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List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Routes 2 Roots Dreams of a Peaceful World Co-Existing with Diverse Cultures, Ruled by Harmony
Routes 2 Roots dreams of a peaceful world co-existing with diverse cultures, ruled by harmony. The world’s largest interactive digital program of teaching performing arts with global reach R-19 LGF, Hauz Khas, New Delhi - 16, Ph: +91 11 41646383 Fax: +91 11 41646384 Studio: Flat No. 5, 1st Floor, Sector - 6 Market, R. K. Puram, New Delhi - 110022, Ph: +91 11 26100114, 26185281 Web: www.routes2roots.com, www.r2rvirsa.in, Email: [email protected] An Initiative of Routes2Roots NGO Routes2Roots twitter.com/Routes2RootsNGO twitter.com/virsar2r virsabyroutes2roots.blogspot.in Board of Advisors & Contributing Maestros of Virsa ROUTES 2 ROOTS Routes 2 Roots is a Delhi based non-profit reputed NGO with a presence all over India. Since its inception in 2004 the NGO is constantly striving to disseminate culture, art and heritage to the common people and the children throughout the world. Ever since its inception in 2004 Routes 2 Roots has dedicated itself to promoting art, culture and heritage throughout the world with the prime objective of spreading the message of peace. We have hosted over 26 international events, 14 exhibitions and 110 concerts throughout the world and all of these programs have been on a non-commercial basis, i.e. no ticketing so that people en masse can come and enjoy a shared experience of each-others’ culture freely. Our organisation is known for quality cultural programs and we have to our credit numerous prestigious international programs such as celebration of 60 years of diplomatic ties between India and China, which was held in 4 cities of China, Celebration of 65 years of Indo-Russian diplomatic ties, which was held in 5 cities of Russia, Festival of India in South Africa covering 4 cities and many more. -
FINE ARTS ART and CULTURE ‡ Bhangra (Punjab) - Folk Dance of Harvest Season, Coinciding with the Festival of Baisakhi
78 FINE ARTS ART AND CULTURE ‡ Bhangra (Punjab) - folk dance of harvest season, coinciding with the festival of Baisakhi. ‡ Lalit Kala Academy was set up in 1954 at New Delhi. ‡ Tamasha (Maharashtra) - Nautanki (U.P.), Garba ‡ Sangeet natak Academy was established in 1953 at (Gujarat), Chhow (Orissa, Bihar). New Delhi. Its function is to conduct survey ‡ There are two forms of music in India - Carnatic and research of different art forms in India. Hindustani. ‡ Sahitya Academy was established in 1954 at New ‡ Sama Veda deals with music. Delhi. Its aim is to encourage production of high ‡ Purandaradas gave shape and form to Carnatic class literature in several languages of India. music. ‡ The National Book Trust of India was set up in ‡ The trinity of Carnatic music is Thyagaraja, Syama 1957. Shastri and Muthuswami Dikshitar. ‡ ASI - Archaeological Survey of India - was established in 1861. Its headquarters is in New Names Associated with Indian Music: Delhi. ‡ Ustad Alla Rakha - A master of the Tabla. ‡ Indian Council for Cultural Relations was established ‡ Bala Murali Krishna - A singer of Carnatic music. in 1950, and it strives to promote and to strengthen cultural relations and mutual understanding between ‡ Bhim Sen Joshi - A Hindustani singer. India and other countries. The Council administers ‡ Pt. Hari Prasad Chaurasya - Flute player. the Jawaharlal Nehru Award for the promotion of ‡ Pt. Jasraj - Famous singer of Hindustani music. peace and international understanding. ‡ Parveen Sulthana - Hindustan style singer. ‡ NSD - National School of Drama - was set up in 1959 in Delhi. ‡ Neralathu Ramapothuval - Sopanam. ‡ Dances : There are two main branches of Indian ‡ M.S.Subha Lakshmi - Carnatic music. -
Cultural Conflicts and Gender Stereotyping in Mahesh Dattani's
High Technology Letters ISSN NO : 1006-6748 Cultural Conflicts and Gender Stereotyping in Mahesh Dattani’s Play Dance Like a Man. Dr. L. Sangeetha Head, P.G Department of English Thiruvalluvar University Constituent College of Art and Science Kallakurichi 606202, Tamilnadu,( India) Abstract: Earlier Dramatic works didn’t get much popularity in Indian literature and somewhere it was overshadowed by the fame of poetry and novel writings. Further twentieth century saw a great enrichment of drama writings in Indian literary world. Drama started to appear both in writings and theatrical forms and received wide readership and audience during this time. Many prominent dramatist appears in 20th century and contributed miscellaneous wonderful dramatic pieces such as Girish Karnad, Vijay Tendulkar, Utpul Dutt, Bijan Bhattacharya, Manoj Mitra, Badal Sircar and others. Their writings replete with multitude subjects and themes i.e. historical, social, political, cultural and many contemporary issues. In contemporary period Mahesh Dattani, Asif Currimbhoy, Bhimsen Sahni, Shiv k. Kumar and Cyrus Mistry got significant place in Indian drama for their remarkable contribution. Mahesh Dattani is one of the dramatists who is known for his striking subjects that reflects the contemporary societal, political and cultural problems of the Indian society. Dattani plays largely focus on the urban life issues that is noteworthy characteristic of his writings. In this Paper I have discussed the traditional, modern and Volume 26, Issue 10, 2020 1145 http://www.gjstx-e.cn/ High Technology Letters ISSN NO : 1006-6748 cultural conflicts between two people of different generation, gender stereotyping and other aspects in the play Dance Like a Man. -
Cover Feature: Buddhist Dances of Bhutan
ISSN 2455-7250 Vol. XVII No. 1 January - March 2017 A Quarterly Journal of Indian Dance Cover Feature: Buddhist Dances of Bhutan A Quarterly Journal of Indian Dance Volume: XVII, No. 1 January-March 2017 Sahrdaya Arts Trust Hyderabad RNI No. APENG2001/04294 ISSN 2455-7250 Nartanam, founded by Kuchipudi Kala Kendra, Founders Mumbai, now owned and published by Sahrdaya G. M. Sarma Arts Trust, Hyderabad, is a quarterly which provides a forum for scholarly dialogue on a broad M. Nagabhushana Sarma range of topics concerning Indian dance. Its concerns are theoretical as well as performative. Chief Editor Textual studies, dance criticism, intellectual and Madhavi Puranam interpretative history of Indian dance traditions are its focus. It publishes performance reviews Patron and covers all major events in the field of dance in Edward R. Oakley India and notes and comments on dance studies and performances abroad. Chief Executive The opinions expressed in the articles and the Vikas Nagrare reviews are the writers’ own and do not reflect the opinions of the editorial committee. The editors and publishers of Nartanam do their best to Advisory Board verify the information published but do not take Anuradha Jonnalagadda (Scholar, Kuchipudi dancer) responsibility for the absolute accuracy of the Avinash Pasricha (Former Photo Editor, SPAN) information. C.V. Chandrasekhar (Bharatanatyam Guru, Padma Bhushan) Cover Photo: A Buddhist Monk, dancing Kedar Mishra (Poet, Scholar, Critic) Kiran Seth (Padma Shri; Founder, SPIC MACAY) Photo Courtesy: Brochure of K. K. Gopalakrishnan (Critic, Scholar) Thimphu Tshechu by Bhutan Leela Venkataraman (Critic, Scholar, SNA Awardee) Communications Services, Mallika Kandali (Sattriya dancer, Scholar) [email protected] Pappu Venugopala Rao (Scholar, Former Associate D G, American Institute; Secretary, Music Academy) Photographers: Kezang Namgay, Reginald Massey (Poet, FRSA & Freeman of London) Leon Rabten, Lakey Dorji, and Sunil Kothari (Scholar, Padma Shri & SNA Awardee) Lhendup for Bhutan Communications Suresh K. -
CA Final MAY 2017- Notepad-Copy
taxupindia.com AIFinal THE INSTITUTE OF CHARTERED ACCOUNTANTS OF INDIA NEW DELHI 18TH JULY, 2017 NO.13 -CA EXAM/RESULT/FINAL/MAY, 2017 - IN PURSUANCE OF REGULATION 39 OF THE CHARTERED ACCOUNTANTS REGULATIONS, 1988, THE NAMES OF THE CANDIDATES WHO HAVE BEEN DECLARED SUCCESSFUL IN THE FINAL EXAMINATION HELD IN MAY, 2017 AS PER SYLLABUS SPECIFIED BY THE COUNCIL UNDER REGULATION 31(ii) OF THE CHARTERED ACCOUNTANTS REGULATIONS, 1988 EITHER IN BOTH GROUPS OR IN GROUP-1 OR IN GROUP-2 AS INDICATED AGAINST THEIR NAMES, ARE HEREBY PUBLISHED FOR GENERAL INFORMATION. -------------------------------------------------------------------- SR NO ROLL NAME MAY, 2017 FINAL PAGE 1 GROUP -------------------------------------------------------------------- 1 100012 SAHIBA DUA FIRST 2 100039 SREEJA GOVINDANKUTTY MENON SECOND 3 100041 MILI KALLAYIL GOKULAN SECOND 4 100046 BHAWNA KUMARI FIRST 5 100048 PRAGATI GUPTA FIRST 6 100049 MOHIT AGRAWAL FIRST 7 100057 SWEETY GUPTA FIRST 8 100073 PRAFULL AGARWAL FIRST 9 100074 NITIN PRAKASH SECOND 10 100075 PRATEEK GUPTA BOTH 11 100080 HARSH AGARWAL BOTH 12 100081 PRIYA ROHATGI BOTH 13 100082 AMIT GOYAL FIRST 14 100091 SOMYA GAUR SECOND 15 100098 RAGHAV BANSAL SECOND 16 100099 AMAN AGARWAL BOTH 17 100109 GAURANG AGARWAL BOTH 18 100112 CHARCHIT AGRAWAL FIRST 19 100117 ANIL KUMAR GARG SECOND 20 100123 SHREYANSH AGARWAL BOTH 21 100125 SYED ATIF AHMED BOTH 22 100126 ANKITA JINDAL BOTH 23 100129 SHIVAM AGARWAL SECOND 24 100135 ANTRA BHARGAV FIRST 25 100136 VIPUL TAKRANI SECOND 26 100140 SAKSHI GUPTA SECOND 27 100145 ASHIKA JAIN -
FOR IMMEDIATE PRESS RELEASE May 2013
FOR IMMEDIATE PRESS RELEASE May 2013 Singapore - Arte Compass, Base Entertainment, MediaCorpVizPro and ATA All Star is pleased to announce the return of the super hit musical The Merchants of Bollywood at the MasterCard Theatres at Marina Bay Sands, Grand Theatre, from 5th November to 10th November 2013. The Merchants of Bollywood is an original production from Australia with a cast and crew direct from India’s film city – MUMBAI. Hailed as the world’s first authentic Bollywood musical, it is inspired from the real life story of Vaibhavi Merchant, the shows choreographer. Producers Mark & Tony Brady, with over 40 years of experience in the industry have collaborated with the world’s most prolific film industry – Bollywood. Performed by highly regarded film and stage artists, choreographers and music directors, the show which premiered in 2005 has since been staged in over 200countries. Having performed to rave reviews and thrilled over five million audiences Worldwide with over 1000 shows in Brussels, Antwerp, Paris, Istanbul, Johannesburg, Auckland, Sydney,Melbourne, Adelaide, Perth, Brisbane, Canberra, Zurich,Geneva, Berlin,Frankfurt, Munich, Hamburg, Kuala Lumpur, Shanghai, Beijing, Bangkok, Paris, Amsterdam,Vienna, Rome, Milan inclusive three sell out seasons on London's West End. The Merchants of Bollywood will pump up the energy on stage when it opens in Singapore. This show will reach across all cultures in this multi-racial society. It features songs and dance from smash-hit Bollywood movies like Lagaan, Devdas, Musafir, BuntyAurBabli, JhoomBarabarJhoom, Rang de Basanti, Dhoomand Dhoom 2, music from the Oscar-winning composer A.R. Rahman, and numerous other great moments of Bollywood live on stage in a lavish production capturing the essence of India, its rich and diverse culture, and its people in a world of Technicolor brilliance. -
Just Dance / जट डाॊस, Boogie Woogie / फूगी वूगी
PAPER 6 DANCE IN INDIA TODAY, DANCE-DRAMAS, CREATIVITY WITHIN THE CLASSICAL FORMS, INDIAN CLASSICAL DANCE IN DIASPORA (USA, UK, EUROPE, AUSTRALIA, ETC.) MODULE 15 KATHAK AS VOCATION For long has dance been a vocation in India. Both men and women have been ritual dance specialists associated with temples and monasteries. The story of the Devadasis, Maibis and Maharis / भहायी is well known. There are monk dancers in Assam called bhakats who are examples of males who dedicate their lives to the performance of dance as an offering and a ritual in a temple. There were also public platforms, where for entertainment purposes men and women danced. Chhau / छाऊ, Raibenshe / यैफᴂशे, Yakshagana / मऺगान, Kuchipudi / कु चिऩुड़ी, etc are examples of how and when traditionally males’ danced. Some of the women belonging to specific communities were associated with dancing for entertainment. For instance the Kalbelia / कारफेलरमा, Rai / याइ and Bedia / फेडडमा women were for centuries known to dance for entertainment. It is believed that the Bedia women danced for the laborers from different parts of the word who had collected at Taj Ganj at the time of the building of the Taj Mahal. Later they were among the communities and tribes that entertained the British troupes. Today many Bedia girls are among the Bar dancers of Mumbai. Apart from these girls there was also a group of traditional performers called by various names- Tawaif / तवामप, baijis / फाईजी, 1 etc. They were a whole range of professional dancing girls, some so talented that they had access to the highest centres of power, like the palace and the courtly setting, and were well integrated with the royals and the aristocracy. -
NOTES 1. Mentioning of Urgent Matters Will Be Before Hon'ble DB-I at 10.30 A.M
16.10.2017 SUPPLEMENTARY LIST SUPPLEMENTARY LIST FOR TODAY IN CONTINUATION OF THE ADVANCE LIST ALREADY CIRCULATED. THE WEBSITE OF DELHI HIGH COURT IS www.delhihighcourt.nic.in INDEX PRONOUNCEMENT OF JUDGMENTS -----------------> 01 TO 1 REGULAR MATTERS ----------------------------> 01 TO 98 FINAL MATTERS (ORIGINAL SIDE) --------------> 01 TO 13 ADVANCE LIST -------------------------------> 01 TO 80 APPELLATE SIDE (SUPPLEMENTARY LIST)--------> 81 TO 96 APPELLATE SIDE (SUPPLEMENTARY LIST)---------> 97 TO 114 ORIGINAL SIDE (SUPPLEMENTARY I)-------------> 115 TO 122 COMPANY ------------------------------------> 123 TO 124 SECOND SUPPLEMENTARY -----------------------> 125 TO MEDIATION CAUSE LIST -----------------------> 01 TO 02 PRE-LOK ADALAT ----------------------------> TO NOTES 1. Mentioning of urgent matters will be before Hon'ble DB-I at 10.30 A.M. NOTICE In supersession of this Court's notice No. 197/Genl/DHC dated 17.03.2017, it is notified that the Advocates appearing before this Court are required to wear Gowns w.e.f. Monday, the 23rd October, 2017 till further orders. DELETIONS 1. RSA 245/2016 listed before Hon'ble Ms. Justice Pratibha Rani at item No.6 is deleted as the same is listed before Hon'ble Mr. Justice Valmiki J. Mehta. 2. W.P.(C) 11818/2009 listed before Hon'ble Mr. Justice Vibhu Bakhru at item No.46 is deleted as the same is listed before Hon'ble Mr. Justice V.Kameswar Rao. 3. W.P.(CRL.) 2583/2015 listed before Hon'ble Mr. Justice Ashutosh Kumar at item No.38 is deleted as the same is fixed for 17.01.2018. 4. CRL.M.C. 1223/2015 listed before Hon'ble Mr. Justice A.K.Chawla at item No.49 is deleted as the same is listed before Hon'ble Mr. -
Bharatanatyam
P 2 | OCTOBER 2017 Contents Volume 2, Issue 4 | October 2017 Editorial Team 04 Beacons of Light 24 Anupama: Editor’s Note 05 The Unparalleled Cultural Bulletin 06 Dance in India 10 Reviews 35 Sai Nrityotsav @ 100 A Magical Evening with Palpable Excitement A Confluence of Impressive Nritta - Tribute to Legendary Guru Narmada Rays of Hope 28 10th Anniversary Rita Andrade: Vysakhi Nrithyotsav 2017: Torch Bearers 14 Passion A Decade of Classical Personified Dance Cover Story 18 Reliability Reports 46 Then and Now Scholarly Corner 60 Augmenting Brain with Indian Music Kindled Spirits 62 Frozen in Time 63 Arangetram 64 Celebrations 31 Tributes 65 Reformer of In Sight 66 Kuchipudi Natyam Classifieds 67 P 3 | OCTOBER 2017 Editorial ‘The Dance India’- a monthly cultural magazine in English is our humble "If the art is poor, attempt to capture the spirit and culture of art in all its diversity. the nation is sick." Articles may be submitted for possible Editor-in-Chief publication in the magazine in the following BR Vikram Kumar manner. Executive Editor • Send in your articles to [email protected] Paul Spurgeon Nicodemus Please include your full name, contact Associate Editor information (address and telephone number) and a short bio data. RMK Sharma • Articles are published in the magazine only Assistant Editor on the condition that the author agrees to UNS Vijayshri the terms of the Copyright Statement and Policy Sub Editor D Praveena Regd. Office: Trivikram Publications, Feature Writer D.No. 50-01-50/1, ASR Nagar, Seethammadhara, Visakhapatnam - 530 013, A.P. Ch Nikhitha Coordinators (News, Advertisements & Tel: 0891-2525656 Editorial Advisor Subscriptions) The opinions, beliefs and viewpoints expressed by the various writers in the articles and B Ratan Raju Sai Venkatesh Karnataka reviews do not necessarily reflect the opinions, beliefs and viewpoints of the editorial team or Contributions by Kashmira Trivedi Maharashtra official policies of The Dance India. -
Cinema Need Not Be Morally Or Politically Correct All the Time, Says Vinayak Chakravorty, Entertainment Editor, Mail Today
THE GL BAL TIMES MONDAY, JULY 30, 2012 www.theglobaltimes.in rom fainting Special Edition delicate actresses Poll of the week to bold and BEST MOVIE PG 2 F BEST ACTOR PG 3 realistic cinema, has the BEST ACTRESS PG 4 traditional Bollywood BEST DIRECTOR PG 5 BEST SONG PG 6 flavour undergone a BEST DIALOGUE PG 7 BEST ACTOR IN change? Take a walk A COMIC ROLE PG 8 down memory lane with All this and more on www.facebook.com/theglobal- Snigdha Shahi of AIS timesnewspaper Noida, XI as she commemorates 100 Coming Soon years of Indian cinema Get a ride on the Ho Ho in true filmy style Bus in our next edition... Imaging: Ravinder Gusain Q Failures in life is… (a) first step to success (b) a realization of what you 70 mm Splendour can and cannot do (c) Cool, as most successful THEN: The black and white umbrellas, nostalgic walk back in the annals of black This story couldn’t be truer. But to allow tha…” is the opening line of the sure shot people have once failed modest saris, blushes the shades of rubies, and white era of Indian cinema triggers the silver lining its fair share of spotlight, speech to follow when our parents and To vote, log on to and precise pinstriped coats that memories of the time when movies were the 3D and 4D movie experience promises grandparents get reminiscing of Bolly- www.theglobaltimes.in gentlemen on the screen flaunted. The era the staple source of entertainment. to blow the audience away and not wholly wood in their time. -
Volume 24 December 2014
SRUTI RANJANI Volume 24 December 2014 Table of Contents From the President’s Desk .................................................................................................................... 1 From the Publications & Outreach Committee .................................................................................. 3 Tribute to Vainika K.S.Narayanaswamy, by Rama Varma ............................................................... 4 Zakir Hussain, R.Kumaresh and Jayanthi Kumaresh in Concert, by Balaji Raghothaman ............ 9 A Dikshithar Thematic Concert, by Rajee Raman ........................................................................... 10 Mandolin Uppalapu Shrinivas (1969 – 2014): A Humble Tribute, by Ragesh Rajan ...................... 12 When signal processing meets Carnatic music: An interview with Dr. Hema Murthy, by Balaji Raghothaman .................................................. 16 Verily, A Veena Pustaka Dharini, by Ravi & Sridhar ....................................................................... 19 Update on the 4S tool, by Balaji Raghothaman .............................................................................. 23 2014 Spring & Fall Concert Photos ..................................................................................................... 24 Sruti Youth Group Update, by Priyanka Dinakar ............................................................................ 30 My Experiences with Bharatanatyam, by Zoe Dana ......................................................................