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Summer Ball 2007
End of Year Issue 2007 SUMMER���������������������������������������������������� BALL 2007 ��������������� In This Issue... The Bludgeoner News ����������������������������������������������������� Tales From The Queer Side ������������������������������������������ ��������������� ����������������������������������� Sport �������������������� ����������������������������������������� From Bangor To ��������������� ������������������� Bangor The BIG Interview ������������� with the Vice ������������ Chancellor ������������������������������������� �������������������� ������������������������������������ The Great Orme ������������������������ ����������������� �������������������������������� Travel ������������������������������������������� ����������������� The Adventures of ��������������������������������������������������������� Stuart Dent Music ��������������������������������������� ����������������������������� ���������������������������������� ������������������������� One Minute Welsh ������������������������������� � �������������������� Film ����������������������������������������� angor certainly loves its celebrities, Java Restaurant. On top of this there will be the night. Headlining this year, are the Male Voice Choir and Bangor University Adventures From especially if they have appeared in casino tables, circus entertainers and most Ordinary Boys. Trademarked by hits such as Jazz Orchestra. In the marquee, sax and Across The Pond BBig Brother. Over the past year we impressively of all, fun fair rides. -
Mogwai – As the Love Continues
Mogwai – As The Love Continues (1:01:24, Digital, CD, Vinyl, Rock Action Records/[PIAS]/Rough Trade, 2021) Neun vollwertige Studioalben und diverse Live-Aufnahmen, Soundtracks und EPs haben uns Mogwai bisher in ihren 26 Jahren Bandgeschichte beschert und dabei den Sound des Post Rock- Genres so sehr geprägt wie kaum eine andere Band. „As The Love Continues“ ist nun das zehnte reguläre Album der Schotten und erscheint exakt ein Vierteljahrhundert nach deren Debütsingle ‚Turner’/’Lower‘ und nur wenige Monate nach dem Soundtrack für die Serie „ZeroZeroZero“. Und schon nach wenigen Takten ist „As The Love Continues“ eindeutig als Mogwai-Album identifizierbar. Sprich, auf dem neuen Album der Formation aus Glasgow ist (fast) alles beim Alten geblieben. Langweilig wird es dadurch allerdings nicht, denn auf „As The Love Continues“ spielen Stuart Braithwaite (Gitarre), Dominic Aitchison (E-Bass, Gitarre), Martin Bulloch (Schlagzeug) und Barry Burns (Keyboard, Flöte, Gitarre, Bass) noch immer Post Rock auf aller höchstem Niveau. „As The Love Continues“ beginnt in Form von ‚To The Bin My Friend, Tonight We Vacate Earth‘ mit sehr dezenten Tönen, sanftem Schlagzeugspiel und sparsamen Melodien. Ganz in Bandtradition legen die Schotten im Laufe dieses Stücks Soundschicht um Soundschicht übereinander, bevor der Einsatz verzerrter Gitarren und die so Mogwai-typische Laut-Leise- Dynamik das Stück in einer voluminösen, aber dennoch organischen Wall of Sound zu Ende gehen lassen. Das anschließende ‚Here We, Here We, Here We Go Forever‘ wird durch piepende Synthesizer-Sounds eingeleitet, welche stilistisch an die schottischen Landsleute vonBoards of Canada denken lassen. Die Melodieführung des Stückes ist so eingängig wie zuletzt vielleicht auf dem 2001er Album „Rock Action“, klingt jedoch so, als würden die Instrumente von einem Roboter gespielt werden. -
Issues of Image and Performance in the Beatles' Films
“All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image. -
At the Jericho Tavern on Saturday NIGHTSHIFT PHOTOGRAPHER 10Th November
[email protected] nightshift.oxfordmusic.net Free every month NIGHTSHIFT Issue 207 October Oxford’s Music Magazine 2012 Alphabet Backwards photo: Jenny Hardcore photo: Jenny Hardcore Go pop! NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net DAMO SUZUKI is set to headline The album is available to download this year’s Audioscope festival. The for a bargain £5 at legendary former Can singer will www.musicforagoodhome.com. play a set with The ODC Drumline at the Jericho Tavern on Saturday NIGHTSHIFT PHOTOGRAPHER 10th November. Damo first headlined Johnny Moto officially launches his Audioscope back in 2003 and has new photo exhibition at the Jericho SUPERGRASS will receive a special Performing Rights Society Heritage made occasional return visits to Tavern with a gig at the same venue Award this month. The band, who formed in 1993, will receive the award Oxford since, including a spectacular this month. at The Jericho Tavern, the legendary venue where they signed their record set at Truck Festival in 2009 backed Johnny has been taking photos of deal back in 1994 before going on to release six studio albums and a string by an all-star cast of Oxfordshire local gigs for over 25 years now, of hit singles, helping to put the Oxford music scene on the world map in the musicians. capturing many of the best local and process. Joining Suzuki at Audioscope, which touring acts to pass through the city Gaz Coombes, Mick Quinn and Danny Goffey will receive the award at the raises money for homeless charity in that time and a remains a familiar Tavern on October 3rd. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
Mogwai Every Country's Sun Mp3, Flac, Wma
Mogwai Every Country's Sun mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Every Country's Sun Country: US Released: 2017 Style: Post Rock MP3 version RAR size: 1791 mb FLAC version RAR size: 1234 mb WMA version RAR size: 1949 mb Rating: 4.3 Votes: 185 Other Formats: MP1 MOD APE VOX XM AC3 AUD Tracklist A1 Coolverine A2 Party In The Dark A3 Brain Sweeties B1 Crossing The Road Material B2 Aka 47 B3 20 Size C1 1000 Foot Face C2 Don't Believe The Fife D1 Battered At A Scramble D2 Old Poisons D3 Every Country's Sun Companies, etc. Produced At – Tarbox Road Studios Mixed At – Tarbox Road Studios Mastered At – Abbey Road Studios Published By – Tomorrow Hits Publishing Published By – Kobalt Music Publishing Recorded At – Castle Of Doom Studios Credits Design, Illustration – DLT Mastered By – Frank Arkwright Producer [Assistant], Mixed By [Assistant] – Matt Estep Producer, Mixed By – Dave Fridmann Written-By, Performer – Mogwai Notes Gatefold sleeve. Includes MP3 download. Barcode and Other Identifiers Barcode (Scanned (Stickered)): 656605329116 Barcode (Printed (Stickered)): 6-5660532911-6 Other versions Category Artist Title (Format) Label Category Country Year Every Country's Sun Rock Action UK & ROCKACT108CD Mogwai ROCKACT108CD 2017 (CD, Album) Records Europe Every Country's Sun (2xLP, Album, Whi Rock Action ROCKACT108 Mogwai ROCKACT108 UK 2017 + 12" + CD, Album Records + Box, Album, D) Temporary Every Country's Sun TRR291CD Mogwai Residence TRR291CD US 2017 (CD, Album) Limited Every Country's Sun Rock Action UK & ROCKACT108LP -
Lanthorn, Vol. 26, No. 05, September 25, 1991 Grand Valley State University
Grand Valley State University ScholarWorks@GVSU Volume 26 Lanthorn, 1968-2001 9-25-1991 Lanthorn, vol. 26, no. 05, September 25, 1991 Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/lanthorn_vol26 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 26, no. 05, September 25, 1991" (1991). Volume 26. 5. http://scholarworks.gvsu.edu/lanthorn_vol26/5 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 26 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. OPTS* V O L lE Y B A a TAKES TWO O N ROAD, •:S:::™:5 p :v■ ! M i LanthornGrand Valley State University's Student-Run Newspaper Volume 26 Isaue 5 September 25, 1991 TenEyck appointed school of education director By Lawrence R. Heibel News Writer Allan J. TenEyck, act ing director of GVSLTs School of Education, has been named the permanent director. TenEyck has been with GVSU since 1972 and served as the School of Education’s acting director In 1978 and again In 1989 to the present. Assisting the new di rector will be associate professor Judy Harpold serving as the new asso ciate director of under graduate programs and associate professor Brenda Lazarus serving as associate director of graduate programs. TenEyck’s -duties In ^ --- PHOTO BY BOB COOLEY clude supervising the Ricky Sabi nephew o f Grand Valley quarterback Brian Tazic. -
Bowlography of Rock and Pop Concerts
BOWLOGRAPHY OF ROCK AND POP CONCERTS 1979 DESMOND DECKER with Geno Washington, Sat 8th September 1980 POLICE with Squeeze, UB40, Skatfish, Sector 27, Sat 26th July 1981 THIN LIZZY with Judie Tzuke, The Ian Hunter Band, Q Tips, Trimmer and Jenkins,Sat 8th August 1982 QUEEN, with Heart, Teardrop Explodes, Joan Jett and the Blackhearts, Sat 5th June GENESIS, with Talk Talk, The Blues Band, John Martyn, Sat 2nd October 1983 DAVID BOWIE, with The Beat and Icehouse Fri 1st, Sat 2nd, Sun 3rd July 1984 STATUS QUO with Marillion, Nazareth, Gary Glitter, Jason and the Scorchers, Sat 21st July 1985 U2 with REM, The Ramones, Billy Bragg, Spear Of Destiny, The Men They Couldn’t Hang, Faith Brothers, Sat 22nd June 1986 SIMPLE MINDS with The Bangles, The Cult, Lloyd Cole and The Commotions, Big Audio Dynamite, The Waterboys, In Tua Nua, Dr and The Medics, Sat 21st June MARILLION with special guests, Gary Moore, Jethro Tull, Magnum, Mamas Boys, Sat 28th June 1988 Amnesty International event with Stranglers, Aswad, The Damned, Howard Jones, Joe Strummer, Aztec Camera, B.A.D, Sat 18th, Sun 19th June MICHAEL JACKSON, with Kim Wilde, Sat 10th September 1989 BON JOVI with Europe, Vixen and Skid Row, Sat 19th August 1990 DAVID BOWIE, with Gene Loves Jezebel, The Men They Couldn’t Hang, Two Way Street, Sat 4th, Sun 5th August ERASURE, with Adamski, Sat 1st September 1991 ZZ TOP with Bryan Adams, Liitle Angels, The Firm, Thunder Sat 6th July SIMPLE MINDS, with Stranglers, OMD Sat 21st August 1993 BRUCE SPRINGSTEEN, Sat 23rd May GUNS 'n’ ROSES, The Cult, Soul -
I S C O R D E R Free
I S C O R D E R FREE IUTE K OGWAI ARHEAD NC HR IS1 © "DiSCORDER" 2001 by the Student Radio Society of the University of British Columbia. All rights reserved. Circuldtion 1 7,500. Subscriptions, payable in advance, to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN elsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money orders payable to DiSCORDER Mag azine. DEADLINES: Copy deadline for the August issue is July 14th. Ad space is available until July 21st and ccn be booked by calling Maren at 604.822.3017 ext. 3. Our rates are available upon request. DiS CORDER is not responsible for loss, damage, or any other injury to unsolicited mcnuscripts, unsolicit ed drtwork (including but not limited to drawings, photographs and transparencies), or any other unsolicited material. Material can be submitted on disc or in type. As always, English is preferred. Send e-mail to DSCORDER at [email protected]. From UBC to Langley and Squamish to Bellingham, CiTR can be heard at 101.9 fM as well as through all major cable systems in the Lower Mainland, except Shaw in White Rock. Call the CiTR DJ line at 822.2487, our office at 822.301 7 ext. 0, or our news and sports lines at 822.3017 ext. 2. Fax us at 822.9364, e-mail us at: [email protected], visit our web site at http://www.ams.ubc.ca/media/citr or just pick up a goddamn pen and write #233-6138 SUB Blvd., Vancouver, BC. -
Toadies Bring Dia De Los Toadies Festival Home
TOADIES BRING DIA DE LOS TOADIES FESTIVAL HOME A DOZEN BANDS TO PLAY ACROSS TWO STAGES AT PANTHER ISLAND PAVILION IN SEPTEMBER AT SIXTH ANNUAL DIA DE LOS TOADIES FESTIVAL. FORT WORTH – After five years of hosting their annual end-of-summer throw down at various locations throughout the state, the Toadies are taking the sixth Dia De Los Toadies to their hometown of Fort Worth. This year’s festival, set to feature a dozen bands performing across two stages, will take place on Saturday, September 14, at Panther Island Pavilion, just minutes from downtown Fort Worth. Per tradition, the band will also host an intimate “fireside/almost acoustic” showcase on Friday, September 13, the evening before their day-long bash. Since Dia De Los Toadies 2008 debut, in conjunction with the band’s return-to-the-spotlight No Deliverance LP, the festival has evolved into one of the most hotly anticipated events on Texas’ yearly music calendar -- a carefully curated and reliably rocking affair that’s seen memorable performances from such celebrated acts as Ben Kweller, Black Angels, Black Joe Lewis and the Honeybears, Bowling for Soup, Centro-matic, Heartless Bastards, Helmet, Mariachi El Bronx, Riverboat Gamblers, The Secret Machines and The Sword, plus dozens of up-and-coming, underground acts from the Toadies home turf of Texas. “It's been great moving the Dia festival around Texas, but at a certain point, we realized that we need to share it with our hometown, Fort Worth, where the band is still based. We played Billy Bob's last year and it reminded us what a hometown crowd is like, so moving the festival made perfect sense,” says Toadies guitarist, Clark Vogeler. -
English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR. -
San Miguel Primavera Sound
SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol.