Visual Pedagogy in Bartolomeo Scappi's Opera
From Book to Cook: Visual Pedagogy in Bartolomeo Scappi’s Opera Laura Libert The Opera di Bartolomeo Scappi, hereafter to be referred published in 2007.3 Deborah Krohn, in her 2008 article to as the Opera, was originally published in 1570, by a pair “Picturing the Kitchen: Renaissance Treatise and Period of well-established publishers, the brothers Michele and Rooms,” situates the plates of kitchen interiors as accurate Francesco Tramezzino. Its author, Bartolomeo Scappi (c. depictions of Renaissance domesticity.4 In a 2010 anthology 1500 - April 13, 1577) was a renowned Renaissance chef. on Renaissance culinary readings, Ken Albala advocates a He served under several cardinals, as well as popes Pius IV hands-on approach as he dissects some of Scappi’s recipes and Pius V. The work consists of six volumes, dedicated to in his chapter, “Cooking as Research Methodology: Experi- Scappi’s discourse with his apprentice, meat-day dishes, ments in Renaissance Cuisine.”5 lean-day dishes, preparing meals, pastry, and dishes for the Though Scappi’s Opera is well known and quite lauded sick, respectively. There are twenty-eight engravings which in the literature of culinary history, its contribution to the accompany the text. Their depictions range from the design art of scientific observation and the burgeoning subculture and organization of an ideal kitchen, to the plethora of uten- of empirical observers has not been adequately addressed. sils necessary for the effective execution of Scappi’s recipes, Science historian Pamela Smith, in her article “Science on to the mechanics of specific equipment. The illustrations the Move: Recent Trends in the History of Early Modern provide a wealth of information regarding contemporary Science,” argues that the most important shift in the histori- equipment and interior spatial organization.
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