Frida & Diego Mexico City Tour
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Kingdom of the Monarchs Mexico Tour
For More Information Contact See More Tours at Cynthia Marion - 214.497.4074 www.travelphiletours.com KINGDOM OF THE MONARCHS MEXICO TOUR Benefiting Wimberley’s EmilyAnn Theatre & Gardens Friday February 9-Thursday February 15, 2018 7 Days / 6 Nights LEAVING FROM WIMBERLEY Enjoy our exciting ecological and cultural adventure. Fall in love with the Monarchs as you spend 2 days including Valentines day with tens of millions of Monarch butterflies! Experience one of the world’s most astounding natural events featuring the delicate Monarch at two different sanc- tuaries in Mexico where they “winterize” prior to making a remarkable springtime 3,000 mile journey to the northeastern US and Canada. Along the way we’ll take a boat ride with a local birding expert through floating gardens and canals of Xochimilco and explore Coyoacán, one of the most well preserved colonial areas of Mexico City to experience the art and culture of artists Frida Kahlo and Diego Rivera. Day 1 Texas to Mexico City Friday February 9 Depart Texas for Mexico City and the wonders that await. Upon arrival, we’ll transfer to our 4 ½ Star Tripadvisor rated hotel where you’ll have free time to get settled in your hotel room. We gather this evening for a welcome dinner at the award-winning Taberna del Leon. (D) Hotel: Paraiso See More Tours at For More Information Contact www.travelphiletours.com Cynthia Marion - 214.497.4074 Day 2 Mexico City Saturday February 10 Breakfast. Leave for one of the best handicrafts market in all of Mexico, Bazaar Del Sabado in San Angel. -
Frida Kahlo I Diego Rivera. Polski Kontekst
Polski kontekst I Polish context SPIS TREŚCI TABLE OF CONTENTS 9—11 7 Jacek Jaśkowiak 135—148 Helga Prignitz-Poda Prezydent Miasta Poznania I President of the City of Poznań Diego Rivera – prace I Diego Rivera – works Gdyby Frida była wśród nas… I If Frida were among us… 187—187 Helga Prignitz-Poda 19—19 Alejandro Negrín Nickolas Muray Ambasador Meksyku w Polsce I Ambassador of Mexico to Poland Frida Kahlo i Diego Rivera w Polsce: uniwersalizm kultury meksykańskiej 195—195 Ariel Zúñiga Frida Kahlo and Diego Rivera in Poland: the Universal Nature of Mexican Art O Bernice Kolko… I On Bernice Kolko… x1— 13 Anna Hryniewiecka 211—211 Dina Comisarenco Mirkin Dyrektor Centrum Kultury ZAMEK w Poznaniu I Director of ZAMEK Culture Centre in Poznań Grafiki Fanny Rabel (artystki w wieku pomiędzy sześćsetnym Frida. Czas kobiet I Frida. Time of Women i dwutysięcznym rokiem życia) I Graphic works by Fanny Rabel (artist between 600 and 2000 years of age) 17—17 Helga Prignitz-Poda Frida Kahlo i Diego Rivera. Polski kontekst. Sztuka meksykańska w wymianie kulturowej 135—224 Diego Rivera Frida Kahlo and Diego Rivera. Polish context. Mexican Art in Cultural Exchange O Fanny Rabel I About Fanny Rabel 17— 52 Elena Poniatowska 135—225 Frida Kahlo o Fanny Rabel, sierpień 1945 Frida Kahlo Frida Kahlo about Fanny Rabel, August 1945 0 53—53 Diego Rivera 227—227 Helga Prignitz-Poda Frida Kahlo i sztuka Meksyku I Frida Kahlo and Mexican Art Kolekcja prac z Wystawy sztuki meksykańskiej z 1955 roku w zbiorach Muzeum Narodowego w Warszawie I Works from the 1955 Exhibition -
Sistema De Memoria Colectiva En El Metro Imagotipos En La Ciudad De México*
INVESTIGACIÓN 9 Sistema de memoria colectiva en el Metro Imagotipos en la Ciudad de México* Francisco López Ruiz Resumen El Sistema de Transporte Metropolitano (Metro) de la Ciudad de México ofrece un valor simbólico único en el mundo. Desde hace cuatro décadas las estaciones del Metro son representadas mediante íconos o imagotipos. El objetivo de este artículo es contrastar las características gráficas de dos imagotipos y la vinculación con su contexto urbano e histórico: los ideogramas de las estaciones La Noria (tren ligero) y Cuatro Caminos (línea 2 del Metro). El argumento central establece que los imagotipos del Metro y otros sistemas de transporte capitalino forman parte de la riqueza patri- monial y la identidad de la Ciudad de México, ya que simbolizan de manera creativa diversos elementos culturales y urbanos. Abstract Mexico City’s subway icons are unique examples of urban graphic design. The purpose of this essay is to compare two icons –La Noria (urban train) and Cuatro Caminos (subway)– and analyze their historical and cultural meaning or significance. The main argument is that such subway icons stand as symbols of Mexico City’s cultural heritage insofar they represent diverse cultural and urban elements. * Esta investigación pertenece al proyecto Energía y arquitectura sustentable, financiado por la Dirección de Investigación de la, Universidad Iberoamericana, Ciudad de México y el Patronato Económico de la misma universidad (FICSAC). 10 Francisco López Ruiz arquitectos, con lo cual se evita la fealdad El ingeniero Bernardo -
Art and Pain in Frida Kahlo* Arte E Dor Em Frida Kahlo
Rev Dor. São Paulo, 2014 apr-jun;15(2):139-44 REVIEW ARTICLE Art and pain in Frida Kahlo* Arte e dor em Frida Kahlo Rodrigo Siqueira-Batista1,2, Plínio Duarte Mendes3, Julia de Oliveira Fonseca1, Marina de Souza Maciel4 *Received from the Federal University of Viçosa, Viçosa, MG, Brazil. The article is result of the project “Parallel between health and art: Frida Kahlo’s colors”, appreciated and approved by the Ethics Committee for Research with Human Beings, UFV (Of. Ref. N 005/2012/CEPH). DOI 10.5935/1806-0013.20140018 ABSTRACT CONTEÚDO: A partir da apreciação do filme e de telas sele- cionadas da autora – analisadas com o apoio dos artigos obtidos BACKGROUND AND OBJECTIVES: The Mexican painter na revisão da literatura – foram organizadas quatro seções para a Frida Kahlo is one of the most important artists of the twenti- apresentação dos elementos obtidos: (1) As ‘origens’ de Frida, (2) eth century. After being involved in a car accident, remained at O primeiro acidente, (3) O segundo acidente: Diego Rivera e (4) O home to recover from several injuries, significant event for the martírio da maternidade frustrada. dawning of her painting. The aim of this study was to present CONCLUSÃO: Frida obteve na arte seu maior conforto, trans- aspects of the biography and life of Frida, seeking intersections formando sua trajetória dolorosa e intensa em um fecundo pro- between her artwork and her painful experiences. cesso de criação, o qual refletiu os sentidos de sua existência. CONTENTS: From the appreciation of film and screens select- Descritores: Dor crônica, Estresse psicológico, Medicina na ed author - analyzed with the support of the articles obtained arte, Pinturas. -
1. Frida Kahlo, Self-Portrait on the Borderbetween Mexico Andthe
1. Frida Kahlo, Self-Portrait on the Border Between Mexico and the United States, 1932 . New York, Manuel Reyero(Christie's). 22 CULTURE, POLITICS, AND IDENTITY IN THE PAINTINGS OF FRIDA KAHLO JANICE HELLAND Frida Kahlo used the often traumatic and harrow- public protest opposed to American intervention ing iconography of her Mexican heritage to paint in Guatemala. On 14 July 1954, her body lay in herself and the pain which had become an integral state in the magnificent foyer of the Palace of part of her life after, at age eighteen, a streetcar Fine Arts in Mexico City. Much to the chagrin of accident left her crippled. From then on she un- Mexican officials, her coffin was draped with a derwent a series of operations and, because of her large flag bearing the Soviet hammer and sickle severely injured pelvis, a number of miscarriages superimposed upon a star. With her love of the and abortions. Her physical disability never inhib- unconventional and her talent for black humor, ited Kahlo's flair for theatrics, and this, combined Kahlo, in all likelihood, would have enjoyed the with a tempestuous relationship with her philan- uproar caused by this spectacle.' dering husband, the mural painter Diego Rivera, Kahlo, like many other educated young people established her as a tragically romantic and exotic during the tumultuous era between the world figure. As a result, Kahlo's works have been ex- wars, joined the Communist Party in the 1920s. haustively psychoanalyzed and thereby white- In the early part of the century, the intellectual washed of their bloody, brutal, and overtly politi- atmosphere in Mexico was charged with cosmo- cal content. -
Focus on Art: the Spirit of Frida
focus on art: the spirit of frida Experience the sights, sounds, tastes and art that influenced a woman who challenged the world of art and polite society, Frida Kahlo. April 18 – 25 2017 or April 18-28, 2017 extension option trip details Travel with Hank & Laura Hine to Mexico to explore the world of Frida Kahlo, her art, and her tumultuous life with husband, partner and obsession Diego Rivera. Mexico City San Miguel de Highlights Allende Highlights Welcome dinner at Trolley touring Restaurant Café Tacuba Walking tour of galleries National Folkloric and shopping at Ballet performance Fábrica La Aurora Frida’s Casa Azul Guided visit to ‘the Sistine Chapel of the Americas’ The House Museum of Dolores Olmedo Folk art museum Soumaya Museum Special farewell dinner Guided visits to Rivera’s works Fine dining throughout Xilitla and Guanajuato Optional Extension Highlights Tour through spectacular Sierra Gorda; 2 nights in the El Castillo and La Posada de James; Edward James’ jungle sculpture garden; bath, waterfall and natural pools of Las Pozas; Diego Rivera’s house and museum; soiree with troubadours. Cost: $4,694* per person, double occupancy; single travelers add $1,069 Optional 4-day/3-night Extension add $1,259 per person double occupancy, single travelers add $350 more *Your price includes a $500 per person tax-deductible honorarium to The Dalí Museum. Details to follow. A deposit of $500 per person, a and membership with The Dalí Museum, are required to hold your space. Final payment is due January 18, 2017 price includes Main program: -
Leveled Reading- -Resources- -Activities
BIO Sphere -Leveled Reading- ATI RE VE -Resources- C K R A A A A L L L L C C C -Activities- C D L W O R Editable Presentation hosted on Google Slides. Click to Download. Early Life Early Life Frida ● Frida Kahlo was born on July 6, 1907 in ● In 1925, she was in a bus Kahlo Mexico City, Mexico. accident. Mexican Icon ● When she was six, she caught polio. This ● She had to stay in bed to gave her a limp for the rest of her life. recover for two years, and she Her father encouraged her to do sports was in pain for the rest of her life. to help her recover. ● While she was in bed ● She went to the National Preparatory recovering, she started painting. School. She was a good student and Depiction of Kahlo painting wanted to go to medical school. Frida Kahlo in 1919 Personality & Characteristics Life Story Life Story ● Kahlo was sociable and very interested in ● In 1929, she married Diego Rivera, who ● Kahlo became homesick, so they both politics. was famous for painting murals. moved back to Mexico City in 1933. ● She loved Mexican indigenous culture and ● They traveled a lot together around the ● They started to have troubles in their used it in her art and clothes. United States. marriage. Rivera had an affair with Kahlo’s sister, and he had also not wanted to However, she was very depressed and in a Her first art in an exhibition was a double ● ● move back to Mexico. lot of pain for most of her life. -
Mexico City and San Miguel De Allende SCHEDULE BY
An Art Lover’s Mexico: Mexico City and San Miguel de Allende October 19-26, 2018 Immerse yourself in the art, architecture, and cuisine of Mexico on this tour of Mexico City and San Miguel de Allende. Begin in Mexico City’s colonial center, touring the city's spectacular murals and dramatic architecture. Enjoy traditional home cooking at the Casa Pedregal, designed by notable Mexican architect Luis Barragán. See the Torres de Ciudad Satélite, an iconic piece of modern sculpture and architecture. In San Miguel de Allende, meander along narrow cobblestone streets, and view colorful arcades and courtyards, rustic houses, and elegant mansions. Conclude with a visit to El Charco del Ingenio botanical gardens to see migrating birds, serene waterfalls, and lush landscapes. GROUP SIZE: From 16 to 30 travelers PRICING: $4,995 per person double occupancy / Single supplement: $1,295 STUDY LEADER: JEFFREY QUILTER is the William and Muriel Seabury Howells Director of the Peabody Museum of Archaeology and Ethnology and senior lecturer in anthropology at Harvard. Trained as an anthropological archaeologist, Jeffrey has focused much of his career on the early societies of Peru. Recently, his interest in issues of the origins and nature of complex societies has shifted to a focus on viewing social and environmental changes over long periods of time. ____________________________________________________________________________________________ luxurious hotel, located near Chapultepec SCHEDULE BY DAY Park. B=Breakfast, L=Lunch, D=Dinner, R=Reception After checking into your hotel, drive to the National Museum of Anthropology to see FRIDAY, OCTOBER 19 exquisite sculptures and artifacts from ARRIVE MEXICO CITY Mexico’s pre-Columbian civilizations. -
Rediseño Del Manual De Capacitación Para Guías Temporales Del Museo Dolores Olmedo
UNIVERSIDAD PEDAGÓGICA NACIONAL Unidad Ajusco Licenciatura en Psicología Educativa Informe de intervención profesional Rediseño del manual de capacitación para guías temporales del Museo Dolores Olmedo Tesis Que para obtener el título de Licenciado en Psicología Educativa Presenta: Luis Antonio Jimenez Velazquez Asesora Dra. Mónica García Hernández Ciudad de México 2017 Agradecimientos A mis padres Teresa Velazquez y Luis Jimenez: Por todo el esfuerzo, paciencia y apoyo que me han brindado, sé que no he sido un hijo ejemplar pero gracias a sus consejos pude concluir esta etapa de mi vida. A Evelin y Leonardo: Hermana, sé que no siempre nos llevamos bien, pero te agradezco todo lo que haces por mí, es divertido compartir la vida contigo. Leo, espero siempre tengas una vida interesante en todo aspecto, goza, disfruta y se feliz creciendo. Los amo. A Jacinta López y Antonio Badillo y a sus hijos Karina, Celene, Gloria, Ivonne y Marcos: Porque son parte de mi familia nuclear y siempre han estado al pendiente de mí en todo aspecto de la vida. Gracias, pocas personas tienen la dicha de rodearse de tan buenas personas. A mi familia de Guanajuato: Son el perfecto escape de la rutina de esta ciudad. Los quiero. A Karen: ¿Quién pensaría que una obra de mi infancia, que comprendí años después, resultaría un punto de encuentro para ambos? (Le Petit Prince). A lo largo de estos años te has convertido en una pieza esencial de mi vida, te has vuelto parte de mi familia y más, gracias por estar a mi lado. A la Doctora Mónica García Hernández: Por apoyarme y guiarme en la elaboración de este proyecto. -
A Conference in Pre-Columbian Iconography Elizabeth P. Benson
A Conference in Pre-Columbian Iconography OCTOBER 3l ST AND NOVEMBER l ST, 1970 Elizabeth P. Benson, Editor Dumbarton Oaks Research Library and Collections TRUSTEES FOR HARVARD UNIVERSITY Washington, D.C. Copyright 1972 Dumbarton Oaks Research Library and Collection Trustees for Harvard University, Washington, D.C. Library of Congress catalog number 72-90080 Preface OBERT WOODS BLISS began collecting Pre-Columbian art because he was lured by the beauty of the materials, the fineness of the craftsmanship, and Rthe fascination of the iconography of the first Pre-Columbian objects he saw. The Bliss Collection has been, since its beginning in 1912, primarily an esthetic one-probably the first esthetically oriented collection of Pre-Columbian artifacts- so it seemed appropriate to organize a conference that would focus on a cross-cultural, art-historical approach. When we sought for a theme, the first that came to mind was that great unifying factor in Pre-Columbian cultures, the feline. Large cats such as the jaguar and puma preoccupied the artists and religious thinkers of the very earliest civilizations, the Olmec in Mesoamerica and Chavín in Peru. The feline continued to be an important theme throughout much of the New World until the European con- quests. We are indebted to Barbara Braun for the title, “The Cult of the Feline.” Pre-Columbian studies merge many disciplines. This conference was not only cross- cultural but cross-disciplinary-with contributions from anthropologists, archaeolo- gists, art historians, and ethnologists-since we believed that the art-historical ap- proach to iconography should be based on the knowledge of what has been found archaeologically and what is known of the customs of the present-day peoples who have been isolated enough to carry on what must be very ancient traditions. -
An Art Lover's
A custom-designed tour by International Seminar Design, Inc. © for Smith College An Art Lover’s MEXICO Art, Archaeological & Architectural Treasures of Mexico City & Oaxaca NOVEMBER 9–16, 2018 INTERNATIONAL SEMINAR DESIGN, INC. | 4115 Wisconsin Avenue, NW, Suite 101, Washington, DC 20016 | (202) 244-1448 | [email protected] Recommended Tour Dates: November 9–16, 2018 DAY ACTIVITY ACCOMMODATION MEALS 1 USA to Mexico City Four Seasons D.F. D 2 Mexico City Four Seasons D.F. B, L 3 Mexico City Four Seasons D.F. B, L, R 4 Mexico City to Oaxaca Quinta Real B, L, D 5 Oaxaca Quinta Real B, L, R 6 Oaxaca Quinta Real B, L 7 Oaxaca Quinta Real B, L, D 8 Departure to USA — B B = Breakfast, L = Lunch, D = Dinner, R = Reception Suggested Custom Itinerary Friday, November 9 USA / Mexico City • Fly to Mexico City. • Transfer independently to the Four Seasons D.F., Mexico City’s most luxurious five-star hotel, ideally situated by the entrance of Chapultepec Park. • In the late afternoon, gather in the hotel’s lobby and walk to the incomparable National Anthropology Museum, probably the crown jewel of all Latin American cultural institutions. Our guide will provide a whirlwind tour of the very best relics and artworks from the many civilizations that thrived in various parts of Mexico, including the Olmecs, Aztecs, Maya, and Zapotecs. • Enjoy an elegant welcome dinner in the Four Season’s superb Zanaya restaurant on the private outdoor terrace. The food is mostly seafood from the state of Nayarit. The seasonings and the local “zarandeado” cooking style place this restaurant at the top of Mexico City’s list of best places to dine. -
Mexico City: Art, Culture & Cuisine!
Mexico City: Art, Culture & Cuisine! Art History of Mexico Available Anytime! Cultural Journeys Mexico | Colombia | Guatemala www.tiastephanietours.com | (734) 769 7839 Mexico City: Art, Culture & Cuisine! Art History of Mexico On this journey of learning and discovery, we explore the history and expressions of Art in Mexico. In order to understand the vision and temperament of Diego and Frida, we will learn of History and Politics of Mexico, that is the only way to contextualize their art and lives. While Diego’s Art was overtly political, Frida’s was more personal, as we will see. The Mexican Muralism Movement will also be explored. If you are interested in Art, His- tory, Culture, Muralism, Diego and Frida, this trip is for you! Join us to explore art in Mexico City! Program Highlights • Explore the Zocalo • Visit Templo Mayor, Ceremonial Center of the Aztecs • Learn of Mexican History & Indigenous LOCATION Past at the National Palace Murals, painted by Diego Rivera • Ocotlan and the Southern Craft Route. • Visit the Palacio de Bellas Artes • Museum of Modern Art • Rufino Tamayo Museum • Frida Kahlo Museum • Dolores Olmedo Museum • UNAM Campus Itinerary Day 1: and the Cathedral of the Assumption of mural iconography and techniques of the Arrive Mexico City, Transfer to our Mary, constructed in a medley of Ba- ancient civilizations of Mexico. Diego Rivera Centrally Located Hotel and explore the roque, Neoclassical, and Mexican chur- studied the Prehispanic fresco technique to Historic Center! rigueresque architectural styles. Then we apply to his own work. (B, L) Enjoy a Light Lunch move to the National Palace to view Diego Explore the Zocalo, the Largest Square in Rivera’s mural masterpiece The Epic of the Day 3: the Americas! Mexican People, where he depicted major Today we explore the Antiguo Colegio San Visit Templo Mayor, Ceremonial Center of events in Mexico’s history, and the indig- Idelfonso, home to the first mural painted the Aztecs enous cultures of Mexico.