DOCSLIB.ORG

The World Split Open: Great Writers on How and Why We Write Pdf, Epub, Ebook

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The World Split Open: Great Writers on How and Why We Write Pdf, Epub, Ebook THE WORLD SPLIT OPEN: GREAT WRITERS ON HOW AND WHY WE WRITE PDF, EPUB, EBOOK Margaret Atwood,Russell Banks,Ursula K Le Guin,Marilynne Robinson,Wallace Stegner,Robert Stone,Jeanette Winterson | 195 pages | 11 Nov 2014 | Tin House Books | 9781935639961 | English | Portland, Oregon, United States The World Split Open: Great Authors on Why and How We Write (Book Launch) - Literary Arts Publisher: Tin House Books. Subscribers receive quality lists of upcoming deadlines for lit mags and contests, free fiction, and exclusive content regarding writing, craft, and interviews from established authors. At The Masters Review, our mission is to support emerging writers. We only accept submissions from writers who can benefit from a larger platform. Typically, writers without published novels or story collections, or, publications with low circulation. We publish fiction and nonfiction online year round and put out an annual anthology of the ten best emerging writers in the country, judged by an expert in the field. We publish articles and book reviews on the blog and hold workshops that connect emerging and established writers. All Rights Reserved. Past Awards About Checkout 0. Connect With Us Online! Follow MastersReview. Sign up for our newsletter Subscribers receive quality lists of upcoming deadlines for lit mags and contests, free fiction, and exclusive content regarding writing, craft, and interviews from established authors. Contact Us Facebook Twitter Email. Since , Literary Arts has welcomed many of the world's most renowned authors and storytellers to its stage. In celebration of their thirty-year anniversary, Tin House Books has collected highlights from the series in a single volume. Le Guin on where ideas come from, Margaret Atwood on the need for complex female characters or Robert Stone on morality and truth in literature, Edward P. Jones on the role of imagination in historical novels or Marilynne Robinson on the nature of beauty, these essays illuminate not just the world of letters but the world at large. Marking the 30th anniversary of the nonprofit Literary Arts in Oregon, this collection of 10 lectures from celebrated writers reanimates the humanistic argument that, far from being a marginal cultural activity, the production of serious literary fiction is an essential task. With eloquence, humility, and humor, contributors reflect both on their own creative processes and on literature as a whole. Trickery emerges as a common theme, with Margaret Atwood characterizing novel writing as a kind of bank robbery, and Wallace Stegner adding, We re all practiced shape-shifters and ventriloquists. Jones on their sources of inspiration, and Ursula K. Le Guin on the moral seriousness of fantasy, to name a few. ​The World Split Open: Great Authors on How and Why We Write on Apple Books It collects speeches given by ten well-known authors on literature and craft, with warm words of introduction from Jon Raymond. Though I preferred the speeches that felt playful and biographical, as opposed to theory-heavy, the quality level is uniformly high. Dare I suggest that the unpublished majority find something vaguely aspirational in the very act of reading these essays? By dint of alphabetical order, Nigerian author Chimamanda Ngozi Adichie is first on the docket. In biographical anecdotes rife with sharp-eyed detail, she talks about the home she grew up in and how much it inspired her. You can almost hear her smile as you read. A few of these gamboling speeches touch upon subjects that will be very familiar to unpublished writers. Before the fellowships and National Book Awards, Wallace Stegner was one of the aspirational scribblers desperate to soak up tricks of the trade through various writing manuals and lectures. Jones on the role of imagination in historical novels or Marilynne Robinson on the nature of beauty, these essays illuminate not just the world of letters but the world at large. Marking the 30th anniversary of the nonprofit Literary Arts in Oregon, this collection of 10 lectures from celebrated writers reanimates the humanistic argument that, far from being a marginal cultural activity, the production of serious literary fiction is an essential task. With eloquence, humility, and humor, contributors reflect both on their own creative processes and on literature as a whole. Trickery emerges as a common theme, with Margaret Atwood characterizing novel writing as a kind of bank robbery, and Wallace Stegner adding, We re all practiced shape-shifters and ventriloquists. Jones on their sources of inspiration, and Ursula K. Le Guin on the moral seriousness of fantasy, to name a few. He also published a memoir, Prime Green: Remembering the Sixties. His latest novel, Death of the Black-Haired Girl, was published in fall of He lives in Key West, Florida. Sexing the Cherry won the E. Forster Award. Her latest novel, The Daylight Gate, was published in fall of Hometown: Toronto, Ontario. Date of Birth: November 18, Place of Birth: Ottawa, Ontario. Education: B. Radcliffe, ; Ph. Show More. [PDF] [EPUB] The World Split Open: Great Authors on How and Why We Write Download Ursula K. She lived in Portland, Oregon, and her website is www. Wallace Stegner wrote thirty-five books over a sixty-year career. In Stegner started the Creative Writing Program at Stanford University, where he served on the faculty until He died at eighty-four, on April 13, He also published a memoir, Prime Green: Remembering the Sixties. His latest novel, Death of the Black-Haired Girl, was published in fall of He lives in Key West, Florida. Sexing the Cherry won the E. Forster Award. Her latest novel, The Daylight Gate, was published in fall of Show More. Related Searches. A Sand Book. A Sand Book is comprised of a series of lyrical essays and poems situated in A Sand Book is comprised of a series of lyrical essays and poems situated in the American southwest. Surrounded by outdoor gods, powerful natural forces, and political upheaval, Ariana Reines's lyric forms emerge as shockingly as flora in the desert. View Product. In Lara, Maum has given a little-considered daughter a more hopeful future. Serious readers should find a welcome reminder in this collection that great literature emerges from a receptive mind engaged with the unanswerable questions of human character and experience. Publisher Description. The Handmaid's Tale. The Testaments. Oryx and Crake. The Year of the Flood. In biographical anecdotes rife with sharp-eyed detail, she talks about the home she grew up in and how much it inspired her. You can almost hear her smile as you read. A few of these gamboling speeches touch upon subjects that will be very familiar to unpublished writers. Before the fellowships and National Book Awards, Wallace Stegner was one of the aspirational scribblers desperate to soak up tricks of the trade through various writing manuals and lectures. Edward P. Jones admits that his historical The Known World took so long from conception to publication because he had no desire to do extensive research. He put it off for nearly a decade and then decided to write without it. Knowing now that his debut novel—about a slave in antebellum Virginia—won the Pulitzer and was praised for its authenticity makes this admission all the more slyly playful. The World Split Open: Great Authors on How and Why We Write | Tin House Jones admits that his historical The Known World took so long from conception to publication because he had no desire to do extensive research. He put it off for nearly a decade and then decided to write without it. Knowing now that his debut novel—about a slave in antebellum Virginia— won the Pulitzer and was praised for its authenticity makes this admission all the more slyly playful. The expert curation means the pieces speak to and inform one another. Publisher: Tin House Books. Subscribers receive quality lists of upcoming deadlines for lit mags and contests, free fiction, and exclusive content regarding writing, craft, and interviews from established authors. At The Masters Review, our mission is to support emerging writers. We only accept submissions from writers who can benefit from a larger platform. Typically, writers without published novels or story collections, or, publications with low circulation. We publish fiction and nonfiction online year round and put out an annual anthology of the ten best emerging writers in the country, judged by an expert in the field. We publish articles and book reviews on the blog and hold workshops that connect emerging and established writers. All Rights Reserved. Past Awards About Checkout 0. Le Guin on where ideas come from, Margaret Atwood on the need for complex female characters or Robert Stone on morality and truth in literature, Edward P. Jones on the role of imagination in historical novels or Marilynne Robinson on the nature of beauty, these essays illuminate not just the world of letters but the world at large. Marking the 30th anniversary of the nonprofit Literary Arts in Oregon, this collection of 10 lectures from celebrated writers reanimates the humanistic argument that, far from being a marginal cultural activity, the production of serious literary fiction is an essential task. With eloquence, humility, and humor, contributors reflect both on their own creative processes and on literature as a whole. Trickery emerges as a common theme, with Margaret Atwood characterizing novel writing as a kind of bank robbery, and Wallace Stegner adding, We re all practiced shape-shifters and ventriloquists. Jones on their sources of inspiration, and Ursula K. Le Guin on the moral seriousness of fantasy, to name a few. As a whole, the essays illuminate the importance of books in widening our intellectual horizons and the struggle to bring novels and their characters to life.
Load more

Recommended publications
  • Marilynne Robinson's Gilead and Home Jeffrey Gonzaleza a the Borough of Manhattan Community College Published Online: 06 Aug 2014
    This article was downloaded by: [Jeffrey Gonzalez] On: 07 August 2014, At: 10:09 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Critique: Studies in Contemporary Fiction Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/vcrt20 Ontologies of Interdependence, the Sacred, and Health Care: Marilynne Robinson's Gilead and Home Jeffrey Gonzaleza a The Borough of Manhattan Community College Published online: 06 Aug 2014. To cite this article: Jeffrey Gonzalez (2014) Ontologies of Interdependence, the Sacred, and Health Care: Marilynne Robinson's Gilead and Home, Critique: Studies in Contemporary Fiction, 55:4, 373-388, DOI: 10.1080/00111619.2013.783780 To link to this article: http://dx.doi.org/10.1080/00111619.2013.783780 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content.
    [Show full text]
  • Grace: a Reflection on the Novels of Marilynne Robinson
    Volume 48 Number 1 Article 3 September 2019 Grace: A Reflection on the Novels of Marilynne Robinson Elayne Apol Heynen Dordt University Follow this and additional works at: https://digitalcollections.dordt.edu/pro_rege Part of the American Literature Commons, and the Christianity Commons Recommended Citation Heynen, Elayne Apol (2019) "Grace: A Reflection on the Novels of Marilynne Robinson," Pro Rege: Vol. 48: No. 1, 14 - 16. Available at: https://digitalcollections.dordt.edu/pro_rege/vol48/iss1/3 This Feature Article is brought to you for free and open access by the University Publications at Digital Collections @ Dordt. It has been accepted for inclusion in Pro Rege by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. Editor’s Note: Elayne Apol Heynen wrote this paper for a Kuyper Scholars Seminar to precede the Prodigal Love of God Conference, held at Dordt, April 4-6, 2019, and co-sponsored by the Lilly Fellowship Program as a regional conference. Grace: A Reflection on the Novels of Marilynne Robinson the simple joy of the words on the page. For this joy in words is what makes her writing so memo- rable: each sentence is delectable, meant to be read and then re-read, reveled in and embraced before the reader moves on to see what the next sentence might bring. Her novels call the reader to slow down, to notice the beauty of the ordinary, both in the beauty of her writing and the beauty of the lives she writes about. If one could take a common kitchen sponge, saturate the sponge with the words from her novels, and then wring out the sponge, what one would see drip out slowly would unmis- takably be grace.
    [Show full text]
  • ANALYSIS Garry, Patr
    REVIEW In the Shadow of War (2006) Patrick Garry Patrick Garry is a professor of law and the prolific author of both scholarly books and allegorical novels in the tradition of Nathaniel Hawthorne, Flannery O’Connor, and Marilynne Robinson. Allegory is a rare achievement that distinguishes the most evolved literary fiction and is characteristic of many classics. The narrator Glen begins In the Shadow of War by inviting the reader to participate with him in trying to understand the meaning of his brother Ricky, which turns out to be the meaning of life. When the reader learns that the story is going to be about the narrator’s relationship to a retarded brother—“Who wants to read about a retard?”--it is both a straightforward forewarning on page 1 and a test. Like Bartleby in Melville’s great story, Ricky is a mirror reflecting the nature of other characters (most of whom are retarded in various less visible ways) and of the reader as well: Glen says, “That was how I often judged people--by how I thought they would react to retards.” We do not blame Glen in the least for what happens to Ricky, because he is so young, because he tries so hard and obviously loves Ricky, because he is so honest and critical of himself, because we (most readers) would never be able to do as well by Ricky as Glen, and because Glen is the one who actually has the responsibility. We admire him all the way because he is so much better a person than we think we would be in such a situation.
    [Show full text]
  • Oprah's Book Club & Book Club
    OPRAH’S BOOK CLUB & BOOK CLUB 2.0 Below is a listing of books highlighting authors and selections chosen by Oprah Winfrey for viewers of her former TV show to read and discuss. Started in 1996, it began as a monthly book club, but now, titles are added sporadically by. DATE TITLE, AUTHOR, CALL NUMBER & DESCRIPTION THE DEEP END OF THE OCEAN, by Jacquelyn Mitchard Call Number: F MITCHARD It happened in a flash. One minute Beth Cappadora was the happily married mother of three. The next, one of 09/1996 them, 3-year-old Ben, was missing. Was he kidnapped? No one knew, and as minutes lengthened into hours, days, weeks, months, years, even the woman police officer obsessed with the case gave up hope. But suddenly something so unexpected happens, it changes everything. SONG OF SOLOMON, by Toni Morrison Call Number: F MORRISON 10/1996 Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. With this brilliantly imagined novel, Toni Morrison transfigures the coming-of-age story as audaciously as Saul Bellow or Gabriel García Márquez. THE BOOK OF RUTH, by Jane Hamilton Call Number: Available on Hoopla 11/1996 Winner of the 1989 PEN/Hemingway Foundation Award for best first novel, this exquisite book confronts real-life issues of alienation and violence from which the author creates a stunning testament to the human capacity for mercy, compassion and love. SHE’S COME UNDONE, by Wally Lamb Call Number: eBook on OverDrive Meet Dolores Price.
    [Show full text]
  • Addition to Summer Letter
    May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays.
    [Show full text]
  • Read a Pulitzer Prize-Winning Book
    September 2020 Reading Challenge: Read a Pulitzer Prize-Winning Book Key for on which services the books are located: A = Axis 360 C = CloudLibrary H = Hoopla L = Libby O = Overdrive ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ P = Print LP = Large Print eAudio = AudioCD = CD ​ ​ ​ ​ March by Geraldine Brooks (fiction) P, LP ​ In a story inspired by the father character in "Little Women" and drawn from the journals and letters of Louisa May Alcott's father, a man leaves behind his family to serve in the Civil War and finds his beliefs challenged by his experiences. The Gulf: The Making of an American Sea by Jack E. Davis (non-fiction) P, C H ​ A comprehensive history of the Gulf of Mexico and its identity as a region marked by hurricanes, oil fields, and debates about population growth and the environment demonstrates how its picturesque ecosystems have inspired and reflected key historical events. The Brief Wondrous Life of Oscar Wao by Junot Diaz (fiction) P, LT, O, L, O L ​ Living with an old-world mother and rebellious sister, an urban New Jersey misfit dreams of becoming the next J. R. R. Tolkien and believes that a long-standing family curse is thwarting his efforts to find love and happiness. Late Wife by Claudia Emerson (poetry) P ​ In Late Wife, a woman explores her disappearance from one life and reappearance in another ​ ​ as she addresses her former husband, herself, and her new husband in a series of epistolary poems. Though not satisfied in her first marriage, she laments vanishing from the life she and her husband shared for years.
    [Show full text]
  • The Pulitzer Prize for Fiction Honors a Distinguished Work of Fiction by an American Author, Preferably Dealing with American Life
    Pulitzer Prize Winners Named after Hungarian newspaper publisher Joseph Pulitzer, the Pulitzer Prize for fiction honors a distinguished work of fiction by an American author, preferably dealing with American life. Chosen from a selection of 800 titles by five letter juries since 1918, the award has become one of the most prestigious awards in America for fiction. Holdings found in the library are featured in red. 2017 The Underground Railroad by Colson Whitehead 2016 The Sympathizer by Viet Thanh Nguyen 2015 All the Light we Cannot See by Anthony Doerr 2014 The Goldfinch by Donna Tartt 2013: The Orphan Master’s Son by Adam Johnson 2012: No prize (no majority vote reached) 2011: A visit from the Goon Squad by Jennifer Egan 2010:Tinkers by Paul Harding 2009:Olive Kitteridge by Elizabeth Strout 2008:The Brief and Wondrous Life of Oscar Wao by Junot Diaz 2007:The Road by Cormac McCarthy 2006:March by Geraldine Brooks 2005 Gilead: A Novel, by Marilynne Robinson 2004 The Known World by Edward Jones 2003 Middlesex by Jeffrey Eugenides 2002 Empire Falls by Richard Russo 2001 The Amazing Adventures of Kavalier & Clay by Michael Chabon 2000 Interpreter of Maladies by Jhumpa Lahiri 1999 The Hours by Michael Cunningham 1998 American Pastoral by Philip Roth 1997 Martin Dressler: The Tale of an American Dreamer by Stephan Milhauser 1996 Independence Day by Richard Ford 1995 The Stone Diaries by Carol Shields 1994 The Shipping News by E. Anne Proulx 1993 A Good Scent from a Strange Mountain by Robert Olen Butler 1992 A Thousand Acres by Jane Smiley
    [Show full text]
  • CFP: Centralizing Non-White Voices in Midwest Studies
    H-Midwest CFP: Centralizing Non-White Voices in Midwest Studies Discussion published by Andy Oler on Tuesday, November 28, 2017 From regionalist writers Gene Stratton Porter and Edward Eggleston through modernists Sherwood Anderson and Willa Cather up to contemporary authors Marilynne Robinson and Jeffrey Eugenides, Midwestern literature is often thought to be by and about white people. This is clearly a falsehood. Two of America’s most celebrated contemporary authors—Louise Erdrich and Toni Morrison—are Midwestern women of color. There is a long tradition of African American literature from the Midwest, from nineteenth-century voices such as Frances Ellen Watkins Harper, Ida B. Wells, and Lucy Parsons, to mid-twentieth century writers Langston Hughes, Richard Wright, and Gwendolyn Brooks, up to contemporary figures such as Eve Ewing, Ytasha Malone, and Krista Franklin, whom Chicago magazine identifies as part of a Midwestern Afrofuturist movement. Native American voices abound from the Midwest and Great Plains, including Zitkála-Šá and Heȟáka Sápa (Black Elk) as well as Erdrich, N. Scott Momaday, and Gerald Vizenor. Midwestern Latino/a writers include Sandra Cisneros, Ana Castillo, and members of such Latinx arts collectives as the Twin Cities-based Electric Machete Studios. Asian American authors who have written about Midwestern experiences include Bharati Mukherjee, Celeste Ng, Bienvenido Santos, Susan Choi, and members of the Hmong communities of the upper Midwest, such as Kao Kalia Yang and Mai Neng Moua. This panel seeks to recognize and explore the literary contributions of Midwestern people of color. We welcome papers on these and other non-white authors, or of communities of writers, to expand the boundaries of what we consider the Midwest and Midwestern literature.
    [Show full text]
  • 352G Syllabus Fall 2018
    ENGL 352g: BOOKPACKING Exploring US regional cultures through contemporary novels Spring 2018 TuTh 9.30-10.50am VKC-104 Instructor: Andrew Chater [email protected] (Office hours - Tuesday 11am to 3pm, THH-404h) OVERVIEW This class is an exercise in “bookpacking,” an innovative form of literary adventure in which novels serve as portals through which to explore American regional history and culture. Over the course of a semester, we’ll take a metaphorical journey through the key regions of the USA - from the Appalachia to the Hispanic South West, and beyond - and we’ll use one contemporary novel per region to ‘unpack’ each region’s culture, past and present. The course promises a vibrant overview of the myriad facets of the American experience, whilst offering an important exercise in cultural empathy and understanding - all the more vital in this age of profound division. Offered for both English and GE, the course offers a holistic approach to the humanities, combining elements of literature, history, geography, politics and social studies. If you’re interested in a course that celebrates literature with a ‘real world’ application, this course is for you. The course is led by Andrew Chater, award-winning BBC TV historian and presenter, who is developing the ‘bookpacking’ concept with USC Dornsife as a TV series for PBS. Please visit www.bookpackers.com for more information on the concept behind the class, and www.andrewchater.com for more information on the class instructor. REQUIRED READING 1 - Novels - Raymond Chandler - The Big Sleep - Elizabeth Strout - Olive Kitteridge - James Dickey - Deliverance - Toni Morrison - Song of Solomon - Truman Capote - Other Voices, Other Rooms - Willa Cather - My Ántonia - Leslie Marmon Silko - Ceremony - Gish Jen - Typical American 2 - Short Story Collections - Sandra Cisneros - Woman Hollering Creek - E.
    [Show full text]
  • Reflections on the Ordinary: an Interview with Marilynne Robinson
    Reflections on the Ordinary: An Interview with Marilynne Robinson The following interview took place on 4th November 2017 in Dey House, of the Iowa Writer’s Workshop in Iowa City. Cunning: The word ‘ordinary’ seems so important to your work, and the more I read your fiction, the more it stands out as a significant term. Your novels focus on profoundly ordi- nary things: family, ageing, light, water, loss, language, time, the natural world. I think this would be a good place to start our conversation. Where does your mind go when you hear the word ‘ordinary’ and what is behind your conscious decision to write novels so attentive to the ordinary? Robinson: I think the ordinary is very mysterious. I think the ordinary, given a reasonable span of time, might also be called the ephemeral. It presents itself as if it were not, as something that allows itself to be taken for granted, when nothing is finally granted. There’s a sort of metaphysical mystery, I think, because the ordinary can be so over- looked, even though it’s basically the fabric of life. It is so important that it has to be very meaningful and at the same time so sort of self-effacing in a way that it is so seldom put into the model of reality from which people extrapolate statements about reality. Cunning: It seems that it is overlooked, yet the more attention that is paid to it the more it seems to open up. In your fiction there is the sense that the ordinary is inexhaustible.
    [Show full text]
  • ENGL 291: The American Novel Since 1945 (Spring, 2008)
    ENGL 291: The American Novel Since 1945 (Spring, 2008) Syllabus Professor: Amy Hungerford, Professor of English, Yale University Description: In "The American Novel Since 1945" students will study a wide range of works from 1945 to the present. The course traces the formal and thematic developments of the novel in this period, focusing on the relationship between writers and readers, the conditions of publishing, innovations in the novel's form, fiction's engagement with history, and the changing place of literature in American culture. The reading list includes works by Richard Wright, Flannery O'Connor, Vladimir Nabokov, Jack Kerouac, J. D. Salinger, Thomas Pynchon, John Barth, Maxine Hong Kingston, Toni Morrison, Marilynne Robinson, Cormac McCarthy, Philip Roth and Edward P. Jones. The course concludes with a contemporary novel chosen by the students in the class. Texts: Richard Wright, Black Boy (American Hunger) (Harper Perennial Restored edition, 1993) 1945 Flannery O'Connor, Wise Blood (Farrar, Straus and Giroux) 1949 Vladimir Nabokov, Lolita (Vintage) 1955 Jack Kerouac, On the Road (Penguin) 1957 J.D. Salinger, Franny and Zooey (Little, Brown) 1961 John Barth, Lost in the Funhouse (Anchor) 1963-68 (selections) Thomas Pynchon, The Crying of Lot 49 (HarperCollins) 1967 Toni Morrison, The Bluest Eye (Knopf) 1970 Maxine Hong Kingston, The Woman Warrior (Vintage) 1976 (selections) Marilynne Robinson, Housekeeping (Picador) 1980 Cormac McCarthy, Blood Meridian (Vintage) 1985 Philip Roth, The Human Stain (Houghton Mifflin) 2000 Edward P. Jones, The Known World (Amistad) 2003 Students' Choice Novel for Spring, 2008: Jonathan Safran Foer, Everything is Illuminated (Houghton-Mifflin) 2002 Requirements: Students must complete the readings, explore archival material on the web for selected authors and attend all lectures.
    [Show full text]
  • Fiction Fun! Connecting to the Human Soul
    Fiction Fun! Connecting to the Human Soul Join us on the third Monday of each month Fiction Fun meets monthly to discuss fiction and its connection to the human soul. Started by a former Cathedral Dean, the group has been meeting for about 5 years and has read challenging and fun books from classic to current. The group meets on the third Monday of each month from 7-8:30 pm in the Cathedral Library. Members take turns leading one of the monthly book discussions. All readers are welcome! For current books and to receive a reminder, contact coordinator Bev Rude at [email protected]. RSVP is appreciated: [email protected] Looking for a good summer read? Here are the monthly books on the horizon. July 15 -- The Little Paris Book Shop: by Nina George, led by Wen-Li Lu. August 19 -- White Teeth by Zadie Smith, led by D’Oniece Dillard September 16 - In the Midst of Winter by Isabel Allende, led by Betsy Hague October 21 -- Island Beneath the Sea, Isabel Allende, led by Maha Armaly November 18 -- One Hundred Years of Solitude, Gábriel García Marquez, led by Corbin Lyday December 16 -- The Last Report on the Miracles at Little No Horse by Louise Erdrich, led by Bobbie Messal More summer reads! Are you wondering what the group has been reading for the past five years? Here’s the list of books, from oldest to most recent: The Circle by Dave Eggers A Farewell to Arms by Ernest Hemingway The Goldfinch by Donna Tartt Dear Life by Alice Munro Bring Up the Bodies by Hillary Mantel NW by Zadie Smith Offered through the Office of the Vicar, Washington National Cathedral.
    [Show full text]