A Day in Mexico City"
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Article: Conservation Versus Historicity: a Necessary Reconciliation for The
Article: Conservation versus Historicity: A Necessary Reconciliation for the Intervention in the Photographic Collection of Frida Kahlo Author(s): Elisa Carmona Vaillard & Karla Castillo Leyva Topics in Photographic Preservation, Volume 16. Pages: 279-285 Compiler: Jessica Keister © 2015, The American Institute for Conservation of Historic & Artistic Works. 1156 15th St. NW, Suite 320, Washington, DC 20005. (202) 452-9545, www.culturalheritage.org. Under a licensing agreement, individual authors retain copyright to their work and extend publication rights to the American Institute for Conservation. Topics in Photographic Preservation is published biannually by the Photographic Materials Group (PMG) of the American Institute for Conservation (AIC). A membership benefit of the Photographic Materials Group, Topics in Photographic Preservation is primarily comprised of papers presented at PMG meetings and is intended to inform and educate conservation-related disciplines. Papers presented in Topics in Photographic Preservation, Vol. 16, have not undergone a formal process of peer review. Responsibility for the methods and materials described herein rests solely with the authors, whose articles should not be considered official statements of the PMG or the AIC. The PMG is an approved division of the AIC but does not necessarily represent the AIC policy or opinions. Conservation versus Historicity: A Necessary Reconciliation for the Intervention in the Photographic Collection of Frida Kahlo Elisa Carmona Vaillard & Karla Castillo Leyva Presented at the PMG session of the 2015 AIC Annual Meeting in Miami, Florida. Abstract In 2004 the Frida Kahlo Museum in Mexico City opened a sealed bathroom and discovered the contents of a photographic collection belonging to the Mexican painters Frida Kahlo (1907- 1954) and Diego Rivera (1886-1957). -
Frida Kahlo I Diego Rivera. Polski Kontekst
Polski kontekst I Polish context SPIS TREŚCI TABLE OF CONTENTS 9—11 7 Jacek Jaśkowiak 135—148 Helga Prignitz-Poda Prezydent Miasta Poznania I President of the City of Poznań Diego Rivera – prace I Diego Rivera – works Gdyby Frida była wśród nas… I If Frida were among us… 187—187 Helga Prignitz-Poda 19—19 Alejandro Negrín Nickolas Muray Ambasador Meksyku w Polsce I Ambassador of Mexico to Poland Frida Kahlo i Diego Rivera w Polsce: uniwersalizm kultury meksykańskiej 195—195 Ariel Zúñiga Frida Kahlo and Diego Rivera in Poland: the Universal Nature of Mexican Art O Bernice Kolko… I On Bernice Kolko… x1— 13 Anna Hryniewiecka 211—211 Dina Comisarenco Mirkin Dyrektor Centrum Kultury ZAMEK w Poznaniu I Director of ZAMEK Culture Centre in Poznań Grafiki Fanny Rabel (artystki w wieku pomiędzy sześćsetnym Frida. Czas kobiet I Frida. Time of Women i dwutysięcznym rokiem życia) I Graphic works by Fanny Rabel (artist between 600 and 2000 years of age) 17—17 Helga Prignitz-Poda Frida Kahlo i Diego Rivera. Polski kontekst. Sztuka meksykańska w wymianie kulturowej 135—224 Diego Rivera Frida Kahlo and Diego Rivera. Polish context. Mexican Art in Cultural Exchange O Fanny Rabel I About Fanny Rabel 17— 52 Elena Poniatowska 135—225 Frida Kahlo o Fanny Rabel, sierpień 1945 Frida Kahlo Frida Kahlo about Fanny Rabel, August 1945 0 53—53 Diego Rivera 227—227 Helga Prignitz-Poda Frida Kahlo i sztuka Meksyku I Frida Kahlo and Mexican Art Kolekcja prac z Wystawy sztuki meksykańskiej z 1955 roku w zbiorach Muzeum Narodowego w Warszawie I Works from the 1955 Exhibition -
The Blue House: the Intimate Universe of Frida Kahlo
The Blue House: The Intimate Universe of Frida Kahlo “Never in life will I forget your presence. You found me torn apart and you took me back full and complete.” Frida Kahlo By delving into the knowledge of Frida Kahlo's legacy, one discovers the intense relationship that exists between Frida, her work and her home. Her creative universe is to be found in the Blue House, the place where she was born and where she died. Following her marriage to Diego Rivera, Frida lived in different places in Mexico City and abroad, but she always returned to her family home in Coyoacan. Located in one of the oldest and most beautiful neighborhoods in Mexico City, the Blue House was made into a museum in 1958, four years after the death of the painter. Today it is one of the most visited museums in the Mexican capital. Popularly known as the Casa Azul (the ‘Blue House’), the Museo Frida Kahlo preserves the personal objects that reveal the private universe of Latin America’s most celebrated woman artist. The Blue House also contains some of the painter’s most important works: Long Live Life (1954), Frida and the Caesarian Operation (1931), and Portrait of My Father Wilhelm Kahlo (1952), among others. In the room she used during the day is the bed with the mirror on the ceiling, set up by her mother after the bus accident in which Frida was involved on her way home from the National Preparatory School. During her long convalescence, while she was bedridden for nine months, Frida began to paint portraits. -
Feminist Studies
FEMINIST STUDIES EDITORIAL DIRECTOR Claire G. Moses EDITORIAL COLLECTIVE Judith Keg an Gardiner, Minnie Bruce Pratt (creative writing editor), Karla Mantilla, Leis a D. Meyer, Claire G. Moses, Layli Phillips, Suzanne Raitt, Gayatri Reddy, Gay Seidman, Millie Thayer MANAGING EDITOR Karla Mantilla BUSINESS MANAGER Angie Young TYPESETTER Lise Spectre DESIGNER Duy-Khuong Van What I Saw in the Water or What the Water Gave Me, 1938. Oil on canvas, 91 x 70.5 cm. Private collection. FEMINIST STUDIES EDITORIALDIRECTOR Claire G. Moses EDITORIALCOLLECTIVE Judith Kegan Gardiner, Minnie Bruce Pratt (creative writing editor), Karla Mantilla, Leisa D. Meyer, Claire G. Moses, Layli Phillips, Suzanne Raitt, Gayatri Reddy, Gay Seidman, Millie Thayer MANAGINGEDITOR Karla Mantilla BUSINESSMANAGER Angie Young TYPESETTER Lise Spectre DESIGNER Duy-Khuong Van Figure 1. MY GRANDPARENTS, MY PARENTS, AND I, 1936. Oil and tempera on metal panel, 30.7 x 34.5 cm. Museum of Modern Art, New York. All images by Frida Kahlo © Banco de México Diego Rivera and Frida Kahlo Museums Trust. Figure 2. NUDE OF MY COUSIN ADY WEBER, 1930. Pencil on paper, 60 x 47 cm. Museo Dolores Olmeda PatiZo, Xochimilco, México. Figure 3. PORTRAIT OF MY FATHER, 1951. Oil on masonite, 60.5 x 46.5 cm. Frida Kahlo Museum, Coyoacán, México. Figure 4. DETAIL OF WHAT I SAW IN THE WATER or WHAT THE WATER GAVE ME, 1938. Oil on canvas, 91 x 70.5 cm. Private collection. Figure 5. MY BIRTH, 1932. Oil on metal, 30.5 x 35 cm. Collection of Madonna, New York. Figure 6. WITHOUT HOPE, 1945. Oil on canvas, 28 x 36 cm. -
Orchestra of the Swan
NOVIEMBRE 2016 NOVIEMBRE EJEMPLAR GRATUITO EJEMPLAR ORCHESTRA OF THE SWAN PALACIO DE BELLAS ARTES MARTES 22, 20:00 h FRANCISCO DE GOYA ÚNICO Y ETERNO MUSEO NACIONAL DE SAN CARLOS DEL VIERNES 11 DE NOVIEMBRE AL LUNES 20 DE MARZO, 2017 DIRECTORIO NOVIEMBRE 2016 Secretaría de Cultura Rafael Tovar y de Teresa SECRETARIO Instituto Nacional de Bellas Artes María Cristina García Cepeda DIRECTORA GENERAL ÍNDICE Sergio Ramírez Cárdenas SUBDIRECTOR GENERAL DE BELLAS ARTES Xavier Guzmán Urbiola SUBDIRECTOR GENERAL DEL PATRIMONIO ARTÍSTICO INMUEBLE 2 PALACIO DE BELLAS ARTES Jorge Gutiérrez Vázquez PBA SUBDIRECTOR GENERAL DE EDUCACIÓN E INVESTIGACIÓN ARTÍSTICAS Ana Lorena Mendoza Hinojosa 5 TEATRO SUBDIRECTORA GENERAL DE ADMINISTRACIÓN Roberto Perea Cortés DIRECTOR DE DIFUSIÓN Y RELACIONES PÚBLICAS 10 DANZA PROGRAMACIÓN SUJETA A CAMBIOS Año XIII, núm.10 13 MÚSICA noviembre 2016. Cartelera mensual de distribución gratuita que edita la Dirección de Difusión y Relaciones Públicas del INBA. Reforma y Campo Marte, Módulo A, 1er. piso, col. 22 LITERATURA Chapultepec Polanco, C.P. 11560, Ciudad de México. Comentarios: [email protected] MUSEOS Tiraje: 5,000 ejemplares 27 45 NIÑOS 2 NOVIEMBREPBA SUEÑO DE UNA NOCHE DE VERANO COMPAÑÍA NACIONAL DE DANZA SALA PRINCIPAL PALACIO DE BELLAS ARTES SÁBADO 19, 13:00 Y 19:00 h DOMINGOS 20* Y 27*, 17:00 h JUEVES 24*, 20:00 h *CON EL CORO Y LA ORQUESTA DEL TEATRO DE BELLAS ARTES PALACIO DE BELLAS ARTES 3 ÓPERA La Bohème (Reposición) De Giacomo Puccini Director concertador: Enrique Patrón de Rueda Director de escena: Luis -
NOVIEMBRE DICIEMBRE 2019 Actividades Culturales Del INBAL
Actividades Culturales del INBAL NOVIEMBRE DICIEMBRE 2019 Jorge González Camarena (1908 - 1980). Canción de la esperanza, s.f. Óleo sobre lino. Colección Academia de Artes Año XVII, núm. 6 / EJEMPLAR GRATUITO DIRECTORIO SECRETARÍA DE CULTURA Alejandra Frausto Guerrero Secretaria Sabías que... Omar Monroy Unidad de Administración y Finanzas El grupo escultórico que corona la cúpula del Palacio Natalia Toledo de Bellas Artes es obra del Subsecretaria de Diversidad Cultural y escultor, pintor y arquitecto Fomento a la Lectura húngaro Géza Maróti. Alrededor del motivo Marina Núñez Bespalova central, remata el águila Subsecretaria de Desarrollo Cultural mexicana. Antonio Martínez Velázquez Enlace de Comunicación Social y Vocería INSTITUTO NACIONAL DE BELLAS ARTES Y LITERATURA Lucina Jiménez Directora General Laura E. Ramírez Rasgado Subdirectora General de Bellas Artes Claudia del Pilar Ortega González Subdirectora General de Educación e Investigación Artísticas Dolores Martínez Orralde Subdirectora General de Patrimonio Artístico Inmueble Pedro Fuentes Burgos Subdirector General de Administración Lilia Torrentera Gómez Directora de Difusión y Relaciones Públicas Índice PALACIO DE BELLAS ARTES • • • • • Pág. 2 - 6 NOVIEMBRE / DICIEMBRE TEATRO • • • • • Pág. 7-12 DANZA • • • • • Pág. 11-15 MÚSICA • • • • • Pág. 14-23 Programación sujeta a cambios sin previo aviso LITERATURA • • • • • Pág. 24-32 AGENDARTE Año XVII, núm. 6, noviembre- diciembre 2019. Cartelera MUSEOS bimestral de distribución • • • • • Pág. 31-44 gratuita. Adolfo Martínez, editor; DDRP, edición y diseño editorial. Dirección NIÑOS de Difusión y Relaciones • • • • • Pág. 45-49 Públicas del INBAL. Reforma y Campo Marte, Módulo A, 1.er piso, col. MÁS ACTIVIDADES • • • • • Pág. 50-63 Chapultepec Polanco, Miguel Hidalgo, C.P. 11560, Ciudad de México. LA Phil © Nohely Olivero. -
Map of Coyoacán and San Ángel
Map of Coyoacán and San Ángel Secretaría deCiudad Turismode México COYOACAN (“Place of Coyotes” in náhuatl) was Hernán Cortés’ base after the fall of Tenochtitlán. Home of León Trotsy and Frida Kahlo, it keeps its own identity throughout its traditional zones and narrow streets. A pleasant way to start the tour is by Los Viveros, favourite place of those who enjoy exercising outdoors, and where you can buy plants and flowers. Places of interest at Historical Downtown: Casa Municipal (Municipal House) (1) – Built in the XVIII century, it was the seat of the cabildo, and at present time it is the seat of the territorial demarca- tion.- 56580221 Mon through Fri 8-20 hrs. Jardín Hidalgo (Hidalgo Garden) (2) – A statue of Miguel Hidalgo and a beautiful Kiosk on Nineteen century style are exhibited here: together with the Jardín del Centenario (Garden of Centenario (3) and the Arcos del Jardín del Centenario (antaño Portada Atrial del templo) (Arches of the Garden of Centenario (yesteryear Main Front Yard of the temple)) (4) – It constitutes the ideal scenario for weekend activities, where there are mimes, musicians and handcrafts sell. Parroquia y Ex-convento de San Juan Bautista (Parrish and Ex-monastery of San Juan Bautista) (5) – It is one of the most ancient catholic temples of the Valley of Mexico. Its construction began in the XVI century and throughout time has suffered multiple transformations. It shows remarkable baroque ornaments. Museo Nacional de Culturas Populares (National Museum of Popular Cultures) (6) – Its various expositions and activities around popular culture reflect the creativity of Mexican people both of the urban and rural sectors. -
A Conference in Pre-Columbian Iconography Elizabeth P. Benson
A Conference in Pre-Columbian Iconography OCTOBER 3l ST AND NOVEMBER l ST, 1970 Elizabeth P. Benson, Editor Dumbarton Oaks Research Library and Collections TRUSTEES FOR HARVARD UNIVERSITY Washington, D.C. Copyright 1972 Dumbarton Oaks Research Library and Collection Trustees for Harvard University, Washington, D.C. Library of Congress catalog number 72-90080 Preface OBERT WOODS BLISS began collecting Pre-Columbian art because he was lured by the beauty of the materials, the fineness of the craftsmanship, and Rthe fascination of the iconography of the first Pre-Columbian objects he saw. The Bliss Collection has been, since its beginning in 1912, primarily an esthetic one-probably the first esthetically oriented collection of Pre-Columbian artifacts- so it seemed appropriate to organize a conference that would focus on a cross-cultural, art-historical approach. When we sought for a theme, the first that came to mind was that great unifying factor in Pre-Columbian cultures, the feline. Large cats such as the jaguar and puma preoccupied the artists and religious thinkers of the very earliest civilizations, the Olmec in Mesoamerica and Chavín in Peru. The feline continued to be an important theme throughout much of the New World until the European con- quests. We are indebted to Barbara Braun for the title, “The Cult of the Feline.” Pre-Columbian studies merge many disciplines. This conference was not only cross- cultural but cross-disciplinary-with contributions from anthropologists, archaeolo- gists, art historians, and ethnologists-since we believed that the art-historical ap- proach to iconography should be based on the knowledge of what has been found archaeologically and what is known of the customs of the present-day peoples who have been isolated enough to carry on what must be very ancient traditions. -
Research Guide Frida Kahlo, Diego Rivera and Masterpieces of Modern Mexico
Research Guide Frida Kahlo, Diego Rivera and Masterpieces of Modern Mexico Book Display and Resource List | June 2013 Frida Kahlo (Mexican, 1907–1954). Diego en mi Diego Rivera (Mexican, 1886–1957). Vendedora de pensamiento (Diego on My Mind), 1943. Oil on alcatraces (Calla Lily Vendor), 1943. Oil on canvas, 59 x 47 Masonite, 29 7/8 x 24 inches. The Jacques and Natasha ¼ inches. The Jacques and Natasha Gelman Collection of Gelman Collection of 20th Century Mexican Art. The 20th Century Mexican Art. The Vergel Foundation. Vergel Foundation. Conaculta/INBA. © 2013 Banco de Conaculta/INBA. © 2013 Banco de México Diego Rivera México Diego Rivera Frida Kahlo Museums Trust, Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Mexico, D.F. / Artists Rights Society (ARS), New York. Society (ARS), New York. Jacques and Natasha Gelman were important collectors of 20th century art. Arriving in Mexico as Eastern European immigrants, they fell in love with their adopted homeland and built a collection of Mexican modern art by acquiring the works of major artists including Frida Kahlo, Diego Rivera, David Alfaro Siqueiros, José Clemente Orozco, as well as many others. The twentieth century was a tumultuous time in Mexican art and history. During this period after the Mexican Revolution, Mexican artists created a new Mexican aesthetic through exploration of styles like social realism, surrealism, abstraction and conceptualism and by incorporating a uniquely Mexican iconography. This bibliography includes titles about the Gelman’s collection as well as books exploring the lives and art of several artists represented in this collection. To contextualize this collection, titles on modern art in Mexico and Mexican history in the twentieth century are included in the section Explore More. -
Mexico City: Art, Culture & Cuisine!
Mexico City: Art, Culture & Cuisine! Art History of Mexico Available Anytime! Cultural Journeys Mexico | Colombia | Guatemala www.tiastephanietours.com | (734) 769 7839 Mexico City: Art, Culture & Cuisine! Art History of Mexico On this journey of learning and discovery, we explore the history and expressions of Art in Mexico. In order to understand the vision and temperament of Diego and Frida, we will learn of History and Politics of Mexico, that is the only way to contextualize their art and lives. While Diego’s Art was overtly political, Frida’s was more personal, as we will see. The Mexican Muralism Movement will also be explored. If you are interested in Art, His- tory, Culture, Muralism, Diego and Frida, this trip is for you! Join us to explore art in Mexico City! Program Highlights • Explore the Zocalo • Visit Templo Mayor, Ceremonial Center of the Aztecs • Learn of Mexican History & Indigenous LOCATION Past at the National Palace Murals, painted by Diego Rivera • Ocotlan and the Southern Craft Route. • Visit the Palacio de Bellas Artes • Museum of Modern Art • Rufino Tamayo Museum • Frida Kahlo Museum • Dolores Olmedo Museum • UNAM Campus Itinerary Day 1: and the Cathedral of the Assumption of mural iconography and techniques of the Arrive Mexico City, Transfer to our Mary, constructed in a medley of Ba- ancient civilizations of Mexico. Diego Rivera Centrally Located Hotel and explore the roque, Neoclassical, and Mexican chur- studied the Prehispanic fresco technique to Historic Center! rigueresque architectural styles. Then we apply to his own work. (B, L) Enjoy a Light Lunch move to the National Palace to view Diego Explore the Zocalo, the Largest Square in Rivera’s mural masterpiece The Epic of the Day 3: the Americas! Mexican People, where he depicted major Today we explore the Antiguo Colegio San Visit Templo Mayor, Ceremonial Center of events in Mexico’s history, and the indig- Idelfonso, home to the first mural painted the Aztecs enous cultures of Mexico. -
Agenda Cultural
MÚSICA CIUDAD DE MÉXICO Íntimo con Julieta Venegas INTI con Gerónimo Pavani Julieta Venegas regresa al escenario El cantautor Gerónimo Pavani presenta del Teatro de la Ciudad para interpretar su segundo disco, INTI. sus más grandes éxitos. FECHA Y HORA: Jueves, 20:00 h. Hasta el 20 de febrero RECINTO: Teatro Benito Juárez FECHA Y HORA: Viernes 14, 20:30 h. y sábado 15, DOMICILIO: Villalongín 15, esquina con Plaza Carlos 19:00 h. J. Finlay. Col. Cuauhtémoc RECINTO: Teatro de la Ciudad Esperanza Iris DOMICILIO: Donceles 36. Col. Centro VER ACTIVIDAD VER ACTIVIDAD Cuartetos de Brahms, En vivo desde el MET: Agrippina Liebeslieder Una historia de intriga y deshonestidad en la Roma antigua protagonizada por La colección Liebeslieder de Brahms Agrippina, una mujer controladora y entrañan reminiscencias de los valses sedienta de poder. de la tradición vienesa del siglo XIX. FECHA Y HORA: Sábado 29 de febrero, 11:55 h. FECHA Y HORA: Viernes 28, 18:00h. RECINTO: Auditorio Nacional RECINTO: Palacio de Bellas Artes - Sala Manuel M. DOMICILIO: Av. Paseo de la Reforma 50. Col. Polanco Ponce DOMICILIO: Av. Juárez, esquina con Eje Central. Col. Centro VER ACTIVIDAD VER ACTIVIDAD -Ver aquí más actividades de música- MÚSICA estados Tania Libertad El Consorcio y Guadalupe Pineda La cantante interpretará lo más destacado de sus 40 años de carrera Una noche inolvidable, llena de amor musical. y romanticismo en un solo escenario. FECHA Y HORA: Sábado 8 de febrero, 19:30 h. RECINTO: Centro Cultural Paso del Norte FECHA Y HORA: Sábado 22 de febrero, 20:00 h. DOMICILIO: Anillo envolvente del Pronaf S/N. -
The Quest for Superstar Museums
Original Scientific Article Willingness to Pay More: The Quest for Superstar Museums Nuria Recuero Virto Universidad Complutense de Madrid, Spain [email protected] María Francisca Blasco López Universidad Complutense de Madrid, Spain [email protected] Juan Antonio Mondejar Universidad Castilla-La Mancha, Spain [email protected] Museum managers constantly focus their efforts on gaining economic viability. This has become a key challenge as the offer of ‘experience economy’ attractions is increas- ingly rising and visitors are searching for experiences that are competitive. Although it has been stated that a picture paints a thousand words, the main objective of this research is determining if the relationship between museum image and visitors’ sat- isfaction significantly and positively influences their willingness to pay more. Par- tial least analysis was used to conduct the multi-group comparison by including the recently developed measurement invariance of composites (micom) and new per- mutation methods. A total of 529 valid responses of museum visitors were obtained. Interestingly, the findings showed that there were no significant differences between the two museum samples, and that all the relationships analysed were positive and significant. Interestingly, Henseler’s mga identified a slight difference between the two museum visitor samples in the linkage between visitors’ satisfaction and visitors’ word of mouth. This research proposes a multi-group comparison study examining two different samples of visitors to two superstar Mexican museums so that findings provide useful generalizations that imply academic and managerial contributions for the tourism industry. Keywords: multi-group, satisfaction, image, willingness to pay more, word of mouth https://doi.org/10.26493/2335-4194.14.101-114 A museum’s function is not only to operate as an eco- Harrison & Shaw, 2004; Han & Hyun, 2017; McLean, nomic development engine but also as a destination 1994; Ober-Heilig et al., 2014).