TRISTEN Exploring on Two IT’S BETWEEN SETS at Nashville’S Iconic Wheels
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2015 Year in Review
Ar#st Album Record Label !!! As If Warp 11th Dream Day Beet Atlan5c The 4onthefloor All In Self-Released 7 Seconds New Wind BYO A Place To Bury StranGers Transfixia5on Dead Oceans A.F.I. A Fire Inside EP Adeline A.F.I. A.F.I. Nitro A.F.I. Sing The Sorrow Dreamworks The Acid Liminal Infec5ous Music ACTN My Flesh is Weakness/So God Damn Cold Self-Released Tarmac Adam In Place Onesize Records Ryan Adams 1989 Pax AM Adler & Hearne Second Nature SprinG Hollow Aesop Rock & Homeboy Sandman Lice Stones Throw AL 35510 Presence In Absence BC Alabama Shakes Sound & Colour ATO Alberta Cross Alberta Cross Dine Alone Alex G Beach Music Domino Recording Jim Alfredson's Dirty FinGers A Tribute to Big John Pa^on Big O Algiers Algiers Matador Alison Wonderland Run Astralwerks All Them Witches DyinG Surfer Meets His Maker New West All We Are Self Titled Domino Jackie Allen My Favorite Color Hans Strum Music AM & Shawn Lee Celes5al Electric ESL Music The AmazinG Picture You Par5san American Scarecrows Yesteryear Self Released American Wrestlers American Wrestlers Fat Possum Ancient River Keeper of the Dawn Self-Released Edward David Anderson The Loxley Sessions The Roayl Potato Family Animal Hours Do Over Self-Released Animal Magne5sm Black River Rainbow Self Released Aphex Twin Computer Controlled Acous5c Instruments Part 2 Warp The Aquadolls Stoked On You BurGer Aqueduct Wild KniGhts Wichita RecordinGs Aquilo CallinG Me B3SCI Arca Mutant Mute Architecture In Helsinki Now And 4EVA Casual Workout The Arcs Yours, Dreamily Nonesuch Arise Roots Love & War Self-Released Astrobeard S/T Self-Relesed Atlas Genius Inanimate Objects Warner Bros. -
Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive -
Led Zeppelin R.E.M. Queen Feist the Cure Coldplay the Beatles The
Jay-Z and Linkin Park System of a Down Guano Apes Godsmack 30 Seconds to Mars My Chemical Romance From First to Last Disturbed Chevelle Ra Fall Out Boy Three Days Grace Sick Puppies Clawfinger 10 Years Seether Breaking Benjamin Hoobastank Lostprophets Funeral for a Friend Staind Trapt Clutch Papa Roach Sevendust Eddie Vedder Limp Bizkit Primus Gavin Rossdale Chris Cornell Soundgarden Blind Melon Linkin Park P.O.D. Thousand Foot Krutch The Afters Casting Crowns The Offspring Serj Tankian Steven Curtis Chapman Michael W. Smith Rage Against the Machine Evanescence Deftones Hawk Nelson Rebecca St. James Faith No More Skunk Anansie In Flames As I Lay Dying Bullet for My Valentine Incubus The Mars Volta Theory of a Deadman Hypocrisy Mr. Bungle The Dillinger Escape Plan Meshuggah Dark Tranquillity Opeth Red Hot Chili Peppers Ohio Players Beastie Boys Cypress Hill Dr. Dre The Haunted Bad Brains Dead Kennedys The Exploited Eminem Pearl Jam Minor Threat Snoop Dogg Makaveli Ja Rule Tool Porcupine Tree Riverside Satyricon Ulver Burzum Darkthrone Monty Python Foo Fighters Tenacious D Flight of the Conchords Amon Amarth Audioslave Raffi Dimmu Borgir Immortal Nickelback Puddle of Mudd Bloodhound Gang Emperor Gamma Ray Demons & Wizards Apocalyptica Velvet Revolver Manowar Slayer Megadeth Avantasia Metallica Paradise Lost Dream Theater Temple of the Dog Nightwish Cradle of Filth Edguy Ayreon Trans-Siberian Orchestra After Forever Edenbridge The Cramps Napalm Death Epica Kamelot Firewind At Vance Misfits Within Temptation The Gathering Danzig Sepultura Kreator -
Audio Mastering for Stereo & Surround
AUDIO MASTERING FOR STEREO & SURROUND 740 BROADWAY SUITE 605 NEW YORK NY 10003 www.thelodge.com t212.353.3895 f212.353.2575 EMILY LAZAR, CHIEF MASTERING ENGINEER EMILY LAZAR CHIEF MASTERING ENGINEER Emily Lazar, Grammy-nominated Chief Mastering Engineer at The Lodge, recognizes the integral role mastering plays in the creative musical process. Combining a decisive old-school style and sensibility with an intuitive and youthful knowledge of music and technology, Emily and her team capture the magic that can only be created in the right studio by the right people. Founded by Emily in 1997, The Lodge is located in the heart of New York City’s Greenwich Village. Equipped with state-of-the art mastering, DVD authoring, surround sound, and specialized recording studios, The Lodge utilizes cutting-edge technologies and attracts both the industry’s most renowned artists and prominent newcomers. From its unique collection of outboard equipment to its sophisticated high-density digital audio workstations, The Lodge is furnished with specially handpicked pieces that lure both analog aficionados and digital audio- philes alike. Moreover, The Lodge is one of the few studios in the New York Metropolitan area with an in-house Ampex ATR-102 one-inch two-track tape machine for master playback, transfer and archival purposes. As Chief Mastering Engineer, Emily’s passion for integrating music with technology has been the driving force behind her success, enabling her to create some of the most distinctive sounding albums released in recent years. Her particular attention to detail and demand for artistic integrity is evident through her extensive body of work that spans genres and musical styles, and has made her a trailblazer in an industry notably lack- ing female representation. -
Permission Received 2006. for Personal Use Only. Further
Vox Pop felt that sometimes we judge people a little too harshly. In our line of ‘work’ first impressions and making assumptions about the kids around these concrete plazas is common and we can often be heard mumbling, “Nah don’t ask her, she looks like she’d give boring answers” or “lets chat to that weird-looking geek”. But maybe we’re just unusually bitchy (it has been a noted trait in both of us). So we decided to do a small social experiment and ask the common people, the great unwashed, whether they have ever been judged or felt discriminated against because of their gender, weight, nationality, dress or taste in music or whether they have ever made judgements or assumptions of others because of these things … with surprising results. Maybe we just asked the wrong kind of people? Scott 27 “ Teaching/Arts Rachel I’ve never noticed 19 having been Development Studies discriminated Yes, I feel like do get judged against – at school I mainly because of the way I was more of a bullier look and the music I listen to. rather than the one I’m a bit chunky and people being bullied. What often label me a hippy. I get a people thinkx of me lot of strange looks because doesn’t really bother I knit on the bus and as soon “ me except when as I got dreads people would people think that avoid sitting net to me on the being a teacher is an train. easy job. “ Felicity 16 Science Being young at uni means some people do treat me differently, ” but that’s really the only thing. -
Diarrhea Planet
Diarrhea Planet I’m Rich Beyond Your Wildest Dreams “What's in a name? that which we call a rose / By any other name would smell as sweet." - Romeo and Juliet If Shakespeare was alive to get the Led out, he would've listened to Diarrhea Planet, Nashville's favorite six-piece rock and roll band. Outfitted with a drummer and bassist that barrel forth with the power of a thousand locomotives and a four guitar arsenal able to unleash a meticulous torrent of expertly crafted hooks, riffs and solos, DP take everything you knew you loved about rock, punk and pop, jack it up way past 11, and leave you catching your breath and massaging the kink in your neck from all that head banging. Over the past few years, Diarrhea Planet have packed basements, bars and clubs with enough power to cause a blackout at the Super Bowl (no one said they were not responsible for this year's fiasco), honing their chops and fine-tuning their shred. Diarrhea Planet's 2011 debut Loose Jewels (Infinity Cat) was a 100-meter sprint of pure joy, peppered with shred offs, fret-taps and a whole lot of whooping and hollering, fleshed out by undeniable pop sensibilities. For their next album, the band wanted to go as big as possible and delivered just that. They headed to Marcata Recordings, the barn-turned-studio in upstate New York owned and operated by Kevin S. McMahon, famed indie producer of records by Titus Andronicus, Swans, The Walkmen, Real Estate, and many others. -
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr. -
JEFF the Brotherhood
JEFF The Brotherhood Wasted on the Dream “We’re more proud of this record than any record we’ve made before,” enthuses singer/guitarist Jake Orrall about Wasted On The Dream, the righteous new album from Nashville rockers JEFF The Brotherhood. “It’s the most time we’ve ever spent writing songs, the most time we’ve ever spent in the studio, and it’s definitely the most fully realized JEFF The Brotherhood record we’ve ever made.” “Jake and I wanted to make a really fun rock album that could reach a lot of different people,” adds drummer Jamin Orrall. “And we’ve succeeded” Wasted On The Dream is the record the Orrall brothers been building up to since they first formed JEFF The Brotherhood in 2001. It’s a van-rocking, bong-rattling slab that authentically captures their fiery mixture of 70s hard rock, 80s punk, 90’s grunge and indelible pop melodies. “People like to lump us in with the garage thing, because there aren’t any other heavy rock bands that are playing the circuit that we’re playing,” says Jake. “But we’re not interested in playing three-chord punk or blues songs; we play hard rock, and we’re all about the pop hook. Bands like Foo Fighters, Weezer and Queens of the Stone Age — that’s who we aspire to be” Co-produced by JEFF The Brotherhood with Joe Chiccarelli (The Strokes, Poco, My Morning Jacket, Beck), tracks like “Voyage Into Dreams,” “Melting Place” and “Karaoke, TN” are loaded with muscular guitars, pounding drums, sky-punching riffs and effortlessly catchy choruses. -
Type Artist Album Barcode Price 32.95 21.95 20.95 26.95 26.95
Type Artist Album Barcode Price 10" 13th Floor Elevators You`re Gonna Miss Me (pic disc) 803415820412 32.95 10" A Perfect Circle Doomed/Disillusioned 4050538363975 21.95 10" A.F.I. All Hallow's Eve (Orange Vinyl) 888072367173 20.95 10" African Head Charge 2016RSD - Super Mystic Brakes 5060263721505 26.95 10" Allah-Las Covers #1 (Ltd) 184923124217 26.95 10" Andrew Jackson Jihad Only God Can Judge Me (white vinyl) 612851017214 24.95 10" Animals 2016RSD - Animal Tracks 018771849919 21.95 10" Animals The Animals Are Back 018771893417 21.95 10" Animals The Animals Is Here (EP) 018771893516 21.95 10" Beach Boys Surfin' Safari 5099997931119 26.95 10" Belly 2018RSD - Feel 888608668293 21.95 10" Black Flag Jealous Again (EP) 018861090719 26.95 10" Black Flag Six Pack 018861092010 26.95 10" Black Lips This Sick Beat 616892522843 26.95 10" Black Moth Super Rainbow Drippers n/a 20.95 10" Blitzen Trapper 2018RSD - Kids Album! 616948913199 32.95 10" Blossoms 2017RSD - Unplugged At Festival No. 6 602557297607 31.95 (45rpm) 10" Bon Jovi Live 2 (pic disc) 602537994205 26.95 10" Bouncing Souls Complete Control Recording Sessions 603967144314 17.95 10" Brian Jonestown Massacre Dropping Bombs On the Sun (UFO 5055869542852 26.95 Paycheck) 10" Brian Jonestown Massacre Groove Is In the Heart 5055869507837 28.95 10" Brian Jonestown Massacre Mini Album Thingy Wingy (2x10") 5055869507585 47.95 10" Brian Jonestown Massacre The Sun Ship 5055869507783 20.95 10" Bugg, Jake Messed Up Kids 602537784158 22.95 10" Burial Rodent 5055869558495 22.95 10" Burial Subtemple / Beachfires 5055300386793 21.95 10" Butthole Surfers Locust Abortion Technician 868798000332 22.95 10" Butthole Surfers Locust Abortion Technician (Red 868798000325 29.95 Vinyl/Indie-retail-only) 10" Cisneros, Al Ark Procession/Jericho 781484055815 22.95 10" Civil Wars Between The Bars EP 888837937276 19.95 10" Clark, Gary Jr. -
Friday, February 25, 2011 Vol
OSCARS PREVIEW 8 SCENE, PAGE BASEBALL PREVIEW 6 SPORTS, PAGE DRUVE-BY TRUCKERS 7 SCENE, PAGE the independent newspaper of Washington University in St. Louis since 1878 Friday, February 25, 2011 Vol. 132, No. 56 www.studlife.com Washington University in St. Louis In Pluralism Week, no voice Relay planners address for nonreligious students Mardi Gras overlap KELSEY TIMES compared to the 1,500 to 1,700 CONTRIBUTING REPORTER in previous years. So far, Relay has raised $148,843.57 for the Students planning the Relay American Cancer Society. for Life fundraiser at Washington “At first, we had an issue University are worried that with getting people to sign up, Mardi Gras will keep fellow stu- but I don’t attribute it to Mardi dents from attending. Gras,” said team captain Sarah The events, which will lead Samborn, a sophomore. students to opposite sides of St. Two hundred people have Louis, are both scheduled for registered within the last week, March 5. and Relay coordinators expect Because Relay will occur at this trend to continue. Their night and Mardi Gras will occur main goal is to have as many during the day, Relay organizers participants as possible, and reg- are encouraging students to par- istration will remain open until ticipate in both. the day of the event. “There were some people Freshman Rachel Howard said that approached us concerned that the events’ overlapping dates because they wanted to partici- will not prevent her from attend- pate in both,” said Relay co-chair ing both. Joanna Perdomo, a senior. “I’m really excited about being “We’re embracing the fact that involved in Relay, and I’m also MATT MITGANG | STUDENT LIFE there’s a coincidence, but we looking forward to Mardi Gras,” Deliverance, the Christian a cappella group at Washington University, performs at Rhythm, Rhymes, N’ Reli- don’t want people to see it as a Howard said. -
Liberated Punks Accelerate China’S Musical Evolution
About blogs Just another WordPress weblog Liberated Punks Accelerate China’s Musical Evolution From Pigface and Ministry to PiL and Killing Joke, drummer Martin Atkins has pounded the skins for some very loud punks. But he didn't realize that China's underground sound would throw him into a time machine and dial it back to the '70s and '80s, when bands were pushing the envelope on conventional rock and not really caring how you felt about it. Atkins shot 80 hours of video from his 2006 trip into Asia's 21st century powerhouse, and chopped it down into the recently released documentary Sixteen Days in China . Listening Post caught up with him to talk about China's greatest bands you've never heard and more. Wired.com: How did your experiences with Ministry and your other bands match up to the scene you witnessed in China? Martin Atkins: I think time and location has more relevance, like London in 1977, New York in 1980 or maybe Chicago 1989. These were cities that had exploding scenes that I managed to be a small part of. Add to that some entrepreneurial what-the-fuck-ness, and there you go! The backdrop is different, but the immersion, the focus on just the music and attitude feels like a definite ripple from those times. It doesn't feel strategized in a careerist way. The guys in D-22, who now have a label called Maybe Mars, and their venue reminded me of the vibe of CBGB's. While I was over there, I saw the club on CNN, and that rang a bell for me. -
Irmin Schmidt (Can) and Kumo (Aka Jono Podmore): London, March 4, 2008 (Peter Guy: Getintothis) 14.04.08 16:48
Irmin Schmidt (Can) and Kumo (aka Jono Podmore): London, March 4, 2008 (Peter Guy: Getintothis) 14.04.08 16:48 www.workshoplive.com Feedback - Ads by Google Ads by Google Police Tour Comedy Festival Schweiz Tour Rem London « icLiverpool Homes Jobs Merseyside Motors Grab my RSS feed Add to: Google, MyYahoo, Bloglines, My AOL Search the site Search here... Go Grab my RSS feed | (What's this?) Profile... Latest Posts... Categories Irmin Schmidt (Can) and Kumo (aka Jono Podmore): Albums of the Week London, March 4, 2008 Banter Tags: Axolotl Eyes Can Cologne Flies Future Days Guys & Choirs Irmin Schmidt Jono End of Year Review Podmore krautrock Kumo Liverpool Liverpool Daily Post Masters of Confusion Tago Mago Guest Slot Peter Guy discovered music late. Posted by Peter Guy on March 12, 2008 2:00 AM | Permalink Introducing Since then he's been making up for it. With a collection to rival a small record Labels of Love shop and a gig diary fit for any addled groupie, music is is his religion. Listening Post: Sometimes he dreams of having Liam, Unsigned Scene with Prince and Jimmy Page round for tea Matt Eland but most of the time he can be found Louden Up - Live writing and designing the Daily Post's sports pages. Getintothis is his guide reviews to music, which he hopes you’ll On Track contribute to. On it Tag cloud... Pop Life 101 Tambourines 13 Blues For Thirteen Reel Music Moons 19 2007 2007 Nationwide Anyone who is serious about music, seriously loves Can. Mercury Music Prize 2008 2ManyDJs As The Rough Guide to Rock states: 'There is a significant lobby among rock Shuffle: Spins from the 3121 3rd Degree Festival 45:33 4AD 6 fans - and probably an even stronger one among musicians - that Can were the headphone jukebox of 1 thing 65daysofstatic A Hawk and a greatest band ever.