Suresh Wadkar & 11 Gajanan Stuti Vocal 4:35' Chorus Vinayak Netke Vinayak Netke Suresh Wadkar & 12 Shubhanana Gajar I Vocal 5:53' Chorus Vinayak Netke Vinayak Netke 13 Jayanti jai Ganapati Vocal 11:39' Suresh Wadkar Vinayak Netke Vinayak Netke Suresh Wadkar & 14 Anaadi Nit Poojita Vocal 3:34' Chorus Vinayak Netke Vinayak Netke Suresh Wadkar & 15 Hey Prarambha Adhipati Vocal 5:28' Sabhiha Vinayak Netke Ashok Roy 16 Mantra Pushpaanjali Vocal 2:56' Suresh Wadkar Vinayak Netke Traditional 17 Shubhanana Gajar II Vocal 1:01' Chorus Vinayak Netke -
Billy Joel and the Practice of Law: Melodies to Which a Lawyer Might Work
Touro Law Review Volume 32 Number 1 Symposium: Billy Joel & the Law Article 10 April 2016 Billy Joel and the Practice of Law: Melodies to Which a Lawyer Might Work Randy Lee Follow this and additional works at: https://digitalcommons.tourolaw.edu/lawreview Part of the Legal Profession Commons Recommended Citation Lee, Randy (2016) "Billy Joel and the Practice of Law: Melodies to Which a Lawyer Might Work," Touro Law Review: Vol. 32 : No. 1 , Article 10. Available at: https://digitalcommons.tourolaw.edu/lawreview/vol32/iss1/10 This Article is brought to you for free and open access by Digital Commons @ Touro Law Center. It has been accepted for inclusion in Touro Law Review by an authorized editor of Digital Commons @ Touro Law Center. For more information, please contact [email protected]. Lee: Billy Joel and the Practice of Law BILLY JOEL AND THE PRACTICE OF LAW: MELODIES TO WHICH A LAWYER MIGHT WORK Randy Lee* Piano Man has ten tracks.1 The Stranger has nine.2 This work has seven melodies to which a lawyer might work. I. TRACK 1: FROM PIANO BARS TO FIRES (WHY WE HAVE LAWYERS) Fulton Sheen once observed, “[t]he more you look at the clock, the less happy you are.”3 Piano Man4 begins by looking at the clock. “It’s nine o’clock on a Saturday.”5 As “[t]he regular crowd shuffles in,” there’s “an old man” chasing a memory, “sad” and “sweet” but elusive and misremembered.6 There are people who pre- fer “loneliness” to “being alone,” people in the wrong place, people out of time, no matter how much time they might have.7 They all show up at the Piano Man’s bar hoping “to forget about life for a while”8 because, as the song reminds us, sometimes people can find themselves in a place where their life is hard to live with. -
An In-Depth Analysis of Classic Jazz Compositions for a Graduate Jazz Guitar Recital Derick Cordoba Florida International University
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 7-20-2007 An in-depth analysis of classic jazz compositions for a graduate jazz guitar recital Derick Cordoba Florida International University DOI: 10.25148/etd.FI14061511 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Music Performance Commons Recommended Citation Cordoba, Derick, "An in-depth analysis of classic jazz compositions for a graduate jazz guitar recital" (2007). FIU Electronic Theses and Dissertations. 2495. https://digitalcommons.fiu.edu/etd/2495 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. AN IN-DEPTH ANALYSIS OF CLASSIC JAZZ COMPOSITIONS FOR A GRADUATE JAZZ GUITAR RECITAL A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF MUSIC by Derick Cordoba 2007 To: Dean Juan Antonio Bueno College of Architecture and the Arts This thesis, written by Derick Cordoba, and entitled An In-depth Analysis of Classic Jazz Compositions for a Graduate Jazz Guitar Recital, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. Sam Lussier Gary Campbell Michael Orta, Major Professor Date of Defense: July 20, 2007 The thesis of Derick Cordoba is approved. Dean Juan Antonio Bueno College of Architecture and the Arts Dean George Walker University Graduate School Florida International University, 2007 •• 11 ABSTRACT OF THE THESIS AN IN-DEPTH ANALYSIS OF CLASSIC JAZZ COMPOSITIONS FOR A GRADUATE JAZZ GUITAR RECITAL by Derick Cordoba Florida International University, 2007 Miami, Florida Professor Michael Orta, Major Professor The purpose of this thesis was to analyze jazz compositions by several great composers.