WALKER, SUSAN OVERCASH, MFA with Regards from Frankel

Total Page:16

File Type:pdf, Size:1020Kb

WALKER, SUSAN OVERCASH, MFA with Regards from Frankel WALKER, SUSAN OVERCASH, M.F.A. With Regards from Frankel City. (2008) Directed by Lee Zacharias. 206 pp. How does landscape influence character? What ties the inner landscape of a character to the world they inhabit? With Regards from Frankel City , a novel told in retrospect by a female character in Frankel City, Texas, explores these questions through the intertwining of relationships, community and setting. Spanning more than thirty years, JoDell Orsak, the narrator, and her unlikely roommate and 1977 Frankel City High School Homecoming Queen, Homily Hope Walpole, seek success, friendship and immortality in small town Texas. With the Colorado River valley serving as both backdrop and character, JoDell and Homily fight for their small-town legacy, their greatest inheritance – to have their stories told for years to come over a glass of tea at the Dixie Dog Diner. WITH REGARDS FROM FRANKEL CITY by Susan Overcash Walker A Thesis Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Fine Arts Greensboro 2008 Approved by ____________________________________ Committee Chair © 2008 by Susan Overcash Walker To my parents. ii APPROVAL PAGE This thesis has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro. Committee Chair __________________________________ Committee Members __________________________________ __________________________________ ______________________________ Date of Acceptance by Committee iii This is a work of fiction. Names, characters and events are the products of the author's imagination and are used fictitiously. Any resemblance to actual events, locations or persons, living or dead, is entirely coincidental. All rights reserved. No portion or whole of this work may be copied, reprinted, or distributed in any format, in any language, without the express written permission of the author. iv TABLE OF CONTENTS Page CHAPTER I................................................................................................................................... 1 II................................................................................................................................. 12 III................................................................................................................................. 22 IV................................................................................................................................. 37 V................................................................................................................................. 48 VI................................................................................................................................. 55 VII................................................................................................................................. 68 VIII................................................................................................................................. 74 IX................................................................................................................................. 88 X................................................................................................................................. 99 XI............................................................................................................................... 111 XII............................................................................................................................... 124 XIII............................................................................................................................... 134 XIV............................................................................................................................... 147 XV............................................................................................................................... 151 XVI............................................................................................................................... 162 XVII............................................................................................................................... 171 XVIII............................................................................................................................... 179 XIX............................................................................................................................... 189 v XX............................................................................................................................... 197 XXI............................................................................................................................... 202 vi CHAPTER I Homily Hope Walpole stared at me and tittered high and loud, like a hyena. Her skin up close was as luminescent as it appeared from the stands at junior varsity football games. She raised her fist and it could have been to slap me but instead she slammed it down on the hood of Jimmy Don’s black Ford pick-up truck and said, with her mouth pursed like a cupie doll, “Crazy bitch.” Years later, when I told her why I’d been at her house that day, she smiled with the same cupie doll mouth and said, “Well, it wouldn’t have made a difference, would it? I still would have found out.” She leaned over and kissed me and it was back when I still didn’t know what to make of it, her kissing me, so instead of telling her I could’ve made a difference back then, that maybe her life would have been changed for the better, I just sat back and let her. It was my second mistake. My first was letting her stay with us at all. She showed back up in town on a cloudy day in late April 1988. I hadn’t seen Homily since our high school graduation a decade before, and to tell the truth, I never expected to see her again. She was one of those girls in high school who had their makeup done and their nails painted red and the whole world tied up in a bow in their hair. In high school I wore second-hand jeans and lived in my dead mother’s house with my godmother, Lillian Viola Aschelmann, and worked part time at her uncle’s diner. Homily Hope took off to Nashville after graduation like she was going to be some big star, but even a high school nobody like me knew better. Even at seventeen I knew just 1 because somebody can sing Barbara Ann in the school choir doesn’t mean they’re cut out for the big time. She turned up one day in April, and the only reason I knew was because Larry, who back then was my sort-of boyfriend, saw her come into town in a beat up ’79 Cadillac Seville. It was blue with long scratches down the driver’s side door and she was hanging a cigarette out her window and playing the radio so loud he could hear it across the street. Homily wasn’t ever quiet, not in choir or in real life, and it wasn’t any wonder half the town knew she was back before she drove that Seville across Main onto Travis and up into the hills like a reenactment of the 1977 Frankel City High School Homecoming parade. I remember the hawks were out the day she came back. I took off from the diner after we got the morning share of truckers and roughnecks but before the evening ones came in – back then, it seemed the later I stayed, the more likely the truckers were to stick a hand up my skirt and forget to leave a tip if I complained to Ramon, the kitchen manager, or Lil, if she wasn’t off drinking herself under the table at Randy Whitehouse’s bar. Mama had spent a fair amount of time with Lil at the bar, too, before she got sick with cancer and shriveled up on our living room couch. She died the year I turned fifteen and Lil moved into our house because I couldn’t afford to pay bills or taxes but didn’t have anywhere else to go. Anyway, I took off from the diner to avoid the late rush and saw Larry sitting on a bench outside the Busy Bee, the gift store on the business highway where tourists stopped to buy pieces of overpriced rusted barn tin to put on their walls. Larry waved me down 2 and when I rolled down the passenger window I saw them, the hawks, dipping down and floating up again. Mama would have said they were a bad omen but I thought it was just that time of year, when the bluebonnets and the Indian paintbrushes were starting to bloom, and maybe it would be nice to be up there in the current, thinking nothing but how light the clouds feel and the sun hot on your back. I liked the hawks. They told me it was time for spring. “You won’t believe who I just saw come through town,” Larry said, leaning on his elbows in the passenger window frame. “Who?” “Homily Hope Walpole.” “No. Really?” I jerked around. Without even trying I could see Homily, her mouth turning up at the corners and her laugh like a tree frog screaming as the sun went down behind the expensive houses on Rock Hammer Lake. “It was her. She came through town in a beat up Cadillac with the radio loud like there was no one else to listen.” “You don’t say,” I said, and then, because once Larry delivered his news he was done – he was never much of a talker – he pulled back from the window and looked off down the highway. He was only two years older than me, but when he turned his head, silver was starting in at his temples and the root of his neck. “I wonder what she’s doing here,” I said. “No telling.” Larry shrugged. “Are you working tonight?” “No. Lil made tortilla soup. You can come over
Recommended publications
  • Relatório Sobre Os Usos E Costumes No Posto Administrativo De Chinga
    RELATÓRIO SOBRE OS USOS E COSTUMES NO POSTO ADMINISTRATIVO DE CHINGA [DISTRITO DE MOÇAMBIQUE, 1927] Manuscrito existente no Arquivo Histórico de Moçambique RELATÓRIO SOBRE OS USOS E COSTUMES NO POSTO ADMINISTRATIVO DE CHINGA [DISTRITO DE MOÇAMBIQUE, 1927] Manuscrito existente no Arquivo Histórico de Moçambique Francisco A. Lobo Pimentel RELATÓRIO SOBRE OS USOS E COSTUMES NO POSTO ADMINISTRATIVO DE CHINGA, 1927 Manuscrito existente no Arquivo Histórico de Moçambique Autor: Francisco A. Lobo Pimentel Editor: Centro de Estudos Africanos da Universidade do Porto Actualização de fixação do texto: ex- Comissão para as Comemorações dos Descobrimentos Portugueses, Lisboa, 1999 Notas: de rodapé e a actualização da grafia dos vocábulos macua no texto, entre parênteses recto, Eduardo Medeiros. Colecção: e-books Edição: 1.ª (Fevereiro/2009) ISBN: 978-989-8156-13-6 Localização: http://www.africanos.eu Centro de Estudos Africanos da Universidade do Porto. http://www.africanos.eu Preço: gratuito na edição electrónica, acesso por download. Solicitação ao leitor: Transmita-nos ([email protected]) a sua opinião sobre este trabalho. ©: É permitida a cópia de partes deste documento, sem qualquer modificação, para utilização individual. A reprodução de partes do seu conteúdo é permitida exclusivamente em documentos científicos, com in- dicação expressa da fonte. Não é permitida qualquer utilização comercial. Não é permitida a sua disponibilização através de rede electrónica ou qualquer forma de partilha electrónica. Em caso de dúvida ou pedido de autorização, contactar directamente o CEAUP ([email protected]). ÍNDICE Introdução 11 1.0 Raças 41 2.0 Área, geografia e hidrografia 45 Serras 45 Rios 46 3.0 Antropologia 49 4.0 História e cronologia 53 5.0 Divertimentos 55 Batuques só para homens 55 Batuques para homens e mulheres conjuntamente 57 Batuques só para mulheres 60 Batuques de guerra 61 6.0 Marcas de tribos: usos e costumes 63 Vestimenta e adornos 63 7.0 Regime tributário 69 8.0 Instabilidade da população 70 9.0 Instintos guerreiros: armas ofensivas e defensivas 73 10.
    [Show full text]
  • Regimes of Truth in the X-Files
    Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-1999 Aliens, bodies and conspiracies: Regimes of truth in The X-files Leanne McRae Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Film and Media Studies Commons Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies: Regimes of truth in The X-files. https://ro.ecu.edu.au/ theses/1247 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1247 Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1999 Aliens, bodies and conspiracies : regimes of truth in The -fiX les Leanne McRae Edith Cowan University Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies : regimes of truth in The X-files. Retrieved from http://ro.ecu.edu.au/theses/1247 This Thesis is posted at Research Online. http://ro.ecu.edu.au/theses/1247 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth).
    [Show full text]
  • Coleoptera: Scarabaeinae) E Da Ingestão Indireta Através Da Cadeia Trófica
    Renata Calixto Campos INFLUÊNCIA DO CULTIVO DE MILHO TRANSGÊNICO EM ORGANISMOS NÃO-ALVO (COLEOPTERA: SCARABAEINAE) E DA INGESTÃO INDIRETA ATRAVÉS DA CADEIA TRÓFICA Tese submetida ao Programa de Pós- Graduação em Ecologia da Universidade Federal de Santa Catarina para a obtenção do Grau de Doutor em Ecologia. Orientadora: Prof.ª Dr.ª Malva Isabel Medina Hernández Florianópolis 2016 Ficha de identificação da obra elaborada pelo autor, através do Programa de Geração Automática da Biblioteca Universitária da UFSC. Campos, Renata Calixto Influência do cultivo de milho transgênico em organismos não-alvo (Coleoptera: Scarabaeinae) e da ingestão indireta através da cadeia trófica / Renata Calixto Campos ; orientadora, Malva Isabel Medina Hernández - Florianópolis, SC, 2016. 140 p. Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Ciências Biológicas. Programa de Pós Graduação em Ecologia. Inclui referências 1. Ecologia. 2. milho transgênico. 3. organismos não alvo. 4. escarabeíneos. 5. cadeia trófica. I. Hernández, Malva Isabel Medina. II. Universidade Federal de Santa Catarina. Programa de Pós-Graduação em Ecologia. III. Título. Dedico à minha família "Absence of evidence is not evidence of absence" -- Carl Sagan, Astrônomo AGRADECIMENTOS Agradeço a todos que de alguma forma contribuíram com este trabalho, que era impossível de ser feito sozinho. Agradeço o apoio e companheirismo do meu marido, Daniel, que sempre que possível me ajudou nas coletas e usou sua licença capacitação para ficar comigo em Alicante durante meu período de doutorado sanduíche. Todo seu apoio foi essencial nesse processo. Agradeço aos meus pais, Dacira e Delson, e minha irmã, Isabela por todo suporte durante o caminho. Não posso deixar de incluir na lista de familiares, minhas tias queridas Sonia e Yeda, meu cunhado, André, minha cunhada Claudia, meu concunhado Junior, e meus sogros por todo auxílio e energia positiva durante o processo.
    [Show full text]
  • Interviewee: Marvin J. Perrett, USCGR World War II U
    U.S. Coast Guard Oral History Program Interviewee: Marvin J. Perrett, USCGR World War II U. S. Coast Guard Veteran Interviewer: Scott Price, Deputy Historian Date of Interview: 18 June 2003 Place: U. S. Coast Guard Headquarters, Washington, D.C. Marvin Perrett joined the U.S. Coast Guard during World War II and served aboard the Coast Guard-manned attack transport USS Bayfield (APA-33) as a coxswain of one of the Bayfield's landing craft. He was a veteran of the invasions of Normandy, Southern France, Iwo Jima and Okinawa and he even survived the "Exercise Tiger" debacle prior to the Normandy invasion. Although each of these events has received extensive coverage, his story, and the story of the thousands of young men who manned the boats that landed troops on enemy beaches, is little- known. It seems that the men who transported the troops to the beach were often been overlooked by historians, writers, and film producers. Yet, as Mr. Perret points out, without them, how would any invasion have happened? 1 Mr. Perrett's oral history is comprehensive. He describes his decision to join the Coast Guard and he then delves into the extensive training he received and how he was picked to be the sailor in charge of a landing craft. He also describes, in detail, this craft he sailed through enemy fire during the invasions he took part in. The boat he commanded was the ubiquitous LCVP, or "Landing Craft, Vehicle / Personnel. It was made primarily of wood by the famous company Higgins Industries in New Orleans.
    [Show full text]
  • A Description of Theme in Stephen King's Novel Carrie
    A DESCRIPTION OF THEME IN STEPHEN KING’S NOVEL CARRIE A PAPER BY NAME : TAMARA REBECCA REG.NO : 142202013 DIPLOMA III ENGLISH STUDY PROGRAM FACULTY OFCULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2017 UNIVERSITAS SUMATERA UTARA Approved by Supervisor, Drs. Parlindungan Purba, M.Hum. NIP. 19630216 198903 1 003 Submitted to Faculty of Cultural Studies, University of North Sumatera In partial fulfillment of the requirements for Diploma-III in English Study Program Approved by Head of Diploma III English Study Program, Dra.SwesanaMardiaLubis.M.Hum. NIP. 19571002 198601 2 003 Approved by the Diploma-III English Study Program Faculty of Culture Studies, University of Sumatera Utara as a Paper for the Diploma-III Examination UNIVERSITAS SUMATERA UTARA Accepted by the board of examiners in partial fulfillment of the requirement for The Diploma-III Examination of the Diploma-III of English Study Program, Faculty of Cultural Studies, University of Sumatera Utara. The Examination is held on : Faculty of Culture Studies, University of Sumatera Utara Dean, Dr. Budi Agustono, M.S. NIP. 19600805198703 1 0001 Board of Examiners : Signed 1. Dra. SwesanaMardiaLubis, M.Hum( Head of ESP) ____________ 2. Drs. ParlindunganPurba, M.Hum( Supervisor ) ____________ 3. Drs. SiamirMarulafau, M.Hum ____________ UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I am Tamara Rebecca declare that I am thesole author of this paper. Except where the reference is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded another degree. No other person’s work has been used without due acknowledgement in the main text of this paper.
    [Show full text]
  • Hedgehogs Oscar Antonio Moreno Huizar University of Texas at El Paso, [email protected]
    University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2019-01-01 Hedgehogs Oscar Antonio Moreno Huizar University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Creative Writing Commons Recommended Citation Moreno Huizar, Oscar Antonio, "Hedgehogs" (2019). Open Access Theses & Dissertations. 124. https://digitalcommons.utep.edu/open_etd/124 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. HEDGEHOGS OSCAR ANTONIO MORENO HUIZAR Master’s Program in Creative Writing APPROVED: Daniel Chacón, M.F.A., Chair Lex Williford, M.F.A. Carlos Urani, PhD. Charles Ambler, Ph.D. Dean of the Graduate School Copyright © by Oscar Antonio Moreno Huizar 2019 DEDICATION For my family and friends, present and absent. HEDGEHOGS by OSCAR ANTONIO MORENO HUIZAR, BA THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF FINE ARTS Department of Creative Writing THE UNIVERSITY OF TEXAS AT EL PASO May 2019 ACKNOWLEDGEMENTS This thesis has had a long history, in which many have contributed. First, I want to thank Benjamin Alire-Saénz and my classmates in the fiction class in the Spring of 2011 where the story was born. Their comments were valuable in shaping the characters and the story that would follow them. Next, I want to thank my friends Daniela Saucedo-Garza, Daniela Gómez, Jael Esparza, Tony Vein, Alain Lizarraga, Pauline Mateos, Lorenzo Corral, Rob Jones, Julian Yarza and Adán Contreras for their enthusiasm and feedback in the short film adaptation of the initial short story.
    [Show full text]
  • Editorsnote Glen Uslan
    VOLUME 53 - 3 • SEPTEMBER 2008 EDITORSNOTE GLEN USLAN Several weeks ago, I received some disturbing news in my mailbox. It came in the form of an invitation. It seems that I am now eligible to become a member of an organization that has as its sole requirement, my age. Then, upon sharing this news with others, I was told by our very own POC President, that it gets worse. Mr. Bodine informed me that after about six months of membership, I will actually look forward to receiving the most relevant news in my life in their monthly publication! After pondering this notion and contemplating my potential arousal by the idea of “hey, Jamie Lee Curtis is looking pretty good for her age,” I have decided to continue to live in denial. Then I remembered that I have some input on a different publication of an organization that holds much more excitement and interest to me. It is a club that I am actually proud to be a member of. The POC is different things to different people. Ten years ago, it was for me a chance to enjoy my own car in a way that I imagined it was designed and engineered to be enjoyed. Then, it became more about the events themselves. I found that I enjoyed managing the STS and spending my time with the new members almost as much as being on the track. On the Cover: Now, I have Velocity to work on. It feels good. It feels like the right fit for me in the club at this point in my life.
    [Show full text]
  • AC/DC BONFIRE 01 Jailbreak 02 It's a Long Way to the Top 03 She's Got
    AC/DC AEROSMITH BONFIRE PANDORA’S BOX DISC II 01 Toys in the Attic 01 Jailbreak 02 Round and Round 02 It’s a Long Way to the Top 03 Krawhitham 03 She’s Got the Jack 04 You See Me Crying 04 Live Wire 05 Sweet Emotion 05 T.N.T. 06 No More No More 07 Walk This Way 06 Let There Be Rock 08 I Wanna Know Why 07 Problem Child 09 Big 10” Record 08 Rocker 10 Rats in the Cellar 09 Whole Lotta Rosie 11 Last Child 10 What’s Next to the Moon? 12 All Your Love 13 Soul Saver 11 Highway to Hell 14 Nobody’s Fault 12 Girls Got Rhythm 15 Lick and a Promise 13 Walk All Over You 16 Adam’s Apple 14 Shot Down in Flames 17 Draw the Line 15 Dirty Deeds Done Dirt Cheap 18 Critical Mass 16 Ride On AEROSMITH PANDORA’S BOX DISC III AC/DC 01 Kings and Queens BACK IN BLACK 02 Milk Cow Blues 01 Hells Bells 03 I Live in Connecticut 02 Shoot to Thrill 04 Three Mile Smile 05 Let It Slide 03 What Do You Do For Money Honey? 06 Cheesecake 04 Given the Dog a Bone 07 Bone to Bone (Coney Island White Fish) 05 Let Me Put My Love Into You 08 No Surprize 06 Back in Black 09 Come Together 07 You Shook Me All Night Long 10 Downtown Charlie 11 Sharpshooter 08 Have a Drink On Me 12 Shithouse Shuffle 09 Shake a Leg 13 South Station Blues 10 Rock and Roll Ain’t Noise Pollution 14 Riff and Roll 15 Jailbait AEROSMITH 16 Major Barbara 17 Chip Away the Stone PANDORA’S BOX DISC I 18 Helter Skelter 01 When I Needed You 19 Back in the Saddle 02 Make It 03 Movin’ Out AEROSMITH 04 One Way Street PANDORA’S BOX BONUS CD 05 On the Road Again 01 Woman of the World 06 Mama Kin 02 Lord of the Thighs 07 Same Old Song and Dance 03 Sick As a Dog 08 Train ‘Kept a Rollin’ 04 Big Ten Inch 09 Seasons of Wither 05 Kings and Queens 10 Write Me a Letter 06 Remember (Walking in the Sand) 11 Dream On 07 Lightning Strikes 12 Pandora’s Box 08 Let the Music Do the Talking 13 Rattlesnake Shake 09 My Face Your Face 14 Walkin’ the Dog 10 Sheila 15 Lord of the Thighs 11 St.
    [Show full text]
  • The Geographical, Natural, and Civil History of Chili / Translated from the Original Italian of the Abbe DJ Ignatius Molina
    ñijzl. ir THE GEO O RAPHICAL, NATURAL AND CIVIL HISTORY OF CHILI. TRANSLATED FROM THE ORIGINAL ITALXAN OF THE ABBE DON J. ÍGNATIUS MOLINA. TO WniCB .O IE ADDED, NOTES FROM THE SPANISH AND FRENCH VERSIONS, ANO TWO APPENDIXES, BY THE ENGLISH EDITOR} THE FIRST, AN ACCOUNT. OP THE ARCHIPELAGO OF CHILOE, FROM THE DESCRIPCION HISTORIAL OF V. F. PEDRO GONZALEZ. DE AGÜEROS J THE SECÒND, AN ACCOUNT OF THE NATIVE TRIBE 3 WHO INRABIT THE SOUTHERN EXTREMITY OF SOUTH AMERICA, EXTRACTED ÇIUEFLY FROM FALKNER’s DESCRIPTION OF PATAGÒNIA. IN TW O VOLVMÈS, VOL. I. PRINTÉD POR LONGMAN, HURST, REES, AND ORME, FATERNOSTER-RpW. 1809, Pfiüted by J. I). ü<*\vick' 40, Baiutcan. TRANSLATOR’S PREFACE. I m p o r t a n t and interesting as has ever been the History of the Spanish settlements in Ame­ rica, particularly to the inhabitants of the same continent, that importarme and interestis at the present period greatly increased, by the oc- currence of events of such magnitude, as will most probably be attended witli the total sevér- ance of those colonies from Europe, and the estàblishment of a new empire in the west. O f thèse séttlements, Chili is in many respects one of thè Uixiòst important. Blest with a soil fertile beyond description, à climate mild and salubrious in thé highest degree, productive of evèry con- véniencé and most of the luxuries of life, and fich in the precious metáis, Nature appears to haye been delighted in lavishing its bounties upoh this favoured portion of the globe. In its minerals, its plants, and its animals, the natu­ r a l \yill find an interesting and copious fïeld of research; and the character of its natives fur- vol» i.
    [Show full text]
  • The Dictionary Legend
    THE DICTIONARY The following list is a compilation of words and phrases that have been taken from a variety of sources that are utilized in the research and following of Street Gangs and Security Threat Groups. The information that is contained here is the most accurate and current that is presently available. If you are a recipient of this book, you are asked to review it and comment on its usefulness. If you have something that you feel should be included, please submit it so it may be added to future updates. Please note: the information here is to be used as an aid in the interpretation of Street Gangs and Security Threat Groups communication. Words and meanings change constantly. Compiled by the Woodman State Jail, Security Threat Group Office, and from information obtained from, but not limited to, the following: a) Texas Attorney General conference, October 1999 and 2003 b) Texas Department of Criminal Justice - Security Threat Group Officers c) California Department of Corrections d) Sacramento Intelligence Unit LEGEND: BOLD TYPE: Term or Phrase being used (Parenthesis): Used to show the possible origin of the term Meaning: Possible interpretation of the term PLEASE USE EXTREME CARE AND CAUTION IN THE DISPLAY AND USE OF THIS BOOK. DO NOT LEAVE IT WHERE IT CAN BE LOCATED, ACCESSED OR UTILIZED BY ANY UNAUTHORIZED PERSON. Revised: 25 August 2004 1 TABLE OF CONTENTS A: Pages 3-9 O: Pages 100-104 B: Pages 10-22 P: Pages 104-114 C: Pages 22-40 Q: Pages 114-115 D: Pages 40-46 R: Pages 115-122 E: Pages 46-51 S: Pages 122-136 F: Pages 51-58 T: Pages 136-146 G: Pages 58-64 U: Pages 146-148 H: Pages 64-70 V: Pages 148-150 I: Pages 70-73 W: Pages 150-155 J: Pages 73-76 X: Page 155 K: Pages 76-80 Y: Pages 155-156 L: Pages 80-87 Z: Page 157 M: Pages 87-96 #s: Pages 157-168 N: Pages 96-100 COMMENTS: When this “Dictionary” was first started, it was done primarily as an aid for the Security Threat Group Officers in the Texas Department of Criminal Justice (TDCJ).
    [Show full text]
  • Screenplay by Gary Goldman Based On
    NEXT Screenplay by Gary Goldman Based on "The Golden Man" By Philip K. Dick May 14, 2004 Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library Bare WHITE ROOM Thirty feet square. CRIS JOHNSON, wearing a jail uniform, sits in a HEAVY CHAIR that is bolted to the floor. Mid- twenties, jaded, rebellious, handsome as a statue, Cris radiates a serene, if somewhat scruffy, charisma. He faces a PLASMA SCREEN MONITOR on a bare wall. To the left of the screen, an unframed MIRROR; to the right, a DIGITAL CLOCK-CALENDAR. A WOMAN’S FACE appears on the plasma screen. CALLIE FERRIS. Thirty. Tailored. Angular. Kate Hepburn-ish. Ferris on monitor Mr. Johnson, you’ve been sent to us by the state authorities for testing. We want to determine if there’s any substance to your claims. CrIS Fire away. FERRIS ON MONITOR If we can verify your ability, we may be able to help you avoid a criminal trial. CRIS And “we” is...? Ferris ON MONITOR Homeland Security. Ferris’ face is replaced on the plasma screen by a series of random video clips. Hang-gliding. Traffic jam. Volcano erupting. Ferris ON MONITOR Now if you would, please look at the monitor and tell us what you see, say, five minutes from now. Cris looks at the clock. 16:32 / March 9, 2006. He squints and the clock speeds up a little. Ferris (o.c.) Are you there yet? In a few seconds, the clock reads 16:37. Script provided for educational purposes.
    [Show full text]
  • GRADUATE University Catalog
    2017 2018 GRADUATE University Catalog 2017 | 2018 California Baptist University 8432 Magnolia Avenue, Riverside, CA 92504-3297 951.689.5771 • 1.800.782.3382 An Institution of the California Southern Baptist Convention GRADUATE CATALOG 67TH SESSION NONDISCRIMINATION STATEMENT In compliance with both state and federal law; California Baptist University does not illegally discriminate on the basis of any protected category, except to the extent it is necessary to fulfill its religious purposes, so as to be in compliance with the 2000 version of the Baptist Faith and Message. California Baptist University, an educational institution controlled by the California Southern Baptist Convention, takes seriously anti-discrimination provisions under the state law and is committed to providing a learning and living environment that promotes student safety, transparency, personal integrity, civility, and mutual respect. California Baptist University is exempted by the state from California Education Code 66270 to the extent the application of California Education Code 66270 is not consistent with the institution’s religious tenets. California Baptist University retains all rights afforded it under federal law and the laws of the State of California. SPECIAL NOTICE This catalog does not constitute a contract between California Baptist University and its students. Although every effort has been made to ensure the accuracy of the content of this catalog, the University assumes no liability for any omissions or errors contained herein. California Baptist University reserves the right to alter and revise the contents of this catalog at any time. All announcements here are subject to revision. Editing and typesetting by Michael Contreras, Chris Dahlgren, and Shawnn Koning.
    [Show full text]