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BIBLIOGRAPHY 参考文献 Archaeological BIBLIOGRAPHY 参考文献 Archaeological Team of Yunnan Province. (1981). Survey and Clearance of the Main Pagoda of Chong Sheng Temple in Dali. Acta Archaeologica Sinica, Issue 2. Art Institute Chicago. Guanyin (Avalokiteshvara) Holding Lotus-Form Cup, Yuan dynasty (1279–1368), 14th century, Gilt copper alloy, 25.5 x 19 x 14.2 cm (10 x 7 1/2 x 5 5/8 in.) Gift of Guy H. Mitchell, Accession No. 1926.267. Retrieved 10 7, 2013, from Art Institute Chicago: http://www.artic.edu/aic/collections/artwork/28112?search_no=2&index=8 Ashmolean Museum. Figure of Avalokiteshvara. Retrieved 6 20, 2013, from Eastern Art Online: Yousef Jameel Centre for Islamic and Asian Art: http://jameelcentre.ashmolean.org/object/EA1995.153 Asian Art Museum, San Francisco. Seated Buddha; Object ID: B60B231; Date: Song dynasty (960-1279), probably 937-1253; Medium: Gilded bronze; Place of Origin: China | Yunnan province; Credit Line: The Avery Brundage Collection. Retrieved 10 10, 2013, from Asian Art Museum, San Francisco: http://searchcollection.asianart.org/view/objects/asitem/id/12861 Asian Civilisations Museum. (2007). On The Nalanda Trail: Buddhism In India, China And Southeast Asia (1st Edition ed.). Singapore, Singapore: Asian Civilisations Museum. Asian Civilisations Museum. (2013). Devotion & Desire: Cross-cultural art in Asia. Singapore, Singapore: Asian Civilisations Museum, Singapore. Asian Civilisations Museum, Singapore. A gilt bronze statue of seated multi-armed Avalokitesvara, Dali Kingdom, Yunnan. H: 34.8 cm. Bacus, E. A., Glover, I. C., & Sharrock, P. D. (2008). Interpreting Southeast Asia’s Past. 10th International Conference of the European Association of Southeast Asian Archaeologists. 2, p. 420. NUS Press, National University of Singapore. Barnett, M. (2006). Art & Imitation in China. The Oriental Ceramic Society of Hong Kong Limited. Beguin, G. (2009). Buddhist Art: An Historical and Cultural Journey. River Books. Beijing Shi Wen Wu Ju. (2001). Gems of Beijing Cultural Relics Series – Buddhist Statues I. Beijing, China: Beijing Publishing House. Bodhi, B. (2000). The Connected Discourses of the Buddha – A Translation of the Samyutta Nikaya by Bhikku Bodhi. Wisdom Publications. Boehm, Christian. (July-August 2015). Buddhist Bronzes of the Dali Kingdom in Yunnan Province. Arts of Asia, vol. 45, no. 4, pp. 65-75. Bogel, C. J. (2010). With a Single Glance - Buddhist Icon and Early Mikkyo Vision. University of Washington Press. Bowers Museum. (2007). Treasures from Shanghai - 5000 Years of Art and Culture. Bowers Museum & Shanghai Museum. Bowring, R. (2005). The Religious Traditions of Japan 500-1600. Cambridge University Press. British Museum. Painting of Avalokitesvara, China, 10th century, Five Dynasties or Northern Song Dynasty, Height: 70.50 cm, Width: 55 cm, Object Reference No. 1919,0101,0.29. Retrieved 12 1 2016, from British Museum: https://www.britishmuseum.org/collection/object/A_1919-0101-0-29 British Museum. Painting showing Avalokitesvara, AD 926-975, Height: 82.90 cm, Width: 29.60 cm, Object Reference No. 1919,0101,0.15. Retrieved 12 1 2016, from British Museum: https://www.britishmuseum.org/collection/object/A_1919-0101-0-15 Bryson, Megan. (2012-13). Mahākāla Worship in the Dali Kingdom (937-1253): A Study of the Dahei tianshen daochang yi. Journal of the International Association of Buddhist Studies, Vol 35, No. 1-2, pp. 3-69. Bryson, Megan. 2018. Nation Founder and Universal Saviour: Guanyin and Buddhist Networks in the Nanzhao and Dali Kingdoms. Buddhist Encounters and Identities across East Asia, edited by Ann Heirman, 81-107. Leiden: Brill. Bunce, F. W. (2009). Mudras in Buddhist and Hindu Practices. New Delhi, India: D.K. Printworld (P) Ltd. Chandra, L. (1988). The Thousand-Armed Avalokitesvara. Abhinav Publications. Chandra, Lokesh and Sharma, Nirmala. (2012). Buddhist Paintings of Tun-Huang. Niyogi Books. Chapin, H. (1944). Yunnanese Images of Avalokitesvara. Harvard Journal of Asiatic Studies, 8, 131-194. Chapin, H. (1971). A Long Roll Of Buddhist Images (Vol. 32). (A. C. Soper, Ed.) Ascona: Artibus Asiae Publishers. Chaturachinda, G., Krishnamurty, S., & Tabtiang, P. W. (2004). Dictionary of South & Southeast Asian Art (2nd Edition ed.). Silkworm Books. Chinnery, J. (2011). Treasures of China. Duncan Baird Publishers. Choi, E.-C. (1988, September). Korean Buddhist Metal Art. Orientations, pp. 34-43. Cooke, B. (2000). Imperial China : The Art of the Horse in Chinese History. Kentucky Horse Park. Dali Municipal Cultural Department & Dali Municipal Museum. (2003). Dali Municipal Museum Cultural Relics Collection. Kunming, Yunnan, China: Yunnan Ren Min Chu Ban She. Deydier, C. (1995). Archaic Chinese Bronzes. Paris, France: Les Editions d’Art et d’Histoire ARHIS. Deydier, C. (2006, September). Oriental Bronzes. XXIIIe Biennale Des Antiquaires, 103. Digha Nikaya #30, Lakkhana Sutra, translated by Piya Tan (2008). Digha Nikaya #30, Lakkhana Sutra, “The Marks of a Great Man”, http://buddhasutra.com/files/lakkhana_sutta.htm Dougill, J. (2012, 5 29). Buddhist mirror. Retrieved 7 2, 2013, from Green Shinto: http://www.greenshinto.com/wp/2012/05/29/buddhist-mirror/ Dowman, K. (1985). Masters of Mahamudra: Songs and Histories of the Eighty-Four Buddhist Siddhas. US: State University of New York Press. Dunhuang Research Academy. (2006). China Dunhuang. Jiangsu Fine Arts Publishing House. Dun Huang Wen Wu Yan Jiu Suo. (2011). Zhong Guo Shi Ku - Dunhuang Mogao Ku (Vol. 1). Beijing, China: Wen Wu Chu Ban She. Dun Huang Wen Wu Yan Jiu Suo. (2011). Zhong Guo Shi Ku - Dunhuang Mogao Ku (Vol. 2). Beijing, China: Wen Wu Chu Ban She. Dun Huang Wen Wu Yan Jiu Suo. (2011). Zhong Guo Shi Ku - Dunhuang Mogao Ku (Vol. 3). Beijing, China: Wen Wu Chu Ban She. Dun Huang Wen Wu Yan Jiu Suo. (2011). Zhong Guo Shi Ku - Dunhuang Mogao Ku (Vol. 4). Beijing, China: Wen Wu Chu Ban She. Dun Huang Wen Wu Yan Jiu Suo. (2011). Zhong Guo Shi Ku - Dunhuang Mogao Ku (Vol. 5). Beijing, China: Wen Wu Chu Ban She. Ebrey, P. B. (2010). The Cambridge Illustrated History of China (2nd Edition ed.). Cambridge University Press. Fahr-Becker, G. (2006). The Art of East Asia. Cologne: Konemann. Fan, Jinshi, & Fan, Di’an. (2008). The Lights of DunHuang. Ren Min Jiao Yu Chu Ban She. Fischer-Schreiber, I., Ehrhard, F.-K., Diener, M. S., & Kohn, M. H. (1991). The Shambhala Dictionary of Buddhism And Zen. Boston, USA: Shambhala Publications, Inc. Freer Sackler, The Smithsonian’s Museums of Asian Art. Guanyin of the Water Moon, Northern Song dynasty, AD 968, ink and colour on silk, H x W (image): 106.8 x 58.9 cm (42 1/16 x 23 3/16 in), China, Dunhuang, Purchase — Charles Lang Freer Endowment, Accession No. F1930.36. Retrieved 12 1 2016, from Freer Sackler, The Smithsonian’s Museums of Asian Art: https://asia.si.edu/object/F1930.36/ Freer Sackler, The Smithsonian’s Museums of Asian Art. Vairochana Buddha, 907-1125, Liao dynasty, Bronze and gilt, H: 24.5 W: 19.0 D: 13.0 cm, China, Gift of The Arthur M. Sackler Foundation, Accession No. S2006.7. Retrieved 10 7, 2013, from Freer Sackler, The Smithsonian’s Museums of Asian Art: https://asia.si.edu/object/S2006.7/ Friends of Dunhuang (Hong Kong). Painting of Thousand-armed Avalokitesvara, Cave 14 of Mogao Grottoes, Dunhuang, Tang Dynasty. Retrieved 11 12 2016, from Friends of Dunhuang (Hong Kong) website: https://www.fodhk.org.hk Garma Chang, C. (2002). Treasury of Mahayana Sutras: Selections from the Maharatnakuta Sutra. Motilal Banarsidass Publishers. Georgieva-Russ, N. (n.d.). Esoteric Buddhist Ritual Objects of the Koryo Dynasty (936-1392): Vajra Scepters and Vajra Bells. 1-9. Getty, A. (1977). The Gods of Northern Buddhism. Tuttle Publishing. Gong Yi Shi Ku Si. (n.d.). Gong Yi Shi Ku Si. Gordon, A. K. (1998). The Iconography of Tibetan Lamaism. Munshiram Manoharlal Publishers. Guo Jia Wen Wu Ju Guo Jia Wen Wu Jian Ding Wei Yuan Hui. (2011). Illustrated Important Chinese Cultural Relics Ranking Standard - Zao Xiang Juan. Beijing, China: Wen Wu Chu Ban She. Heller, A. (2008). Early Himalayan Art. Ashmolean Museum. Henan Museum. (2011). Ancient Civilization of the Central Plains. Ke Xue Chu Ban She. Hermitage Museum, Russia. Double-Headed Buddha. Place: China, Tangut State of Xi-Xia, Khara-Khoto. Date: 13th-14th century. Place of finding: Suburgan, Khara-Khoto. Material: clay, with mineral paints and gilding. Dimension: h. 62 cm. Invento ry Number: ХХ-2296. Hong Kong Poly Auction. A gilt bronze pagoda, H: 24.4 cm, Lot 3696, Chinese Ceramics & Works of Art, Sale No. HKF3515, 6th October 2015, realized price: US$304,516. Hou, Chong. (2009). Yunnan A-Zha-Li Jiao Zong Lun. Howard, A. F. (1990). A Gilt Bronze Guanyin from the Nanzhao Kingdom of Yunnan: Hybrid Art from the Southwestern Frontier. The Journal of the Walters Art Gallery, 48, 1-12. Howard, A. F., Li, K., & Qiu, X. (1992, February). Nanzhao and Dali Buddhist Sculpture in Yunnan. Orientations, 23 (2), pp. 51-60. Howard, A. F. (1997). The Dhāraṇī Pillar of Kunming, Yunnan. A Legacy of Esoteric Buddhism and Burial Rites of the Bai People in the Kingdom of Dali (937-1253). Artibus Asiae, 57, 33-72. Howard, A. F., Li, S., Wu, H., & Yang, H. (2006). Chinese Sculpture. Yale University Press. Hsuan Hua, V. M. (1998, November 9). The Shurangama Sutra Is a Demon-spotting Mirror. Retrieved July 2, 2013, from A Sure Sign of the Proper Dharma: http://www.drbachinese.org/ online_reading_simplified/dharma_talks/ProperDharma_b/Proper_Dharma.b1.htm I-Tsing. (1982). Record of Buddhist Religious As Practised in India and The Malay Archipelago (AD 671 – 695). New Delhi, India: Munshiram Manoharlal Publishers. Jayarava. (2011). Visible Mantra: visualising and writing Buddhist Mantras. Visible Mantra Books. Jenkins, D. (2005). Mysterious Spirits, Strange Beasts, Earthly Delights: Early Chinese Art from the Arlene and Harold Schnitzer Collection. Portland, Oregon, USA: Portland Art Museum. Jin Ning Xian Wen Hua Ti Yu Ju. (2006). Ancient Dian Kingdom Capital Sight-seeing.
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