We Built This S**Tty : the Worst Song of All Time? Les Garland
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Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
STARSHIP Featuring MICKEY THOMAS Starship with Mickey Thomas
2017 Music in the Park Series Presents STARSHIP with MICKEY THOMAS Page 1 of 3 The City of Rancho Mirage in partnership with Marker Broadcasting is proud to present .... STARSHIP featuring MICKEY THOMAS Starship with Mickey Thomas http://campaign.r20.constantcontact.com/render?m=1113773831472&ca=c681bab7-167d... 03/20/2017 2017 Music in the Park Series Presents STARSHIP with MICKEY THOMAS Page 2 of 3 STARSHIP with Mickey Thomas is the only Sunday touring entity that gives fans the full MARCH 26TH throttle attack of Jefferson Admission is FREE! Airplane/Jefferson Starship/Starship Gates open at 5pm catalog. STARSHIP with Mickey Thomas has Show starts at 7pm had one of the most unique rides in the Rain or Shine. history of music and is the band behind several of the 20th century's biggest pop and rock anthems "We Built This City," "Sara," and "Nothing's Gonna Stop Us Now." From its humble beginnings as Jefferson Airplane then morphing into Jefferson Starship and finally becoming simply Starship. There is no denying the relevance of this band and its contributions to the music scene. ABOUT THE VENUE Rancho Mirage Amphitheater Rancho Mirage Community Park 71560 San Jacinto Drive, Rancho Mirage, CA The following items are NOT permitted inside the amphitheater: Outside food/beverage, smoking, vaping, lawn chairs, pets or ice chests/coolers. Food & beverage will be available for purchase. Parking is free. Amphitheater accommodates for handicap accessibility. For more information, go to www.RanchoMirageCA.gov or call (760) 324-4511 While attending the 2017 Music in the Park Series be sure to stop by the ANA Inspiration booth and get all the information about this year's tournament plus these exclusive opportunities offered only at the Music in the Park. -
MUSIC 351: Psychedelic Rock of the 1960S Spring 2015, T 7:00–9:40 P.M., ENS-280
MUSIC 351: Psychedelic Rock of the 1960s Spring 2015, T 7:00–9:40 p.m., ENS-280 Instructor: Eric Smigel ([email protected]) M-235, office hours: Mondays & Tuesdays, 3:00–4:00 p.m. This is a lecture class that surveys psychedelic rock music and culture of the 1960s. Psychedelic music played an important role in the development of rock music as a predominant art form during one of the most formative decades in American history. Emerging along with the powerful counterculture of hippies in the mid-1960s, psychedelic rock reflects key elements of the “Love Generation,” including the peace movement, the sexual revolution, the pervasive use of recreational drugs (especially marijuana and LSD), and the growing awareness of Eastern philosophy. The main centers of countercultural activity—the Haight-Ashbury district of San Francisco and the London Underground—drew a high volume of media exposure, resulting in the famous “Summer of Love” and culminating in popular music festivals in Monterey, Woodstock, and Altamont. Students in this course will examine the music and lyrics of a selection of representative songs by The Grateful Dead, The Jefferson Airplane, Big Brother and the Holding Company, The Beatles, Pink Floyd, The Jimi Hendrix Experience, and other bands closely associated with the burgeoning psychedelic scene. Students will also consult primary source material—including interviews with several of the musicians, influential literature of the period, and essays by key figures of the movement—in order to gain insight into the social, political, -
November 1987
EDUCATION DRIVER'S SEAT Playing In Two or Four by Ed Shaughnessy 48 IN THE STUDIO Those First Sessions by Craig Krampf 50 ROCK 'N' JAZZ CLINIC Two-Surface Riding: Part 1 by Rod Morgenstein 52 CORPS SCENE Flim-Flams by Dennis DeLucia 66 MASTER CLASS Portraits in Rhythm: Etude #9 by Anthony J. Cirone 76 ELECTRONIC INSIGHTS MIDI System Interconnections by Jim Fiore 78 ROCK CHARTS Carl Palmer: "Brain Salad Surgery" by William F. Miller 80 Cover Photo by Michael S. Jachles ROCK PERSPECTIVES Ringo Starr: The Middle Period by Kenny Aronoff 90 RANDY CASTILLO JAZZ DRUMMERS' WORKSHOP Imagine this: You are at home with a broken leg, and you get a Your Drum Setup call to audition for Ozzy Osbourne. That happened to Randy by Peter Erskine 94 Castillo, and he got the gig. Here, he discusses such topics as SOUTH OF THE BORDER his double bass drum work and showmanship in drumming. Latin Rhythms On Drumset by John Santos 96 by Robyn Flans 16 CONCEPTS The Natural Drummer CURT CRESS by Roy Burns 104 Known for his work in Germany's recording studios and his CLUB SCENE playing with the band Passport, Curt Cress has also recorded Hecklers And Hasslers with Freddie Mercury, Meatloaf, and Billy Squier. Curt by Rick Van Horn 106 explains why the German approach is attracting British and EQUIPMENT American artists and producers. SHOP TALK by Simon Goodwin 22 Evaluating Your Present Drumset by Patrick Foley 68 PRODUCT CLOSE-UP DRUMMERS OF Pearl MLX/BLX Pro Series Drumkits by Bob Saydlowski, Jr 110 CONTEMPORARY ELECTRONIC REVIEW Korg DDD-1 Drum Machine CHRISTIAN MUSIC: by Rick Mattingly 112 NEW AND NOTABLE 124 PART 1 PROFILES John Gates, Art Noble, and Keith Thibodeaux discuss their PORTRAITS work with a variety of Christian music bands, and clarify what Thurman Barker Christian music is and what it is not. -
Audition Packet
AUDITION PACKET Show Dates March 21, 2019 – 7:00pm March 22, 2019 – 7:00pm March 23, 2019 – 12:00pm (noon) NO CONFLICTS ALLOWED (Tech Weeks) – March 11-March 23 Mr. Kevin Fisher [email protected] Musical Director/Artistic Director Ms. Kelsey Sullivan Director Ms. Miranda Ronan Choreographer Mr. Jim Robins [email protected] Producer, Technical Director Mrs. Kim Downey [email protected] Scenic Director Mr. Brendan Hoar Lead Stagehand Student Info Session – Monday, November 5, 2018 - 3-4pm – Music Room (optional) Inside this packet: Student/Parent Contract TENTATIVE Schedule Rehearsal Schedule/Calendar Character List Audition Song Material – Please follow instructions Demographic/Conflict Form (Must bring signed to audition) Permission To Participate (Must bring signed to audition) You are not required to have audition material memorized; however, it is strongly encouraged that you practice these materials in order to have the best audition possible. -HMS Employees/Staff are unable to help you on audition material. You can use ANY other resources to learn the song and script...this includes YouTube, parents, friends, a voice teacher, websites..etc!! We want to see commitment! We will run through these songs at the Student Info Session on November 5th. Auditions dates/times: ALL GRADES – Monday, November 26th - 3pm-7pm (Come to Auditions with the completed Demographic/Conflict Form) Callbacks - Tuesday, November 27th - 3-4:30pm Not everyone gets a callback!! This doesn’t necessarily mean that you didn’t make the show or didn’t get the part you wanted. It just means that the Directors need to see more or see something different. -
80S. Love. Song
80s. Love. Song. Tom Stern I love you, Sara Kirk. It has taken me more than twenty years, but finally I can call this out over the incomprehensible, unrequited, humiliated mass that has obscured it from us all these years. Granted, not every love story is a grand and enduring one. Ours certainly isn’t. But it touched my soul, which is how I know it is love. Even if it started and ended with the banal, vapid noise-turd of a song that is “We Built This City,” the shame-inducing Starship somehow #1 single that takes me always instantly back to the moment we shared in 1989, “We Built This City” a moment so confounding that it has buried and disguised our love ever since. Knee Deep in the The first confusing aspect of our unconventional love affair is the fact that the song at its Hoopla basis was released and charted in 1985, placing it, in the year in question, squarely within 09/1985 that Top 40 no man’s land well after a humiliatingly crap song somehow commands the culture’s attention but well before it resurfaces via some demented sense of nostalgia Grunt / RCA Records prompting people to claim they actually love the song because it’s so bad. My second point of stupefaction hinges on the fact that, out of literally every single song recorded during or before the year in question, this is the one you chose to perform at the 1989 Ladue Middle School talent show. And I remain convinced, to this day, that somehow no other song would have done. -
April 2010 Mill
MILLieu A MonthLy MusIc, Arts And literAture publicAtIon of the cArrboro cItIzen voL. 3 + no. 7 + April 2010 Discover the Heart of Carrboro CarrCarr MillMill MallMall Ali Cat Miel Bon Bons The Bead Shop Mulberry Silks Carrboro Yoga Co. The Painted Bird CvS Panzanella DSI Comedy Theater Rita’s Italian Ices Elmo’s Diner Sofia’s Fedora Stephen White Gallery Fleet Feet Townsend, Bertram & Co. Harris Teeter Weaver St. Market & Café Head Over Heels Wootini Jewelworks 200 North Greensboro Street in Carrboro at the corner of Weaver Street • carrmillmall.com 2 carrborocitizen.com/mill + april 2010 MILL April In ParIs of the PiedMont or the record, i’ve never really and five-story downtown feels when the liked the phrase paris of the economy turns around and all these projects piedmont — not because it get built. isn’t cute and clever, but be- and yet, despite the dubious resemblance, cause some folks take it way Carrborites still strive to liken their home to Ftoo seriously. the City of light. Now, i know a lot of y’all are quite fond of That effort never took a more odd turn it, so i’m not going to get too snarky; but than when the board of aldermen took up a really, now. paris — 2.2 million people with a resolution during the fever pitch leading up 1,000-square-mile urban core — and Carr- to the invasion of iraq. boro — 18,000 people with a 4.5-mile urban as you may recall, the French, along with core — aren’t exactly twins. -
Performance Descriptions.Xlsx
Performance descriptions According to the invidual theatre companies, the shows marked with yellow background are not relevant for an international audience International performances Polyglot Theatre We built this City 5+ 10-120 http://www.polyglot.org.au/we-built- We Built This City is a large scale participatory theatrical installation celebrating absolute simplicity and the power of children’s imaginations. It (Australia) this-city takes the form of a public ‘construction site’ using nothing but thousands of cardboard boxes and the energy and ingenuity of kids and families. Guided by performers in the role of construction workers who facilitate free play, the children build cities and buildings, transforming the boxes into landscapes, each day bringing different creations. Then, during the very last performance of the season, everyone is invited to help in crushing it all into a recyclable heap of cardboard rubble. A DJ or musician plays live to underscore the action with music while performers set challenges for the children. We Built This City places children in the role of architect, empowering them to construct their ideal city, and during the performance they will make buildings go up, pull them down, redesign them, extend, walk through, jump on, and reconstruct them. We Built This City is not a play… it is play. Art Stage SAN The Fairy and the 3+ www.artstagesan.com A fairy appears in downtown! And a woodcutter is looking all over for the fairy. Now Korean traditional fairy tale - THE FAIRY AND THE (Korea) Woodcutter WOODCUTTER - can be enjoyed as a street performance with artistic puppets, accompanied by theatrical interpretations. -
The Roots Report: Starship Fails to Blast Off and the Guess Who Left Me Scratching My Head
The Roots Report: Starship Fails to Blast Off and The Guess Who Left Me Scratching My Head Mickey Thomas of Starship Okee dokee folks… The other night I went to check out a show featuring two classic rock bands at Twin River’s Event Center. The bands were Starship, featuring Mickey Thomas, and The Guess Who. I have never had the chance to see these bands live before, but have seen a few of the original members of the original line-ups in separate circumstances. While I am not a huge fan of Starship, I was a fan of its former incarnations, The Jefferson Airplane and Jefferson Starship, and I do very much enjoy the music of The Guess Who. The concert on Saturday night I felt was heavy-handed and left me wondering what I had just seen. Of the 11 musicians between the two bands, there was only ONE founding member in their rosters: The Guess Who’s drummer, Garry Peterson. The new members, or “hired guns,” seemed out of place and took liberties that one should not do when presenting classic rock. It almost seemed as if members of Spinal Tap had taken over the two bands. The one shining star of the evening was Starship’s Stephanie Calvert. Her look and voice filled the Grace Slick void very well, though at times she seemed to be trying too hard to sound like Slick. While Mickey Thomas has earned his place in Starship and is the voice of the classic song by Elvin Bishop “Fooled Around and Fell in Love” his pipes, at 68, are getting a tad rusty though they still pass. -
Jefferson Starship and Little River Band Headline the Powerstation Events Concert Series at the Travelers Championship
CONTACT: Tara Gerber Travelers Championship 860-502-6815 [email protected] JEFFERSON STARSHIP AND LITTLE RIVER BAND HEADLINE THE POWERSTATION EVENTS CONCERT SERIES AT THE TRAVELERS CHAMPIONSHIP HARTFORD, Conn., April 29, 2014 – The Travelers Championship is pleased to announce that Jefferson Starship and Little River Band will headline the Powerstation Events Concert Series during tournament week. Little River Band is scheduled to perform on Friday, June 20, and Jefferson Starship is scheduled to play on Saturday, June 21. The concerts will begin at approximately 7 p.m. – soon after the last golfer of the day finishes his round – and will be held in the SUBWAY® Fan Zone located near the center of the course. “The Powerstation Events Concert Series continues to be a staple at our tournament, bringing top acts to Connecticut for our fans to enjoy at no additional cost to the ticketholder,” said Travelers Championship Tournament Director Nathan Grube. “These acts, mixed with seeing golf from one of our strongest player fields in the tournament’s history, will be a thrill for our fans.” Fans can attend the Powerstation Events Concert Series by purchasing an Any One Day Ticket, which provides access to the tournament and all of the entertainment throughout the day. Powerstation Events is the premier name in event entertainment and production in Connecticut. Since their humble beginnings in 1983, Powerstation Events has gone on to serve more than 20,000 various events of all different sizes and types throughout the state. "It is with great pleasure that for the third consecutive year we present the Powerstation Events Concert Series at the Travelers Championship,” said Al Vagnini, president of Powerstation Events. -
An Audio Fingerprinting System for Live Version Identification Using Image Processing Techniques
AN AUDIO FINGERPRINTING SYSTEM FOR LIVE VERSION IDENTIFICATION USING IMAGE PROCESSING TECHNIQUES Zafar Rafii Bob Coover, Jinyu Han Northwestern University Gracenote, Inc. Evanston, IL, USA Emeryville, CA, USA zafarrafi[email protected] fbcoover,[email protected] ABSTRACT the same rendition of a song, and will consider cover versions (e.g., a live performance) to be different songs. For a review Suppose that you are at a music festival checking on an artist, on audio fingerprinting, the reader is referred to [1]. and you would like to quickly know about the song that is be- ing played (e.g., title, lyrics, album, etc.). If you have a smart- Cover identification systems precisely aim at identifying phone, you could record a sample of the live performance and a song given an alternate rendition of it (e.g., live, remas- compare it against a database of existing recordings from the ter, remix, etc.). A cover version essentially retains the same artist. Services such as Shazam or SoundHound will not work melody, but differs from the original song in other musical here, as this is not the typical framework for audio fingerprint- aspects (e.g., instrumentation, key, tempo, etc.) [9]. ing or query-by-humming systems, as a live performance is In [10], beat tracking and chroma features are used to neither identical to its studio version (e.g., variations in in- deal with variations in tempo and instrumentation, and cross- strumentation, key, tempo, etc.) nor it is a hummed or sung correlation is used between all key transpositions. In [11], melody. We propose an audio fingerprinting system that can chord sequences are extracted using chroma vectors, and a deal with live version identification by using image process- sequence alignment algorithm based on Dynamic Program- ing techniques. -
The Doors Summer's Gone Copy.Indd
Table of Contents: v Dedications xi Introduction: Carol Schofield xiii Prologue: Harvey Kubernik 1 Steven Van Zandt, 2015 2 Guy Webster Interview, 2012, Treats! magazine 6 Dr. James Cushing, 2017 7 Eddi Fiegel, 2017 8 David N. Pepperell, 2017 10 Peter Lewis, 2017 12 Ram Dass, 1999 12 Roger Steffens, 2017 17 Ray Manzarek - Harvey Kubernik Interviews: (1974-2013) in Melody Maker, Goldmine, HITS, MOJO, THC Expose, RecordCollectorNews.com and CaveHollywood.com 47 The Doors London Fog, 1967 48 Kim Fowley, 2007 50 Dave Diamond, 2009 51 Jac Holzman Interview, 2017 52 The Doors Live at the Matrix, 1967 54 Dennis Loren, 2017 56 Dr. James Cushing, 2007 57 Paul Body, 2007 58 Mark Guerrero, 2016 58 Rick Williams, 2017 59 David Dalton, 2018 60 Chris Darrow, 2016 61 John Densmore Interview, MOJO ’60s magazine, 2007 71 Jim Roup, 2018 74 Heather Harris, 2017 75 Stephen J. Kalinich, 2015 vi 76 Alex Del Zoppo, 2017 85 The Doors, Marina Muhlfriedel, April 19, 2017 87 DOORS LIVE AT THE BOWL ’68, 2012 90 Paul Kantner, 2012 90 Marty Balin, 2017, Record Collector News magazine, 2017 91 Grace Slick Interview, 2002 93 Carlos Santana Interview, Record Collector News magazine, 2017 93 JanAlan Henderson, 2015, BRIEF ENCOUNTERS WITH THE LIZARD KING 95 Bill Mumy, 2017 95 Gene Aguilera, 2017 97 Burton Cummings, 2016 102 Rob Hill, 2017 103 Rodney Bingenheimer, 2017 106 Rob Hill, 2017: WHEN MORRISON MET LENNON 107 Kim Fowley in MOJO magazine, 2009 109 John Densmore Interview in MOJO magazine, 2009 110 D.A. Pennebaker Interview, Treats! magazine, 2012 111 Doors Live in New York, 2007 114 Michael Simmons, 2006 114 Dr.