Curriculum Vitae
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Interpretation: a Journal of Political Philosophy
Interpretation A JOURNAL A OF POLITICAL PHILOSOPHY Winter 1997 Volume 24 Number 2 135 Robert D. Sacks The Book of Job: Translation and Commentary 171 Marc D. Guerra Aristotle on Pleasure and Political Philosophy: A Study in Book VII of the Nicomachean Ethics 183 Mark S. Cladis Lessons from the Garden: Rousseau's Solitaires and the Limits of Liberalism 201 Thomas Heilke Nietzsche's Impatience: The Spiritual Necessities of Nietzsche's Politics Book Reviews 233 Eduardo A. Velasquez Profits, Priests, and Princes: Adam Smith 's Emancipation of Economics from Politics and Religion, by Peter Minowitz 239 Charles E. Butterworth Something To Hide, by Peter Levine 243 Will Morrisey Jerusalem and Athens: Reason and Revelation in the Works of Leo Strauss, by Susan Orr Interpretation Editor-in-Chief Hilail Gildin, Dept. of Philosophy, Queens College Executive Editor Leonard Grey General Editors Seth G. Benardete Charles E. Butterworth Hilail Gildin Robert Horwitz (d. 1987) Howard B. White (d. 1974) Consulting Editors Christopher Bruell Joseph Cropsey Ernest L. Fortin John Hallowell (d. 1992) Harry V. Jaffa David Lowenthal Muhsin Mahdi Harvey C. Mansfield Arnaldo Momigliano (d. 1987) Michael Oakeshott (d. 1990) Ellis Sandoz Leo Strauss (d. 1973) Kenneth W. Thompson International Editors Terence E. Marshall Heinrich Meier Editors Wayne Ambler Maurice Auerbach Fred Baumann Michael Blaustein Amy Bonnette Patrick Coby Thomas S. Engeman Edward J. Erler Maureen Feder-Marcus Pamela K. Jensen Ken Masugi Will Morrisey Susan Orr Charles T. Rubin Leslie G. Rubin Susan Shell Richard Velkley Bradford P. Wilson Michael Zuckert Catherine Zuckert Manuscript Editor Lucia B. Prochnow Subscriptions Subscription rates per volume (3 issues): individuals $29 libraries and all other institutions $48 students (four-year limit) $18 Single copies available. -
Hayek's the Constitution of Liberty
Hayek’s The Constitution of Liberty Hayek’s The Constitution of Liberty An Account of Its Argument EUGENE F. MILLER The Institute of Economic Affairs contenTs The author 11 First published in Great Britain in 2010 by Foreword by Steven D. Ealy 12 The Institute of Economic Affairs 2 Lord North Street Summary 17 Westminster Editorial note 22 London sw1p 3lb Author’s preface 23 in association with Profile Books Ltd The mission of the Institute of Economic Affairs is to improve public 1 Hayek’s Introduction 29 understanding of the fundamental institutions of a free society, by analysing Civilisation 31 and expounding the role of markets in solving economic and social problems. Political philosophy 32 Copyright © The Institute of Economic Affairs 2010 The ideal 34 The moral right of the author has been asserted. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored or introduced into a PART I: THE VALUE OF FREEDOM 37 retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the publisher of this book. 2 Individual freedom, coercion and progress A CIP catalogue record for this book is available from the British Library. (Chapters 1–5 and 9) 39 isbn 978 0 255 36637 3 Individual freedom and responsibility 39 The individual and society 42 Many IEA publications are translated into languages other than English or are reprinted. Permission to translate or to reprint should be sought from the Limiting state coercion 44 Director General at the address above. -
In Memoriam Joseph Cropsey
Representaciones del intelectual In Memoriam Joseph Cropsey Chris Colmo oseph Cropsey (1919-2012) es una de las personalida- La premisa es que la política debe reflejar la naturaleza de des más relevantes en el resurgimiento de la filosofía alguna forma, y la naturaleza incluye tanto el principio como política durante un siglo XX quebrado por la guerra. el final (PPh, 38). Cropsey no considera dualista esta visión Él mismo sirvió en el ejército (1941-45) durante la de la naturaleza en este artículo, pero en un artículo publi- Jguerra, tras la cual completó un doctorado en economía en cado originalmente al año siguiente (‘Political Life and a la Columbia University (1952). Su estudio de la filosofía po- Natural Order’) sí que la llama “dualismo a la antigua” (PPh, lítica comenzó cuando coincidió con Leo Strauss dos o tres 227). Más adelante, en la primera sección, intentaré explicar años antes de que Strauss dejara la New School for Social por qué este dualismo a la antigua es un tema recurrente en Research en Nueva York para formar parte del Departamen- el pensamiento de Cropsey sobre el problema de la política. to de Ciencia Política en la Universidad de Chicago en 1949. ¿Que significa la reserva ante la primacía de la política? Cropsey enseñó economía en el City College de Nueva York ¿Por qué no defiende la primacía absoluta de la política? Al hasta 1958, cuando se unió a Strauss en la Universidad de final del ensayo, Cropsey escribe sobre “la inalienable he- Chicago. Strauss dejó la Universidad de Chicago en 1968. -
After Fronting the Sex Pistols, John Lydon Formed Post-Punk Originators Public Image Ltd (Pil)
After fronting the Sex Pistols, John Lydon formed post-punk originators Public Image Ltd (PiL). Widely regarded as one of the most innovative bands of all time, their music and vision earned them 5 UK Top 20 Singles and 5 UK Top 20 Albums. With a shifting line-up and unique sound – fusing rock, dance, folk, pop and dub – Lydon guided the band from their debut album ‘First Issue’ in 1978 through to 1992’s ‘That What Is Not’, before a 17 year hiatus. Lydon reactivated PiL in 2009, releasing the critically acclaimed album ‘This is PiL’ in 2012. The band continues to challenge and thrive and is set to release the new album ‘What The World Needs Now…’ in September 2015. Public Image Ltd Are: John Lydon: Vocals (1978-Present) After fronting the Sex Pistols, John Lydon formed Public Image Ltd in 1978. PiL went onto blend a variety of different musical styles over three decades before returning in 2009. Outside of PiL John has released several solo records and collaborations. He also brings quality TV to the masses. Lu Edmonds: Guitar & Misc (1986-88) (2009-Present) Multi instrumentalist and former guitarist in The Damned Lu joined PiL in 1986 recording and playing on the album Happy? and co-writing the album 9 adding yet another dimension to the PiL sound. Lu is also associated with a variety of eclectic and acoustic bands including The Mekons and Yat-Kha. Bruce Smith: Drums (1986-90) (2009-Present) Former drummer in The Pop Group and The Slits became percussionist for PiL also in 1986 playing and recording on the albums Happy? and 9. -
Neoconservatism: Origins and Evolution, 1945 – 1980
Neoconservatism: Origins and Evolution, 1945 – 1980 Robert L. Richardson, Jr. A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2009 Approved by, Michael H. Hunt, Chair Richard Kohn Timothy McKeown Nancy Mitchell Roger Lotchin Abstract Robert L. Richardson, Jr. Neoconservatism: Origins and Evolution, 1945 – 1985 (Under the direction of Michael H. Hunt) This dissertation examines the origins and evolution of neoconservatism as a philosophical and political movement in America from 1945 to 1980. I maintain that as the exigencies and anxieties of the Cold War fostered new intellectual and professional connections between academia, government and business, three disparate intellectual currents were brought into contact: the German philosophical tradition of anti-modernism, the strategic-analytical tradition associated with the RAND Corporation, and the early Cold War anti-Communist tradition identified with figures such as Reinhold Niebuhr. Driven by similar aims and concerns, these three intellectual currents eventually coalesced into neoconservatism. As a political movement, neoconservatism sought, from the 1950s on, to re-orient American policy away from containment and coexistence and toward confrontation and rollback through activism in academia, bureaucratic and electoral politics. Although the neoconservatives were only partially successful in promoting their transformative project, their accomplishments are historically significant. More specifically, they managed to interject their views and ideas into American political and strategic thought, discredit détente and arms control, and shift U.S. foreign policy toward a more confrontational stance vis-à-vis the Soviet Union. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Punk-rock (These are excerpts from my book "A History of Rock and Dance Music") London's burning TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The effervescence of New York's underground scene was contagious and spread to England with a 1976 tour of the Ramones that was artfully manipulated to start a fad (after the "100 Club Festival" of september 1976 that turned British punk-rock into a national phenomenon). In the USA the punk subculture was a combination of subterranean record industry and of teenage angst. In Britain it became a combination of fashion and of unemployment. Music in London had been a component of fashion since the times of the Swinging London (read: Rolling Stones). Punk-rock was first and foremost a fad that took over the Kingdom by storm. However, the social component was even stronger than in the USA: it was not only a generic malaise, it was a specific catastrophe. The iron rule of prime minister Margaret Thatcher had salvaged Britain from sliding into the Third World, but had caused devastation in the social fabric of the industrial cities, where unemployment and poverty reached unprecedented levels and racial tensions were brooding. -
Popular Music and Violence This Page Has Been Left Blank Intentionally Dark Side of the Tune: Popular Music and Violence
DARK SIDE OF THE TUNE: POPULAR MUSIC AND VIOLENCE This page has been left blank intentionally Dark Side of the Tune: Popular Music and Violence BRUCE JOHNSON University of Turku, Finland Macquarie University, Australia University of Glasgow, UK MARTIN CLOONAN University of Glasgow, UK © Bruce Johnson and Martin Cloonan 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Bruce Johnson and Martin Cloonan have asserted their moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the authors of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East Suite 420 Union Road 101 Cherry Street Farnham Burlington, VT 05401-4405 Surrey GU9 7PT USA England www.ashgate.com British Library Cataloguing in Publication Data Johnson, Bruce, 1943– Dark side of the tune : popular music and violence. – (Ashgate popular and folk music series) 1. Music and violence 2. Popular music – Social aspects I. Title II. Cloonan, Martin 781.6'4 Library of Congress Cataloging-in-Publication Data Johnson, Bruce, 1943– Dark side of the tune : popular music and violence / Bruce Johnson and Martin Cloonan. p. cm.—(Ashgate popular and folk music series) Includes bibliographical references. ISBN 978-0-7546-5872-6 (alk. paper) 1. Music and violence. 2. Popular music—Social aspects. I. Cloonan, Martin. II. Title. -
Balboa Filmography
BALBOA STUDIO FILMOGRAPHY INTRODUCTION This work presents filmography data from the Balboa studio, owned and operated by the Horkheimer Brothers at Long Beach, California, from June 1913 to March 1918. It is divided into four sections : 1. Filmography classified by title 2. Filmography classified by US exchange 3. List of actors, with associated filmography 4. List of directors, with associated filmography. The research was conducted within the following archives, which I gratefully thank : Bibliothèque de l’Arsenal (Paris) British Film Institute Library (London) Free Library (Philadelphia) Library of Congress (Washington) Long Beach Public Library (Long Beach) Margaret Herrick Library (Beverly Hills) New York Public Performing Arts Library (New York City) Some of the consulted periodicals were English, most of them were American. Since the Balboa studio was fully independent and without any long-term connection with a large US exchange company, it must be emphasized that some pictures, including features, never got a national release. Some of them were presented in England, but not in the US, some others probably only knew a limited and regional release. For example, this is the case of the first five-reel feature directed by Henry King, The Brand of Man (1915), totally unknown in every periodical listed below, and therefore also unknown from the AFI Catalog. It is nevertheless certain that all the pictures mentioned in this document had actually been produced. Two picture mentioned by the AFI Catalog (The Policewoman and The Explorer) have not been included here, because most probably these projects never reached the production phase. The list of actors which is presented here included every man, woman and child known to have been connected with Balboa at any time during their carrier. -
130, Introduction to Political Theory
Political Science 130 Prof. David Williams Autumn 2019 Office: 2205 M-W 11:20-12:50 Phone: 773-325-4906 DePaul University Office Hours: M 1:00-3:30 & by appointment E-Mail: [email protected] Introduction to Political Theory: Liberalism, Conservatism, and Democracy Content Most everyone in this country has an opinion about politics. “We pay too much in taxes.” “The poor don’t get enough to eat.” “We should have the right to control our own social security investments.” “Health care needs to be operated by the government.” “Religion needs to have a stronger role in civic life.” “The government has no right to control a woman’s body.” No doubt you have your own thoughts. In the United States, most people tend to define their politics along the liberal—conservative continuum. In fact, it is likely that as you read the several statements above, you consciously or subconsciously labeled them one or the other. Undoubtedly, when you vote you do much the same: “Is this candidate too liberal? Liberal enough? Too conservative? Conservative enough?” As democratic citizens, we have an intuitive sense of these terms. These understandings, however, are sometimes difficult to articulate, explain, or even justify. This course seeks to remedy this deficiency. The material will assist the student to develop a better sense of the dominantly American political ideologies. We will read classic texts of political theory that helped shape and define the terms we use without a thought today. In doing so, I hope to reintroduce thought back into political discourse. Of course, in order to understand liberalism and conservatism in an American context, we must first explore the idea of democracy. -
Mary P. Nichols Mary [email protected]
Mary P. Nichols [email protected] Professional Employment Professor Emerita, Department of Political Science, Baylor University, Waco, Texas, 2018- present; Professor, 2004-2017; Chair, 2004-2010; Graduate Program Director, 2010-2012 Professor, Department of Political Science, Fordham University, Bronx, New York, 1993-2004; (Associate Professor, 1988-93; Associate Chair for Undergraduate Studies, 1990-1992; Associate Chair for Graduate Studies, 1992-1998) Visiting Professor, Department of Government, Harvard University, Fall, 2000; Spring, 2002; Fall, 2003 Visiting Scholar for Honors Education, University of Delaware, 1986-1988 Associate Professor, Department of Politics, Catholic University of America, 1983-1986; Assistant Professor, 1978-1983 Tutor, St. John's College, Annapolis, Maryland, 1977-78 Assistant Professor, Department of Political Science, Northern Illinois University, DeKalb, Illinois, 1974-77 Education Ph.D., University of Chicago, 1975 Thesis: A Commentary on Plato's Phaedrus Committee Chair: Joseph Cropsey M.A., University of Kansas, 1969 B.A., Newcomb College of Tulane University, magna cum laude, with honors in political science, 1968 Awards Leo Strauss Dissertation Award, “for the best doctoral dissertation completed and accepted in 1975 or 1976 in the field of political philosophy,” awarded by the American Political Science Association, September 1977 Fellowships Research Grant, Baylor University, Fall, 2008 Earhart Research Fellowship, 2004-05 Faculty Fellowship, Fordham University, 1994-95; Fall, 1999 NEH Fellowship for Independent Study and Research, Spring, 1994 NEH summer stipend, 1990 and 1982 Earhart summer stipend, 1988 NEH Fellowship for Independent Study and Research, 1984-1985 Earhart Research Grant, Spring 1980 William Rainey Harper Fellowship, University of Chicago, 1972-1973 1 Publications Books Thucydides and the Pursuit of Freedom (Ithaca, NY: Cornell University Press, 2015) Plato’s Euthydemus (with Gregory McBrayer and Denise Schaeffer), trans. -
Strauss on the Apology and Crito
CHAPTER 18 Strauss on the Apology and Crito John C. Koritansky At the time of his death in 1973, Leo Strauss was putting together a book that would be titled Studies in Platonic Political Philosophy. We owe it to Thomas Pangle and Joseph Cropsey that the book was eventually published, posthu- mously, and that its chapters appeared in the order that Strauss had intended, absent the still unfinished chapter on Plato’s Gorgias [Cropsey, (1983) vii]. “On Plato’s Apology of Socrates and Crito” is the second chapter of the book, follow- ing one titled “On Philosophy as Rigorous Science and Political Philosophy.”1 In the first several pages of that first chapter Strauss writes mainly about Nietzsche and Heidegger; and he reveals considerable sympathy for the concern, central to these two thinkers, that humankind is in danger of losing its very humanity. The danger is posed by the excessively abstract and ultimately nihilistic sort of thinking that they believed to have been inaugurated by Plato. Strauss does not in that chapter mount a direct response to Nietzsche or Heidegger; he simply asserts that Heidegger’s call for a new dialogue that would involve the deepest insights of the Orient with the rationalism characteristic of the West has pro- duced “hopes more to be expected of a visionary than from philosophers. .” (34). With no further explanation he turns his attention to Husserl. The reader is expected to understand. Nietzsche and Heidegger had each hoped to save humanity through a new Weltanschauung or Weltanschauungphilosophie; however in Husserl Strauss finds the insistent and carefully drawn distinc- tion between Weltanschauungphilosophie and philosophy as rigorous science. -
Harry Jaffa Part 1 December 18, 20121 Stephen Gregory: the Strauss Center Is Devoted to Publishing the Surviving Audiotapes
Harry Jaffa Part 1 December 18, 20121 Stephen Gregory: The Strauss Center is devoted to publishing the surviving audiotapes and original transcripts, or the transcripts from the digitally re-mastered audiotapes of Strauss’ courses. And on our website, we have published the digitally re-mastered audiotapes. Anyone can listen—if a tape survived of Strauss, anyone can listen to it on our website. And we’re in the process—2 Harry Jaffa: Over a period of seven years, I attended every single one of Strauss’s classes. Nineteen courses. So. SG: Right. HJ: Do you know Nathan Tarcov? SG: Yes, I’ve known Nathan since I came to the University of Chicago. Right. And he’s the Director of the Leo Strauss Center. Yeah, so as I—our main project is publishing the tapes and we are editing the transcripts of Strauss’s courses and publishing those either in print or online. And a secondary project is we’re interviewing those who have studied with Strauss about their memories of him as a teacher. I, we have so far interviewed Victor Gourevitch, Hilail Gildin, Laurence Berns, Stanley Rosen, and Werner Dannhauser. I expect next month to interview probably Ralph Lerner and George Anastaplo. And I expect to interview Bob Faulkner. HJ: Who, Bob Faulkner? Is he in Boston? SG: Yeah. And that is probably the surviving students that I’m aware, from his first generation of students. HJ: Not his first generation. All of that you mentioned are second generation. SG: Okay. HJ: Because his career was equally divided between the New School and the University of Chicago.