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FMEA 2014 Professional Development Conference January 9, 2014 2:45 Pm
Navigating the Murky Waters: A Guide to Making Sense of Vocal Jazz Ensemble Charts Andrew N. Dahan [email protected] University of Miami Frost School of Music FMEA 2014 Professional Development Conference January 9, 2014 2:45 pm A Brief History of Vocal Jazz As jazz has evolved in our country, many vocalists have contributed to the art form. Many of us already know that singers like Ella Fitzgerald and Billie Holiday (to name a few) brought different ideas and styles to their performances, which in turn made them stand out in the jazz world. What many people may not know is Louis Armstrong is considered to be the person responsible for establishing singing as a part of the jazz scene. He also is the person responsible for setting the precedent that vocalists take a more “instrumental” approach when singing jazz. The post-war era brought the emergence of the jazz ensemble, or big band. Vocalists were often featured with these bands and shortly thereafter, small vocal jazz ensembles like Lambert Hendricks & Ross began to surface. By the 70’s, many small ensembles including the Singers Unlimited and the Manhattan Transfer really had established notoriety in the jazz world, and groups such as the New York Voices, The Real Group, and Vertical Voices continue the tradition today. The first school-affiliated vocal jazz ensembles as we know them today began in Community Colleges in the Pacific Northwest. Since music often wasn’t available for that type of ensemble, they sang actual jazz band charts that had been rearranged for singers. -
Ebook Download the Mccoy Tyner Collection
THE MCCOY TYNER COLLECTION PDF, EPUB, EBOOK McCoy Tyner | 120 pages | 01 Nov 1992 | Hal Leonard Corporation | 9780793507474 | English | Milwaukee, United States The Mccoy Tyner Collection PDF Book Similar Artists See All. There's magic in the air, or at the very least a common ground of shared values that makes this combination of two great musicians turn everything golden. That's not to say their progressive ideas are completely harnessed, but this recording is something lovers of dinner music or late-night romantic trysts will equally appreciate. McCoy Tyner. Extensions - McCoy Tyner. Tyner died on March 6, at his home in New Jersey. They sound empathetic, as if they've played many times before, yet there are enough sparks to signal that they're still unsure of what the other will play. Very highly recommended. Albums Live Albums Compilations. Cart 0. If I Were a Bell. On this excellent set, McCoy Tyner had the opportunity for the first time to head a larger group. McCoy later said, Bud and Richie Powell moved into my neighborhood. He also befriended saxophonist John Coltrane, then a member of trumpeter Miles Davis' band. A flow of adventurous, eclectic albums followed throughout the decade, many featuring his quartet with saxophonist Azar Lawrence, including 's Song for My Lady, 's Enlightenment, and 's Atlantis. McCoy Tyner Trio. See the album. Throughout his career, Tyner continued to push himself, arranging for his big band and releasing Grammy-winning albums with 's Blues for Coltrane: A Tribute to John Coltrane and 's The Turning Point. However, after six months with the Jazztet, he left to join Coltrane's soon-to-be classic quartet with bassist Jimmy Garrison and drummer Elvin Jones. -
Jazz Album Picks
Jazz Series Pilot TOP 407* LBUMS Taped At CBS, L.A. LOS ANGELES — “Stars of Jazz — Nostalgia & New Sounds," a proposed new Weeks Weeks television series showcasing mainstream On un Chart as well as younger jazz artists, its 3/25 Chari 3/25 taped pilot Feb. 19 at CBS-TV studios here. 1 WEEKEND IN L.A. GEORGE BENSON 21 EASY LIVING The first one-hour program was hosted SONNY ROLLINS (Milestone M-9080) 23 9 (Warner Bros. 2WB 3139) 1 9 by Bobby Troup and featured perfor- THE BIJOU 22 MULTIPLICATION mances by Hadley Caliman, Sarah 2 LIVE AT 14 16 GROVER WASHINGTON JR. ERIC GALE (Columbia JC 34938) Vaughan, the Billy May Band and theTeddy (Kudu KUX-3637 MZ) 2 15 Buckner Band. 23 RUBY, RUBY (A&M SP 19 24 3 RAINBOW SEEKER GATO BARBIERI 4655) According to executive producer JOE SAMPLE (ABC AA-1050) 3 8 LAWS AT THE PAVILLION — Columbia Charles Allen, negotiations are now un- 24 SAY IT WITH SILENCE — recording artist Hubert Laws was con- derway for a series sponsor. 4 HOLD ON HUBERT LAWS (Columbia JC 35022) 1 NOEL POINTER gratulated at a reception in his honor after The series is produced by James Carlton (United Artists UA-LA 848H) 4 8 25 HAVANA CANDY his recent performance at the Dorothy Baker and directed by Mark Massair. Music PATTI AUSTIN (CTI 7-5006) 24 20 Chandler Pavillion. Pictered (l-r) are: Dr. coordinator is Don Bagely, in conjunction 5 FEELS SO GOOD CHUCK MANGIONE (A&M SP 4658) 5 22 26 TIGHTROPE George Butler, vice president jazz & with consultant Bobby Knight. -
Inner Voices: Distinguishing Transcendent and Pathological Characteristics Trauma, Psychotherapy, and Meditation the Transperson
Volume 28 Number 1,1996 Inner voices: Distinguishing transcendent and pathological characteristics 1 Mitchell B. Liester Trauma, psychotherapy, and meditation 31 Ferris B. Urbanowski & John J. Miller The transpersonal movement: A Russian perspective on its emergence and prospects for further development 49 V. V. Nalimov & Jeanna A. Drogalina Transpersonal art and literary theory 63 Ken Wilber REVIEW Thoughts without a thinker: Psychotherapy from a Buddhist perspective, Mark Epstein John J. Miller NOTICE TO The Journal of Transpersonal Psychology is published SUBSCRIBERS semi-annually beginning with Volume l,No. 1, 1969. Current year subscriptions—Volume 28, 1996. To individuals: S24.00 per year; $12.00 either issue. To libraries and all institutions: $32 per year or $16 either issue. Overseas airmail, add $13 per volume, $6.50 per issue. Back volumes: Volumes 24-27 (2 issues per volume) $24 each, $12 per issue. Volumes 15-23 (2 issues per volume) $20 each, $10 per issue. Volumes 1-14 (2 issues per volume) $14 each, $7 per issue. All Journal issues are available. See back pages of this issue for previous contents. Order from and make remittances payable to: The Journal of Transpersonal Psychology, P.O. Box 4437, Stanford, California 94309. The Journal of Transpersonal Psychology is indexed in Psychological Abstracts and listed in Chicorel Health Science Indexes, International Bibliography of Periodical Literature, International Bibliography of Book Reviews, Mental Health Abstracts, Psychological Reader's Guide, and beginning in 1982 Current Contents/Social & Behavioral Sciences Social Sciences Citation Index Contenta Religionum NOTICE TO Manuscript deadlines: Manuscripts may be submitted by any AUTHORS author at any time. -
John Wesley's Eucharist and the Online Eucharist
John Wesley’s Eucharist and the Online Eucharist By KIOH SHIM A thesis submitted to The University of Birmingham for the degree of Doctor of Philosophy Department of Theology and Religion College of Arts and Law The University of Birmingham March 2013 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Since the late 20th century information technology has changed the lives of individuals and relationships at local, nation and even global levels. In particular the internet is used by many religious groups for theological and spiritual purposes. Some parts of Christianity have confronted the issue of how to deal with the use of internet. As a result, an internet church has emerged, offering Eucharistic services online across the globe. Even though the numbers of internet churches/Eucharistic groups have sharply increased in the last two decades, the attitude of the established churches does not appear to have taken account of this change yet. To achieve this it is necessary for such initiatives to be guided by certain theological norms or church regulations. This may relate to the definition of church, Eucharistic theology, or how to deal with emerging cultures. -
Catalogue a ‐ Z
Catalogue A ‐ Z A ? MARK AND MYSTERIANS "Same" LP CAMEO 1966 € 60 (US Garage‐Original Canada Pressing VG++++/VG+) 007 & SCENE " Landscapes" LP Detour € 12 (UK mod‐beat ' 70/ ' 80) 1‐2‐5 “Same” LP Misty lane € 13 (Garage punk dall’Olanda) 13th FLOOR ELEVATORS "Easter every Where" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Graeckle Debacle" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "The Psychedelic Sound Of…" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Unlock the Secret" CD Spalx € 15,00 ('66 US Psych) 20/20 "Giving It All" 7" LINE 1979 € 15 (US Power Pop) 27 DEVILS JOKING "The Sucking Effect" LP RAVE 1991 € 10 (US Garage VG/M‐) 3 NORMAL BEATLES "We Name Is Justice" DLP BUBACK € 23 (Beat from Germany) 39 CLOCKS "Cold Steel To The Heart " LP WHAT'S SO FUNNY ABOUT 1985 € 35 (Psychedelic Wave from Germany) 39 CLOCKS "Subnarcotic" LP WHAT'S SO FUNNY ABOUT 1982 € 35 (Psychedelic Wave from Germany 1988 Reissue) 39 CLOCKS "The Original Psycho Beat" LP WHAT'S SO FUNNY ABOUT 1993 € 20 (Psychedelic Wave from Germany) 3D INVISIBLES "Robot Monster" 7" NEUROTIC BOP 1994 € 5 (US Punk Rock) 3D INVISIBLES "They Won't StayDead" LP NEUROTIC BOP 1989 € 15 (US Punk Rock) 440’S “Gas Grass Or As” 7” Rockin’ Bones € 5 (US Punk) 5 LES “Littering..” 7” HAGCLAND 198? € 5 (Power Pop dal Belgio M‐/M‐) 5.6.7.8.'S "Can't Help It !" CD AUGOGO € 14 (Japan Garage i 7"M‐/M) 5.6.7.8's "Sho‐Jo‐Ji" 7" THIRD MAN € 9 (Garage Punk from Tokyo) 60 FT DOLLS "Afterglow" 7" DOLENT € 3 (Promo Only) 64 SPIDERS "Potty Swat" 7" REGAL SELECT 1989 € 17 (US Punk M‐/M‐) 68 COMEBACK "Do The Rub" 7" BAG OF HAMMERS 1994 € 7 (US Punk Blues) 68 COMEBACK "Flip,Flop,& Fly" 7" GET HIP 1994 € 13 (US Punk Blues) 68 COMEBACK "Great Million Sellers" 7" 1+2 1994 € 8 (US Punk Blues) 68 COMEBACK "High Scool Confidential" 7" PCP I. -
Embodiment, Phenomenology and Listener Receptivity of Nirvana’S in Utero
‘WE FEED OFF EACH OTHER’: EMBODIMENT, PHENOMENOLOGY AND LISTENER RECEPTIVITY OF NIRVANA’S IN UTERO Christopher Martin A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2006 Committee: Jeremy Wallach Becca Cragin Angela Nelson ii ABSTRACT Jeremy Wallach, Advisor Despite the fact that listening to recorded music is a predominant form of human interaction with music in general, music scholarship often continues to classify listening as a passive form of reception in comparison to the “activity” of actual music performance. This thesis presents the idea that music listening is actually an embodied and agentive form of reception that varies according to different listeners, their listening strategies, and other surrounding contexts. In order to provide detailed analysis of this assertion, Nirvana’s 1993 album In Utero is the primary recording that this thesis examines, arguing that the album contains specific embodied properties that ultimately allow for embodied forms of listening and responses within the musical experience. Phenomenological reasoning and scholarship from popular music studies, history, cultural studies, and other humanities fields contribute to the central argument. iii ACKNOWLEDGEMENTS I owe an oversized thank you to the following friends and family for their support: Pat and Priscilla Martin, Veronica Martin, Linda Coleson, and my colleagues in the Popular Culture department. Aaron Weinacht and Patrick Blythe earn special thanks for their continuing willingness to participate in arguments and theories that, as always, range from prescient to ridiculous. Kandace Virgin also deserves my thanks and love for patiently tolerating my stubbornness and need to constantly work ahead, as well as my other idiosyncrasies. -
Downbeat.Com January 2016 U.K. £3.50
JANUARY 2016 U.K. £3.50 DOWNBEAT.COM DOWNBEAT LIZZ WRIGHT • CHARLES LLOYD • KIRK KNUFFKE • BEST ALBUMS OF 2015 • JAZZ SCHOOL JANUARY 2016 january 2016 VOLUME 83 / NUMBER 1 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ŽanetaÎuntová Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Music Volume 1 of 2 Phono-somatics: gender, embodiment and voice in the recorded music of Tori Amos, Björk and PJ Harvey by Sarah Boak Thesis for the degree of Doctor of Philosophy October 2015 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Music Thesis for the degree of Doctor of Philosophy PHONO-SOMATICS: GENDER, EMBODIMENT AND VOICE IN THE RECORDED MUSIC OF TORI AMOS, BJÖRK AND PJ HARVEY Sarah Boak This thesis is a feminist enquiry into the relationship between gender, embodiment and voice in recorded popular music post-1990. In particular, the study focuses on the term ‘embodiment’ and defines this term in a way that moves forward from a simple understanding of representing the body in music. -
Finding Aid to the Historymakers ® Video Oral History with Mccoy Tyner
Finding Aid to The HistoryMakers ® Video Oral History with McCoy Tyner Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Tyner, McCoy Title: The HistoryMakers® Video Oral History Interview with McCoy Tyner, Dates: September 16, 2004 Bulk Dates: 2004 Physical 5 Betacame SP videocasettes (2:09:48). Description: Abstract: Jazz pianist McCoy Tyner (1938 - ) is a legendary jazz musician and was a member of the famed John Coltrane Quartet. Tyner has made over eighty recordings and has won five Grammy Awards. Tyner was interviewed by The HistoryMakers® on September 16, 2004, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2004_164 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Phenomenal jazz pianist McCoy Tyner was born December 11, 1938, in Philadelphia, Pennsylvania, of parents with roots in North Carolina. Tyner attended Martha Washington Grade School and Sulzberger Jr. High School. Tyner, with the encouragement of his teacher Ms. Addison and his mother, Beatrice Stephenson Tyner, began taking beginning piano lessons from a neighbor, Mr. Habershaw. Later, a Mr. Beroni taught Tyner classical piano. Although inspired by the music of Art Tatum and Thelonius Monk, it was his neighborhood Philadelphia musicians that pushed Tyner’s musical development. He engaged in neighborhood jam sessions with Lee Morgan, Bobby Timmons and Reggie neighborhood jam sessions with Lee Morgan, Bobby Timmons and Reggie Workman. Tyner was hand picked by John Coltrane in 1956, while still a student at West Philadelphia High School. -
The Book of Discipline
THE BOOK OF DISCIPLINE OF THE UNITED METHODIST CHURCH “The Book Editor, the Secretary of the General Conference, the Publisher of The United Methodist Church and the Committee on Correlation and Editorial Revision shall be charged with edit- ing the Book of Discipline. The editors, in the exercise of their judgment, shall have the authority to make changes in wording as may be necessary to harmonize legislation without changing its substance. The editors, in consultation with the Judicial Coun- cil, shall also have authority to delete provisions of the Book of Discipline that have been ruled unconstitutional by the Judicial Council.” — Plan of Organization and Rules of Order of the General Confer- ence, 2016 See Judicial Council Decision 96, which declares the Discipline to be a book of law. Errata can be found at Cokesbury.com, word search for Errata. L. Fitzgerald Reist Secretary of the General Conference Brian K. Milford President and Publisher Book Editor of The United Methodist Church Brian O. Sigmon Managing Editor The Committee on Correlation and Editorial Revision Naomi G. Bartle, Co-chair Robert Burkhart, Co-chair Maidstone Mulenga, Secretary Melissa Drake Paul Fleck Karen Ristine Dianne Wilkinson Brian Williams Alternates: Susan Hunn Beth Rambikur THE BOOK OF DISCIPLINE OF THE UNITED METHODIST CHURCH 2016 The United Methodist Publishing House Nashville, Tennessee Copyright © 2016 The United Methodist Publishing House. All rights reserved. United Methodist churches and other official United Methodist bodies may re- produce up to 1,000 words from this publication, provided the following notice appears with the excerpted material: “From The Book of Discipline of The United Methodist Church—2016. -
Elenco CD Rock
AUTORE TITOLO SEGNATURA 2 CELLOS CELLOVERSE MUS DUE CEL AC/DC BACK IN BLACK MUS ACD BAC AC/DC HIGH VOLTAGE MUS ACD HIG AC/DC HIGHWAY TO HELL MUS ACD TOH AC/DC LET THERE BE ROCK MUS ACD LET AC/DC LIVE '92 MUS ACD LIV AC/DC ROCK OR BUST MUS ACD ROC BRYAN ADAMS LIVE! LIVE! LIVE! MUS ADA LIV BRYAN ADAMS RECKLESS MUS ADA REC AEROSMITH GET A GRIP MUS AER GET AEROSMITH PERMANENT VACATION MUS AER PER AEROSMITH TOUGH LOVE: BEST OF THE BALLADS MUS AER TOU AEROSMITH TOYS IN THE ATTIC MUS AER TOY AFTERHOURS BALLATE PER PICCOLE IENE MUS AFT BAL AFTERHOURS GERMI MUS AFT GER AFTERHOURS HAI PAURA DEL BUIO? MUS AFT HAI AFTERHOURS NON E' PER SEMPRE MUS AFT NON AFTERHOURS QUELLO CHE NON C'E' MUS AFT QUE ALAN PARSONS PROJECT GAUDI' MUS ALA GAU ALICE IN CHAINS NOTHING SAFE - THE BEST OF THE BOX MUS ALI NOT THE ALLMAN BROTHERS AT FILLMORE EAST MUS ALL FIL THE ALLMAN BROTHERS EAT A PEACH MUS ALL EAT THE ALLMAN BROTHERS THE BEST OF THE ALLMAN BROTHERS MUS ALL BES AMERICA HISTORY - AMERICA'S GREATEST HITS MUS AME HIS THE ANIMALS ANIMALISMS MUS ANI ANI THE ANIMALS THE COMPLETE ANIMALS MUS ANI COM ARCADE FIRE NEON BIBLE MUS ARC NEO ARCADE FIRE THE SUBURBS MUS ARC SUB AREA ANTO/LOGICAMENTE MUS ARE ANT AREA ARBEIT MACHT FREI MUS ARE ARB LOUIS ARMSTRONG WHAT A WONDERFUL WORLD MUS ARM WHA JOAN BAEZ DAY AFTER TOMORROW MUS BAE DAY BANCO DEL MUTUO SOCCORSO B.M.S.