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Flemish Cinema and Film Culture Through South African Eyes
Flemish Cinema and Film Culture through South African Eyes By Martin P. Botha Fall 2007 Issue of KINEMA THE HERITAGE OF FILM: PERSPECTIVE ON FLEMISH CINEMA AND FILM CUL- TURE THROUGH SOUTH AFRICAN EYES I assisted the Locarno Film festival in 2005 with a retrospective of short films by young South African directors. There I met a very talented, young Flemish director, whose film was by far the best in the one section.(1) It moved me immensely with its honest portrait of alienation and racial discrimination. We had a long discussion on film history, aesthetics and film cultures. We also talked about the historyof film in Belgium and it was noted that while the French speaking side of Belgian cinema had recently received international acclaim (for example, the work by the Dardenne Brothers), Flemish cinema was struggling. In fact, the young filmmaker made the statement that there was little to be excited about in the historyof Flemish cinema. He felt especially that the films about rural communities and most of the historical dramas were not saying much about contemporary Flanders, in particular, the youth. I have heard this argument before, but in a totally different cultural context. Many young, aspiring South African filmmakers have told me there is very little in South African film history which makes themproud of their film culture. For decades South African film culture has been in isolation. The years 1959to1980 were characterised by an artistic revival in filmmaking throughout the world, ranging from exciting political films in Africa and Latin America to examples of great art cinema in Europe and Asia. -
Hirohito, Emperor of Japan a Forgotten War Criminal? by Lydia Chagoll Translated from French by Google Translate
Hirohito, Emperor of Japan A forgotten war criminal? by Lydia Chagoll Translated from French by Google Translate April 29, 1987. According to the radio, you Emperor Hiro-Hito, you the oldest reigning monarch, would have felt unwell during an official meal offered for your 86th birthday. But your state of health did not seem to be of great concern. It was only an indisposition. There is certainly more important than the fortunes and misfortunes of royal personages. Personally, I am not interested in it. But you, Emperor of Japan, are an exception to the rule. You, Emperor Hirohito, do not leave me indifferent. Do you not have millions of deaths on your conscience? Millions of people who, in your name, by the hands of your servile subjects, have been martyred to death, beaten to death, trampled to death, crucified, hanged, beheaded, drowned, buried alive, burned alive, finished by the bayonet. I have decided to send you an open letter. A letter begins courteously with Monsieur, dear Monsieur, Sire, dear Sire, Excellency. In your case by Majesty. Majesty, as for you, proves impossible. For more than three years I had, under duress, to show you respect. You were, at that time, Emperor of Dai-Nihon (Greater Japan). The ceremonies of bowing the head in front of you have been taught to us by means of beatings, kicks, punitive constraints, reductions made to our already so meagre ration. We have bowed to you, literally and figuratively, to the point of vomiting. Always the deepest inclination because it was addressed to the Emperor. -
Vlaams Audiovisueel Fonds
VLAAMS AUDIOVISUEEL FONDS . jaarverslag 2018 VLAAMS AUDIOVISUEEL FONDS . jaarverslag 2018 uitgegeven door het .VLAAMS AUDIOVISUEEL FONDS vzw huis van de vlaamse film bischoffsheimlaan 38 - 1000 brussel [email protected] vaf.be Met de steun van de Vlaamse minister van Cultuur, Media, Jeugd en Brussel en de Vlaamse minister van Onderwijs INHOUD . jaarverslag 2018 VOORWOORDEN FINANCIEEL CREATIE TALENT- ONTWIKKELING •4 •7 •15 •26 COMMUNICATIE & PUBLIEKSWERKING GAMEFONDS SCREEN PROMOTIE FLANDERS •39 •47 •53 •67 DUURZAAM KENNISOPBOUW WERKING VLAAMSE FILM FILMEN IN CIJFERS •73 •77 •81 •89 Toen ik in mei vorig jaar op het Festival Deze maatregelen zullen ongetwijfeld om op dit vlak lessen te trekken. van Cannes de film Girl te zien kreeg, hun vruchten afwerpen. Toch wil ik een Het is duidelijk dat we erin geslaagd zijn voelde ik aan de stilte in de zaal bij warme oproep doen aan de volgende om ook dit jaar als VAF op verschillende de aftiteling welke magie er uitging Vlaamse Regering voor extra middelen vlakken toonaangevend te zijn. Hopelijk VOORWOORD van het brengen van zo’n mooi en in de nieuwe bestuursperiode. Er kunnen we in de toekomst op dit elan ontroerend verhaal. De tsunami aan werden in het verleden reeds extra doorgaan. Met het huidige team van Alles start met een prijzen die de film in ontvangst mocht middelen vrijgemaakt voor het VAF/ medewerkers heb ik er als voorzitter nemen, was ongezien. We mogen als Mediafonds en het VAF/Gamefonds die alvast het volste vertrouwen in. n goed verhaal VAF bijzonder fier zijn dat we mee aan zeker een boost gegeven hebben. -
Cultural Branding in the Early Modern Period 31 the Literary Author Lieke Van Deinsen and Nina Geerdink
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. https://repository.ubn.ru.nl/handle/2066/232945 Please be advised that this information was generated on 2021-09-24 and may be subject to change. Joosten & Steenmeijer(eds) Dera, den Braber, Van Branding Books Across the Ages Strategies and Key Concepts in Literary Branding Branding Books Across the Ages Across the Books Branding Edited by Helleke van den Braber, Jeroen Dera, Jos Joosten and Maarten Steenmeijer Branding Books Across the Ages Branding Books Across the Ages Strategies and Key Concepts in Literary Branding Edited by Helleke van den Braber, Jeroen Dera, Jos Joosten, and Maarten Steenmeijer Amsterdam University Press This volume is supported by the Stichting Frederik Muller Fonds, the Paul Hazard Stichting, the Radboud Institute for Culture and History, and the Department of Modern Languages and Cultures at Radboud University. The authors thank Demi Schoonenberg and Tommie van Wanrooij for their invaluable help during the editorial process of this book. Cover design: Coördesign, Leiden Typesetting: Crius Group, Hulshout isbn 978 94 6372 391 6 e-isbn 978 90 4854 440 0 (pdf) doi 10.5117/9789463723916 nur 621 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
De Ani 15-24
DE ANI 15-24 MARTIE 2019 12 Festival Internațional de Documentar și Drepturile Omului 15-24 MARTIE 2019 12 Festival Internațional de Documentar și Drepturile Omului CINEMA ELVIRE POPESCO CINEMATECA EFORIE CINEMATECA UNION ARCUB POINT PAVILION 32 INFO & BILETE WWW.ONEWORLD.RO FACEBOOK: ONE.WORLD.ROMANIA ORGANIZATOR / ORGANIZER Asociația One World Romania PARTENER PRINCIPAL / MAIN PARTNER Programul Statul de Drept Europa de Sud Est al Fundației Konrad Adenauer CU SPRIJINUL / WITH THE SUPPORT OF Administrația Fondului Cultural Național, Centrul Național al Cinematografiei, Primăria Capitalei prin ARCUB – Centrul Cultural al Municipiului București, UNHCR – Agenția ONU pentru Refugiați, Reprezentanța Comisiei Eu- ropene în România, Uniunea Cineaștilor din România, DACIN-SARA, Organizația Internațională pentru Migrație, Institutul Cultural Român, Institutul de Investigare a Crimelor Comunismului și Memoria Exilului Românesc, Con- siliul Național pentru Combaterea Discriminării, Agenția de Cooperare Internaționalâ pentru Dezvoltare - RoAid SPONSORI / SPONSORS BOSCH, Aqua Carpatica, Domeniile Sâmburești CINEMA ELVIRE POPESCO PARTENERI / PARTNERS Ambasada Franței în România, Institutul Francez din București, Goethe-Institut București, Ambasada Statelor PARTENERI CINEMATECA EFORIE Unite ale Americii, Ambasada Regatului Țărilor de Jos în România, Forumul Cultural Austriac, Swiss Sponsor’s Fund, Ambasada Elveției în România, British Council, Ambasada Statului Palestina, Centrul Cultural Palestin- CINEMATECA UNION ian “Mahmoud Darwish”, Festivalul -
Dossier Presse Joseph
Les Films de la Croisade en coproduction avec Iota Production et uFilm en association avec uFund avec la participation de France Télévisions Joseph l’insoumis Une fiction de 90’ inspirée de la vie du Père Joseph Wrésinski, fondateur d’ATD Quart Monde avec Jacques Weber, Anouk Grinberg Nicolas Louis, Patrick Descamps, Laurence Côte Salomé Stévenin, Anne Coesens, Isabelle de Hertogh Un film de Caroline Glorion Projet labellisé réalisé avec le soutien de : CNC, Région Aquitaine, Communauté Française de Belgique, Commission Européenne, Conseil Général de Gironde, Ville de Bordeaux, Ministère de la Santé et des Sports - Délégation à l’information et à la Communication, L’Acsé –Fonds Images de la Diversité, Observatoire National de la Pauvreté, Caisse des Dépôts, Fondation Bettencourt Schueller, Association Georges Hourdin, du Programme Media de l’Union Européenne, de Soficinéma 5 Développement et de TV5 Monde Joseph l’insoumis Le Rachaï Joseph l’insoumis Début des années 60, un bidonville aux portes de Paris. Une poignée de familles survivent sous des abris de fortune dans une misère effroyable et une violence quotidienne. Un homme, le Père Joseph Wrésinski, décide de s’installer au milieu de ceux qu’il appelle « son peuple ». Parmi ces familles, celle de Jacques. Sa vie va être transformée par sa rencontre avec le Père Joseph. La sienne mais la vie aussi de ceux qui vont rejoindre le combat de ce curé révolutionnaire. Un combat contre l’assistance et la charité qui dit-il « enfoncent les pauvres dans l’indignité Distribution artistique Joseph -
Bilan 2003 Du Centre Du Cinéma Et De L
2003 - Bilan en bref Bilan de la production, de la promotion et de la diffusion cinématographiques et audiovisuelles Centre du Cinéma et de l’Audiovisuel Service général de l’Audiovisuel et des Multimédias Ministère de la Communauté française de Belgique TABLE DES MATIÈRES Introduction Le Centre du Cinéma et de l’Audiovisuel : enveloppe budgétaire pour la production audiovisuelle ......................................... 4 1. Bilan de la Commission de Sélection des Films (courts et longs métrages, téléfilms et collections, programmes télévisuels) .................................. 6 1.1 Examen des projets ........................................................................................ 6 1.2 Promesses d’aide sélective attribuées en 2003 ............................................. 7 1.3 Liste des films soutenus ................................................................................. 8 2. Subventions à la diffusion et primes à la qualité ................................................... 16 3. Coproductions entre les producteurs indépendants et les télévisions (RTBF / RTL-TVi / Canal + / AB3) ............................................... 17 4. Ateliers d’accueil, de production et ateliers d’école.............................................. 18 5. Promotion et diffusion ............................................................................................ 18 5.1 Aides à la promotion ..................................................................................... 18 5.2 Aides à la diffusion ....................................................................................... -
Jaarverslag 2019
Jaarverslag 2019 Dit verslag biedt een analyse van de acties die screen.brussels fund vzw heeft ondernomen om zijn doelstellingen te verwezenlijken. Het bestaat uit vijf grote hoofdstukken: 1. Herhaling van de doelstellingen en taken van screen.brussels fund 2. Balans van de investeringen in de producties 3. Balans van de uitgevoerde acties 4. Boekhoudkundige balans 2019 Dit jaar staat meer bepaald in het teken van de consolidatie van de databases met professionals uit de audiovisuele sector en van de lancering van een platform om de aanvragen voor fondsen elektronisch te kunnen indienen. Dit jaar kenmerkt zich ook door de betaling van de subsidies in vele schijven (verkiezingsjaar). 1 screen.brussels fund vzw – Balans jaar 2019 1. Herhaling van de doelstellingen en taken 1.1. Context Op 2 mei 2016 lanceerde het Brussels Hoofdstedelijk Gewest zijn nieuwe strategie die moest zorgen voor een betere toegankelijkheid van het Brusselse audiovisuele aanbod voor alle Brusselse, Belgische en internationale betrokkenen. Deze strategie werd met name concreet door de oprichting van het overkoepelende merk screen.brussels. Dit bestaat uit 4 entiteiten: - screen.brussels film commission (het voormalige Brussels Film Office, onder leiding van visit.brussels) - screen.brussels cluster (de sectorale cluster, ondergebracht bij hub.brussels) - screen.brussels business (financiering van Brusselse audiovisuele bedrijven via finance.brussels) - screen.brussels fund (het Brusselse coproductiefonds) 1.2. Doelstellingen Het doel van de vzw screen.brussels binnen deze organisatie is de ontwikkeling en promotie van de audiovisuele sectoren in het Brussels Hoofdstedelijk Gewest, en de organisatie van alle taken die verband houden met de visuele sectoren in het algemeen. -
SAVAGE FILM & KINEPOLIS FILM DISTRIBUTION Stellen Voor Scenariojeroen PERCEVAL En Robin PRONT Regie Robin PRONT
SAVAGE FILM & KINEPOLIS FILM DISTRIBUTION stellen voor scenario Jeroen PERCEVAL en Robin PRONT regie Robin PRONT releasedatum : 14 oktober 2015 inhoudstafel intro ............................................................................................................................................................................. 3 synopsis ..................................................................................................................................................................... 4 intentieverklaring auteur .................................................................................................................................... 5 intentieverklaring regisseur .............................................................................................................................. 6 personages | cast - jeroen perceval ....................................................................................................................................... 7 - kevin janssens .......................................................................................................................................... 8 - veerle baetens ......................................................................................................................................... 9 - jan bijvoet ................................................................................................................................................ 10 regisseur robin pront ...................................................................................................................................... -
A Film by Catherine BREILLAT Jean-François Lepetit Présents
a film by Catherine BREILLAT Jean-François Lepetit présents WORLD SALES: PYRAMIDE INTERNATIONAL FOR FLASH FILMS Asia Argento IN PARIS: PRESSE: AS COMMUNICATION 5, rue du Chevalier de Saint George Alexandra Schamis, Sandra Cornevaux 75008 Paris France www.pyramidefilms.com/pyramideinternational/ IN PARIS: Phone: +33 1 42 96 02 20 11 bis rue Magellan 75008 Paris Fax: +33 1 40 20 05 51 Phone: +33 (1) 47 23 00 02 [email protected] Fax: +33 (1) 47 23 00 01 a film by Catherine BREILLAT IN CANNES: IN CANNES: with Cannes Market Riviera - Booth : N10 Alexandra Schamis: +33 (0)6 07 37 10 30 Fu’ad Aït Aattou Phone: 04.92.99.33.25 Sandra Cornevaux: +33 (0)6 20 41 49 55 Roxane Mesquida Contacts : Valentina Merli - Yoann Ubermulhin [email protected] Claude Sarraute Yolande Moreau Michael Lonsdale 114 minutes French release date: 30th May 2007 Screenplay: Catherine Breillat Adapted from the eponymous novel by Jules Barbey d’Aurevilly Download photos & press kit on www.studiocanal-distribution.com Produced by Jean-François Lepetit The storyline This future wedding is on everyone’s lips. The young and dissolute Ryno de Marigny is betrothed to marry Hermangarde, an extremely virtuous gem of the French aristocracy. But some, who wish to prevent the union, despite the young couples’ mutual love, whisper that the young man will never break off his passionate love affair with Vellini, which has been going on for years. In a whirlpool of confidences, betrayals and secrets, facing conventions and destiny, feelings will prove their strength is invincible... Interview with Catherine Breillat Film Director Photo: Guillaume LAVIT d’HAUTEFORT © Flach Film d’HAUTEFORT Guillaume LAVIT Photo: The idea “When I first met producer Jean-François Lepetit, the idea the Marquise de Flers, I am absolutely “18th century”. -
FILMS on Palestine-Israel By
PALESTINE-ISRAEL FILMS ON THE HISTORY of the PALESTINE-ISRAEL CONFLICT compiled with brief introduction and commentary by Rosalyn Baxandall A publication of the Palestine-Israel Working Group of Historians Against the War (HAW) December 2014 www.historiansagainstwar.org Licensed under Creative Commons Attribution – NonCommercial – ShareAlike 1 Introduction This compilation of films that relate to the Palestinian-Israeli struggle was made in July 2014. The films are many and the project is ongoing. Why film? Film is often an extraordinarily effective tool. I found that many students in my classes seemed more visually literate than print literate. Whenever I showed a film, they would remember the minute details, characters names and sub-plots. Films were accessible and immediate. Almost the whole class would participate and debates about the film’s meaning were lively. Film showings also improved attendance at teach-ins. At the Truro, Massachusetts, Library in July 2014, the film Voices Across the Divide was shown to the biggest audiences the library has ever had, even though the Wellfleet Library and several churches had refused to allow the film to be shown. Organizing is also important. When a film is controversial, as many in this pamphlet are, a thorough organizing effort including media coverage will augment the turnout for the film. Many Jewish and Palestinian groups list films in their resources. This pamphlet lists them alphabetically, and then by number under themes and categories; the main listings include summaries, to make the films more accessible and easier to use by activist and academic groups. 2 1. 5 Broken Cameras, 2012. -
Opportunities in Scots Independence Movement • Breton Cultural Forces Tarred • Cilmeri Rally Reclaimed • Call for Nati
No. 125 Spring 2004 €3.00 Stg£2.50 • Opportunities in Scots Independence Movement • Breton Cultural Forces Tarred • Cilmeri Rally Reclaimed • Call for National Plan for Irish • Environmental Rights Campaign in Cornwall • Manx in Court • Un Tele Breizhat evit an Holl ALBA: C O M A N N CEILTEACH • BREIZH: KEVRE KELTIEK • CYMRU: UNDEB CELTAIDD • EIRE: CONRADH CEILTEACH • KERNOW: KESUNYANS KELTEK • MANN1N: COMMEEYS CELTIAGH 62 r Fuadach nan Gaidheal Gura mise titrsach. A ' caoidh cor na ditthcha, A lbo <3 Bha cliuiteach is treun; Rinn uachdrain am fuadach IL _l Gu fada null thar chuuntan. Am fearann chaidh thoirt uapa 'S thoirt suas do na feidli. AR BÀRDACHD "...agus eaoraich cuideachd!" arsa sinne. amt an ceithir duanairean Tha na tri leabhraichean seo ri lhaotainn bho GÀIR NAN CLÀRSACH...tliagh Culm Ó An targainteachd dhùainn - - Birlinn Ltd. West Newington House. 10 Baoill sco agus dh'eadar-theangaich Meg Bras meanmnach Fir Alba Newington Road. Dim Eideann EH9 IQS. no Bateman e. Tlia dà fhichead is tri dàin Le' n armaibh air thùs an leabhar-reiceadair agaibh. Gàidhlig ami eadar na bliadlinachan I 600 gu Nuair a dh'eires gach treunlaoch 1648. Cha d'rinn neach an aon rud riamh. Le-n èideadh glan ùr. AN TU IL... dheasaich Raghnall Mac ille Dliuibh an leahhar seo agus dh’ fhoillsich Sco agaiblt linn gaisgeil nuair a bha an ceann ... Gur rrtairg nàmhaid a tharladh Polygon. 22 George Square. Diin Eideann e. einnidh ann an talla aige: far an robh na ledis Ri ànriainn ino rùin; Seo agaibh Duanaire Gtiidhlig an 20mh no torches a" nochdadh an Inchdleannihainn Ceud.