Persian Poetry and Wine in Its Place International Journal of Applied
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Mah Tir, Mah Bahman & Asfandarmad 1 Mah Asfandarmad 1369
Mah Tir, Mah Bahman & Asfandarmad 1 Mah Asfandarmad 1369, Fravardin & l FEZAN A IN S I D E T HJ S I S S U E Federation of Zoroastrian • Summer 2000, Tabestal1 1369 YZ • Associations of North America http://www.fezana.org PRESIDENT: Framroze K. Patel 3 Editorial - Pallan R. Ichaporia 9 South Circle, Woodbridge, NJ 07095 (732) 634-8585, (732) 636-5957 (F) 4 From the President - Framroze K. Patel president@ fezana. org 5 FEZANA Update 6 On the North American Scene FEZ ANA 10 Coming Events (World Congress 2000) Jr ([]) UJIR<J~ AIL '14 Interfaith PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF '15 Around the World NORTH AMERICA 20 A Millennium Gift - Four New Agiaries in Mumbai CHAIRPERSON: Khorshed Jungalwala Rohinton M. Rivetna 53 Firecut Lane, Sudbury, MA 01776 Cover Story: (978) 443-6858, (978) 440-8370 (F) 22 kayj@ ziplink.net Honoring our Past: History of Iran, from Legendary Times EDITOR-IN-CHIEF: Roshan Rivetna 5750 S. Jackson St. Hinsdale, IL 60521 through the Sasanian Empire (630) 325-5383, (630) 734-1579 (F) Guest Editor Pallan R. Ichaporia ri vetna@ lucent. com 23 A Place in World History MILESTONES/ ANNOUNCEMENTS Roshan Rivetna with Pallan R. Ichaporia Mahrukh Motafram 33 Legendary History of the Peshdadians - Pallan R. Ichaporia 2390 Chanticleer, Brookfield, WI 53045 (414) 821-5296, [email protected] 35 Jamshid, History or Myth? - Pen1in J. Mist1y EDITORS 37 The Kayanian Dynasty - Pallan R. Ichaporia Adel Engineer, Dolly Malva, Jamshed Udvadia 40 The Persian Empire of the Achaemenians Pallan R. Ichaporia YOUTHFULLY SPEAKING: Nenshad Bardoliwalla 47 The Parthian Empire - Rashna P. -
A Comparative Analysis of Educational Teaching in Shahnameh and Iliad Elhamshahverdi and Dr.Masoodsepahvandi Abstract
Date:12/1/18 A Comparative Analysis of Educational Teaching in Shahnameh and Iliad Elhamshahverdi and dr.Masoodsepahvandi Abstract Ferdowsi's Shahnameh and Homer's Iliad are among the first literary masterpieces of Iran and Greece. These teachings include the educational teachings of Zal and Roudabeh, and Paris and Helen. This paper presents a comparative look at the immortal effect of this Iranian poet with Homer's poem-- the Greek blind poet. In this comparison, using a content analysis method, the effects of the educational teachings of these two stories are extracted and expressed, The results of this study show that the human and universal educational teachings of Shahnameh are far more than that of Homer's Iliad. Keywords: teachings, education,analysis,Shahname,Iliad. Introduction The literature of every nation is a mirror of the entirety of thought, culture and customs of that nation, which can be expressed in elegance and artistic delicacy in many different ways. Shahnameh and Iliad both represent the literature of the two peoples of Iran and Greece, which contain moral values for the happiness of the individual and society. "The most obvious points of Shahnameh are its advice and many examples and moral commands. To do this, Ferdowsi has taken every opportunity and has made every event an excuse. Even kings and warriors are used for this purpose. "Comparative literature is also an important foundation for the exodus of indigenous literature from isolation, and it will be a part of the entire literary heritage of the world, exposed to thoughts and ideas, and is also capable of helping to identify contemplation legacies in the understanding and friendship of the various nations."(Ghanimi, 44: 1994) Epic literature includes poems that have a spiritual aspect, not an individual one. -
Classical Persian Literature Bahman Solati (Ph.D), 2015 University of California, Berkeley [email protected]
Classical Persian Literature Bahman Solati (Ph.D), 2015 University of California, Berkeley [email protected] Introduction Studying the roots of a particular literary history enables us to better understand the allusions the literature transmits and why we appreciate them. It also allows us to foresee how the literature may progress.1 I will try to keep this attitude in the reader’s mind in offering this brief summary of medieval Persian literature, a formidable task considering the variety and wealth of the texts and documentation on the subject.2 In this study we will pay special attention to the development of the Persian literature over the last millennia, focusing in particular on the initial development and background of various literary genres in Persian. Although the concept of literary genres is rather subjective and unstable,3 reviewing them is nonetheless a useful approach for a synopsis, facilitating greater understanding, deeper argumentation, and further speculation than would a simple listing of dates, titles, and basic biographical facts of the giants of Persian literature. Also key to literary examination is diachronicity, or the outlining of literary development through successive generations and periods. Thriving Persian literature, undoubtedly shaped by historic events, lends itself to this approach: one can observe vast differences between the Persian literature of the tenth century and that of the eleventh or the twelfth, and so on.4 The fourteenth century stands as a bridge between the previous and the later periods, the Mongol and Timurid, followed by the Ṣafavids in Persia and the Mughals in India. Given the importance of local courts and their support of poets and writers, it is quite understandable that literature would be significantly influenced by schools of thought in different provinces of the Persian world.5 In this essay, I use the word literature to refer to the written word adeptly and artistically created. -
Survey on the Meaning of Love from Nur Ad-Din Abd Ar Rahman Jami View Point
J. Basic. Appl. Sci. Res., 3(2)1156-1161, 2013 ISSN 2090-4304 Journal of Basic and Applied © 2013, TextRoad Publication Scientific Research www.textroad.com Survey on the Meaning of Love from Nur ad-Din Abd Ar Rahman Jami View Point Parvaneh Adelzadeh, Masoumeh Khalilnoe Aliabad Department of Persian Language and Literature, Tabriz Branch, Islamic Azad University, Tabriz, Iran ABSTRACT Love is a principle issue of mysticism that causes to humors and quest for perfection of the creatures. Abd Ar Rahman Jami expresses this quest from virtual love toward real love in “Layla and Majnun” eloquently in literature history. Scholars and poets point to words like love, beloved, lover, request, and requestor in their speech. Jami uses these words in his poems explicitly and repeats them as allegorical stories implicitly. This article tries to investigate the meaning of love from Nur ad-Din Abd Ar Rahman Jami view point. KEYWORDS: Abd Ar Rahman Jami, love in Persian literature, Layla and Majnun. INTRODUCTION “Nur ad din Abd Ar-Rahman Nizamad din Ahmad Ben Mohammad Jami is one of the Persian poets of fifteen century. He wrote his triplet divans in 1517 in three periods of his life and he called them “Fatihat al- Shabab”, (the beginning of youth), “Wasitat al-'ikd” (the central pearl in the necklace), and “Khatimat al- hayat” (the conclusion of life). Certainly, he considered Amir Khosro Dehlavi as a great poet of fifteen century in this work and he divided his divans into three periods. Triplet divans of Jami involves sonnets, elegy and quatrain (review and sentiments of Jami works: 1999:90) .Haft Awrang (seven thrones) is his major poetical work. -
The La Trobe Journal No. 91 June 2013 Endnotes Notes On
Endnotes NB: ‘Scollay’ refers to Susan Scollay, ed., Love and Devotion: from Persia and beyond, Melbourne: Macmillan Art Publishing in association with the State Library of Victoria and the Bodleian Library, 2012; reprinted with new covers, Oxford: The Bodleian Library, 2012. Melville, The ‘Arts of the Book’ and the Diffusion of Persian Culture 1 This article is a revised version of the text of the ‘Keynote’ lecture delivered in Melbourne on 12 April 2012 to mark the opening of the conference Love and Devotion: Persian cultural crossroads. It is obviously not possible to reproduce the high level of illustrations that accompanied the lecture; instead I have supplied references to where most of them can be seen. I would like to take this opportunity to thank all those at the State Library of Victoria who worked so hard to make the conference such a success, and for their warmth and hospitality that made our visit to Melbourne an unrivalled pleasure. A particular thanks to Shane Carmody, Robert Heather and Anna Welch. 2 The exhibition Love and Devotion: from Persia and beyond was held in Melbourne from 9 March to 1 July 2012 with a second showing in Oxford from 29 November 2012 to 28 April 2013. It was on display at Oxford at the time of writing. 3 Scollay. 4 For a recent survey of the issues at stake, see Abbas Amanat and Farzin Vejdani, eds., Iran Facing Others: identity boundaries in a historical perspective, New York: Palgrave Macmillan, 2012; the series of lectures on the Idea of Iran, supported by the Soudavar Memorial Foundation, has now spawned five volumes, edited by Vesta Sarkhosh Curtis and Sarah Stewart, vols. -
Jami and Nava'i/Fani's Rewritings of Hafez's Opening Ghazal
Imitational Poetry as Pious Hermeneutics? Jami and Nava’i/Fani’s Rewritings of Hafez’s Opening Ghazal Marc Toutant To cite this version: Marc Toutant. Imitational Poetry as Pious Hermeneutics? Jami and Nava’i/Fani’s Rewritings of Hafez’s Opening Ghazal. Charles Melville. The Timurid Century, 9, I.B. Tauris, 2020, The Idea of Iran, 9781838606886. hal-02906016 HAL Id: hal-02906016 https://hal.archives-ouvertes.fr/hal-02906016 Submitted on 23 Jul 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Imitational Poetry as Pious Hermeneutics? Jami and Nava’i/Fani’s Rewritings of Hafez’s Opening Ghazal Marc Toutant (CNRS Paris) He was the unique of the age (nadera-ye zaman) and a prodigy of the world (o‘juba-ye jahan). These are the first words with which Dowlatshah Samarqandi begins the notice he devotes to Hafez in his Tazkerat al-sho‘ara in 1486. Then he adds: ‘His excellence (fazilat) and his perfection (kamal) are endless and the art of poetry is unworthy of his rank. He is incomparable in the science of Qur’an and he is illustrious in the sciences of the exoteric (zaher) and the esoteric (baten).’1 Although Hafez died in 1389, his poetry was widely celebrated one century later, as shown by Dowlatshah’s eulogy. -
On the Modern Politicization of the Persian Poet Nezami Ganjavi
Official Digitized Version by Victoria Arakelova; with errata fixed from the print edition ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI YEREVAN SERIES FOR ORIENTAL STUDIES Edited by Garnik S. Asatrian Vol.1 SIAVASH LORNEJAD ALI DOOSTZADEH ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI Caucasian Centre for Iranian Studies Yerevan 2012 Siavash Lornejad, Ali Doostzadeh On the Modern Politicization of the Persian Poet Nezami Ganjavi Guest Editor of the Volume Victoria Arakelova The monograph examines several anachronisms, misinterpretations and outright distortions related to the great Persian poet Nezami Ganjavi, that have been introduced since the USSR campaign for Nezami‖s 800th anniversary in the 1930s and 1940s. The authors of the monograph provide a critical analysis of both the arguments and terms put forward primarily by Soviet Oriental school, and those introduced in modern nationalistic writings, which misrepresent the background and cultural heritage of Nezami. Outright forgeries, including those about an alleged Turkish Divan by Nezami Ganjavi and falsified verses first published in Azerbaijan SSR, which have found their way into Persian publications, are also in the focus of the authors‖ attention. An important contribution of the book is that it highlights three rare and previously neglected historical sources with regards to the population of Arran and Azerbaijan, which provide information on the social conditions and ethnography of the urban Iranian Muslim population of the area and are indispensable for serious study of the Persian literature and Iranian culture of the period. ISBN 978-99930-69-74-4 The first print of the book was published by the Caucasian Centre for Iranian Studies in 2012. -
Persian Literature
COLLEGE 111 ST. MICHAEL'S COLLEGE TORONTO, CANADA LIBRARY PRESENTED BY Rev. A. A. Yaechalde, C.S.B. c .. i(tj J tv (/VVr-uw^-t) ILLUSTRATED LITERARY CYCLOPEDIAS ITALIAN LITERATURE BY MARIE-LOUISE EGERTON CASTLE 3s. 6d. net. PRESS QUOTATIONS " English readers entering for the first time on a study of Italian literature might search long before finding ;i more attractive or a sounder introduction to this rich field of learning than this interesting hand-book. Brief, yet always well proportioned, well studied, and pointed in its criticisms, the work runs over the long succession of great writers, from Dante, Petrarch, and Boccaccio, down to Goldeni, Leopardi, Manzoni, and the writers of to-day, who have made the literature of Italy one of the glories of European culture. The book is sure to become a favourite among English people interested in Italian letters and in Italy." Scotsman. " For a short, general sketch of Italian literature we can very heartily commend this well-written and well- arranged manual. The attractiveness of the book is much increased by some excellently chosen portraits of some of the great names with which the book has to " deal . Bookseller. " A handy guide to a great subject. Altogether this book is a trustworthy and very pleasant guide." Yorkshire Post. I'KRSI \\ MIMA I IK I Ol 1M PERSIAN LITERATURE BY CLAUD FIELD LONDON HERBERT & DANIEL 95, NEW BOND STREET, W. ^L7 (UBRARY, SEP 1 8 1942 CONTENTS CHAPTER I. ANCIENT RELIGION AND LITERATURE OF PERSIA ...... IT. ISLAM AS MODIFIED BY PERSIAN THOUGHT PERSIAN HERETICAL SECTS I SHIAHS, ISMA- ILIANS, MU'TAZILITES (" THE BROTHERS OF PURITY ") 33 III. -
Influence of Literature Developed by Hafez Shirazi on Poems of Mohammad Ali Shams- Al-Din Revista Publicando, 5 No 16
Influence of literature developed by Hafez Shirazi on poems of Mohammad Ali Shams- Al-Din Revista Publicando, 5 No 16. (2). 2018, 186-200. ISSN 1390-9304 Influence of literature developed by Hafez Shirazi on poems of Mohammad Ali Shams- Al-Din Dr. Soudabeh Mozafari1; Dr. Abdollah Hosseini1; Dr. Zohreh Naemi1; Vahid Mousa Nataj2 1 Member of faculty in Kharazmi University, Arab Language and Literature Department, Iran, [email protected] 2 PhD Student, Kharazmi University, Arab Language and Literature Department, Iran Abstract Hafez Shirazi has influenced on most Arab-speaking scholars. Mohammad Ali Shamsaldin, Leonean poet had maximally influenced by Hafez. When we read book “Fi Shirazat” complied by Mohammad Ali Shams-Al-Din, we will found this important issue that he and Hafez smashed together. His odes in this book has indeed occurred by using his natural creative force. When reader looks at the volume of book “Fi Shirazat”, he can see the name of Hafez Shirazi in the right side of the book and name of Mohammad Ali Shas-Al-Din in the left side and expression “Shirazat” at the middle of both; consequently, he would find the clear technical and spiritual cooperation between both poems. This paper aims to prove the influence of Hafez on Mohammad Ali Shams- Al-Din according to French School; for this purpose, the author has sought for required references and books in national and international libraries; by analytical methodology, the poems of Mohamamd Ali Shams-Al-Din were analyzed and compared to Persian Poems of Hafez to prove that he has influenced by Hafez’s Poets. -
The Study of Mythical Semiotics of Matriarchy in Shahnameh
International Journal of Education and Research Vol. 2 No. 8 August 2014 The study of mythical semiotics of matriarchy in Shahnameh Eshagh Toghyani, a lecturer & a faculty member of social sciences of University of Isfahan- Iran, Persian literature group. Email:[email protected] Tel: +989131097523 Khodayar Mokhtari, PhD student of lyrical literature, University of Isfahan-Iran. Office addresses: Esfahan University of Technology & Esfahan University of Farhangian. Emai:[email protected] Tel: +989132294900 Abstract-Ferdosi's Shahnameh is the history of Iranian people fiction .What we read from Shahnameh is undoubtedly a subtle hint of a secret, mystery, sign and allusion. Accordingly, one of the most important issues in this venerable work is signs that represent evolution of social institutions. Therefore, the history of changes in matriarchy, forming a family and some points about the prominent role of women in society can be deduced from its stories. In this study the authors have considered Barthe, Culler and Ekou's theories to analyze the signs like females' authority, their right of ownership, their position and their characters. Key words: Ferdosi’s Shahnameh, signs, myth, matriarchy, position, ownership. I. Introduction Language is a system of signs and is formed from the combination of a cause (outlook) and an effect (mind and meaning).The connection between them is made through a contraction, a rule or an agreement that are accepted in the society. The form of language is considered very important since it can lead us to understand its infinite hidden meanings. The constituents of the language along with their signs should be studied to grasp the meanings. -
IO Islamic 3682: Illustrations 29R: the Murder of Iraj by His Brothers Tur
IO Islamic 3682: Illustrations 29r: The murder of Iraj by his brothers Tur and Salm 33r: Manuchihr lifts Tur from the saddle before killing him 34v: Manuchihr kills Salm 38r: The Simurgh brings Zal to Sam 60r: Afrasiyab kills Shah Nozar 63v: The youth Rustam lifts Afrasiyab from the saddle, but Afrasiyab escapes. Signed by Muhammad Yusuf 68v: The first of Rustam’s seven labours: Rakhsh kills the lion 69v: The third of Rustam’s seven labours: Rustam slays the dragon. Signed by Muhammad Yusuf 72r: The seventh of Rustam’s labours: Rustam slays the white dev 80r: Kay Kavus, beguiled by Iblis, attempts air travel 92r: The battle of Suhrab and Rustam. Signed Muhammad Yusuf 117v: Guruy executes Siyavash 121r: Rustam kills Sudabah 164v: Rustam kills Kamus 172v: Rustam fights the Khaqan of Chin 182r: Rustam kills the div Akavan 185r: Bizhan meets Manizhah 194r: Rustam rescues Bizhan from the pit 205r: Bizhan kills Human 217r: Gudarz wounds Piran 229r: Kay Khusrau throws Shida to the ground 245v: Kay Khusraw kills Afrasiyab 259r: Gushtasp kills a wolf in Rum 261r: Gushtasp kills a dragon in Rum 276r: Arjasp’s horsemen kill Luhrasp 282r: Isfandiyar's second labour: Isfandiyar kills two lions 284r: Isfandiyar’s fifth labour: Isfandiyar kills the Simurgh with his deadly chariot 301v: The first fight between Rustam and Isfandiyar. Signed Muhammad Yusuf 305v: Rustam shoots Isfandiyar between the eyes and kills him. Signed Muhammad Yusuf 310v: The dying Rustam shoots his murderer Shaghad hiding behind a tree 323r: Iskandar listens to Dara’s last words -
The University of Chicago Poetry
THE UNIVERSITY OF CHICAGO POETRY AND PEDAGOGY: THE HOMILETIC VERSE OF FARID AL-DIN ʿAṬṬÂR A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF NEAR EASTERN LANGUAGES AND CIVILIZATIONS BY AUSTIN O’MALLEY CHICAGO, ILLINOIS MARCH 2017 © Austin O’Malley 2017 All Rights Reserved For Nazafarin and Almas Table of Contents List of Tables .......................................................................................................................................vi Note on Transliteration ...................................................................................................................vii Acknowledgments...........................................................................................................................viii Introduction..........................................................................................................................................1 I. ʿAṭṭâr, Preacher and Poet.................................................................................................................10 ʿAṭṭâr’s Oeuvre and the Problem of Spurious Atributions..............................................12 Te Shiʿi ʿAṭṭâr.......................................................................................................................15 Te Case of the Wandering Titles.......................................................................................22 Biography and Social Milieu....................................................................................................30