Taste-Test Proposal Project for Students in High School Lesson 1

Total Page:16

File Type:pdf, Size:1020Kb

Taste-Test Proposal Project for Students in High School Lesson 1 Taste-Test Proposal Project for Students in High School Lesson 1 Title: Food systems over time – Feeding people throughout history Objective: Students will begin to explore the method of interdisciplinary thinking through the concept map activity and have an initial baseline idea of how different topic areas are related to their hydroponics system. Students will be able to explain what a food system is and what factors and people are involved. They will also be able to map out changes in agriculture and food systems over the course of history and pick various human health and environmental impacts that were present if different food systems over time. Topics: History, Agriculture Grade Level: 9th-12th Grade Time: 84 minutes External Materials Needed: chalkboard/wipe board, projector, computer, writing utensils, large sheets of paper Teaching Tips: Apart from meeting the lesson objectives, this lesson aims to introduce students to the complexity of food systems and how as the world changes and develops, so do our food systems. It is important for the students to begin with this background knowledge of food systems because it sets up a platform for their project – as technology continues to advances and our population continues to grow, new methods of agriculture may need to be explored to feed over 7 billion people while protecting the integrity of our environment. The introduction should be brief as it is simply introducing the overall project to the students. The concept mapping activity is necessary for teachers interested in tracking students’ abilities to think in an interdisciplinary manner. This activity is correlated with the final presentation at the end of the series. Teachers who are only interested in teaching about food systems, and are not interested in doing the project proposal portion, will not need to include this activity. If short on time, the discussion questions included in this activity can be cut down to #1, #2, and #4. The following lecture/discussion on food systems can be shortened by omitting the discussion about relationships between culture and food. Additionally, the “Think, Pair, Share” activity can be taken out and integrated into the lecture portion to save time – this would involve the teacher prompting the students to think about trends in today’s food system and how they fit into the categories of production, processing, etc. The group activity on food systems is very important to the lesson. Cutting out the portions of the lecture mentioned above to allow more time for this activity is acceptable. If time is still an issue, you can skip the Greece example and go straight to handing out the different time-periods for students to investigate. Give them at least 10 minutes, leaving at roughly 5-7 minutes to discuss what they found. The reflection exercise can be reduced to 5 minutes if needed, or turned into a homework component. If a teacher is not interested in gauging student learning outcomes, this section may be omitted. Lesson Plan and Activities: Introduction 4 min Introduce to the class that we will be starting a short lesson series that will focus on innovative agriculture, like hydroponics, and food procurement into their school cafeteria. First, ask the students if they know what food procurement means. - Procure v. meaning to obtain something, or gather things with care and effort. Synonyms include: acquire, get, find, secure, and pick up1 - Food procurement – how and from whom food is purchased by an organization or institution2 o Example: a local restaurant wants to buy local foods to use when cooking their dishes o For this lesson series, we will be investigating how to procure food grown on the hydroponics system into the school cafeteria Ask the students why they think it might be important to think about where our food comes from? Ask the students what they think could be benefits of procuring their grown produce into the cafeteria. Any challenges associated with this? Start making a list of student answers on the board. Broadly introduce to the students that we are going to be working on a class project to develop a proposal that will be presented to their principal about how and why we should procure the food. We will do an exercise today that will get them thinking about the project, but we are primarily going to take the first two lessons to gain some background knowledge on agricultural advancement overtime and its environmental and health impacts. Concept Mapping Activity 30 min To start this activity, ask the students to brainstorm a list of topics that they think they will need to investigate to make this project possible. Once the list is completed, you may choose to add in the following topics if they were not already mentioned: history, health, environmental science, politics/policy, biology, math, economics/business, marketing, psychology, English and public speaking. Tell the students that we are now going to begin an activity called concept mapping. The goal of concept mapping is to determine how different pieces of information, in this case our topics, are related to one another. This exercise will help us think about what is important to know as we start our project. It will also help us develop the best proposal possible as it shows we thought about it from many angles. Have the students pair up with someone next to them and begin drawing out a concept map. Each topic should be accompanied with a brief statement justifying how it is connected to another topic and the project. With the students, but on the board, draw a circle and inside write “food procurement”. This is where the students should start their map. Give them 10 minutes with their partner, to draw a concept map on a large sheet of paper. If students are having a hard time 1 Dictionary.com. (2016). Procure. Retrieved from http://www.dictionary.com/browse/procure 2 Policy Link. (2015). Equitable development toolkit; Local food procurement. Retrieved form http://www.policylink.org/sites/default/files/edtk_local-food-procurement.pdf grasping the concept, provide an example on the board linking two of the topics together (ex. math – calculate yields to know how much the system can produce). Once the maps are drawn, ask the following discussions. Discussion Questions: 1. Were any of the topics hard to connect with our project? Which topic was the hardest to connect? 2. Which topics were the easiest to connect to the project? 3. Which topic are each of you most excited about working on or learning more about? 4. Which topic is the most important? Is there one? a. We want students to realize the importance of including these topics into the project to get the most cohesive proposal 5. Is there a topic you think we should start with first? Though question five may raise some answers that do not align with the topics covered in this lesson, it is important to hear what students believe is the right path for starting this project. If their answer is something other than history, tell them that we are going to initially start with history as it will provide a good foundation and background for the project, but will move into those other topics over the course of the 9 weeks. History of Food Systems Lecture 10 min Start by asking the students if they know what a food system is. After you hear their answers, tell them that a food system encompasses all the activities that go into producing, processing, transporting, and eating foods3. Write the follow words on the board: Production, processing, transportation, consumption. Ask the students to start shouting out people, things, and actions that are involved under each category. They should be thinking about the various people/industries/business/activities/processes that are part of making each step possible. Students can copy down answers in their notebooks. Here are some examples to share if needed: Production: Farmers, farm workers/farm hands, planting seeds, watering, fertilizers, using pesticides, picking/harvesting, washing, selling, etc. Processing: Factories, factory workers, chemicals, machinery, additives, food safety measures (FDA, USDA), etc. Transportation: truck drivers, trucks, gasoline; food taking to wholesale distribution centers then to processing plants or straight to the grocery store. Consumption: Grocery stores, workers, farmer’s markets, food trucks, bake sales, selecting foods based on appearance, buying, preparing, cooking, freezing, storing, eating, etc. 3 University of Oxford. (2016). What is the food system? Retrieved from http://www.futureoffood.ox.ac.uk/what- food-system ***The food system also includes governance, economics of food production, food production sustainability, and how food production affects environmental and human health. Food is linked with our well-being concerning nutrition, obesity, and food safety. Culture and food: A food system can also have cultural roots. Ask the students if any of them can think of how culture and food could be related. If they are struggling to come up with answers, you could explain how countries in Asia eat rice with almost every meal, or in India they typically sit on the floor and eat with their hands, sometimes off a banana leaf! In European countries, portions are a lot smaller than in the US, but you are expected to order multiple courses. Each of these dining styles differs because of the people who live in these countries and the history and cultures they’ve grown up in. Think, Pair, Share Activity 5 min In groups of 2-3, have students discuss the following questions: How would you describe our food system today? What things stand out? What does farming look like? (This should dig deeper than the parts listed on the board) What is the culture of our food system in the United States? Give students 5 minutes to discuss in their small groups and then have them share their thoughts to the entire class.
Recommended publications
  • David Liebman Papers and Sound Recordings BCA-041 Finding Aid Prepared by Amanda Axel
    David Liebman papers and sound recordings BCA-041 Finding aid prepared by Amanda Axel This finding aid was produced using the Archivists' Toolkit November 30, 2018 Describing Archives: A Content Standard Berklee Archives Berklee College of Music 1140 Boylston St Boston, MA, 02215 617-747-8001 David Liebman papers and sound recordings BCA-041 Table of Contents Summary Information ................................................................................................................................. 3 Biographical/Historical note.......................................................................................................................... 4 Scope and Contents note............................................................................................................................... 4 Arrangement note...........................................................................................................................................4 Administrative Information .........................................................................................................................5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 Scores and Charts...................................................................................................................................
    [Show full text]
  • May 2008AAJ-NY.Qxd
    NEW YORK May 2008 | No. 73 Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com AHMAD JAMAL IT'S MAGIC Vince Giordano • George Garzone • Les Disques Victo • Dizzy’s Club • Event Calendar NEW YORK May is significant in the history of Miles Davis. Not only is the 26th the late trumpeter’s birthday but many of his most enduring works were New York@Night recorded during this month, including the Charlie Parker All-Stars (1948); the 4 Miles Davis-Tadd Dameron Quintet’s run in Paris (1949), most of the Workin’, Steamin’ and Relaxin’ triumvirate by the quintet with John Coltrane (1956), Miles Interview: Vince Giordano Ahead and At Carnegie Hall, both with the Gil Evans Orchestra (1957 and 1961 6 by Michael Hittman respectively); and the bulk of Miles in the Sky (1968). Now in May 2008, another chapter to the Miles Legacy will be written with an ambitious concert at Town Artist Feature: George Garzone Hall May 9th, “Miles From India”. A companion concert to a just-released album 7 by Matthew Miller of the same name, the concert brings together musicians who played with the legend throughout his career as well as a number of classical Indian musicians for Label Spotlight: Les Disques Victo what is billed as a “cross-cultural summit meeting”. Our Encore this month, 8 by Kurt Gottschalk guitarist Pete Cosey, is participating in what is sure to be a monumental event. But, as is typical for New York, the happenings don’t stop happening there. Club Profile: Dizzy’s Club Pianist Ahmad Jamal (Cover) brings his trio to Blue Note in a pre-release by Laurel Gross celebration of his first new album in three years, It’s Magic (Birdology-Dreyfus), due out in June.
    [Show full text]
  • Kenny Barron Fun Adventure
    July 2012 | No. 123 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com KENNY BARRON FUN ADVENTURE VERYAN • WEASEL • ERNIE • MATCHLESS • EVENT WESTON WALTER ANDREWS RECORDINGS CALENDAR It was with great joy that the National Endowment for the Arts reversed a 2011 decision to end the Jazz Masters program after decades. Whatever brought them back to their senses (jazz needs more recognition, not less), all jazz fans should be New York@Night happy that legendary performers will still receive this accolade (and the 25,000 4 clams that goes with it). In 2010, alongside fellow pianists Muhal Richard Abrams and Cedar Walton, Philadelphia-born Kenny Barron was elevated. We could Interview: Veryan Weston devote our entire gazette just to printing his massive discography, starting with 6 by Ken Waxman his first recording in 1960 with Yusef Lateef (part of the same Jazz Master class), Artist Feature: Weasel Walter the many done with his older brother/saxophonist Bill, sessions with Dizzy Gillespie and almost everyone else in jazz as well as his over 40 albums as a leader. 7 by Martin Longley Barron brings a quintet to the Village Vanguard this month. On The Cover: Kenny Barron In the category of “And now for something completely different”, Interview (British pianist Veryan Weston) and Artist Feature (Chicagoan drummer Weasel by George Kanzler 9 Walter) subjects present two very different sides to modern improvising, the Encore: Lest We Forget: former often working in the insectile world of European free music with such chaps as Trevor Watts and Lol Coxhill, the latter leaving a trail of destruction in 10 Ernie Andrews Buster Bailey his wake with his defunct Flying Luttenbachers group or in any number of by Marcia Hillman by Donald Elfman aggressive local collaborations.
    [Show full text]
  • Season 6 PR Draft ML
    FOR IMMEDIATE RELEASE SFJAZZ Announces 2017-2018 Season Programming September 7, 2017 – May 27, 2018 Tickets on Sale to SFJAZZ Members, June 24 at 11:00amPST Tickets on Sale to Public, July 15 at 11:00amPST SFJAZZ.ORG (SAN FRANCISCO, CA, June 15, 2017) -- SFJAZZ announces artist programming for the 2017-18 season running September 7, 2017 to May 27, 2018 presenting concerts at the SFJAZZ Center’s Robert N. Miner Auditorium and Joe Henderson Lab, Herbst Theatre and the Paramount Theatre in Oakland. Tickets and ticket packages on sale to SFJAZZ Members, June 24 at 11:00amPST and on sale to public, July 15 at 11:00amPST. For more information, visit sfjazz.org. “The SFJAZZ Center was conceived as a community gathering place for artists and audiences to come together in an environment that encourages engagement and dialogue,” says SFJAZZ Founder and Artistic Director Randall Kline. “When that connection occurs we can be witness to something that moves us, something that makes us feel better for the experience and what can be described as a ‘transcendent moment.’ Since the SFJAZZ Center opened in January 2013, we have been fortunate to experience a number of these memorable dialogues and moments. The programming of the new season is presented to create even more of those moments and to continue embracing and encouraging more musical conversations.” The SFJAZZ Resident Artistic Director program was established to give today’s most innovative and influential musicians the chance to curate exclusive programming at the SFJAZZ Center often featuring unprecedented collaborations between world-renowned artists. Every two years, SFJAZZ selects a new group of forward-thinking musicians to participate in the program.
    [Show full text]
  • Nota Bene Web 16.Pdf
    FROM THE PRESIDENT AND CEO Phi Theta Kappa Honor Society is proud to present the 22nd edition of Nota Bene, the nation’s only literary anthology featuring excellence in writing among two-year college students. When we rst published Nota Bene in 1994, we were overwhelmed with the response from members who ooded our mailboxes with submissions and from the audience who enthusiastically read the printed book. Today we continue to see a fervent response to the call for submissions, and selection for publication remains a great source of pride. We are pleased to once again offer scholarships to outstanding Nota Bene authors. This year’s Ewing Citation Scholarship has been awarded to the top overall entry, “The Lie” by Mark Chevalier, a student at Blue Ridge Community College in Virginia. The authors of four other standout entries have been recognized as 2016 Reynolds Scholars. Nota Bene takes its name from the Latin expression for “note well.” We hope you will take note and be inspired by the good work of these exceptional authors. We are grateful for the continued opportunity to showcase the talents of Phi Theta Kappa members and to afrm our commitment to recognition and academic excellence in the two-year college arena. Sincerely, Lynn Tincher-Ladner, Ph.D. President and CEO Phi Theta Kappa Honor Society NOTA BENE 1 NOTA BENE EDITORIAL BOARD Nell Ewing Former Staff Writer Phi Theta Kappa Norma Kent Former Vice President of Communications American Association of Community Colleges Joseph Spooner Former Phi Theta Kappa advisor and Honors Program facilitator President of Ferrum College NOTA BENE EDITORIAL STAFF Erin Cogswell Features Editor Phi Theta Kappa Melissa Mayer Public Information Coordinator/Staff Writer Phi Theta Kappa Blair White Graphic Designer, Print and Digital Media Phi Theta Kappa 2 NOTA BENE Special thanks to the following Advisors Emeriti for reviewing Nota Bene submissions: David Elder Dr.
    [Show full text]
  • Crosscurrents
    CrossCurrents Zakir Hussain / Tabla Dave Holland / Bass Shankar Mahadevan / Vocals Chris Potter / Saxophones Sanjay Divecha / Guitars Louiz Banks / Piano and Keyboards Gino Banks / Drums Wednesday Evening, November 1, 2017 at 7:30 Michigan Theater Ann Arbor 16th Performance of the 139th Annual Season 24th Annual Jazz Series Traditions and Crosscurrents Tonight’s performance is sponsored by Toyota. Funded in part by the JazzNet Endowment Fund. Media partnership provided by Ann Arbor’s 107one and WEMU 89.1 FM. Special thanks to Jenna Bacolor, John Churchville, Bidisha Ghosh, Seema Jolly, Ann Arbor Community Education and Recreation, and Sumkali for their participation in events surrounding this evening’s performance. CrossCurrents appears by arrangement with IMG Artists and International Music Network. In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. PROGRAM CrossCurrents This evening’s program will be announced by the artists from the stage and will be performed without intermission. 3 CROSSCURRENTS ARTISTS A classical tabla virtuoso of the highest The preeminent classical tabla virtuoso order, Zakir Hussain is well-known for of our time, Zakir Hussain is appreciated his constant explorations of music from both in the field of percussion and in the around the world. His latest ensemble, music world at large as an international CrossCurrents, attempts to portray all phenomenon. A national treasure in his directions of inspiration between the native India, he is one of the world’s idioms of jazz and Indian music. most esteemed and influential musicians, The great bassist Dave Holland, renowned for his genre-defying a player with one of the most collaborations.
    [Show full text]
  • Downbeat.Com June 2010 U.K. £3.50
    .K. £3.50 .K. u downbeat.com June 2010 2010 June DownBeat ChiCk Corea // Bill Evans // wallaCe Roney // Bobby Broom // 33rd Annual StuDent Music AwarDs June 2010 June 2010 Volume 77 – Number 6 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg Sales Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Marga- sak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Nor- man Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Go- logursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer Odell, Dan Ouellette, Ted
    [Show full text]
  • Brubeck Collection
    HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES 1: PAPERS SUBSERIES E: CLIPPINGS BOX 1E: UNDATED AND 1948-1968 1.E: CLIPPINGS---GENERAL, NO DATE “A jazz legend: Brubeck,” <n.s.> <n.d.> “Berlins duftes Jazzpublikum,” <n.s.> <n.d> “Dave Brubeck’s Hair Too Long for Singapore,” <n.s.> <n.d.> “Gehort Jazz in die Dance Halls?” <n.s.> <n.d.> John Salmon, “Dave Brubeck’s Chorale,” Jazz Age, <n.d.> Helmut Räther, “Krankes Herz schlägt im Rhythmus von ‘Take Five,’” <n.s.> <n.d.> Roman Pospíšil, “Na pódiu skvělé, v zákulisí s otazníky,” <n.s.> <n.d.> Enno Wymer, “Jazz-Star aus Amerika in Berlin B.L. sprach mit Dave Brubeck: ‘Das Publikum schafft die gute Akustik,’” <n.s.> <n.d.> Rene Geng, “La Critique de Danse—Soiree de Ballets,” <n.s.> <n.d.> “’In Vier Dagen Zestien Uur Geslapen’ Zieke Dave Brubeck wilde neit op t.v.” <n.s.> <n.d.> Alexander Schmitz, “Dave Brubecks ‘Family of Jazz,’” <n.s.> <n.d.> Lubomír Dorůžka, “Brubeckovi chyběl za války k Praze jen krůček,” <n.s.> <n.d.> Karel Drda, “Klaus si dal jazz,” <n.s.> <n.d.> Petr Zvoníček, “Velikonoční jazz až na půdu,” <n.s.> <n.d.> Petr Sedlák, “Brubeck v Praze,” <n.s> <n.d.> Tárik de Souza & José Domingos Raffaelli, “Finas jóias do jazz,” <n.s.> <n.d.> BOX 1.E Mdu Lembede, “Dave Brubeck we ‘Take Five’ ubese Thekwini,” <n.s> <n.d.> Joe Schevardo, “Mude Veteranen und zornige Avantagardisten,” Kölner Stadtanzeiger, <n.d.> José Domingos Raffaelli, “O Melhor de Dave Brubeck,” <n.s> <n.d.> Ralph Gleason, “Brubeck Believes in Written Jazz,” <n.s.>, <n.d> Raul Cosio, “Le Jazz en Beaux Arts,” <n.s> <n.d.> R.W.H.
    [Show full text]
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. DAVE LIEBMAN NEA Jazz Master (2011) Interviewee: Dave Liebman (September 4, 1946 - ) Interviewer: Bill Kirchner with recording engineer Ken Kimery Date: January 4-5, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, 166 pp. Levy: Today is January 4th, 2011. I’m Bill Kirchner. We’re here in my home in South Orange, New Jersey, and we’re going to be talking with NEA Jazz Master Dave Liebman. Let’s start out with the most obvious thing. What’s your full name, Dave? Liebman: No middle name. In fact, when I was about 13 or something, I said, “How come I don’t have a middle name?” to my mother, and she said, “Choose one.” In those days I was enamored by all the tough guys in the neighborhood, who were Vinny, Vito, Tony, Tito. I said, “Can I do Tito or Vinny?” She said, “No, I don’t think so.” So that was the end of any middle name. Nobody in our family has middle names. This is a rarity, I guess. Kirchner: And just so we get the formal stuff out of the way, you were born what day? Liebman: September 4th, 1946, Brooklyn, New York. Kirchner: In a hospital? At home? Liebman: Brooklyn Jewish Hospital. Kirchner: What were your parents’ names? Liebman: Francis. Her maiden name was Gatina – Hungarian, Alsace, a little German, and my father was a Liebman. They were from Belarus, White Russian Minsk, around For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 that area.
    [Show full text]
  • Jazzweek with Airplay Data Powered by Jazzweek.Com • April 28, 2008 Volume 4, Number 22 • $7.95
    JazzWeek with airplay data powered by jazzweek.com • April 28, 2008 Volume 4, Number 22 • $7.95 Jazz Album No. 1: Bobby Watson, From The Smooth Album No. 1: Kenny G, Rhythm & Heart (Palmetto) Romance (Starbucks/Concord) World Music No. 1: Toumani Diabate, The Smooth Single No. 1: Kenny G, “Sax-o-loco” Mandé Variations (Nonesuch) (Starbucks/Concord) Jazz Album Chart . 3 Jazz Radio Currents . 8 Smooth Jazz Album Chart . 4 Jazz Radio Panel . 12 Smooth Singles Chart . 5 Key Non-Monitored Jazz Stations . 13 World Music Album Chart. 6 Smooth Jazz Current Tracks. 14 Jazz Add Dates. 7 Smooth Jazz Station Panel. 15 Register Now: JazzWeek Summit 2008, June 19-21, Clarion Riverside Hotel, Rochester, N.Y. During the Rochester International Jazz Festival Visit http://summit.jazzweek.com for information and to register! Jazz Birthdays April 21 April 29 May 5 Mundell Lowe (1922) Duke Ellington (1899) Paul Barbarin (1899) Slide Hampton (1932) Jean “Toots” Thielemans (1922) Fred Astaire (1899) Ian Carr (1933) Big Jay McNeely (1928) Bix Beiderbecke (1903) April 22 Ray Barretto (1929) Stanley Cowell (1941) Charles Mingus (1922) George Adams (1940) Jack Walrath (1946) Paul Chambers (1935) Steve Gadd (1945) May 6 Don Menza (1936) April 30 David Friesen (1942) April 23 Percy Heath (1923) May 8 Bunky Green (1935) Abdul Wadud (1947) Mary Lou Williams (1910) April 24 May 1 Keith Jarrett (1945) Aaron Bell (1922) Ira Sullivan (1931) May 10 Johnny Griffin (1928) Shirley Horn (1934) Mel Lewis (1929) Frank Strazzeri (1930) Carlos Ward (1940) Ahmed Abdullah (1947) James
    [Show full text]
  • Unison Research Cdprimo CD Player Review - Avrev.Com 03/05/12 12:25
    Unison Research CDPrimo CD Player Review - AVRev.com 03/05/12 12:25 Unison Research CDPrimo CD Player Review Home Theater Audio Sources CD Players Written by Andre Marc Monday, 05 March 2012 Unison Research is a family owned high end audio company based in Treviso, Italy. They have been making tubed, solid state, and hybrid components since 1987. There are a number of unique things about Unison Research, one of them being that all their products are still made in their factory in Italy. You can bet that is one factory tour this reviewer would jump at the chance for! Also unique is the fact is that they are the sister company to Opera, who make wonderful loudspeakers. I have read about Unison Research for years now, and when I was assembling my first real “reference” system”, which I was determined to make tube based, a friend mentioned Unison Research should be on my short list. Unfortunately, at that time there was no local dealer. Fast forward to CES 2012 when I entered the Colleen Cardas Imports room. Based in Austin, TX, they are the importer of both Unison Research and Opera products. I was so impressed with the sound of the room that I listed it as one of the best of show, and was determined to get some Unison products to review, and hopefully, down the road, some Opera speakers. Marc Phillips, of CCI, was extremely accommodating, and agreed to send me the Unico PrimoCD player. Marc is very knowledgeable, and one of the nicest guys you will meet in the business.
    [Show full text]
  • Jazzpress 0716
    LIPIEC / SIERPIEŃ 2016 Gazeta internetowa poświęcona jazzowi i muzyce improwizowanej 2084-3143 ISSN Take 5, czyli 5 pytań do Łukasza Borowickiego TOP NOTE Stryjo – A Vista Social Club Jazz Wolności Rozmowy: Grzech Piotrowski Terri Lyne Carrington Aga Zaryan Piotr Wyleżoł By muzyka miała ludzkie oblicze fot. Kuba Majerczyk Pobierz aplikację mobilną Oceń aplikację, zostaw swoją opinię WWWWW Od Redakcji redaktor naczelny Piotr Wickowski [email protected] Odwrotnie proporcjonalnie do niżu demograficznego przybywa u nas wydziałów jazzowych na uczelniach muzycznych. Jest też mnóstwo chętnych do kształcenia się na nich. „Prawie każde większe miasto (oprócz Warszawy) ma kierunki jazzowe na swoich uczelniach, a pomimo tego wszędzie są kandydaci i jest ich coraz wię- cej. Myślę, że to dobrze wróży przyszłości muzyki” – zwraca uwagę Piotr Wyleżoł, sam udzielający się również, poza swoją działalnością artystyczną, jako muzyczny pedagog. W wakacyjnym numerze JazzPRESSu tym razem sporo refleksji doświadczonych muzyków pedagogów, wartych rozważenia szczególnie przez tych, którzy dopiero wstępują na ścieżkę zinstytucjonalizowanej jazzowej edukacji. W sam raz jako pod- budowa teoretyczna do praktycznych zajęć na różnych letnich warsztatach lub do psychicznych przygotowań przed nowym rokiem akademickim, tudzież szkolnym. „Technika jest bardzo ważna, zawsze to powtarzam moim uczniom, i sama ciągle ćwiczę. Jeśli chcesz przekazać coś od siebie, nie ma czasu na pomyłki” – rozwiewa wątpliwości Terri Lyne Carrington, od razu dodając: „Poza kunsztem jest głębszy po- ziom, którego nie da się nauczyć. Na to składają się wszystkie nasze doświadczenia, muzyka, jakiej słuchaliśmy, wszystko to trzeba przekuć we własną interpretację”. W innym miejscu publikowanej przez nas rozmowy perkusistka mówi: „Najważniejszy jest własny głos. Żaden z mistrzów nie tracił czasu na naśladownictwo.
    [Show full text]