Public Discourse in the Russian Blogosphere: Mapping Runet Politics and Mobilization
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Beyond Corporate Raiding: a Discussion of Advanced Fraud Schemes in the Russian Market
111th CONGRESS Printed for the use of the 2d Session Commission on Security and Cooperation in Europe BEYOND CORPORATE RAIDING: A DISCUSSION OF ADVANCED FRAUD SCHEMES IN THE RUSSIAN MARKET NOVEMBER 9, 2010 Briefing of the Commission on Security and Cooperation in Europe Washington: 2015 VerDate Sep 11 2014 04:03 Sep 01, 2015 Jkt 095243 PO 00000 Frm 00001 Fmt 3190 Sfmt 3190 E:\HR\OC\A243.XXX A243 smartinez on DSK4TPTVN1PROD with HEARINGS g:\graphics\CSCE.eps Commission on Security and Cooperation in Europe 234 Ford House Office Building Washington, DC 20515 202–225–1901 [email protected] http://www.csce.gov Legislative Branch Commissioners SENATE HOUSE BENJAMIN L. CARDIN, MARYLAND, ALCEE L. HASTINGS, FLORIDA, Chairman Co-Chairman CHRISTOPHER DODD, CONNECTICUT EDWARD MARKEY, MASSACHUSETTS SAM BROWNBACK, KANSAS LOUISE MCINTOSH SLAUGHTER, SAXBY CHAMBLISS, GEORGIA NEW YORK RICHARD BURR, NORTH CAROLINA MIKE MCINTYRE, NORTH CAROLINA ROGER WICKER, MISSISSIPPI G.K. BUTTERFIELD, NORTH CAROLINA JEANNE SHAHEEN, NEW HAMPSHIRE JOSEPH PITTS, PENNSYLVANIA SHELDON WHITEHOUSE, RHODE ISLAND ROBERT ADERHOLT, ALABAMA TOM UDALL, NEW MEXICO DARRELL ISSA, CALIFORNIA EXECUTIVE BRANCH COMMISSIONERS MICHAEL POSNER, Department of State ALEXANDER VERSHBOW, Department of Defense (II) VerDate Sep 11 2014 04:03 Sep 01, 2015 Jkt 095243 PO 00000 Frm 00002 Fmt 3190 Sfmt 3190 E:\HR\OC\A243.XXX A243 smartinez on DSK4TPTVN1PROD with HEARINGS ABOUT THE ORGANIZATION FOR SECURITY AND COOPERATION IN EUROPE The Helsinki process, formally titled the Conference on Security and Cooperation in Europe, traces its origin to the signing of the Helsinki Final Act in Finland on August 1, 1975, by the leaders of 33 European countries, the United States and Canada. -
The Rise and Fall of Russia's Soft Power
The Rise and Fall of Russia’s Soft Power Results of the Past Twenty Years Vera D. Ageeva Vera D. Ageeva, PhD in International Relations Higher School of Economics in St. Petersburg, Russia Department of Political Science and International Relations Deputy Head of Department, Associate Professor Paris Institute of Political Studies (Sciences Po Paris), France The Centre for International Studies (CERI) Doctoral Student ORCID: 0000-0002-5419-0968 SPIN RSCI: 3009-1828 E-mail: [email protected] Tel.: +7 (812) 644-59-11*61415 Address: 123 Griboedov Embankment, St. Petersburg 190008, Russia E-mail: [email protected] Address: 27 Rue Saint-Guillaume, Paris 75007, France DOI: 10.31278/1810-6374-2021-19-1-118-145 Abstract The article examines the evolution of Russia’s soft power strategy over the past twenty years. The author analyzes the goals the Russian leadership set when starting this work, and shows that those goals were not limited to improving the Russian image on the world stage. The following periodization of Russia’s soft power evolution is proposed: the rise (2000-2007/2008), institutionalization (2007/2008-2013/2014), and tightening (2013/2014- till present). The article explores how Russian soft power changed during these periods: what tools were used, what role formal and informal institutions played, and what ideas and values were used as a foreign policy 118 RUSSIA IN GLOBAL AFFAIRS The Rise and Fall of Russia’s Soft Power narrative. The analysis of the evolution of the Russian strategy allows us to correlate different stages of its development with Joseph Nye’s concept, as well as to show the intermediate and final results of its implementation. -
The Blogging Artist: a Genre-Analysis Approach
Tarih Kültür ve Sanat Ara ştırmaları Dergisi (ISSN: 2147-0626) Journal of History Culture and Art Research Vol. 2, No. 2, June 2013 Revue des Recherches en Histoire Culture et Art Copyright © Karabuk University http://kutaksam.karabuk.edu.tr/index.php اث ار وا وا Özel Sayı/Special Issue (English Studies ) DOI: 10.7596/taksad.v2i2.220 The Blogging Artist: a Genre-Analysis Approach ∗ Anda-Elena Cre ţiu ∗∗ Abstract Building on the now classic approaches to Discourse Analysis offered by Swales and Bhatia, the present paper tries to establish the benefits and value of applying the method of Genre Analysis to teaching English for Art Purposes, with a focus on a more recent Internet genre, that of the artist’s blog (weblog). The artist’s blog is seen as part of the greater genre of the weblog, which has already been classified into a number of subgenres. The paper proposes yet another dimension to be added to those already considered when classifying the weblogs: the dimension of “occupational-oriented content” as a descriptive for further classifications; it also tries to uncover the generic features of this type of discourse. The ultimate aim of this study is, on the one hand, that of providing art students with the necessary know-how of using the weblog genre for their current and future professional purposes, as part of the complex system of genres devised by the artistic discourse community in order to communicate both within and without itself, and, on the other hand, to help students use their knowledge of the English language to create such a discourse type in order to obtain maximum benefits. -
AI – ARTISTIC INTELLIGENCE? MACHINE and ARTIST COLLABORATE THROUGH AI March 14
1 Get creative Vocabulary Creativity; copying Grammar Past perfect simple and past perfect continuous Reading A blog Listening A podcast Speaking Discussing a problem Writing A review Presentations Using visuals Creativity is intelligence having fun. (Albert Einstein) What does the quote mean? Do you agree with it? Do you think intelligence and creativity are closely connected? Vocabulary Creativity 1 Read the text. Do you use any of the strategies in How to be the text? Do you use any other strategies when you’re thinking of new ideas? more creative 2 Match the meaning of the phrases in bold to the GET TIRED: A psychological study by Mareike Wieth words in blue in the text. and Rose Zacks found that the best ideas often 1 In the next 15 years, people could have their brains emerge when you’re feeling tired, and daydreaming zapped to make them more creative. promotes creativity. Some studies show that we are 2 Did you know that washing your hair with your eyes most productive at 2.55 pm, just after lunch, when we are feeling sleepy. So next time you get stuck, wait closed can awaken your other senses? until you’re tired – it may work for you! 3 We wanted a new idea for the design but didn’t come up with anything. Then a walk in the park inspired us. GET MOVING: The co-founder of Apple, Steve Jobs, loved taking long walks. They used to help 4 Camila dreamed of being an athlete and she him dream up new ideas for products. -
Dowthwaite, Liz (2018) Crowdfunding Webcomics
CROWDFUNDING WEBCOMICS: THE ROLE OF INCENTIVES AND RECIPROCITY IN MONETISING FREE CONTENT Liz Dowthwaite Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2017 Liz Dowthwaite Crowdfunding Webcomics: The Role of Incentives and Reciprocity in Monetising Free Content Thesis submitted to the School of Engineering, University of Nottingham, in partial fulfilment of the requirements for the degree of Doctor of Philosophy. © September 2017 Supervisors: Robert J Houghton Alexa Spence Richard Mortier i To my parents, and James. ii Doug Savage, 2007 http://www.savagechickens.com/2007/05/morgan-freeman.html “They’re not paying for the content. They’re paying for the people.” Jack Conte, founder of Patreon “We ascribe to the idealistic notion that audiences don’t pay for things because they’re forced to, but because they care about the stuff that they love and want it to continue to grow.” Hank Green, founder of Subbable iii CROWDFUNDING WEBCOMICS – LIZ DOWTHWAITE – AUGUST 2017 ABSTRACT The recent phenomenon of internet-based crowdfunding has enabled the creators of new products and media to share and finance their work via networks of fans and similarly-minded people instead of having to rely on established corporate intermediaries and traditional business models. This thesis examines how the creators of free content, specifically webcomics, are able to monetise their work and find financial success through crowdfunding and what factors, social and psychological, support this process. Consistent with crowdfunding being both a large-scale social process yet based on the interactions of individuals (albeit en mass), this topic was explored at both micro- and macro-level combining methods from individual interviews through to mass scraping of data and large-scale questionnaires. -
How to Have Computer
MANKATO COMPUTER TECHNOLOGY UNIVERSITY FINDING FUN ON YOUR COMPUTER Watching Videos and Listening to Music. Playing Games. HOW TO HAVE Finding Random Fun Stuff. COMPUTER Learning Something New. FUN Using Social Networking. Having Fun Without the Internet. Exploring Computers as a Hobby. If you're in the mood for instant entertainment, look no further than your computer. HOW TO HAVE No matter what you like to do for fun, you've got endless options. COMPUTER Have computer fun by checking out new games, chatting with your friends, learning something new, exploring computers as a hobby, FUN watching funny videos or even creating your own content to share. As long as your computer works, you'll never have to be bored again. WATCHING VIDEOS AND LISTENING TO MUSIC WATCH ORIGINAL CONTENT ON YOUTUBE. • YouTube has videos of anything you'd like to see, from silly videos of cats making weird noises to footage of the Apollo Mission. • Search for a topic you're into or check out a popular channel and subscribe. • YouTube is also a great way to check out music videos. Search for your favorite songs, artists, and albums to check out their corresponding visuals. • If you're into gaming, check out YouTube Gaming at https://gaming.youtube.com. Here you'll find gaming-specific content, including live streams of gamers playing your favorite titles. MAKE YOUR OWN YOUTUBE VIDEO. • Want to go viral? A great way to have fun on the computer is making your own videos and putting them online. Here are some video ideas to get you started: Start vlogging. -
The End of the Putin Consensus Ben Judah and Andrew Wilson
M P o e L M i CY The end of The o PuTin Consensus Ben Judah and Andrew Wilson Since December, Russia has been rocked by mass protests SU The “Putin consensus” of the 2000s is over. demanding clean elections and an end to the culture of Although Prime Minister Vladimir Putin is immunity on corruption. After a decade of over-control, certain to win a hollow victory in the Russian Russia is undergoing a process of re-politicisation. After presidential elections in March, the current the financial crisis exposed Russia’s chronic governance MMARY electoral cycle has weakened his authority and crisis and its dashed dreams of being a rising economic shown the fragility of his regime. Russia is undergoing a process of re-politicisation and is power, as ECFR argued in Dealing with a Post-BRIC entering a phase of “late Putinism” that is likely Russia, the “Putin consensus” has broken down and to be characterised by elite divisions, continued the “Putin majority” in society has decayed.1 However, protests and a gradual ebbing away of popular although Russia is restless, it is not yet revolutionary. support. The protest movement that erupted There is still a passive Putin plurality, largely drawn from after the falsified vote in the parliamentary the older, poorer and more provincial parts of society election in December has not yet challenged that are frightened of change and see no alternative to Putin’s grip on power but is nevertheless a symptom of an increasingly unstable Russia. Putin. The protest movement remains a minority, but it is concentrated in the country’s most dynamic demographics The European Union should see the current – particularly among Muscovites the new middle classes, crisis as a clear signal that the Putin system will the young and the cultural elites. -
The Role of Investment Protection in EU-Russia Relations
POLICY BRIEFS No. 02/2010 ISSN 1653-8994 Vested and Invested Interests: The Role of Investment Protection in EU-Russia Relations Fredrik Erixon and Iana Dreyer Fredrik Erixon ([email protected]) is Director of ECIPE and Iana Dreyer ([email protected]) is an independent consultant Relations between the European Union and Russia its economic statecraft and approach to foreign eco- have lately been improving. After years with a turbu- nomic relations. Russia has reissued its application to lent stop-go relation, fraught by Russian assertiveness join the World Trade Organisation (WTO) alone (and and unpredictability, and the Kremlin’s desire to re- not as a Customs Union together with Belarus and Ka- gain its regional power, there are signs that the Rus- zakhstan), and communicated a willingness to join the sian leadership is warming up to a new approach that WTO sooner rather than later. And it has signaled an is more constructive and aims for deeper integration interest to press ahead with negotiations with the EU with world and European markets through new com- over commercial policy. The first step towards that end mercial policy deals. The crisis, which hit Russia hard, is a new Partnership for Modernization. has forced upon Russia a more realistic notion about SUMMARY This paper concerns Russia’s invest- core principles of trade and investment. lavish investment projects in Europe, and ment policy and why Europe should put when Europe is building up a collective greater emphasis on its policy for im- It simply is not possible for Russia to re- approach for addressing investment proving investment protection in Russia. -
Announcement – Independent Print Ltd
ANNOUNCEMENT – INDEPENDENT PRINT LTD Independent Print Limited acquires Independent and Independent on Sunday LONDON, March 25--Independent Print Limited, a company owned by the Lebedev family, has agreed to acquire The Independent and Independent on Sunday newspapers in a deal that will safeguard the future of the business. The agreement provides a commitment by the Lebedev family to invest in the newspapers, which are currently loss-making, and inject new energy and impetus into them. The purchase of the Independent newspapers follows the Lebedevs’ acquisition last year of a 75% shareholding in the London Evening Standard. Since then the Evening Standard’s circulation has risen from 250,000 to 600,000 and it is now read by 1.4 million Londoners daily, substantially increasing its commercial revenues. Evgeny Lebedev last month became Chairman of Evening Standard Ltd. Completion of the transaction is expected to take place in May 2010 following employee consultation and receipt of the relevant regulatory approval. In addition to the London Evening Standard, The Lebedevs also co-own, with President Mikhail Gorbachev, Novaya Gazeta, one of Russia's few pro-democracy newspapers. The paper has a reputation for independence and high-quality journalism. Anna Politkovskaya, whose fearless reports from Chechnya resulted in her assassination in 2006, worked for Novaya Gazeta. Alexander Lebedev said: "I invest in institutions which contribute to democracy and transparency and, at the heart of that, are newspapers which report independently and campaign for the truth to be revealed. I am a supporter of in-depth investigative reporting and campaigns which promote transparency and seek to fight international corruption. -
Selected Press
Selected Press Jay Scheib Feature Articles, Reviews, and General Press Jay Scheib | [email protected] | Selected Feature Articles and Reviews The best New York theater directors - Time Out New York Time Out New York Kids Time Out Chicago Time Out Worldwide Travel Book store Subscribe to Time Out New York Subscriber Services Home Art Books Clubs Comedy Dance Film Games Gay I, New York Kids Museums Music Opera & Classical Own This City Real Estate Restaurants & Bars Sex & Dating Shopping Spas & Sport Theater Travel TV Video Tools Theater E-mail Time Out New York / Mar 25, 2009 Print New York's best Rate & comment Report an error The best New York theater directors Share this 1. Jay Scheib Mixing multimedia with deadpan-cool (and very sexy) actors, Scheib is forging new ways of seeing drama. 2. Ken Rus Schmoll Schmoll takes on more difficult playwrights, teasing out the ambiguity and menace in their words. 3. Elizabeth LeCompte As chief engineer of the Wooster Group’s postmodern tech spectacles, she has influenced a generation of experimenters. 4. Anne Kauffman She helmed two of our favorite shows in years: The Thugs and God’s Ear. Sensitive to thorny language, she makes the murky crystal clear. Cheap tickets 5. Joe Mantello Seats for a song Sure, he helmed the blockbuster Wicked, but the former actor is most at home Find great deals on working on tough drama on an intimate level. tickets. 6. Richard Foreman Guides They don’t call him the king of the avant-garde for nothing; Foreman is the auteur’s Student Guide auteur: He writes, designs, directs and even operates the sound. -
Esi Manual, the Russian Debate on the South Caucasus: Who Is Who?
ESI MANUAL THE RUSSIAN DEBATE ON THE SOUTH CAUCASUS: WHO IS WHO? Part 1: Russian Print Media Berlin – Istanbul, December 2009 2 Russia’s Foreign Policy and the Caucasus ~ Contents ~ NEWSPAPERS ..................................................................................................................................................... 3 DAILIES .............................................................................................................................................................. 4 WEEKLIES ......................................................................................................................................................... 12 NEWS AGENCIES............................................................................................................................................. 14 WEB-MEDIA ...................................................................................................................................................... 17 ENGLISH LANGUAGE MEDIA ..................................................................................................................... 26 Russia’s Foreign Policy and the Caucasus 3 NEWSPAPERS Most widely read Russian newspapers by circulation and Average Issue Readership (AIR). Paper Owner Circulation Average Issue Readership (AIR) DAILY NEWSPAPERS Moskovsky Komsomolets Pavel Gusev 2.040,000 ---- Komsomolskaya Pravda YeSN 640,900 2.171,500 Rossiyskaya Gazeta Russian government 218,905 1.160,900 Izvestiya SOGAZ 177,000 420,200 Novaya Gazeta* Staff -
F V Teampark Platform and Method
innovation and inspiration and innovation Sogeti From crowd to community vision and inspiration innovation and inspiration Patrick Savalle, Wim Ho and and Arnd Brugman From crowd to community | From crowd to community | TeamPark Patrick Savalle, Wim Ho Wim Savalle, Patrick and and Arnd Brugman Arnd and and innovation and inspiration platform and method and platform TeamPark Sogeti innovation and inspiration 22525_SOG_Omslag_Teampark-Crowd_E.indd 1 29-04-2010 16:36:08 #REATIVEJUSTI½CATIONONCOVER ±4HEDETAILED3OGETIBRIE½NGFORTHEDOUBLECOVERPROVIDESTHEBASISFOR THEDESIGN &RONTANDBACKCOVEROFTHEBOOKHAVEACONSISTENTDESIGNINVOLVINGAN INTRIGUINGINTERPLAYOFLINES 4EAM0ARK 4HEMETHODISMETICULOUSLY SCHEMATICALLYDETAILEDINTHEBRIE½NG 7HEELSARESUBTLYINCORPORATED4HEIMAGEOF!RNTZICONOGRAPHYUSED HEREISAREPRESENTATIONOFDIVERGENTBUSINESSLINES² $ESIGNTEAM&RANCISKA&RANSENAND*OSVANDEN"ERG TeamPark TeamPark Platform and Method 2nd (revised) edition Patrick Savalle Wim Hofland Arnd Brugman 2010 Sogeti Attribution-Share Alike 3.0 The Netherlands http://creativecommons.org/licenses/by-sa/3.0/nl/ You are free: to Share – to copy, distribute and transmit the work to Remix – to adapt the work Under the following conditions: Attribution. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). Share Alike. If you alter, transform, or build upon this work, you may distribute the resulting work only under the same, similar or a compatible license. • For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to this web page: http://creativecommons.org/ licenses/by-sa/3.0/nl/. • Any of these conditions can be waived if you get permission from the copyright holder. • Nothing in this License is intended to affect or limit the author’s moral rights.