90 Entertainment Enroll at uclaextension.edu or call (800) 825-9971

MGMT X 403.01 Legal Primer for the Film & TV Entertainment Business ENTERTAINMENT For more information call (310) 825-9064, email 4.0 units [email protected], or visit This unique course explores key legal principles and entertainment.uclaextension.edu. contractual relationships within the film and television industry through a dynamic assortment of lectures and hands-on workshops. You develop a core understanding Business & Management of subjects including idea protection, copyright, defa- mation, privacy, and the right of publicity. In addition, of Entertainment you are exposed to key issues in manager agreements and in standard film and television agreements, includ- MGMT X 403.31 ing literary option/purchase agreements, life rights The Business of Entertainment agreements, collaboration agreements, and talent 4.0 units employment agreements. The course concludes with With the entertainment industry converging into a exploring independent film finance and distribution worldwide mass media, both business and operation deals. Through learning some essential “countermea- models continue to rapidly evolve. This introductory sures” to use when reviewing such contracts, you are course for producers, directors, writers, development empowered in a way usually only reserved for elite personnel, and aspiring media executives examines the talent lawyers—and have a lot of fun in the process. changing business issues associated with the entertain- ment industry. Through lectures, discussions with Reg# 369362 industry guests, and case studies, instruction focuses Fee: $699 No refund after 27 Sept. on current business and production issues and intro- mmOnline duces new business models to navigate content onto Sept. 23-Dec. 8 new distribution platforms. Some history is highlighted Enrollment limited; early enrollment advised. to provide a context for current practices and potential. c & The course also features opportunities to meet senior David Wienir, talent lawyer at United Talent Agency. entertainment industry executives in various sectors. Before UTA, Mr. Wienir practiced law at two top talent Topics include financing, contracts, intellectual property boutiques where he represented Steven Spielberg and issues, licensing, worldwide theatrical marketing and Madonna. He was named to Variety’ s 2014 Legal FILM & TELEVISION MUSIC distribution, worldwide home entertainment marketing Impact Report and is the author of several acclaimed and distribution, worldwide television production and books, including Making It on Broadway. 90 Business & Management 98 Film Scoring distribution, multi-channel network distribution and of Entertainment opportunities, the impact of piracy, and leveraging new MGMT X 476.99 100 Music Business distribution platforms. By the end of the course, stu- Marketing Entertainment: 92 Entertainment Project dents should have an understanding of the opportuni- Strategies for the Global Marketplace 101 Music Production ties available in the business of entertainment. 4.0 units Management Reg# 369363 Today, marketing entertainment is a global enterprise, Fee: $699 and motion pictures are the assets that drive expanding 92 Acting No refund after 9 Oct. ancillary markets. How a movie is marketed determines 93 Cinematography ❖❖ Classroom its financial success and future. The instructor and a 11 mtgs select number of the industry’s top marketing profes- 94 Directing Thursday, 7-10pm, Sept. 26-Dec. 12 sionals address myriad issues on how feature films get UCLA: Physics & Astronomy Bldg. & marketed in today’s increasingly competitive market. c Topics include creating brand-centric franchise-driven Randy Greenberg, executive producer of The MEG and 95 Entertainment Development strategies; positioning an entertainment property as a Cowboys & Aliens; founder of The Greenberg Group, a brand in popular culture; marketing and distribution 96 global entertainment investment and content strategy Post-Production strategies in a converging marketplace; secrets to consultancy. He was previously the SVP/head of creating compelling film, video, web, and print advertis- 96 Producing ­international theatrical marketing and distribution for ing; the power of social media; the influence and use Universal Pictures. of research; and leveraging international strategies and MGMT X 403.34 new media promotional and licensing strategies to Entertainment Financing: create valuable partnerships and revenue streams. From First $ to Distribution of Profits Reg# 369365 For more information call (310) 825-9064. 4.0 units Fee: $699 No refund after 7 Oct. This course covers the financial aspects of each step of ❖❖ Classroom the motion picture value chain (from development 11 mtgs through profit participation) and considers the implica- Tuesday, 6:30-9:30pm, Sept. 24-Dec. 3 tions of financial choices. Designed to give you a general UCLA: Dodd Hall understanding of how financial deals are structured, c topics include how film financing is secured, connecting Debbie Brunner, owner of 3 Dog Production with over Entertainment Studies the production budget to the financing, when a comple- 20 years of marketing experience in creative and print. tion guarantor is required, and the various types of TV heavyweights Paramount, NBC-Universal, Warner domestic and international distribution arrangements. You Bros. and Sony entrust Ms. Brunner to oversee the also learn about third-party profit participation agree- marketing launches of their shows, including TMZ, Two ments and the practical aspects and procedures that and a Half Men, Ellen, The Flash, and Jane the Virgin. Networking Opportunities underlie them; terms and definitions that impact bottom line considerations, including contingent compensation; distribution fees and expenses; the producer’s share of Exclusively for Certificate Students profit; distinctions between production, distribution, and marketing costs; and how these costs may significantly Does your project need a director? An actor? A producer? A composer? impact recoupment and profits. Reg# 369600 Register for FILM TV UL 700 Free Network- Fall Networking Event Fee: $699 ing Opportunities for Entertainment No refund after 8 Oct. Friday, September 20, 5–7pm ❖❖ Classroom Studies Certificate Students to attend UCLA Extension Gayley Center 11 mtgs our free events and collaborate online! Wednesday, 7-10pm, Sept. 25-Dec. 11 This is the perfect opportunity to meet Page 98. UCLA: School of Public Affairs Bldg. your fellow Certificate Students and make No meeting Nov. 27. c important connections. Richard Kiratsoulis, entertainment executive providing consulting services for a group of independent film companies in the areas of film financing, production, For More Information and distribution. Previously, Mr. Kiratsoulis was the (310) 825-9064 president and COO of Media 8 (Monster, The Upside entertainment.uclaextension.edu/entertainment-studies-networking-events of Anger). Enroll at uclaextension.edu or call (800) 825-9971 Entertainment 91

Sneak Preview Film & Television

See the most highly anticipated new films prior to public release, specially selected for our Sneak Preview audience. Certificates and Our seasoned moderators lead engaging Q&As with actors, directors, writers, and producers, giving you an inside look at the making of each film. Sneak Preview starts October 2 and presents 10 new films. Specializations Page 98. Gain the Skills to Take Your Career to the Next Level Past films and guests have included Interested in becoming a director? Want a career as a movie producer­ A United Kingdom with actor Loving with actors Ruth Negga David Oyelowo and Joel Edgerton or executive? Interested in behind-the-scenes positions such as director La La Land with director Damien Chazelle Wilson with actor Laura Dern of photography? If Beale Street Could Talk with director Molly’s Game with writer-director Enroll in one of our 8 Film & Television Certificates. Barry Jenkins Aaron Sorkin All of the Film & Television Certificates offer a broad overview of the industry, Above: Q&A with (left to right) moderator Anne Thompson, actor/producer Kevin Costner, and director Mike Binder at Sneak Preview. as well as targeted skills, training, and the contacts you need for success. For weekly updates, visit entertainment.uclaextension.edu/sneak-preview. Film & Television Certificates Directing Cinematography MGMT X 403.33 MGMT X 402.32 Acting Entertainment Studies Independent Film Financing Starting Your Own Entertainment 4.0 units Production Company Film & TV Development Business & Management In today’s ever-changing market, filmmakers need to 4.0 units of Entertainment have a working understanding of a wide variety of A practical primer on starting a business, staying in Producing financial models in order to successfully fund the dif- business, and thriving, whether in motion pictures, Independent Producing ferent phases of their entertainment projects. This television, or another entertainment industry venture. Offered entirely online! course explores film finance methods, discusses the This course addresses essential issues regarding the advantages and disadvantages of each, and provides legal and business affairs basics, planning, implemen- sources for additional information. The goal is to tation, and management. Guest speakers include Are you looking for a shorter program? become familiar with numerous ways to finance a industry experts in entertainment financing, intellectual feature or documentary film that may vary at different property, union issues, distribution, film and television Our specializations can be completed in as little as 2-3 quarters! stages of your career. In addition, you are exposed to production, and other matters relating to managing and many different sources of additional information operating an independent production company. Film & Television Specializations regarding film financing so that you may be confident Reg# 370018 with your choices relating to film finance. You also gain Fee: $699 Fundamentals of the Entertainment Industry an awareness of the many film finance scams that No refund after 6 Oct. exist in the marketplace so that you are in a better ❖❖ Classroom Offered entirely online! position to avoid such problems. Topics include gifts 11 mtgs and grants, active and passive investor financing, This 4-course specialization is ideal for students who are passionate about entertain- Monday, 7-10pm, Sept. 23-Dec. 9 ment and are looking for a short program to prepare them with the basic skill sets federal and state securities law compliance, lender UCLA: Dodd Hall financing, studio/industry financing, and the broader No meeting Nov. 11. needed to break into the entertainment industry. film finance environment. c David Pierce, attorney, Pierce Law Group, LLP, who Reg# 369614 specializes in representing entertainment companies in Editing Fee: $699 corporate operations, intellectual property, and labor Offered entirely online! No refund after 30 Sept. and employment issues. His clients include Lionsgate mmOnline Entertainment, Earthview, Inc. (The Amazing Race), and This 3-course specialization provides students with the fundamentals of editing theory Sept. 26-Dec. 5 c & The Comedy Store. and practice in the leading digital editing software. John Cones, securities/entertainment attorney who Patrick J. Gorman, entertainment attorney in private advises independent feature film producers on matters practice in Beverly Hills. Mr. Gorman represents both Entertainment Project Management relating to investor financing of feature films and enter- start-up and established entertainment companies, This 3-course specialization provides opportunities to understand project management tainment projects. He has prepared or participated in domestically and globally, in the motion picture, music, over 250 business offerings for feature films, TV pilots, and television industries, as well as producers, actors, concepts and tools in the entertainment space, covering a wide range of industries, from documentaries, and more. directors, screenwriters, and recording artists. Film and TV to Theme Parks and Gaming/Interactive. Plus, enjoy maximum flexibility—start anytime, with no admissions­ requirements. Take the next step toward the career you’ve always wanted!

For More Information (310) 825-9064 | entertainment.uclaextension.edu 92 Entertainment Enroll at uclaextension.edu or call (800) 825-9971

Reg# 370074 text, and find new ways of tapping into the imagination Fee: $699 and soul of a character. No refund after 9 Oct. Reg# 369986 ❖❖ Classroom Fee: $699 11 mtgs No refund after 27 Sept. Thursday, 6:30-9:30pm, Sept. 26-Dec. 12 ❖❖ Classroom UCLA Extension Gayley Center: 11 mtgs 1145 Gayley Ave. Monday, 7-10pm, Sept. 23-Dec. 9 No meeting Nov. 28. c UCLA Extension Lindbrook Center: Garrett Chau, JD, chief executive officer, Drive Group, 10920 Lindbrook Dr. LLC No meeting Nov. 11. c Crystal Robbins, actress whose work includes film roles (Time Changer, The Long Walk Home, Great Balls Acting of Fire), theater acting, and directing. She completed studies in voice, speech, and body work with teaching THEATER X 407.5 legend Arthur Lessac and is a certified Lessac Trainer. Entertainment Acting Techniques: The Fundamentals Reg# 370038 4.0 units Fee: $699 In this introduction to acting, learn fundamental perfor- No refund after 27 Sept. mance techniques and exercises, including relaxation, ❖❖ Classroom concentration, sense memory, emotional recall, impro- 11 mtgs Project Management visation, character tasks, and text analysis. You then Monday, 3:30-6:30pm, Sept. 23-Dec. 9 apply these techniques by rehearsing and performing UCLA Extension Lindbrook Center: monologues and two-character scenes. In-class partner 10920 Lindbrook Dr. work and weekly assignments are required. No meeting Nov. 11. c Reg# 369914 Kellynn Meeks, actor and producer whose credits Specialization Fee: $699 include the Funny or Die exclusive web series, The No refund after 28 Sept. Snooze Room, and 10 years’ experience as a company ❖❖ Classroom member of the Los Angeles Women’s Shakespeare This 3-course specialization provides opportunities to understand project 11 mtgs Company. She is a Lessac-certified trainer who has Tuesday, 7-10pm, Sept. 24-Dec. 3 studied under Arthur Lessac. management concepts and tools in the entertainment space, covering a wide UCLA Extension Lindbrook Center: range of industries from Film and TV, to Theme Parks, and Gaming/Interactive. 10920 Lindbrook Dr. THEATER X 410.3 Enrollment limited; early enrollment advised. c Acting for the Camera I This program is suitable for the curious Required Courses Lisa Chess, actor whose film credits include Frankie 4.0 units student, professionals interested in and Johnny Are Married, The Hollow, and Separate Learn to get comfortable in front of the lens. Exercises Offered This Quarter Lives. Ms. Chess was a semi-regular on the TV series begin with on-camera interviews so that students can exploring a different field, and project Picket Fences and has guest-starred on such television view their screen images in playback. Instruction management professionals. MGMT X 452.1 Welcome to Hollywood! Understanding Entertainment shows as The Practice, Family Law, and The Division. focuses on understanding technical and emotional adjustments required for working in front of the camera • Learn key entertainment project manage- Industries’ Project Driven Culture Reg# 370087 ment roles, responsibilities, and functions Fee: $699 in a relaxed and truthful way and developing intimacy Page 92. No refund after 29 Sept. with the camera. Topics include the difference between • Explore the tools needed to successfully ❖❖ Classroom frame sizes and learning to hit marks. Hone your acting understand how projects are pitched as MGMT X 452.2 Sold! Project 11 mtgs techniques through scene-study guidelines and sensory an idea and executed to completion Management Principles and Tools Wednesday, 3:30-6:30pm, Sept. 25-Dec. 11 and moment-to-moment exercises, as well as mono- UCLA Extension Lindbrook Center: logue work. Some exercises are performed on camera • Provide practical application of the mate- in the Entertainment Industry 10920 Lindbrook Dr. with emphasis on close-ups, simple scenes, and basic rial with multiple case studies, learning Offered in Winter No meeting Nov. 27. camera moves. The instructor critiques individual stu- from real-life examples, and managing Enrollment limited; early enrollment advised. c dents’ work during playback. issues that arise every day MGMT X 452.3 It’s a Wrap! Deliver Your Toni Attell, Emmy-nominated actor, comedian, and Reg# 369283 Project Successfully mime whose background includes a variety of work Fee: $699 in theater, film, and television. Ms. Attell has opened No refund after 28 Sept. Offered in Spring for Jay Leno, Steve Martin, and Robin Williams, and ❖❖ Classroom has guest-starred on numerous television dramas 11 mtgs and sitcoms. Tuesday, 7-10pm, Sept. 24-Dec. 3 For More Information, Contact Reg# 369930 UCLA Extension 1010 Westwood: [email protected] | (310) 825-9064 Fee: $699 1010 Westwood Blvd. No refund after 2 Oct. Students are recorded on camera during several ❖❖ Classroom sessions; those wishing to keep a copy of their work Entertainment Project 11 mtgs must bring a flash drive to each session. Saturday, 10am-1pm, Sept. 28-Dec. 14 Enrollment limited; early enrollment advised. c Course Icons Management UCLA Extension DTLA: 261 S. Figueroa St. Mig Macario, television, film, and theater actor with No meeting Nov. 30. over 30 years of experience. Mr. Macario has appeared MGMT X 452.1 Provide Enrollment limited; early enrollment advised. c in over 50 film, television, and theater productions, Welcome to Hollywood! Carol Lefko, veteran casting director, casts feature including Once Upon A Time, Velvet Buzzsaw, S.W.A.T., Information Understanding Entertainment films, television, commercials and theater. Currently, and Criminal Minds. He is passionate about sharing his Industries’ Project Driven Culture Ms. Lefko is casting two feature films, The Same Sky, knowledge of acting with his fellow artists At-a-Glance 4.0 units shooting in Puerto Rico, and The Chosen Guard, shoot- This course provides an in-depth overview of entertain- ing in Egypt. Carol is also casting sitcoms Pineapple Inn THEATER X 410.5 ment project management roles. responsibilities, and and Lawrence of Suburbia. Acting for the Camera II m ONLINE COURSE functions. Explore the wide-ranging entertainment 4.0 units Technical requirements, page 5 industries, including Film, Theater, Theme Parks, Themed THEATER X 422.12 Building on the skills learned in Acting for the Camera Entertainment. Television, Gaming/Interactive, and Live Voice and Movement I, you prepare for work professionally by practicing in g HYBRID COURSE, page 5 Events. Learn about the people behind the entertainment for the Screen Actor all styles that you may audition—features, sitcoms, TV and the techniques they employ to manage the ideas, 4.0 units drama, and commercials. Focusing on the flexibility of WEB-ENHANCED COURSE, page 5 budgets, and schedules. People who are new to this area This holistic approach to movement, voice, and speech the actor in front of the camera, you develop camera c will learn the basic concepts about how to manage techniques in scene study using scripts from TV series, ON-GROUND COURSE, page 5 aims at liberating and enhancing the performer’s natu- v entertainment projects while working professionals will ral capacity for moving, sounding, and speaking as sitcoms, and films. You also learn blocking and continu- further refine their understanding of relevant concepts applied to performance on camera. Using techniques ity with emphasis on master, two-shots, and close-ups. & TEXTBOOK REQUIRED they use in their daily work used in this type of project You perform individual and ensemble scenes increasing Visit our website for textbook developed by Alexander, Spolin, and Sills, learn to feel management. Topics include the roles of project manage- the way the human body naturally functions when it is in complexity in terms of emotion and subtext, and the information. ment, estimating, scope/statement of work, an overview free of adverse conditioning. Exercises in posture and final project is a three-person scene. The material from of the life cycle, the creative development process, and the final project is edited and becomes the basis for C UC CREDIT breathing, tonal quality, pitch range, projection, and more. The completion of this course will provide a great body characterization lead to enhanced character developing your show reel. May be transferable­ to other Introduction to project management in entertainment and portrayal, emotional truth, and increased energy and Prerequisite(s): X 410.3 Acting for the Camera I or colleges and universities, page 6 prepare students for the second and third courses. mental alertness. You experiment with vocal and body previous acting on camera experience. kkk energies, discover numerous choices in communicating kkk Enroll at uclaextension.edu or call (800) 825-9971 Entertainment 93

Reg# 369281 Reg# 369721 Fee: $699 Fee: $699 No refund after 28 Sept. No refund after 27 Sept. ❖❖ Classroom ❖❖ Classroom Courses Offered Online 11 mtgs 11 mtgs Tuesday, 3:30-6:30pm, Sept. 24-Dec. 3 Monday, 7-10pm, Sept. 23-Dec. 9 UCLA Extension 1010 Westwood: UCLA Extension 1010 Westwood: Can’t attend an in-person class? Enroll in one of our courses offered online. 1010 Westwood Blvd. 1010 Westwood Blvd. Students are recorded on camera during several No meeting Nov. 11. MGMT X 403.01 Legal Primer for the FILM TV X 404 Pre-Production and sessions; those wishing to keep a copy of their work Students are recorded on camera during several Entertainment Business Production for Film and Television must bring a flash drive to each session. c sessions; those wishing to keep a copy of their work Instructor to be announced must bring a flash drive to each session. c Page 90. Page 96. Henry LeBlanc, actor whose TV credits include appear- Reg# 369396 MGMT X 403.33 Independent Film FILM TV X 476.6 Low-Budget Fee: $699 ances on ER, 24, Everybody Loves Raymond, Law and No refund after 29 Sept. Order, and Scrubs, and regular appearances on The Jay Financing Filmmaking ❖❖ Classroom Leno Show and The Bold and the Beautiful. His film Page 91. Page 96. 11 mtgs credits include lead roles in independent films, such as Wednesday, 7-10pm, Sept. 25-Dec. 11 Antebody, The Hit, and Fortune’s 500. FILM TV X 476.894 Introduction to FILM TV X 479.088 Movie Magic UCLA Extension 1010 Westwood: Reg# 370089 Feature Film Development Budgeting 1010 Westwood Blvd. Fee: $699 No meeting Nov. 27. No refund after 29 Sept. Page 95. Page 97. Students are recorded on camera during several ❖❖ Classroom sessions; those wishing to keep a copy of their work 11 mtgs FILM TV X 476.22 Story Analysis for MGMT X 403.61 Marketing and Film and Television Distributing Independent Films must bring a flash drive to each session. c Wednesday, 7-10pm, Sept. 25-Dec. 11 Wendy Phillips, actor with numerous credits in TV UCLA Extension Lindbrook Center: Page 95. Across All Platforms 10920 Lindbrook Dr. dramas, sitcoms, and feature films. She played the Page 97. female lead in seven network TV series; guest-starred No meeting Nov. 27. FILM TV X 477.85 Adobe After or recurred on such shows as Studio 60 on the Sunset Students are recorded on camera during several Effects for Filmmakers: An MUSC X 480 Introduction to Logic Pro sessions; those wishing to keep a copy of their work Strip, Big Love, ER, and played principal roles in such Introductory Workshop feature films as Bugsy and I Am Sam. must bring a flash drive to each session. c Page 101. Scott Paulin, actor and director whose extensive film Toni Attell, Emmy-nominated actor, comedian, and Page 96. and television acting credits include The Right Stuff, Cat mime whose background includes a variety of work People, NCIS, CSI, Castle, Lost, JAG, and 24. His TV in theater, film, and television. Ms. Attell has opened FILM TV X 478.311 Editing with Final directing credits include multiple episodes of Melrose for Jay Leno, Steve Martin, and Robin Williams, and Cut Pro X: A Comprehensive Workshop Place; Beverly Hills, 90210; and Northern Exposure, has guest-starred on numerous television dramas among many others. and sitcoms. Page 96. FILM TV X 438.40 THEATER X 419.3 The Working Actor: Playing the American: An Acting and Get the Audition, Book the Job Accent-Reduction Workshop 4.0 units 4.0 units For More Information This interactive course provides you with career strate- Participants who are not native speakers of American gies that help generate audition opportunities and skills English hone their craft and learn to perform credibly in (310) 825-9064 | entertainment.uclaextension.edu/enroll that increase your ability to book the job. Learn how to mainstream America. The ultimate objective is to achieve identify your unique product, position it strategically in a seamless accent shift that does not call attention to THEATER X 433 the marketplace, and develop effective auditioning and itself or get in the way of the acting. Working in a safe, Cinematography meeting techniques. Topics include self-marketing, net- supportive environment, you learn to build confidence Pursuing a Career in Voice Overs 4.0 units working, headshots and resumes, cold reading, obtaining and trust in your creative process; modify voice, speech, FILM TV X 478.27A Do people say you have a wonderful voice? Or are you and working with the five areas of representation, review- and delivery; break through acting blocks and limita- Introduction to Cinematography an actor missing out on opportunities in this exciting ing contracts, understanding union issues, and selecting tions; and develop tools for dealing with performance 4.0 units field? Gain a comprehensive understanding of the tools the best career services for actors. You also create a anxiety. Throughout the course, you perform mono- An introduction to the fundamental tools and principles needed to excel in TV and radio commercials, anima- personalized business plan. Industry guest speakers logues, scenes, cold reading, and improvisation. used by the cinematographer to create digital or film tion, narration for documentaries, and other areas of include casting directors, agents, and personal managers Prerequisite(s): All participants must speak English images generated from the context of the story. Cur- voice over work. Instruction includes breath and micro- who offer advice and networking opportunities. fluently. riculum covers visualization, the negative, digital phone technique, script analysis, finding characters manipulation, sensitometry, filters and lenses, lighting, Reg# 369755 Reg# 369836 spontaneously, and how to keep it fun—even when the Fee: $699 Fee: $699 color, laboratory procedures, camera systems, special pressure’s on. You also learn how to pursue a career in effects, and image control—all illustrated through video No refund after 28 Sept. No refund after 7 Oct. voice over. ❖❖ Classroom ❖❖ Classroom clips and other media. You gain a solid foundation for Reg# 369254 11 mtgs 11 mtgs applying the concepts presented, as well as prepare for Fee: $699 Tuesday, 7-10pm, Sept. 24-Dec. 3 Thursday, 7-10pm, Oct. 3-Dec. 12 subsequent cinematography workshops. Students must No refund after 30 Sept. UCLA Extension Lindbrook Center: UCLA Extension Lindbrook Center: have access to a digital camera for assignments. ❖❖ Classroom 10920 Lindbrook Dr. 10920 Lindbrook Dr. Prerequisite(s): Students will be required to complete c 11 mtgs Saturday, 2-5pm, Oct. 19 camera assignments that will require both still and Adam Lieblein, president for 16 years of Acme Talent Thursday, 7-10pm, Sept. 26-Dec. 12 UCLA Extension Lindbrook Center: moving images. Student-provided equipment can be as & Literary, a bicoastal agency, who represented actors UCLA Extension 1010 Westwood: 10920 Lindbrook Dr. simple as a smartphone camera or DSLR. for film, television, commercials, print modeling, and 1010 Westwood Blvd. No meeting Nov. 28. Reg# 369547 voiceover work. After Acme’s several divisions were sold c No mtg. Nov. 28. at the end of 2008, Mr. Lieblein returned to producing Cle Thompson, actor, director, jazz vocalist and educa- Fee: $699 Students record voice over exercises directly onto No refund after 8 Oct. and teaching across the country. tor with extensive experience in film and theater whose their own recording devices. & credits include the Off Broadway plays Stompin at the c ❖❖ Classroom Instructor to be announced THEATER X 438.8 Savoy and Dunbar. Her film credits include Funny 12 mtgs Delivering Memorable Auditions ­Valentines and The Cemetery Club. Wednesday, 7:30-10pm, Sept. 25-Dec. 11 for Film and Television: UCLA: Dodd Hall A Workshop for Actors in Cold No meeting Nov. 27. c & Reading and Interview Techniques Deland Nuse, cinematographer and director of inde- pendent films whose credits include the indie feature 4.0 units The Chilling and the documentary The Other Bridge. Become an actor who gets noticed! Delivering a memo- Mr. Nuse won the Triple Play Award for Cinematography rable performance during an audition can be the key to at the 2006 Long Island Film/Video Expo for the film, getting parts and being called for future projects. Hone The Showdown. your craft and gain valuable information in this course, where you perform film and television scenes on cam- era for video playback and critique by the instructor. You learn to make better choices, trust yourself to make quicker choices, confront your fear of auditioning, cre- ate a good atmosphere in the auditioning room, and develop a winning audition work ethic. Cold reading techniques and exercises as well as the actor’s inter- view also are covered. kkk 94 Entertainment Enroll at uclaextension.edu or call (800) 825-9971

He and his company’s systems are credited in blockbuster Reg# 370098 ­movies Need for Speed and Captain America. Fee: $699 No refund after 9 Oct. FILM TV X 478.301 ❖❖ Classroom The Role of the Digital Imaging 11 mtgs Technician in Cinematography Thursday, 7-10pm, Sept. 26-Dec. 12 4.0 units UCLA: Haines Hall With the prevalence of HD, 4K, and digital cinema No meeting Nov. 28. c technology, the position of digital imaging technician Dr. Beverly Graf, vice president of Development, (DIT) has become crucial in helping the director of Abilene Pictures (Primal Fear, Fallen, Frequency, Hart’s photography achieve and maintain the desired look of War, Fracture) Making Your the picture. There are growing entry-level opportunities in this field, and the DIT is becoming a vital part of the FILM TV X 478.9 camera department for all types of productions. The The Craft of the Director course is designed to train aspiring cinematographers 4.0 units on the tasks of the DIT including workflow, color man- A director must have the ability to interpret and trans- First Short Film agement, LUTs, ACES, data management, dailies gen- late the written ideas of the screenplay into cinematic eration, and many other on-set tasks. Instruction also form. This overview lecture course gives the aspiring provides a basic introduction to the art and techniques director a comprehensive practical understanding of the Always wanted to make your own short film and thought you had no experience of color correction and the digital intermediate, includ- film director’s craft—the language, grammar, and tools ing tutorials on industry-leading color and look manage- of the medium—from the first script reading to the last and no money? In this class for aspiring directors, writers, and producers, you use ment software. day of principal photography and into post-production. your own camera to learn how to write, produce, direct, and edit a three-to-five-minute Prerequisite(s): Students will be assigned a color cor- Lectures, discussions, screenings, assignments, and short film. Emphasis is placed on maximizing the on-screen value of the project using rection project and are expected to use some type of class projects guide you through the process of prepar- available resources. image manipulation software to work with the images. ing a film for shooting. Topics include script analysis, Cost-free options will be described in class, and the casting, directing the actor, acting for the camera, Page 95. instructor will work with each student to make sure they collaborating with the creative team, camera blocking, have a usable software tool to complete the project. planning the shot list, photographing the subtext, film Reg# 369597 grammar, visual composition, the role of music, and Fee: $699 sound effects. No refund after 8 Oct. Reg# 369884 FF Hybrid Fee: $699 Get Credit for 11 mtgs No refund after 6 Oct. Wednesday, 7-10pm, Sept. 25-Dec. 11 ❖❖ Classroom UCLA Extension 1010 Westwood: 11 mtgs 1010 Westwood Blvd. Monday, 7-10pm, Sept. 23-Dec. 9 No meeting Nov. 27. UCLA: Kaplan Hall an Internship This course includes both online sessions and class- No meeting Nov. 11. c room meetings. Refer to course syllabus for online David Martin-Porras, director and writer whose credits session details. c & include the shorts Inside the Box, which was nominated The Entertainment Studies Internship Internships are restricted to candidates Jason Knutzen, cinematographer on more than 30 for a Goya Award, La Viuda (The Widow), for which he Program allows certificate students to in certificate programs, and only to narrative and documentary projects, professional color- won the DGA Student Film Award, and Ida y Vuelta ist, and expert in post-production workflows. Mr. (Round Trip), which was a finalist for a Student Acad- receive elective credit for work performed those students who have completed a Knutzen is currently an educational contributor to the emy Award. with companies in the film, television, substantive portion of their course work Global Cinematography Institute in the areas of tradi- and entertainment media communities. (at least 12 units). If you are planning on tional, virtual, and digital cinematography. FILM TV X 476.95 Internships are an excellent way to obtain doing an internship for academic credit, Directing Workshop I: real-life work experience and make the visit our website and take a moment to Composition and Movement Directing 4.0 units vital connections necessary to a successful familiarize yourself with our policies. As the first hands-on course in the directing series, you career in the entertainment industry. FILM TV X 476.581 complete four short films using your own video camera. You must be enrolled in a certificate to The Language of Filmmaking Instruction focuses on the basic building blocks of nar- receive internship credit. 4.0 units rative filmmaking: the shot, mise-en-scene, concept, Designed for filmmakers who need to develop the the actor, environment, sound, and montage. Assign- necessary skills to make better films and viewers who ments explore aspects of visual expression through the For More Information want to better understand and appreciate the complex- use of composition, rhythm, and point-of-view; moving (310) 825-9064 | entertainment.uclaextension.edu/student-information/internships ity of the cinematic text, this course outlines the many from black and white/silent compositions to the use of components of film language used by great directors color; non-sync sound; and editing. Your work is to tell their stories in the most effective way. Through a screened and critiqued by the instructor and class. FILM TV X 479.302 wide selection of multimedia material—including film Prerequisite(s): Students must provide their own digital Becoming Camera-Savvy: and sound clips, pictures, articles, and interviews—you video camera and have access to editing equipment Course Icons analyze shooting and editing techniques employed by and software. A Workshop for Today’s Filmmakers the greatest filmmakers of all time. Topics range from 4.0 units Reg# 369616 functional usage of image composition and lighting to This course is designed to give filmmakers experience Fee: $699 Provide camera movements, editing, and sound. The purpose with each of the principal camera formats in use today. No refund after 8 Oct. of this course is to give clarity to the filmmaking pro- The “how” and “why” of each format are discussed ❖❖ Classroom Information cess and to enhance the enjoyment of film viewing. through demonstration and lectures. The cost factor or 11 mtgs At-a-Glance budget versus image quality are examined to prepare Reg# 369397 Wednesday, 7-10pm, Sept. 25-Dec. 11 you to be able to better select the appropriate format Fee: $699 UCLA Extension Lindbrook Center: for your project. No refund after 7 Oct. 10920 Lindbrook Dr. ❖❖ Classroom No meeting Nov. 27. m ONLINE COURSE Reg# 369907 c & 11 mtgs Technical requirements, page 5 Fee: $999 Lori Balaban, Award-winning filmmaker who has pro- Tuesday, 7-10pm, Sept. 24-Dec. 3 No refund after 27 Sept. duced two features and written and directed web series UCLA: Haines Hall g HYBRID COURSE, page 5 ❖❖ Classroom c and shorts, including Irrelevant White Girl, The Dog- 7 mtgs Peter Hanson, screenwriter, director, producer, and stalker, Die Un Ze Spat, and Property Vets. Ms. Balaban c WEB-ENHANCED COURSE, page 5 Tuesday, 6:30-10pm, Sept. 24-Oct. 15 educator. Among his credits are hundreds of print and also created branded content for A+E, The Today Show, UCLA: Rolfe Hall online articles, three books on cinema, and films includ- The Walking Dead, and Ron Howard’s Rush. ON-GROUND COURSE, page 5 ing the feature-length documentary Tales from the v Saturday, 9:30am-5pm, Sept. 28-Oct. 12 kkk Script, which features interviews with dozens of TEXTBOOK REQUIRED UCLA Extension Lindbrook Center: & 10920 Lindbrook Dr. ­Hollywood screenwriters. Visit our website for textbook Discounts cannot be applied to a portion of fees for kkk information. this course. Enrollment limited; early enrollment advised. C UC CREDIT Gianluca Bertone, cinematographer and owner of May be transferable­ to other ­Bertone Visuals. Mr. Bertone specializes in aerial cinema- colleges and universities, page 6 tography and digital intermediate. He executed commer- cials for Sony, Samsung, and other international brands. Enroll at uclaextension.edu or call (800) 825-9971 Entertainment 95

Reg# 369617 Reg# 369411 FILM TV X 476.244 Fee: $699 Fee: $699 Entertainment Development Story Development Workshop: No refund after 8 Oct. No refund after 7 Oct. Crafting Your Original Story ❖❖ Classroom ❖❖ Classroom FILM TV X 476.894 4.0 units 11 mtgs 11 mtgs Introduction to Producers, development executives, directors, and Wednesday, 7-10pm, Sept. 25-Dec. 11 Tuesday, 7-10pm, Sept. 24-Dec. 3 Feature Film Development writers gain practical experience adapting and develop- UCLA Extension 1010 Westwood: UCLA Extension Lindbrook Center: 4.0 units ing their own stories for motion pictures, movies-of-the- 1010 Westwood Blvd. 10920 Lindbrook Dr. What happens to a script or novel when it is submitted week, and miniseries. Emphasis is placed on studying No meeting Nov. 27. c & Enrollment limited; early enrollment advised. c & to a buyer and what happens after it’s optioned or sold? dramatic structure, learning techniques that strengthen Navid Sinaki, an experimental filmmaker and artist John Henry Davis, MFA, director/screenwriter, play- In this introductory course, students interested in a career character development, and understanding the impor- whose works have screened at museums and art wright; WGA, DGA, SDC member whose credits include in development or filmmakers looking to guide their tance of collaboration with writers. You are called upon houses around the world, including Moderna Museet in directing OZ, The Sarah Jones Show, and Broken projects towards a green light learn the essential steps to write development notes; compile directors/writers Stockholm, Lincoln Center, British Film Institute, RED- ­Mirrors. He’s directed plays at the Lincoln Center, the in the development process. Sessions focus on the key lists; and learn the difference between beat sheets, step CAT, and Cineteca Nacional in Mexico. Kennedy Center, and the Mark Taper Forum, including positions and roles in that process, from the story depart- outlines, and story outlines. You also learn how to Reg# 369615 the show Daughters with Marisa Tomei. ment and its readers to studio and production company assess the marketplace by determining what network Fee: $699 Reg# 369595 executives. Topics include finding new talent and gener- and studio executives are looking for, as well as the No refund after 11 Oct. Fee: $699 ating ideas, talent lists, networking and tracking, pitching, best way to quickly and effectively pitch an idea. You ❖❖ Classroom No refund after 7 Oct. and moving up. Weekly assignments include reading are welcome to submit written works in progress for 10 mtgs ❖❖ Classroom screenplays, writing synopses, development notes, script in-class critiques. At the end of the course, you have Saturday, 10am-1:30pm, Sept. 28-Dec. 7 11 mtgs coverage, and developing pitches and ideas. Upon honed your storytelling craft by writing original treat- UCLA Extension 1010 Westwood: Tuesday, 7-10pm, Sept. 24-Dec. 3 completion of the course, you have gained an under- ments based on your story outline developed in class. 1010 Westwood Blvd. UCLA Extension 1010 Westwood: standing of the development process and the entry-level Prerequisite(s): Good written communication skills. No meeting Nov. 30. & 1010 Westwood Blvd. jobs available in development, such as reader and Previous training in story analysis is recommended but c assistant to the producer, actor, or creative producer. Kate Rees Davies, award-winning director of features, Enrollment limited; early enrollment advised. c & not required. short films, music videos, and commercials. Ms. Rees P.K. Ziainia, Director for stage and screen whose work Prerequisite(s): Familiarity with the production process for Reg# 369718 Davies also produces features for other filmmakers. has been seen at film festivals and on stages across film and television through training and/or experience. Fee: $699 She has produced twelve features, directed one, and Los Angeles. Mr. Ziainia has worked with such diverse Reg# 369665 No refund after 7 Oct. has two in development. Six of her short films have entities as HBO, Los Angeles Dodgers, Los Angeles Fee: $699 ❖❖ Classroom screened at Cannes. Universal Preschools, Big Brothers Big Sisters, and the No refund after 28 Sept. 11 mtgs Gay, Lesbian and Straight Education Network. mmOnline Tuesday, 7-10pm, Sept. 24-Dec. 3 FILM TV X 476.39 Sept. 24-Dec. 3 UCLA: School of Public Affairs Bldg. Students interested in development are strongly Making Your First Short Film FILM TV X 476.271 Enrollment limited; early enrollment advised. c 4.0 units Production Sound for Directors encouraged to take this course first. c & Instructor to be announced Always wanted to make your own short film and 2.0 units Monika Skerbelis, author, producer and programming Reg# 369770 thought you had no experience and no money? In this The importance of quality sound in a movie cannot be director for The American Pavilion Emerging Filmmaker Fee: $699 class for aspiring directors, writers, and producers, you overstated. Of particular interest to directors and inde- Showcase at the Cannes Film Festival. Her former No refund after 7 Oct. use your own camera to learn how to write, produce, pendent filmmakers who want to understand the pro- positions include VP of creative affairs and executive ❖❖ Classroom direct, and edit a three-to-five-minute short film. duction and post-production workflow, this overview story editor at Universal Pictures Story Department and 11 mtgs Emphasis is placed on maximizing the on-screen value course covers such topics as the nature of sound and story editor at 20th Century Fox. Tuesday, 7-10pm, Sept. 24-Dec. 10 of the project using available resources. The first part its aesthetics, microphone characteristics, the sound UCLA: School of Public Affairs Bldg. of the class is devoted to the pre-production process, recording chain, budgeting and scheduling, and what FILM TV X 476.22 No meeting Nov. 26. highlighting the role of the story, and provides an can be fixed in post versus what can only be done Story Analysis for Film and Television Enrollment limited; early enrollment advised. c overview of affordable shooting equipment and editing during production. Instruction includes equipment and 4.0 units Sharri Hefner, award-winning filmmaker and producer. technologies. You then develop and write your project, listening demonstrations. Many of the practical tech- Designed for aspiring readers, development executives, Her feature credits include Faith, Conventioneers, which is filmed outside of class. Instruction includes a niques presented are suitable for student productions. producers, and storytellers, this course offers a prag- Strictly Sexual, The Trouble with Romance, and Almost. primer on the fundamentals of shooting and directing Reg# 369893 matic, comprehensive overview of story analysis and She also produced The Smile series and worked as a actors, as well as the basics of editing and outputting Fee: $499 the tools used by the professional reader. Throughout field producer for E! Entertainment. assignments. The completed films are screened and No refund after 27 Sept. the course, you learn and practice coverage skills while discussed during the last class. ❖❖ Classroom gaining an understanding of the elements of story. FILM TV X 476.243 Prerequisite(s): Students must have access to a digital 4 mtgs Topics include various types of coverage, how to com- Developing Your Short Film video camera and editing equipment and software. pose story notes, comparative coverage, character Saturday, 10am-5pm, Sept. 28 4.0 units breakdowns, treatments, and outlines. Through weekly Reg# 369549 UCLA Extension 1010 Westwood: Learn the development process as it relates to short assignments, you are required to practice reading and Fee: $699 1010 Westwood Blvd. films with the focus on developing a short film treat- writing for several formats and to deadline. In addition, No refund after 6 Oct. Saturday, 10am-4pm, Oct. 5 & 12 ment, first draft, and second draft. You gain an under- the current job market and the various expectations of ❖❖ Classroom UCLA Extension 1010 Westwood: standing of the basics of story structure and how the studios and independent producers are discussed. Upon 10 mtgs 1010 Westwood Blvd. specific storytelling elements: theme, plot, characters, completion of the course, you will have written at least Monday, 7-10pm, Sept. 23-Dec. 9 Field trip and dialogue, work in synergy toward the goal of an two pieces of full coverage that can be used as part of UCLA Extension 1010 Westwood: Thursday, 10am-12pm, Oct. 10 effective short story. Topics include character develop- a professional portfolio or for auditioning for a job as a 1010 Westwood Blvd. Visitors not permitted. ment, creating realistic dialogue, discovering what you c reader or an assistant. No meeting Nov. 11. Ashley Maria, production sound mixer whose many are driven to say through you story’s theme, and plan- c Prerequisite(s): Strong English composition skills. Les Miller, award-winning writer, director, and producer credits include the documentary Take Every Wave: The ning the scenes with a limited budget in mind. Lectures of numerous short films. Ms. Miller has served as the Life of Laird Hamilton and the short Night Shift, both of Reg# 369414 and exercises illustrated with film clips and readings on-set dialogue coach to Mario Van Peebles in multiple which were selected for Sundance, and a commercial Fee: $699 emphasize the role of story, creating original characters features, including The Street Lawyer and Ali. Additionally, for Reebok starring Ronda Rousey. She is the recipient No refund after 6 Oct. and developing plot points for different genres of films. she was the assistant to the director on BAADASSSSS, of the DGA student minority award. ❖❖ Classroom You submit your work-in-progress throughout the Red Sky, and Sons of Anarchy. Reg# 369888 11 mtgs quarter for evaluation and feedback by the instructor Fee: $499 Monday, 7-10pm, Sept. 23-Dec. 9 and the class. At the end of the course you will have FILM TV X 475.44 No refund after 28 Sept. UCLA Extension Woodland Hills: honed your idea and will have a final short script or Directing Actors for the Screen ❖❖ Classroom 21650 Oxnard St. treatment ready for shooting. No meeting Nov. 11. 4.0 units 4 mtgs c Reg# 369376 If directors are the architects of film, then actors are Sunday, 10am-5pm, Sept. 29 Brooks Elms, writer and director who has written 20 Fee: $699 the artisans of a collaborative team working together to UCLA Extension 1010 Westwood: scripts for companies such as Base FX and Broken No refund after 7 Oct. realize a singular vision. Through discussions, exercises, 1010 Westwood Blvd. Road. He recently sold a thriller entitled Snowfall to Gold ❖❖ Classroom casting sessions, and the presentation of scenes, you Sunday, 10am-4pm, Oct. 6 & 13 Circle, Benderspink, and Evan Astrowski. 11 mtgs analyze and apply the directorial skills required for a UCLA Extension 1010 Westwood: Reg# 370022 Tuesday, 7-10pm, Sept. 24-Dec. 3 successful artistic collaboration with performers. You 1010 Westwood Blvd. Fee: $699 UCLA: School of Public Affairs Bldg. c & select one dramatic and one comic scene, then cast, Field trip No refund after 29 Sept. Cynthia Riddle, MFA, award-winning writer/producer, rehearse, and present the scenes in class. Topics Wednesday, 10am-12pm, Oct. 9 mmOnline a former development exec at MGM, and WGA member include analyzing the script, the Method approach to Visitors not permitted. Sept. 25-Dec. 4 who wrote the films Crossroads, Puppy Love, and The acting, defining objectives, creating dramatic conflict, c Ashley Maria, production sound mixer whose many Enrollment limited. c & Brittany Murphy Story. She has also written projects for and the elements of characterization. Actors for class credits include the documentary Take Every Wave: The Peter Russell, story analyst, Imagine Films Entertain- Netflix, Showtime, PBS, Nickelodeon, Disney, Starz, and scenes are selected during in-class auditions and final Life of Laird Hamilton and the short Night Shift, both of ment, CBS, Anschutz Film Group (AFG and Walden MarVista, among others. scenes are performed on camera. which were selected for Sundance, and a commercial Films), and Participant Productions; theater director kkk for Reebok starring Ronda Rousey. She is the recipient whose credits include New York’s Public Theater of the DGA student minority award. (Shakespeare in the Park). Mr. Russell is a recipient of the Nick Adams Short Story Award. 96 Entertainment Enroll at uclaextension.edu or call (800) 825-9971

FILM TV X 423 Reg# 369359 FILM TV X 477.85 Reg# 370235 Television Series Fee: $699 Adobe After Effects for Filmmakers: Fee: $699 Development Workshop No refund after 11 Oct. An Introductory Workshop No refund after 9 Oct. 4.0 units ❖❖ Classroom 4.0 units ❖❖ Classroom This workshop is designed for producers, development 10 mtgs Using Adobe After Effects, learn to produce projects 11 mtgs executives, and writers seeking to understand all the Saturday, 10am-1:30pm, Sept. 28-Dec. 7 similar to those found in the real entertainment media Thursday, 7-10pm, Sept. 26-Dec. 12 elements that go into an original series proposal for UCLA: Dodd Hall world of digital effects and animation. Topics include an UCLA: Dodd Hall television. You study the creative development process No meeting Nov. 30. c introduction to the interface, working with layers and Saturday, 10am-1pm, Nov. 2 from start to finish—from first idea to completed pitch— Barry Goch, post-production professional with 15 years masking, rotoscoping, motion graphics, tracking and UCLA: Dodd Hall assembling all the necessary components. You begin of hands-on experience. His credits include Spiderman: stabilizing with Mocha for After Effects (a plug-in that No meetings Oct. 31; Nov. 28. c & with research, series concept, and the initial vetting of Homecoming, Passengers, Money Monster, Eye in is included with AE), creating set extensions, composit- Lydia Cedrone, who has over 20 years of experience ideas; you then proceed to identify your audience, likely the Sky, and Game of Thrones. He is currently working ing computer-generated imagery over video footage, in the entertainment industry; Ms. Cedrone has man- buyers, and distributors. You then learn how to present on The Quad, Black-ish, and the new hit show, and color correction. Finally, put it all together with aged feature film financing at the Walt Disney Company, the unique world of your series to an audience and Grown-ish. practical projects where you will learn shortcuts, tips, oversaw production at Michael Mann’s Forward Pass buyers who have grown increasingly sophisticated in and tricks. Inc. and produced her own films independently. their demands for originality and authenticity; and how FILM TV X 479.613 Prerequisite(s): Familiarity with digital video and basic to develop the kinds of rich, multilayered, and conflicted The Art and Craft of Film Editing Photoshop and Illustrator techniques. Students must FILM TV X 476.6 characters who win the allegiance of their audience and 4.0 units have access to Photoshop, After Effects, Illustrator, and Low-Budget Filmmaking sustain interest for season after season. Non-writing Editing is storytelling. Throughout the process, from first Adobe CS6 or higher. 4.0 units producers come to understand which literary properties assembly to final delivery, editors are responsible for Reg# 370050 In this detailed exploration of low-budget filmmaking, hold the most promise for adaptation; while writer- fulfilling the film’s potential through a full command of Fee: $699 learn techniques and theories examining all phases of producers gain invaluable experience, taking an idea craft, as well as an aesthetic understanding of story, No refund after 27 Sept. the process from development to production to post- from mere concept to industry-ready pitch, within the character, and rhythm. By examining different editing mmOnline production. The focus is on translating a minimum span of this course. Instruction covers the essentials of styles, this course covers the elements of storytelling, Sept. 23-Dec. 8 budget into maximum quality on screen. Topics include plotting over multiple episodes and even multiple sea- performance, pace, emotion, action, continuity, and time the script, financing the production, evaluating the Enrollment limited; early enrollment advised. c sons, including the importance of the meta-story, ongo- manipulation. Instruction includes lectures, discussion, Instructor to be announced marketplace, analyzing and breaking down the screen- ing conflicts, and seasonal arcs; open vs closed-ended and viewing exercises. You also learn to select the most play, learning to apply creativity to a budgetary plan to storylines, and the formats that support them. By the appropriate editing systems and technology by evaluat- FILM TV X 478.311 maximize on-screen value, casting, selecting key pro- end of the course, you have a completed pitch for origi- ing the limitations of budgets and time. duction personnel, production design, music, editing, Editing with Final Cut Pro X: sound design, marketing, and distribution. Throughout nal television series, including written pitch, supporting Reg# 369361 A Comprehensive Workshop visual materials, a clear audience, and likely buyers. Fee: $699 the class, you are able to apply concepts learned to 4.0 units your own projects. Reg# 369668 No refund after 9 Oct. In this hands-on course, master the feature set of ❖ Fee: $699 ❖ Classroom Final Cut Pro X in the context of several real-world Reg# 370003 No refund after 8 Oct. 11 mtgs projects which will prepare you for the Apple Certifica- Fee: $699 ❖❖ Classroom Thursday, 7-10pm, Sept. 26-Dec. 12 No refund after 30 Sept. tion exam. Starting at an easy to follow introductory m 11 mtgs UCLA: School of Public Affairs Bldg. level, this course will guide you through even the most mOnline Wednesday, 7-10pm, Sept. 25-Dec. 11 No meeting Nov. 28. c & advanced features of this professional editing soft- Sept. 26-Dec. 5 & c UCLA: School of Public Affairs Bldg. Tyler Danna, filmmaker who has edited and produced ware, covering topics which include but are not limited Kim Adelman, filmmaker who co-produced the inde- No meeting Nov. 27. c content for Sony Pictures, Fox, Disney, Universal, to: project management and organization, capturing pendent feature Just Friends and has produced 19 Ric Gibbs, writer/filmmaker and author whose work ­Fremantle, Riot Games, Verizon, and more. He offers and editing techniques, audio editing and mixing, shorts that have played in more than 150 festivals, includes Shadow Conspiracy. He has worked with such training in editing software: Avid, Premiere, and Final Cut motion, and filter effects. winning more than 30 awards. She has authored two producers as Mark Wahlberg & Stephen Levinson, Jon Pro. He has also written pilots and feature screenplays Prerequisite(s): You must have your own Mac computer film books, Making It Big in Shorts and The Ultimate Landau and James Cameron, Gale Anne Hurd, and for production companies. with a minimum of 15 GB of free space and Final Guide to Chick Flicks, and currently writes for Indiewire. Lawrence Bender, as well as with Paramount Studios, Cut Pro X (10.1) installed and fully updated. Basic Universal, USA, and Fox. FILM TV X 477.84 Macintosh skills; knowledge of editing very helpful. FILM TV X 478.13A Introduction to Adobe Premiere Reg# 369251 The Art of Line Producing 4.0 units Fee: $699 4.0 units Post-Production Adobe Premiere Pro is used by professionals across the No refund after 27 Sept. This comprehensive, step-by-step overview of physical spectrum of filmed entertainment including feature mmOnline production processes covers the tangible and intangible FILM TV X 404A films, music videos, and documentaries. You learn how Sept. 23-Dec. 8 aspects of line producing, including budget; breakdown Post-Production for Film to use this powerful program, from simple editing Enrollment limited; early enrollment advised. and scheduling; hiring and working with cast, director, techniques to more complex compositing, layering, c staff, crew, and outside vendors; choosing locations; and Television Robert Scheid, Apple-certified Final Cut Pro, Motion, tilting, motion graphics, and sound design. Instruction equipment and music; how to deal with divergent 4.0 units and DVD Studio Pro instructor; television producer; film includes illustrated lectures, demonstrations, discus- personalities and specific problem solving during pro- Emphasizing how new technologies continue to impact and television editor and colorist. post-production, this course examines the post-produc- sion, and class projects. Topics include starting a duction; and the differences between producing a tion process for film and television. Topics include project, organization and subclipping, timeline and basic movie independently versus with a studio. This is not picture and sound editing processes; non-linear editing editing tools, editing audio, video effects, color correc- Producing an introduction to production course. of single and multi-camera programs; special visual tion and grading, titles and motion, exporting, and Prerequisite(s): A basic knowledge of film production effects; the impact of sound—from music scoring to posting online. and Movie Magic Budgeting and Scheduling software Prerequisite(s): You are required to have a working, FILM TV X 404 are highly recommended. effects design; budgeting, scheduling, and deliveries; Pre-Production and Production for and high-definition television and its impact on both current copy of Adobe Premiere Pro CC, as well as have Reg# 369559 feature and television post-production. Includes guest video and audio files ready for use while learning Adobe Film and Television Fee: $699 speakers and field trips to post-production facilities. Premiere Pro. 4.0 units No refund after 6 Oct. Reg# 369360 This survey course presents an overview of the real- ❖❖ Classroom Reg# 369358 world aspects of producing as practiced in the various Fee: $699 Fee: $699 11 mtgs No refund after 7 Oct. sectors of filmed entertainment from script development Monday, 7-10pm, Sept. 23-Dec. 9 No refund after 7 Oct. through pre-production and production. Topics include ❖❖ Classroom ❖❖ Classroom UCLA: Dodd Hall 11 mtgs the producer’s interface with the writer, director, and No meeting Nov. 11. 11 mtgs other key personnel; pitching and selling ideas; script c Tuesday, 7-10pm, Sept. 24-Dec. 3 Carrie LeGrand, who has produced dozens of Tuesday, 7-10pm, Sept. 24-Dec. 3 breakdown and scheduling; budgeting; and all the Enrollment limited; early enrollment advised. acclaimed and award-winning projects and supervised UCLA: Dodd Hall c c critical on-the-set issues facing the producer. Richard Greenberg, owner of State of the Heart Pro- Sam Icklow, editor, cinematographer, writer, and direc- multiple studio features and network television shows. Reg# 369374 ductions, Inc. a creative production and post-production tor. Mr. Icklow was recently selected to write and direct She has been the line producer on several projects, in the compendium feature film Actors Anonymous Fee: $699 including Some Boys Don’t Leave, Murder on the 13th consultancy. He has written and produced numerous No refund after 27 Sept. promos, sold new product-placement technologies to executive produced by James Franco and starring Floor, and the cult-favorite Sushi Girl. Whoopi Goldberg. He is also the recipient of the mmOnline syndicated television, and has been a senior executive Sept. 23-Dec. 8 at several prominent post-production facilities. MPAA award. c & Amotz Zakai, vice president, Echo Lake Productions. kkk Mr. Zakai has worked on such projects as Tsotsi (Oscar winner, 2006), Water (Oscar nominated, 2007), Away from Her, and Thirteen Conversations About One Thing. kkk Enroll at uclaextension.edu or call (800) 825-9971 Entertainment 97

FILM TV X 479.088 FILM TV X 408 Movie Magic Budgeting Building an Online Audience 2.0 units 4.0 units For production managers, producers, corporate finance In the Internet age, uploading your work to YouTube or personnel, and production accounting professionals, Vimeo is imperative, and successful producers/direc- this course provides you with a practical understanding tors/actors can now demonstrate a growing online of the budgeting process, including how to use Movie audience. This course shows you how to create a public Magic Budgeting, a budgeting software application. You face and promotional platform for your creative content. prepare a movie-of-the-week budget based on informa- Using relevant video platforms, social media, and avail- tion that typically would be available during pre-produc- able website creation tools, learn to present and pro- tion, including a script, day-out-of-days, one line mote your body of work. Instruction emphasizes group schedule, shooting schedule, departmental budgets, discussion and interaction as you are encouraged to and other hypothetical parameters. This is not an use each other’s sites and platforms in various assign- introduction to production course. ments. Topics include identifying different audiences; Prerequisite(s): Students must purchase Movie Magic basic video and audio production; mastering available Budgeting 7. A discount code will be provided to video and audio; review of social media branding sites; enrolled students after the start of class. creating an individual brand and brand messages; Producing Certificate Reg# 370053 understanding design as it relates to presentation; Fee: $499 audience building tools, such as fan pages, tweet No refund after 27 Sept. marketing, cross-commenting strategies and Looking to pursue a certificate in Producing? Taught by Hollywood professionals, mmOnline “response-to” uploading; responding to audience; and Sept. 23-Oct. 28 professional interaction. The course goal is to create an the Producing Certificate gives participants an insider view of the “real world” Students enrolled in this section are eligible to individual presentation plan across chosen platforms that is critiqued by your peers. aspects of producing, providing the essential skills and knowledge needed for ­purchase Movie Magic Budgeting 7 at a discount. both creative and physical producing. The curriculum emphasizes the role of Enrollment limited; early enrollment advised. c & Reg# 369375 Elia Urquiza, who has written, shot, and edited many Fee: $699 story as well as principles of financing, marketing, and distribution. films, often at the crossroads of documentary and fic- No refund after 2 Oct. tion. As a producer, Ms. Urquiza has worked on a FF Hybrid Get started this fall with these recommended courses. number of commercial, fiction, and non-fiction projects. 2 mtgs Her recent documentary, Next, has been screened at Classroom meetings FILM TV X 404 Pre-Production and MGMT X 403.61 Marketing festivals around the world. Saturday, 10am-5pm, Sept. 28 UCLA Extension DTLA: 261 S. Figueroa St. Production for Film and Television and Distributing Independent Films MGMT X 403.61 Saturday, 10am-1pm, Dec. 7 This survey course presents an overview Across All Platforms Marketing and Distributing UCLA Extension DTLA: 261 S. Figueroa St. of the real-world aspects of producing as Learn how to find domestic and overseas Independent Films Across Online sessions Sept. 29-Dec. 6 practiced in the various sectors of filmed distribution for theatrical, television, All Platforms entertainment, from script development DVD, and alternative markets by gaining 4.0 units This course includes both online sessions and What are the considerations involved in financing, ­classroom meetings. Refer to course syllabus for through pre-production and production. knowledge on how to craft a distribution online session details. Attendance at the first meeting packaging, selling, or acquiring a financially viable Page 96. strategy from the earliest stages of film? Producers, filmmakers, and screenwriters learn is mandatory. project development. what makes a project attractive to potential buyers, Enrollment limited; early enrollment advised. c MGMT X 403.34 Entertainment study a variety of deal structures, and learn how to find Robert Scheid, Apple-certified Final Cut Pro, Motion, Financing: From First $ to Distribution Page 97. domestic and overseas distribution for theatrical, and DVD Studio Pro instructor; television producer; film television, DVD, and alternative markets. You gain and television editor and colorist. of Profits You do not need to be enrolled in a knowledge on how to craft a distribution strategy from certificate to take a course. FILM TV X 475.22 This course covers the financial aspects the earliest stages of project development. Topics of each step of the motion picture value include choosing materials, budget, and casting; sell- Making the Short Documentary for ing the film through festivals and markets; key buyers; Digital Platforms chain (from development through profit evolving distribution outlets, such as Internet and cell 4.0 units participation) and considers the implica- phones; the roles of producer, marketing and sales Short-format documentaries have become an increas- tions of financial choices. executives, and executive producers; and an overview ingly powerful voice in the digital era. The documenta- of film financing models. ries showcased on platforms such as Vice, Dazed, Page 90. Reg# 369355 Frontline, NYTimes Op-Docs, and Storyhunter bring light Fee: $699 to meaningful stories and are followed by thousands of No refund after 7 Oct. viewers across the world. But this trend goes beyond ❖❖ Classroom the social-issue and current-affairs arena. Commercial For More Information 11 mtgs companies are using short-format documentaries to (310) 825-9064 | entertainment.uclaextension.edu/certificates/producing Tuesday, 7-10pm, Sept. 24-Dec. 3 position their products in the market. So what makes UCLA: Dodd Hall short-format documentaries so successful? What Saturday, 10am-5pm, Oct. 5 strategies and platforms exist to get your work out Reg# 370066 UCLA: Dodd Hall there? This advanced course examines the most popu- Fee: $699 No meetings Oct. 15; Nov. 5. & lar online short documentary outlets, both journalistic No refund after 8 Oct. c and commercial, and explores the different cinematic Screenwriting Mark Padilla, Senior Vice President of Sales and ❖❖ Classroom and narrative techniques that can be used to make your Acquisitions at Double Dutch International. Mr. Padilla 11 mtgs story fit the strand. Instruction is structured around Courses manages the worldwide sales for numerous films, Wednesday, 7-10pm, Sept. 25-Dec. 11 lectures, discussion with guest speakers, and practical including Nostalgia, Romans and Super Troopers 2. He UCLA Extension DTLA: 261 S. Figueroa St. hands-on assignments. Over the course of this work- previously oversaw sales, acquisitions and distribution No meeting Nov. 27. The UCLA Extension Writers’ Program shop you develop, shoot, and edit one short-format at Myriad Pictures and Essential Entertainment . Enrollment limited; early enrollment advised. c offers more than 200 screenwriting genre-based documentary tailored to one of the main Susana Casares, filmmaker and winner of the Emmy Reg# 369364 online platforms. Note: Since this is an advanced class, courses annually—onsite and online— Fee: $699 Foundation’s College Television Award in Drama. Her instruction focuses on the best creative choices to tell narrative and documentary work has been shown in as well as certificates in Feature Film No refund after 29 Sept. your story and broadcast it online, but will not cover the m festivals around the world, and she has received both Writing, Television Writing, and Film/ mOnline basics of documentary filmmaking. Sept. 25-Dec. 10 & the Hollywood Foreign Press Association Award and the TV Comprehensive; specializations in c Prerequisite(s): Students must have prior experience in Mary Pickford Award for two consecutive years. Kevin Mardesich, former head of the story department documentary filmmaking and access to a camera, Television Writers Fellowship Prep at Oliver Stone’s development company, Ixtlan. He cur- editing, and sound recording equipment. and Writing and Directing Short rently runs KevinMardesich.com, a communications Films; Pro-Series in Feature Film practice specializing in written communications for film, kkk television, and industry leaders. and Television Pilot Writing; script consultations; mentorships; and 3 screenwriting competitions. This quarter’s screenwriting courses begin on page 161. For more information­ call Jeff Bonnett­ at (310) 206-1542. 98 Entertainment Enroll at uclaextension.edu or call (800) 825-9971

FILM TV X 477 FILM TV 804.2 MUSC X 449.91 Creating Reality and Non-Fiction Sneak Preview: The Art and Craft of MIDI Television: What Really Works Contemporary Films and Filmmakers Music 4.0 units 4.0 units 2.0 CEUs For more information call (310) 825-9064, email Learn to bring your electronic realizations of your demos Reality television is at the forefront of TV culture both Join us for an exclusive preview of new movies before [email protected], or visit and scores to more vivid life. Through take-home domestically and internationally. The objectives of the their public release. Enjoy provocative commentary and entertainment.uclaextension.edu. assignments, learn to produce sample-based “cues” that course are to acquaint you with the various formats and in-depth discussions with invited guests after each sound more musical and realistic. Student work is pre- to prepare you to conceptualize your own reality series screening. Guests include some of the most prestigious sented and critiqued each week in class. Assignments for various television outlets including network, syndica- actors, filmmakers, and executives in the industry. Our Film Scoring involve programming selections from the classical litera- tion, cable, and Internet. The latest trends in the various moderators, who are international film festival corre- ture, beginning with small chamber pieces and pro- digital media arenas as they relate to original non-fic- spondents and award season prognosticators, lead MUSC X 403.53 gressing to large symphonic works. The class culminates tion programming and distribution are also explored, engaging Q&As that give you an insider’s perspective Harmony II: Techniques for in a final assignment of an original orchestral cue set to including interactivity, games, transmedia, webcasts, of the making of each film. Composing Contemporary Music picture. In addition to the aesthetics of synthestration, ARGs, MMOGs, and VR. You first get under the hood of Reg# 370101 4.0 units this course also covers project studio requirements and the broad range of programs which claim to depict “real Fee: $299 In this course you learn the techniques of 20th/21st considerations, such as computer choices, sequencing life,” from reality drama and comedy to talent competi- No refund after 25 Sept. century harmony while also applying the theoretical software, sample libraries, “electronic” orchestration tions, hidden camera, docu-soaps, games, food, ❖❖ Classroom concepts to your own compositions. You are exposed techniques, and mixing techniques, all with the primary adventure, travel, and documentary. Topics include what 10 mtgs to a wide variety of modern-era harmonic practices objective of producing “musical” facsimiles of acoustic makes a show a hit—or not; the art of interviewing; the Wednesday, 7-10pm, Oct. 2-Dec. 18 starting with an introduction to the French Impression- instrument performances. role of scheduling, ratings, multi-platforming, and social Beverly Hills: Writers Guild Theater, ists of the late 19th century and then moving forward Prerequisite(s): X 483.43 Instrumentation and Introduc- media; and an overview of legal issues specific to real- 135 S. Doheny Dr. to current trends of today. Instruction consists of three tion to Orchestration and/or prior experience in instru- ity TV. Working both in teams and individually, you then No meeting Oct. 9; Nov. 27. stages: establishing a foundation in contemporary mentation and orchestral composing. Access to and develop, prepare, and pitch an original idea for a non- The University is not responsible for lost or stolen harmonic techniques, studying the music scores of the proficiency in using a home studio with sequencing fiction television series. You prepare a series log line, a quarterly film passes; there is a $50 charge per great masters who demonstrate these techniques, and software and samples are required for completion of one sheet description, and a “bible” with episodic replacement pass. creating your own compositions by emulating what you assignments. The course does not include instruction examples. Rehearse for a pitch meeting and then pitch Due to film piracy concerns, no cameras or recording have learned. Harmonic concepts include: modality and in any specific software. Participants must already have your ideas to industry guests that can include a net- devices are allowed inside the theater. Participants tonal ambiguity of the impressionists, total chromati- adequate knowledge and resources to MIDI program work, studio executive, or agent. are subject to a security check, promotional cism, free atonality, serialism, bitonality, modern scales, short orchestral works and deliver these electronically. Reg# 369425 ­photography, and audio and video recording. pandiatonicism, tone clusters and sound mass, mini- Reg# 370132 Fee: $699 Enrollment limited; early enrollment advised. Visitors malism, neo-romanticism, and more. Scores studied Fee: $699 No refund after 6 Oct. not permitted. include works by Debussy, Ravel, Schoenberg, Webern, No refund after 9 Oct. ❖❖ Classroom Anne Thompson, film columnist who has covered the Stravinsky, Ligeti, Penderecki, Reich, Adams, Glass, ❖❖ Classroom 11 mtgs Hollywood beat for over 25 years. She launched Part, and Whitacre. Utilizing many of the concepts 11 mtgs Monday, 6:30-9:30pm, Sept. 23-Dec. 9 Indiewire ‘s daily film blog Thompson On Hollywood for learned, you work on your own compositions and study Thursday, 3-6pm, Sept. 26-Dec. 12 UCLA: School of Public Affairs Bldg. Variety in 2007. Previously, she was West Coast Editor scores that use many of these harmonic techniques. UCLA Extension 1010 Westwood: 1010 Westwood Blvd. No meeting Nov. 11. c for Premiere, Empire, and Film Comment, and senior Prerequisite(s): X 403.52 Harmony I: Crash Course in James Coane, Emmy award-winning television pro- writer at Entertainment Weekly. Composing for Tonal Music or consent of the instructor. No meeting Nov. 28. ducer, writer, director, and development executive. He Reg# 369540 Enrollment limited; early enrollment advised. c has executive produced and directed many TV series, FILM TV UL 700 Fee: $699 Fletcher Beasley, composer for film, television, com- including Dragon Tales, America’s Most Wanted, and Free Networking Opportunities No refund after 6 Oct. mercials, video games, and interactive exhibits who Futurequest, as well as episodes, specials, and pilots for Entertainment Studies ❖❖ Classroom recently released Fictional Radio, an album of cinematic for ABC, CBS, NBC, and many more. Certificate Students 11 mtgs electronic music. Mr. Beasley has worked with some of Does your project need a director, cinematographer, Monday, 7-10pm, Sept. 23-Dec. 9 the top composers in the film and television world, FILM TV X 475 screenwriter, actor, producer, composer, or other crew UCLA Extension Lindbrook Center: contributing writing, orchestration, and programming. Producing Commercials for All member? Would you like to meet other like-minded 10920 Lindbrook Dr. Platforms: A Practical Workshop students who have the same business or career goals No meeting Nov. 11. MUSC X 449.41 Recording, Mixing, and Editing 4.0 units as you? This is the perfect opportunity to meet your Enrollment limited; early enrollment advised. c & From concept to completion, learn to produce com- fellow certificate students and make important connec- Steve Rothstein, PhD, composer of numerous orches- Techniques for Film Composers mercials for TV as well as for all integrated marketing tions. Attend our free networking events or collaborate tral, choral, and chamber works 4.0 units platforms (video games, cinema, Internet, TV, and cell with fellow students online! Geared towards film composers, this course teaches you phones). You break down storyboards; write specifica- Prerequisite(s): Enrollment is restricted to certificate MUSC X 482.8 the basics of recording, mixing, and editing in the tions; create bids; estimate special FX, editorial, talent, students and alumni in the following programs: Anatomy of a Film Score modern DAW environment. Topics include music pre- and music; and prepare a final estimate and production Entertainment Studies, Acting, Cinematography, 4.0 units production, signal flow and signal processing, how to schedule for presentation and critique in class. You also Directing, Film and TV Development, Independent Aspiring film composers, producers, and directors gain create realistic mock-ups, exploring the balance and learn how to get the best prices, stay on budget and Producing, Producing, Business & Management of an understanding of what makes an effective and context of a mix with special consideration given to schedule, and use the tools of advanced media. Instruc- Entertainment, Film Scoring, Independent Music memorable film score and how it is assembled. Weekly genre-appropriate sound mixing, delivery specifications tion includes industry guest speakers with discussion Production, Music Business, Screenwriting: Film and in-depth film score analyses are illustrated with record- (including stem mixes and session interchange between and screenings of the best current spots. TV Comprehensive, Feature Film Writing, Television ings, film clips, documentary footage, and discussions DAWs), and the basics of music editing for a scored film Reg# 369603 Writing, and the Editing series. focused on how music is used as subtext in films. Film and temp-tracked film project. By course end, students learn the complete production process from pre-produc- Fee: $699 Reg# 370119 selections cover a broad range of styles moving from tion, recording, mixing, and editing music to picture. No refund after 8 Oct. Fee: $0 Hollywood classics to recently released films. The ability ❖❖ Classroom mmInformation Session to read music is not required. Film scores by John Prerequisite(s): Access to and proficiency in using a 11 mtgs 2 mtgs Williams, Bernard Herrmann, Max Steiner, Miklos Rozsa, home studio with sequencing software, and samples Wednesday, 7-10pm, Sept. 25-Dec. 11 Friday, 5-7pm, Sept. 20 Jerry Goldsmith, Michael Giacchino, James Newton are required for completion of assignments. The course UCLA: School of Public Affairs Bldg. UCLA Extension Gayley Center: Howard, among others, are discussed. does not include instruction in any specific software. No meeting Nov. 27. c 1145 Gayley Ave. Reg# 369831 Reg# 370130 Sergio Guerrero, an Emmy Award winner, Sergio Guer- Online sessions Fee: $699 Fee: $699 rero produced and co-wrote the award-winning feature, Sept. 23-Dec. 8 No refund after 11 Oct. No refund after 7 Oct. A Day Without a Mexican, which was a banner for the Enroll to participate in any of the following FREE ❖❖ Classroom ❖❖ Classroom US immigration movement. Mr. Guerrero also produced Entertainment Studies Networking Opportunities for 11 mtgs 10 mtgs and directed the TV shows, Dos Lunas and El Vato, as the Fall 2019 Quarter: Saturday, 10am-1pm, Sept. 28-Dec. 14 Saturday, 9:30am-1pm, Sept. 28-Dec. 7 well as over 500 commercials. Fall Networking Event—Friday, Sept. 20, 5-7pm UCLA Extension Lindbrook Center: UCLA Extension 1010 Westwood: Featuring fun, face-to-face networking activities 10920 Lindbrook Dr. 1010 Westwood Blvd. where you will have the opportunity to connect with No meeting Nov. 30. No meeting Nov. 30. Enrollment limited; early enrollment advised. & students in various certificate programs. Enrollment limited; early enrollment advised. c c Online Networking—Sept. 23-Dec. 8 Steve Rothstein, PhD, composer of numerous orches- Steven A. Saltzman, music editor and composer who Connect with fellow students all quarter long via tral, choral, and chamber works has been music editing for over 20 years, earning a Canvas (the UCLA Extension online learning platform) Golden Reel Award and several nominations. His feature by participating in online discussions and posting the film work includes Escape Plan: The Extractors, 24 Hours positions that you need filled for your projects! To Live, and The Revenant. He is the author of Music Uninstructed Lab Editing for Film and Television, The Art and The Process. Steve Kaplan, scoring engineer and mixer for film, television, and video games. His credits include games such as Star Wars: Battlefront II and the award winning God of War. In the television and film genre he has worked on titles such as The Walking Dead, Outlander, Battlestar Galactica, and 10 Cloverfield Lane. Enroll at uclaextension.edu or call (800) 825-9971 Entertainment 99

Joseph S. DeBeasi, composer and conductor whose James Venable, feature film credits include Venom, scores include the underscore for American Sniper, Scary Movie 5, Eurotrip, and Supercon. His score for award-winning Kidnapped for Christ, Eleven Eleven, and Foster’s Home for Imaginary Friends earned him an Alpha. He is also known for his work as a music editor Emmy nomination and an Annie Award, his third of four. on more than 60 feature films, including Wind River, Mr. Venable is also known for his scores in animated televi- The Revenant, Sicario, Prisoners, and Book of Eli. sion shows Powerpuff Girls, Samurai Jack, and Clarence.

MUSC X 483.2 MUSC X 448.171 Advanced Orchestration: The Business of Film Music Applied Techniques for the 4.0 units Studio and Scoring Stage Focusing on the vital business skills needed to build 4.0 units and maintain your career as a film and television Building on what was learned in Instrumentation and composer, this course features comprehensive cover- Introduction to Orchestration, this course further age of current business and financial practices in the explores the unique evocative capabilities of each musi- industry. You learn about the role of agents, managers, cal instrument and examines their applications in and lawyers; making the most advantageous deal; the regard to scoring to picture, considered from both the role performing rights organizations such as ASCAP, composer’s and orchestrator’s perspective. Examine BMI, and SESAC in the collection of public performance examples of effective orchestration techniques using royalties; and the responsibilities and procedures in both classical score study and case studies from film collecting royalties for your work. You also gain an scores. You also learn how to work with different types understanding of the difference in operating your busi- of sketches to create a professional quality score. Apply ness as a sole proprietor or as a corporation and in the techniques by composing two short pieces to be played legal issues surrounding composer contracts and liabil- in class: one incorporating instruments from the wood- ity. Brand-building is an important component of a Music Certificates wind, brass, and percussion families; and one incorpo- successful career: you study the philosophy of building rating instruments from the string family, including harp. your own brand as a film composer or as an assistant Prerequisite(s): Knowledge of music notation and the- for another composer, and you explore the role of social ory, experience in music composition, and MUSC media in the promotion of your brand. Collaboration X 483.43 Instrumentation and Introduction to Orches- issues are also discussed and include building your & Specializations tration, or consent of instructor. Basic working knowl- team and managing the work of others, communicating edge of a music notation program such as Sibelius is with your directors and producers, and working with highly recommended as students are required to pro- contractors. Industry guest speakers share their exper- Jump-Start Your Career in Music duce and print music scores and instrumental parts for tise in these various areas and supplement extensive their assignments. discussions and exercises. Interested in a career in music business? Want to pursue film scoring or creating Reg# 370065 Reg# 369419 Fee: $1,999 Fee: $699 music independently? No refund after 2 Oct. No refund after 8 Oct. ❖❖ Classroom ❖❖ Classroom Enroll in one of our Music Certificates. 10 mtgs 11 mtgs Wednesday, 6:30-10pm, Sept. 25-Dec. 4 Wednesday, 7-10pm, Sept. 25-Dec. 11 Music Certificates Burbank: Local 47 Musicians Union, UCLA Extension Lindbrook Center: 3220 Winona Ave 10920 Lindbrook Dr. BMI proudly supports UCLA Extension certificates. No meeting Nov. 27. No meeting Nov. 27. c Two recording sessions to be arranged. Brian Ralston, award-winning film/TV composer whose Discounts cannot be applied to a portion of fees for credits include the features Crooked Arrows and this course. Awaken, starring Daryl Hannah, as well as additional Enrollment limited; early enrollment advised. Visitors music for season four of Angel. Mr. Ralston is one of Music Business the co-hosts ofSCOREcast, a popular industry-insider not permitted. c Learn the principles of the music industry in the areas of A&R, touring, marketing, legal Thom Sharp, Emmy Award-winning composer, arranger, podcast for film and TV composers. orchestrator, and conductor whose composition credits issues, publishing, and artist management. include the television series Casper, Toonsylvania, The MUSC X 498.3 Independent Music Production New Adventures of Winnie the Pooh, Aladdin, The Little Fundamentals of Conducting: From Mermaid, and Bonkers, as well as such films as Return the Symphony to the Scoring Stage Designed for independent artists, develop the creative skills to write, produce, and of Jafar, and The Land Before Time. 4.0 units record music in your home studio, along with the marketing and business skills to sell it. Learn the fundamentals of conducting taught by a MUSC X 498 professional film and concert conductor. You will prac- Film Scoring Advanced Film Scoring Workshop tice all aspects of baton technique, including beat 4.0 units patterns, irregular meters, and contrasting articulations/ Endorsed by the Society of Composers & Lyricists, learn the essential This course will immerse you in the creative and logisti- gestures. You will work on cueing, conducting to picture, creative, business, and technical skills needed for a successful career cal process of scoring a film. Topics include collaborat- conducting to a click track, and podium presence. You in film scoring from talented industry composers. ing and communicating with directors, dealing with will conduct live professional musicians as well as temp scores, learning how spotting sessions work, conduct to recordings. Attendance is strongly encour- incorporating themes and variations, and overcoming aged for the first class meeting, during which important creative roadblocks. In addition, you learn how to foundations are established. Conducting begins at the breathe life into your scores, how to find your voice, and second meeting and attendance is mandatory. how to communicate beyond the notes on the page Prerequisite(s): The equivalent of two years of training Are you looking for a shorter program? when working with live ensembles. Instruction includes in music at the college level, or consent of instructor. Our new specialization in music supervision can be completed in as little as 2 quarters! the opportunity to record your cues in a professional Reg# 369404 recording studio with live musicians. Fee: $1,999 Prerequisite(s): MUSC X 449.41 Recording, Editing, and No refund after 28 Sept. Music Specializations Mixing Techniques for Film Composers and MUSC ❖❖ Classroom X 483.1 Film Scoring on a Budget or consent of 11 mtgs Music Supervision instructor. Tuesday, 7-10pm, Sept. 24-Dec. 3 This 4-course specialization equips students with the skills needed to succeed as Reg# 369410 Burbank: Local 47 Musicians Union, music supervisors. Fee: $1,999 3220 Winona Ave No refund after 3 Oct. Discounts cannot be applied to a portion of fees for Plus, enjoy maximum flexibility—start anytime, with no admissions requirements. ❖❖ Classroom this course. 9 mtgs Enrollment limited; early enrollment advised. Visitors (Exceptions apply to the Film Scoring Certificate.) Sunday, 2-5pm, Sept. 29-Nov. 24 not permitted. c Take the next step toward the career you’ve always wanted! UCLA Extension 1010 Westwood: Jonathan Merrill, award-winning composer, conduc- 1010 Westwood Blvd. tor, and producer whose vocal and instrumental Off-campus music has appeared in hundreds of commercials and Sunday, 10am-5pm, Oct. 27; Nov. 17 television episodes. Discounts cannot be applied to a portion of fees for this course. Enrollment limited; early enrollment advised. Visitors For More Information not permitted. c (310) 825-9064 | entertainment.uclaextension.edu 100 Entertainment Enroll at uclaextension.edu or call (800) 825-9971

Reg# 369611 Bobby Borg, major label, international, and DIY record- Fee: $699 ing/touring artist with more than 25 years of experience No refund after 9 Oct. in the music business. He is a music business consul- ❖❖ Classroom tant, A&R advisor to music supervisors and independent 11 mtgs labels, and the best-selling author of numerous music Thursday, 7-10pm, Sept. 26-Dec. 12 business books and articles. UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. MUSC X 484.31 No meeting Nov. 28. Music Supervision for Film Enrollment limited; early enrollment advised. c and Television Charles Fernandez, Emmy- and Annie-nominated 4.0 units composer who has worked for most of the major stu- Defining the role of the music supervisor by drawing on dios as a composer on such animated series as Casper, the combined resources of the film and television com- 101 Dalmatians, Doug, Aladdin, Mermaid, and Robot munities to marry music and moving images, this course Chicken, as well as many live and animated features. is for anyone interested in the business and art of film and television music. Lectures and discussion with guest speakers present the principles and procedures of music Music Business Certificate Music Business supervision. Past guest speakers have included compos- ers, music supervisors, filmmakers, producers, music MUSC X 447.31 licensing representatives, and executives. Fall is the perfect time to begin pursuing a Music Business Certificate! The Insider’s Guide to Reg# 369671 This program is for aspiring and established artists, producers, managers, Music Management Fee: $699 4.0 units No refund after 8 Oct. songwriters, and publishers on the principles of the music industry in the areas The music manager’s role is crucial to a musician’s ❖❖ Classroom of A&R, touring, marketing, legal issues, publishing, and artist management. career success, yet very few people who enter the 10 mtgs entertainment industry have any idea what a manager Wednesday, 6:30-10pm, Sept. 25-Dec. 4 Don’t know where to begin? We recommend getting started with the does or how one can help their career. This course is UCLA Extension DTLA: 261 S. Figueroa St. designed to explain the management side of the music following courses. No meeting Nov. 27. c business. Find out what music managers do, why they Carlie Flores, music supervisor for film and television MUSC X 447.31 The Insider’s Guide to MUSC X 448.80 Do-It-Yourself are important, and how to avoid management pitfalls. at Chick Chick Music and on the music marketing team Lectures, discussion, and industry guests address top- at Netflix. Ms. Flores’ background includes work in Music Management Music Marketing ics such as when to get a manager, the role of the trailers and promos for companies like Twentieth Cen- Discover all that it takes to be a successful Learn the exhaustive process of DIY manager in the indie world, and managing music in the tury Fox and SickKids hospital. She’s also a classically digital age. trained pianist and vocalist. music manager from finding out what music sales and promotion from develop- Reg# 369612 exactly they do, to avoiding management ing your brand and identifying your vision Fee: $699 MUSC X 448.17 pitfalls, and understanding how managers all the way to promotions and publicity No refund after 8 Oct. Music Publishing: Law and Business work in the independent and digital space. while creating your own customized, ❖❖ Classroom 4.0 units low-budget marketing plan. 10 mtgs This overview is designed for those interested in a Page 100. Wednesday, 6:30-10pm, Sept. 25-Dec. 4 career in music publishing as well as for business and Page 100. UCLA: Dodd Hall personal managers and attorneys who desire a working MUSC X 441.3 Audio Recording Theory No meeting Nov. 27. knowledge of the music publishing industry. Topics You do not need to be enrolled in a Specifically tailored to independent Enrollment limited; early enrollment advised. c & include copyright basics; songwriter agreements; set- ­artists, this course presents a practical certificate to take a course. Adam LaRue, a 20 year veteran of the industry. Mr. ting up domestic licensing for records, motion pictures, LaRue has marketed the album launches of Rancid, television, print, commercials, and other areas; aspects and effective introduction to the theory, Mavis Staples, Glen Hansard, Portugal The Man, Plain of foreign sub-publishing, including negotiating agree- art, and craft of sound recording. White T’s, At The Drive-in at labels Epitaph, Anti, ments and collection societies; and dealing with ASCAP, Page 101. and Fearless Records. He currently represents Jerry BMI, and SESAC. Detailed discussions also cover trends Harrison of the Talking Heads and Modern Lovers. and revenue opportunities in the evolving digital BMI proudly supports UCLA Extension ­marketplace. Guest speakers include music industry MUSC X 448.80 certificates. executives and attorneys. Do-It-Yourself Music Marketing Reg# 370113 4.0 units Fee: $699 Of interest to DIY musicians, producers, managers, No refund after 9 Oct. startup record label personnel, and anyone interested FF Hybrid For More Information in learning fundamental marketing concepts used by 10 mtgs (310) 825-9064 | entertainment.uclaextension.edu/certificates/music-business the most innovative companies today. You learn how to Classroom meetings describe your vision; identify a market need; analyze Thursday, 7-10pm, Sept. 26-Dec. 5 your fans; learn from your competitors; demo your UCLA: Dodd Hall MUSC X 485 products and services; set your marketing plan goals; Online sessions and find the perfect mix of new marketing strategies Dec. 6-12 Composing Music for Animation ranging from branding, product, price, place, promotion, Course Icons 4.0 units No meeting Nov. 28. and marketing information systems. The Internet, word- Composing music for animation places special This course includes both online sessions and of-mouth, guerrilla marketing techniques, social media, demands on the composer. Musical jokes are more ­classroom meetings. Refer to course syllabus for Provide mobile marketing, publicity, music licensing, live per- prevalent, there are quicker changes in style and mood, online session details. & forming and touring, merchandising, face-to-face c and the music is often “wall to wall.” This course Robert Teegarden, former manager at Universal Music Information selling, sales promotions, radio, and sponsorships are addresses each of these characteristics in the following Group, music business educator, and entrepreneur. all addressed in course lectures, reading assignments, broad schools of animation: story-driven, action ori- and discussions with industry guests. You are provided At-a-Glance ented animation, and hip and quirky. You learn about MUSC X 449.2 with the opportunity to craft a customized, low-budget the traditional and new approaches to composing for Music Licensing: marketing plan of attack using step-by-step templates, m animation and how to build tempo maps, which in many ONLINE COURSE and to receive constructive criticism from the instructor Turning Talent into Dollars cases is half the job. The differences and similarities Technical requirements, page 5 and fellow students. At the end of the class, student 4.0 units between scoring an animated movie and scoring an teams are asked to solve real-world marketing prob- In today’s rapidly evolving music industry, licensing animated TV show also are discussed. You compose, g HYBRID COURSE, page 5 lems by presenting innovative solutions before a small stands out as one of the most stable ways to make arrange, and orchestrate cues in your home studio for panel of guest judges. money. Turning your talent into dollars and cents WEB-ENHANCED COURSE, page 5 scenes every week. Both peers and instructor critique requires an understanding of how the licensing process c each cue in class. Reg# 369970 works. This introductory course for entertainers, song- v ON-GROUND COURSE, page 5 Prerequisite(s): One course in or demonstrated compe- Fee: $699 writers, producers, managers, music supervisors, and tence in harmony, composition, standard orchestration No refund after 23 Oct. music industry executives, examines the business & TEXTBOOK REQUIRED techniques, and proficiency in MIDI/sequencing. Stu- FF Hybrid issues associated with licensing rights in the music Visit our website for textbook dents should have access to sequencing software (e.g. 8 mtgs industry. Through lectures, case studies, and discus- information. Logic, Cakewalk, Pro Tools) and a project studio to Oct. 10-Dec. 12 sions with notable industry guests, instruction focuses create cues. Thursday, 7-10pm, Oct. 10-Dec. 5 on the business and legal aspects of licensing. Topics C UC CREDIT UCLA: Young Hall include detailed examination of the various types of kkk May be transferable­ to other No meeting Nov. 28. licenses that apply to the music industry, rights and colleges and universities, page 6 This course includes both online sessions and clearance issues, applicable terms from publishing and ­classroom meetings. Refer to course syllabus for record deals, typical representation arrangements, and online session details. c & Enroll at uclaextension.edu or call (800) 825-9971 Entertainment 101 negotiation and networking strategies. By the end of the Reg# 369371 course, students understand how to make the most of Fee: $699 the myriad licensing opportunities available in the music No refund after 13 Oct. business and how to avoid problems associated with FF Hybrid those opportunities. 10 mtgs Reg# 369539 Classroom meetings Fee: $699 Monday, 6:30-10pm, Sept. 30-Dec. 2 No refund after 7 Oct. UCLA Extension 1010 Westwood: ❖❖ Classroom 1010 Westwood Blvd. 11 mtgs Online sessions Tuesday, 7-10pm, Sept. 24-Dec. 3 Dec. 3-8 No meeting Nov. 11. UCLA: School of Public Affairs Bldg. c Gary Greenberg, attorney in the music industry whose This course includes both online sessions and clients include Jimmy Cliff and Kendrick Lamar’s pro- ­classroom meetings. Refer to course syllabus for ducers. He wrote the American Bar Association hand- online session details. book, How to Build and Manage an Entertainment Law Enrollment limited; early enrollment advised. c & Practice, and co-wrote the book Everything You’d Better Maurizio OttO De Togni, for credits see page 101. Know About the Record Industry. MUSC X 441.3 Audio Recording Theory Music Production 4.0 units Specifically tailored to independent artists, this course MUSC X 480 presents a practical and effective introduction to the The BMI Jerry Goldsmith Introduction to Logic Pro theory, art, and craft of sound recording. Instruction 4.0 units covers the basics of audio, acoustics, and electronics, Logic Pro is a professional music production program as well as the theory and operation of the most com- that combines composition, notation, and audio produc- monly used signal processors, audio consoles, monitor tion facilities. Of interest to songwriters, composers, loudspeakers, and microphones, and their application Scholarship in Film Scoring audio producers, and audio engineers, this course to the digital audio workstation production process. introduces you to the primary features and basic user Reg# 369538 interface of Logic Pro X. Using your own Mac, you walk Fee: $699 Application deadline: February 14, 2020. Scholarships are awarded annually. through the process of creating an actual song, from No refund after 7 Oct. recording, producing a Virtual Drum track, editing audio ❖❖ Classroom This annual scholarship award is for students enrolled in the Film Scoring Certificate. The with Flex Time and Pitch, and recording/editing/arrang- 11 mtgs winner receives $2,500 toward the cost of courses in the program. Don’t miss out on ing of MIDI sequences and Apple Loops, to digital Tuesday, 7-10pm, Sept. 24-Dec. 3 this opportunity. effects processing using virtual amps and pedals, Logic UCLA: School of Public Affairs Bldg. c remote on the iPad, automation, and mixing. This Michael Blum, award-winning producer/music engi- Pictured above, left to right: Kim Gouveia, Program Representative, UCLA Extension Entertainment Studies; Pascale Cohen-Olivar, Program course prepares you for the Apple Certification exam. neer. Mr. Blum engineered several LPs for Madonna and Director, UCLA Extension Entertainment Studies; Doreen Ringer-Ross, Vice President Creative–Film, TV & Visual Media, BMI; and Antoni Prerequisite(s): Basic computer skills and basic audio worked with such artists as Pink Floyd, Bryan Ferry, and Mairata March, 2019 BMI/Jerry Goldsmith Film Scoring Scholarship recipient. technology concepts. Students must have access to Kenny Loggins. He produced platinum artist Anastacia their own Mac computer with a minimum of 15 GB of in his own Titan Recording Studio, and discovered, For more information and to apply, visit free space, a power adapter, and Logic Pro X 10.4 recorded, and produced Kelly Clarkson. and above (installed and fully updated); external hard entertainment.uclaextension.edu/bmischolarship drive/audio interface/mic/midi keyboard are optional MUSC X 440 but recommended. Create and Produce Your Own MUSC X 448.14B MUSC X 409.8 Reg# 369370 Music Project The Art and Craft of Music Mixing Professional Songwriting for Fee: $699 4.0 units 4.0 units the Commercial Market: No refund after 4 Oct. Learn the ins and outs of the creative side of music Learn the art and craft of mixing music as it applies to mmOnline production. Classes are hands-on, real-world, intensive, A Weekly Workout the many creative and technical considerations involved 4.0 units Sept. 30-Dec. 8 and cover such concepts as choosing musicians and in “record-mixing.” Each week, a new genre of music Enrollment limited; early enrollment advised. & finessing the best performance out of artists. In this This is a workshop for songwriters who are seeking to c is mixed in class from start to finish. All aspects of hone their craft through support and critique. Each class Maurizio OttO De Togni, composer for commercials workshop-style class, you are required to produce, mix, mixing are covered, from root principles to specialized is divided into two parts: the first section is devoted to and TV, music/sound editor and producer. Mr. De Togni and master one music project—either a live band or a techniques of veteran mixers. Also covered are in-depth critiques of songs students perform live or on CD; the is an Apple Certified Master Trainer in Logic Pro and an solo artist. Your project must incorporate live instru- explorations of a myriad of plug-ins and outboard gear; second section features lectures and discussion. Topics Avid Certified Pro Tools Expert instructor. His clients ments as well as programmed instruments. The course sound-replacing, when and when not to replace sound; include aesthetics of contemporary songwriting and include Paramount Pictures, Maroon 5’s James Valen- is personalized to help each student explore the full summing amps; tuning, tweaking, and nudging ele- song critique; song styles; defining character through tine, and Jesse Carmichael. potential of creating and producing their music. Topics ments when needed; printing to analog vs. digital; and include pre-production, recording using Pro Tools or language; writing for a mass audience; song ideas; stem-mixing. Instruction also includes a field trip to a writing the surprise and payoffs; collaboration; decon- MUSC X 479.12 Logic, getting great vocal performances through micro- world-class mixing studio. phone techniques, recording and mixing techniques, struction, image-making, and emotional plot points; and Introduction to Pro Tools Reg# 369608 creating real moments in songs. 4.0 units mastering, and budgeting. Near the end of the course, your projects are played and critiqued in class. Fee: $699 Reg# 369351 Ideal for those who have recently purchased Pro Tools No refund after 7 Oct. and have been working with the system for less than Prerequisite(s): MUSC X 441.3 Audio Recording Theory. Fee: $699 Students must have access to a Pro Tools or Logic sys- ❖❖ Classroom No refund after 11 Oct. one year. Learn the foundational skills and working 11 mtgs knowledge needed to perform basic Pro Tools opera- tem and must be proficient in either of these systems. ❖❖ Classroom Tuesday, 7-10pm, Sept. 24-Dec. 3 11 mtgs tions, and begin your own projects or interface with Reg# 369546 UCLA Extension 1010 Westwood: others using Pro Tools. Topics include system capabili- Fee: $699 Saturday, 2-5pm, Sept. 28-Dec. 7 1010 Westwood Blvd. UCLA Extension Lindbrook Center: ties, navigation and display basics, understanding the No refund after 8 Oct. Enrollment limited; early enrollment advised. edit and mix windows, making your first audio record- ❖❖ Classroom c 10920 Lindbrook Dr. Darryl Swann, Grammy Award-winning independent ing, making selections and playing audio, using the 11 mtgs Friday, 7-9:15pm, Dec. 13Field Trip record producer and audio engineer who has worked editing modes and tools, importing audio and working Wednesday, 7-10pm, Sept. 25-Dec. 11 Location to be announced with such artists as Macy Gray, producer Rick Rubin, with video files, using fades, managing audio clips, UCLA Extension 1010 Westwood: No meeting Nov. 30. Mos Def, John Frusciante of Red Hot Chili Peppers, elastic audio, basic mixing concepts, introduction to 1010 Westwood Blvd. Enrollment limited; early enrollment advised. & Erykah Badu, and the Black Eyed Peas. c Real Time plug-ins, and an introduction to MIDI within No meeting Nov. 27. Anika Paris, award-winning songwriter whose work has been featured in major films and on television. She Pro Tools. This course prepares you for the AVID certi- Enrollment limited; early enrollment advised. c fied Pro Tools 101 exam. Adam Moseley, record producer, engineer, and mixer recorded three solo CDs and toured the world with Prerequisite(s): Basic computer skills and basic audio who started his career at the legendary Trident studios Stevie Wonder, John Legend, and John Mayer. She is technology concepts. Students must have access to where he worked with Phil Ramone, Steve Lillywhite, the author of Five Star Music Makeover, Making Your their own Mac or PC laptop with a minimum of 15 Tina Turner, The Cure, Wet Wet Wet, Roxette, Kiss, Mark in Music, and a book of poetry, Woven Voices. GB of free space, a power adapter, and Pro Tools 12 Rush, Beck, Nikka Costa/Lenny Kravitz, John Cale, and or 2018 (installed and fully updated); external hard many more. drive/audio interface/mic/midi keyboard are optional but recommended. kkk