Pulitzer Prize Bookmark.Pub

Total Page:16

File Type:pdf, Size:1020Kb

Pulitzer Prize Bookmark.Pub Pulitzer Prize Winners Pulitzer Prize Winners Pulitzer Prize Winners Pulitzer Prize Winners for Fiction for Fiction for Fiction for Fiction 2006: March 2006: March 2006: March 2006: March by Geraldine Brooks by Geraldine Brooks by Geraldine Brooks by Geraldine Brooks 2005: Gilead 2005: Gilead 2005: Gilead 2005: Gilead by Marilynne Robinson by Marilynne Robinson by Marilynne Robinson by Marilynne Robinson 2004: The Known World 2004: The Known World 2004: The Known World 2004: The Known World by Edward P. Jones by Edward P. Jones by Edward P. Jones by Edward P. Jones 2003: Middlesex 2003: Middlesex 2003: Middlesex 2003: Middlesex by Jeffrey Eugenides by Jeffrey Eugenides by Jeffrey Eugenides by Jeffrey Eugenides 2002: Empire Falls 2002: Empire Falls 2002: Empire Falls 2002: Empire Falls by Richard Russo by Richard Russo by Richard Russo by Richard Russo 2001: The Amazing 2001: The Amazing 2001: The Amazing 2001: The Amazing Adventures of Kavalier Adventures of Kavalier Adventures of Kavalier Adventures of Kavalier & Clay & Clay & Clay & Clay by Michael Chabon by Michael Chabon by Michael Chabon by Michael Chabon 2000: Interpreter of 2000: Interpreter of 2000: Interpreter of 2000: Interpreter of Maladies Maladies Maladies Maladies by Jhumpa Lahiri by Jhumpa Lahiri by Jhumpa Lahiri by Jhumpa Lahiri 1999: The Hours 1999: The Hours 1999: The Hours 1999: The Hours by Michael Cunningham by Michael Cunningham by Michael Cunningham by Michael Cunningham 1998: American Pastoral 1998: American Pastoral 1998: American Pastoral 1998: American Pastoral by Philip Roth by Philip Roth by Philip Roth by Philip Roth 1997: Martin Dressler: The 1997: Martin Dressler: The 1997: Martin Dressler: The 1997: Martin Dressler: The Tale of an American Tale of an American Tale of an American Tale of an American Dreamer Dreamer Dreamer Dreamer by Steven Millhauser by Steven Millhauser by Steven Millhauser by Steven Millhauser 1996: Independence Day 1996: Independence Day 1996: Independence Day 1996: Independence Day by Richard Ford by Richard Ford by Richard Ford by Richard Ford 1995: The Stone Diaries 1995: The Stone Diaries 1995: The Stone Diaries 1995: The Stone Diaries by Carol Shields by Carol Shields by Carol Shields by Carol Shields Pulitzer Prize Finalists Pulitzer Prize Finalists Pulitzer Prize Finalists Pulitzer Prize Finalists for Fiction for Fiction for Fiction for Fiction 2006: The Bright Forever 2006: The Bright Forever 2006: The Bright Forever 2006: The Bright Forever by Lee Martin and The March by Lee Martin and The March by Lee Martin and The March by Lee Martin and The March by E.L. Doctorow by E.L. Doctorow by E.L. Doctorow by E.L. Doctorow 2005: War Trash by Ha Jin and 2005: War Trash by Ha Jin and 2005: War Trash by Ha Jin and 2005: War Trash by Ha Jin and An Unfinished Season by Ward An Unfinished Season by Ward An Unfinished Season by Ward An Unfinished Season by Ward Just Just Just Just 2004: American Woman 2004: American Woman 2004: American Woman 2004: American Woman by Susan Choi and Evidence of by Susan Choi and Evidence of by Susan Choi and Evidence of by Susan Choi and Evidence of Things Unseen by Marianne Things Unseen by Marianne Things Unseen by Marianne Things Unseen by Marianne Wiggins Wiggins Wiggins Wiggins 2003: Servants of the Map: Stories 2003: Servants of the Map: Stories 2003: Servants of the Map: Stories 2003: Servants of the Map: Stories by Andrea Barrett and You Are Not by Andrea Barrett and You Are Not by Andrea Barrett and You Are Not by Andrea Barrett and You Are Not a Stranger Here by Adam Haslett a Stranger Here by Adam Haslett a Stranger Here by Adam Haslett a Stranger Here by Adam Haslett 2002: The Corrections by 2002: The Corrections by 2002: The Corrections by 2002: The Corrections by Jonathan Franzen and John Henry Jonathan Franzen and John Henry Jonathan Franzen and John Henry Jonathan Franzen and John Henry Days by Colson Whitehead Days by Colson Whitehead Days by Colson Whitehead Days by Colson Whitehead 2001: Blonde by Joyce Carol Oates 2001: Blonde by Joyce Carol Oates 2001: Blonde by Joyce Carol Oates 2001: Blonde by Joyce Carol Oates and The Quick and the Dead and The Quick and the Dead and The Quick and the Dead and The Quick and the Dead by Joy Williams by Joy Williams by Joy Williams by Joy Williams 2000: Waiting by Ha Jin and Close 2000: Waiting by Ha Jin and Close 2000: Waiting by Ha Jin and Close 2000: Waiting by Ha Jin and Close Range: Wyoming Stories by Annie Range: Wyoming Stories by Annie Range: Wyoming Stories by Annie Range: Wyoming Stories by Annie Proulx Proulx Proulx Proulx 1999: Cloudsplitter by Russell 1999: Cloudsplitter by Russell 1999: Cloudsplitter by Russell 1999: Cloudsplitter by Russell Banks and The Poisonwood Bible Banks and The Poisonwood Bible Banks and The Poisonwood Bible Banks and The Poisonwood Bible by Barbara Kingsolver by Barbara Kingsolver by Barbara Kingsolver by Barbara Kingsolver 1998: Underworld by Don 1998: Underworld by Don 1998: Underworld by Don 1998: Underworld by Don DeLillo and Bear and His Daugh- DeLillo and Bear and His Daugh- DeLillo and Bear and His Daugh- DeLillo and Bear and His Daugh- ter: Stories by Robert Stone ter: Stories by Robert Stone ter: Stories by Robert Stone ter: Stories by Robert Stone 1997: Unlocking the Air and Other 1997: Unlocking the Air and Other 1997: Unlocking the Air and Other 1997: Unlocking the Air and Other Stories by Ursula K. LeGuin and Stories by Ursula K. LeGuin and Stories by Ursula K. LeGuin and Stories by Ursula K. LeGuin and The Manikin by Joanna Scott The Manikin by Joanna Scott The Manikin by Joanna Scott The Manikin by Joanna Scott 1996: Mr. Ives’ Christmas by Oscar 1996: Mr. Ives’ Christmas by Oscar 1996: Mr. Ives’ Christmas by Oscar 1996: Mr. Ives’ Christmas by Oscar Hijuelos and Sabbath’s Theater by Hijuelos and Sabbath’s Theater by Hijuelos and Sabbath’s Theater by Hijuelos and Sabbath’s Theater by Philip Roth Philip Roth Philip Roth Philip Roth 1995: What I Lived For by Joyce 1995: What I Lived For by Joyce 1995: What I Lived For by Joyce 1995: What I Lived For by Joyce Carol Oates and The Collected Carol Oates and The Collected Carol Oates and The Collected Carol Oates and The Collected Stories by Grace Paley Stories by Grace Paley Stories by Grace Paley Stories by Grace Paley .
Recommended publications
  • Contracting Law Kastely 3E 00 Fmt Auto3 07.08.2005 11:34 AM Page Ii
    kastely 3e 00 fmt auto3 07.08.2005 11:34 AM Page i Contracting Law kastely 3e 00 fmt auto3 07.08.2005 11:34 AM Page ii Carolina Academic Press Law Casebook Series Advisory Board ❦ Gary J. Simson, Chairman Cornell Law School Raj K. Bhala University of Kansas School of Law John C. Coffee, Jr. Columbia University School of Law Randall Coyne University of Oklahoma Law Center John S. Dzienkowski University of Texas School of Law Paul Finkelman University of Tulsa College of Law Robert M. Jarvis Shepard Broad Law Center Nova Southeastern University Vincent R. Johnson St. Mary’s University School of Law Michael A. Olivas University of Houston Law Center Kenneth Port William Mitchell College of Law Michael P. Scharf Case Western Reserve University Law School Peter M. Shane Moritz College of Law The Ohio State University Emily L. Sherwin Cornell Law School John F. Sutton, Jr. Emeritus, University of Texas School of Law David B. Wexler University of Arizona College of Law kastely 3e 00 fmt auto3 07.08.2005 11:34 AM Page iii Contracting Law third edition Amy Kastely Deborah Waire Post Sharon Kang Hom Carolina Academic Press Durham, North Carolina kastely 3e 00 fmt auto3 07.08.2005 11:34 AM Page iv Copyright © 1996, 2000, 2005 Amy Hilsman Kastely, Deborah Waire Post, and Sharon Kang Hom All Rights Reserved ISBN 1-594601-402 LCCN 2005930382 Carolina Academic Press 700 Kent Street Durham, NC 27701 Telephone (919) 489-7486 Fax (919) 493-5668 Printed in the United States of America kastely 3e 00 fmt auto3 07.08.2005 11:34 AM Page v Contents Personal Acknowledgments xv Acknowledgments xvii Table of Cases xxi Other Texts xxv Chapter One Introduction to Contract Law 3 A.
    [Show full text]
  • Literature (LIT) 1
    Literature (LIT) 1 LITERATURE (LIT) LIT 113 British Literature i (3 credits) LIT 114 British Literature II (3 credits) LIT 115 American Literature I (3 credits) LIT 116 Amercian Literature II (3 credits) LIT 132 Introduction to Literary Studies (3 credits) This course prepares students to understand literature and to articulate their understanding in essays supported by carefully analyzed evidence from assigned works. Major genres and the literary terms and conventions associated with each genre will be explored. Students will be introduced to literary criticism drawn from a variety of perspectives. Course Rotation: Fall. LIT 196 Topics in Literature (3 credits) LIT 196A Topic: Images of Nature in American Literature (3 credits) LIT 196B Topic: Gothic Fiction (3 credits) LIT 196C Topic: American Detective Fiction (3 credits) LIT 196D Topic: The Fairy Tale (3 credits) LIT 196H Topic: Literature of the Supernatural (4 credits) LIT 196N Topic: American Detective Fiction for Nactel Program (4 credits) LIT 200C Global Crossings: Challenge & Change in Modern World Literature - Nactel (4 credits) Students in the course will read literature from a range of international traditions and will reach an understanding and appreciation of the texts for the ways that they connect and diverge. The social and historical context of the works will be explored and students will take from the course some understanding of the environments that produced the texts. LIT 200G Topic: Pulitzer Prize Winning Novels-American Life (3 credits) LIT 200H Topic: Poe and Hawthorne (3 credits) LIT 201 English Drama 900-1642 (3 credits) LIT 202 History of Film (3 credits) The development of the film from the silent era to the present.
    [Show full text]
  • Paperback Anthologies: 1. the Best American Short Stories Series One
    Paperback Anthologies: 1. The Best American Short Stories Series One of these is issued every year. The cost is $9-12. 2. The Best American Short Stories of the Century Mariner Books, ISBN: 0395843677 $12.69 Includes stories by Ernest Hemingway, William Faulkner, Willa Cather, F. Scott Fitzgerald, William Saroyan, Flannery O'Connor, John Cheever, Eudora Welty, Philip Roth, Joyce Carol Oates, Raymond Carver, Cynthia Ozick, and others. 3. The Vintage Book of Contemporary American Short Stories Vintage Books, ISBN: 0679745130 $14.42 Includes Mary Gaitskill, "A Romantic Weekend"; Andre Dubus, "The Fat Girl"; Tim O'Brien, "The Things They Carried"; Raymond Carver, "Cathedral"; Joyce Carol Oates, "Where Are You Going, Where Have You Been?"; Mona Simpson, "Lawns"; Ann Beattie, "A Vintage Thunderbird"; Jamaica Kincaid, "Girl"; Stuart Dybek, "Chopin in Water"; Ron Hansen, "Wickedness"; Denis Johnson, "Emergency"; Edward P. Jones, "The First Day"; John L'Heureux, "Departures"; Ralph Lombreglia, "Men Under Water"; Robert Olmstead, "Cody's Story"; Jayne Anne Phillips, "Home"; Susan Power, "Moonwalk"; Amy Tan, "Rules of the Game"; Stephanie Vaughn, "Dog Heaven"; Joy Williams, "Train"; Dorothy Allison, "River of Names"; Richard Bausch, "All The Way in Flagstaff, Arizona," and others. 4. Short Story Masterpieces: 35 Classic American and British Stories from the First Half of the 20th Century Dell, ISBN: 0440378648 $8.99 Includes “The Bride Comes to Yellow Sky” by Stephen Crane, “The Horse Dealer’s Daughter” by D. H. Lawrence, “Barn Burning” by William Faulkner, “The Sojourner” by Carson McCullers,“The Open Window” by Saki,“Flowering Judas” by Katherine Anne Porter,“The Boarding House” by James Joyce,“Soldier’s Home” by Ernest Hemingway,“The Tree of Knowledge” by Henry James,“Why I Live at the P.O”.
    [Show full text]
  • 11 Th Grade American Literature Summer Assignment (2019­2020 School Y Ear)
    6/26/2019 American Lit Summer Reading 2019-20 - Google Docs 11 th Grade American Literature Summer Assignment (2019­2020 School Y ear) Welcome to American Literature! This summer assignment is meant to keep your reading and writing skills fresh. You should choose carefully —select books that will be interesting and enjoyable for you. Any assignments that do not follow directions exactly will not be accepted. This assignment is due Friday, August 16, 2019 to your American Literature Teacher. This will count as your first formative grade and be used as a diagnostic for your writing ability. Directions: For your summer assignment, please choose o ne of the following books to read. You can choose if your book is Fiction or Nonfiction. Fiction Choices Nonfiction Choices Catch 22 by Joseph Heller The satirical story of a WWII soldier who The Short and Tragic Life of Robert Peace by Jeff Hobbs. An account thinks everyone is trying to kill him and hatches plot after plot to keep of a young African‑American man who escaped Newark, NJ, to attend from having to fly planes again. Yale, but still faced the dangers of the streets when he returned is, Bastard Out of Carolina by Dorothy Allison The story of an abusive “nuanced and shattering” ( People ) and “mesmeric” ( The New York Southern childhood. Times Book Review ) . The Known World by Edward P. Jones The story of a black, slave Outliers / Blink / The Tipping Point by Malcolm Gladwell Fascinating owning family. statistical studies of everyday phenomena. For Whom the Bell Tolls by Ernest Hemingway A young American The Hot Zone: A Terrifying True Story by Richard Preston There is an anti‑fascist guerilla in the Spanish civil war falls in love with a complex outbreak of ebola virus in an American lab, and other stories of germs woman.
    [Show full text]
  • Marilynne Robinson's Gilead and Home Jeffrey Gonzaleza a the Borough of Manhattan Community College Published Online: 06 Aug 2014
    This article was downloaded by: [Jeffrey Gonzalez] On: 07 August 2014, At: 10:09 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Critique: Studies in Contemporary Fiction Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/vcrt20 Ontologies of Interdependence, the Sacred, and Health Care: Marilynne Robinson's Gilead and Home Jeffrey Gonzaleza a The Borough of Manhattan Community College Published online: 06 Aug 2014. To cite this article: Jeffrey Gonzalez (2014) Ontologies of Interdependence, the Sacred, and Health Care: Marilynne Robinson's Gilead and Home, Critique: Studies in Contemporary Fiction, 55:4, 373-388, DOI: 10.1080/00111619.2013.783780 To link to this article: http://dx.doi.org/10.1080/00111619.2013.783780 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content.
    [Show full text]
  • Jhumpa Lahiri
    Jhumpa Lahiri Sanjeev felt knots forming at the back of his neck. He felt dizzy. He needed to lie down. He walked toward the bedroom, but stopped short when he saw Twinkle’s shoes facing him in the doorway. He thought of her slipping them on her feet. But in- stead of feeling irritated, as he had ever since they “moved into the house together, he felt a pang of an- ticipation at the thought of her rushing unsteadily down the winding staircase in them, scratching the floor a bit in her path. The pang intensified as he thought of her running to the bathroom to brighten her lipstick, and eventually rushing to get people their coats, and finally rushing to the cherry-wood table when the last guest had left, to begin opening their housewarming presents. It was the same pang he used to feel before they were married, when he would hang up the phone after one of their con- Quick Facts versations, or when he would drive back from the airport, wondering which ascending plane in the * Born in 1967 sky was hers. * Parents emigrated to — “This Blessed House,” Interpreter of Maladies England from India * Wrote Interpreter of Biography Maladies Jhumpa Lahiri was born in London, England in 1967. She is the daugh- ter of parents who emigrated from India. She was then raised in Rhode Island where her father worked as a librarian and her mother as ”a teacher. Lahiri received a B.A in English Literature at Barnard College , and later This page was researched and submitted by: Nicholas Gipe, received her M.A in English, Creative writing, and Comparative Studies Lindsay Greco, Geri Spencer, in Literature and the Arts, as well as a Ph.D in Renaissance Studies from and Jackie Yang on 12/20/05.
    [Show full text]
  • Novel to Novel to Film: from Virginia Woolf's Mrs. Dalloway to Michael
    Rogers 1 Archived thesis/research paper/faculty publication from the University of North Carolina at Asheville’s NC DOCKS Institutional Repository: http://libres.uncg.edu/ir/unca/ Novel to Novel to Film: From Virginia Woolf’s Mrs. Dalloway to Michael Cunningham’s and Daldry-Hare’s The Hours Senior Paper Presented in Partial Fulfillment of the Requirements For a Degree Bachelor of Arts with A Major in Literature at The University of North Carolina at Asheville Fall 2015 By Jacob Rogers ____________________ Thesis Director Dr. Kirk Boyle ____________________ Thesis Advisor Dr. Lorena Russell Rogers 2 All the famous novels of the world, with their well known characters, and their famous scenes, only asked, it seemed, to be put on the films. What could be easier and simpler? The cinema fell upon its prey with immense rapacity, and to this moment largely subsists upon the body of its unfortunate victim. But the results are disastrous to both. The alliance is unnatural. Eye and brain are torn asunder ruthlessly as they try vainly to work in couples. (Woolf, “The Movies and Reality”) Although adaptation’s detractors argue that “all the directorial Scheherezades of the world cannot add up to one Dostoevsky, it does seem to be more or less acceptable to adapt Romeo and Juliet into a respected high art form, like an opera or a ballet, but not to make it into a movie. If an adaptation is perceived as ‘lowering’ a story (according to some imagined hierarchy of medium or genre), response is likely to be negative...An adaptation is a derivation that is not derivative—a work that is second without being secondary.
    [Show full text]
  • GVPT 449K, Politics Through Popular Fiction and Short Stories, Fall, 2016
    1 GVPT 449K, Politics Through Popular Fiction and Short Stories, Fall, 2016 Professor Alford, 1151 Tydings. Office Hrs, Tu, 5-6pm, Thur 5-7pm, and by appointment. Call x54169 and leave a message. Email works even better: [email protected]. Come visit; too few students do. Also, feel free to email me with comments, suggestions, gripes. I need the feedback. I often meet with graduate students, and occasionally have committee meetings during office hours (it can't be helped), so please make an appointment. Feel free to drop by, but understand I might be meeting with another student, or in an unavoidable meeting. The course is not organized around ELMS/Canvas, but around the seminar. Nevertheless, the discussion section on ELMS/Canvas plays an important role in the course, as you will see. It is also a good way to reach other students in the course. Be sure and check your .umd email, or have a good repeater/email forwarding. Basics Course meets: Tue, 6:30-9:15pm ELMS website for this course: www.elms.umd.edu Communication: It is probably best to contact me by email directly, but you can also do so through the course website. I will do the same, especially if we miss a class. This is especially important for a course that meets only once a week. Main Idea of the Course I have chosen books and short stories that are "popular" rather than "literary," though many are both. None are terribly long, and all are quite accessible to undergraduates. You probably have read some already.
    [Show full text]
  • 1 Carol Shields's Swann
    Ladies of the Ivory Tower Academic Feminism and Feminist Academics in Carol Shields’s Swann, David Lodge’s Nice Work, and A. S. Byatt’s Possession: A Romance Liv Christina Varen A Thesis Presented to The Department of Literature, Area Studies and European Languages University of Oslo in Partial Fulfilment of the Requirements for the MA Degree Autumn 2012 II Ladies of the Ivory Tower Academic Feminism and Feminist Academics in Carol Shields’s Swann, David Lodge’s Nice Work, and A. S. Byatt’s Possession: A Romance Liv Christina Varen III © Liv Christina Varen 2012 Ladies of the Ivory Tower: Academic Feminism and Feminist Academics in Carol Shields’s Swann, David Lodge’s Nice Work, and A. S. Byatt’s Possession: A Romance Liv Christina Varen http://www.duo.uio.no/ Trykk: Kopianstalten AS, Kristiansand IV Abstract This thesis explores the representation and negotiation of academic feminism and feminist academics in three best-selling campus novels: Carol Shields’ Swann (1987), David Lodge’s Nice Work (1988), and A.S Byatt’s Possession: A Romance (1990). It is based on the assumption that academic fiction may function as a significant contribution to academic and social debate, allowing for other modes of staging and exploring feminist issues than those offered by academic non-fiction. The close-readings of these three novels are supplemented by discussions concerning interpretive possibilities and reception in relation to the authors’ public profiles, as these possibilities arguably entail a particular emphasis on representational responsibility in terms of reception. The latter is here assumed to depend, in part, on the cognitive interaction of the author’s public profile and the reader’s interpretive horizon.
    [Show full text]
  • Creative Writing (Iowa Writers' Workshop) 1
    Creative Writing (Iowa Writers' Workshop) 1 Creative Writing (Iowa Writers' Workshop) Director • Lan Samantha Chang Graduate degree: M.F.A. in English Faculty: https://writersworkshop.uiowa.edu/people Website: https://writersworkshop.uiowa.edu/ The Creative Writing Program (Iowa Writers' Workshop) is a world-renowned graduate program for fiction writers and poets. Founded in 1936, it was the first creative writing program in the United States to offer a degree, and it became a model for many contemporary writing programs. In addition to its Master of Fine Arts program, it also offers writing courses for undergraduates. The Iowa Writers' Workshop has been home to thousands of remarkable writers, including Flannery O'Connor, Raymond Carver, Rita Dove, John Irving, James Alan McPherson, Philip Levine, Jane Smiley, Michael Cunningham, Sandra Cisneros, Denis Johnson, Jorie Graham, Ann Patchett, D.A. Powell, Nathan Englander, Yiyun Li, Eleanor Catton, Angela Flournoy, Garth Greenwell, Yaa Gyasi, and Jamel Brinkley. The program's faculty and alumni include winners of virtually every major literary award, including seventeen winners of the Pulitzer Prize (most recently Paul Harding in 2010), six recent U.S. Poets Laureate, and numerous winners of the National Book Award, MacArthur Foundation Fellowships, and other major honors. In 2003, the Iowa Writers' Workshop received a National Humanities Medal from the National Endowment for the Humanities—the first awarded to a university and only the second given to an institution rather than an individual. The Creative Writing Program offers courses for students from other programs of study; summer courses are open to undergraduate and graduate students. To learn more about the Creative Writing Program's history and faculty, visit the Iowa Writers' Workshop website..
    [Show full text]
  • The American Jewishness in Philip Roth's Fiction—The Thematic Study
    ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 3, No. 2, pp. 313-317, February 2013 © 2013 ACADEMY PUBLISHER Manufactured in Finland. doi:10.4304/tpls.3.2.313-317 The American Jewishness in Philip Roth’s Fiction—The Thematic Study of American Pastoral Ting Gao Shandong University of Finance and Economics, Ji Nan, China Abstract—As one of the most prominent living Jewish writers in contemporary American Literature, Philip Roth (1933- ) has been producing excellent works despite his 80-year-old age. He is a frequent subject of Chinese researchers, but among those literary studies of Philip Roth’s fiction, Jewishness is not a subject to be discussed much. One of the reasons is that as an ethnic term, Jewishness is ambiguous in perception. As Roth persists with his American stance in interviews, literary discussions on his Jewishness seems to be more ambiguous. Nevertheless, Roth does not deny his Jewish root, and Roth devotes his whole life writing with the subject of American Jewish life. In view of this, there is a Jewishness that exists in his fiction which best reflects his ethnic ethos as well as the characteristic position he holds as a Jew and American writer. In analyzing one of the Roth’s most important works in late-twentieth century, namely, American Pastoral, this thesis aims to put forward the idea that Jewishness exhibited in this fiction is Americanized Jewishness. Index Terms—Jewisheness, Americanized Jewishness, the American pastoral I. INTRODUCTION Generally speaking, Jewishness is regarded as an inherited and inherent trait which indicates an ancestral background or lineage to genetics.
    [Show full text]
  • Grace: a Reflection on the Novels of Marilynne Robinson
    Volume 48 Number 1 Article 3 September 2019 Grace: A Reflection on the Novels of Marilynne Robinson Elayne Apol Heynen Dordt University Follow this and additional works at: https://digitalcollections.dordt.edu/pro_rege Part of the American Literature Commons, and the Christianity Commons Recommended Citation Heynen, Elayne Apol (2019) "Grace: A Reflection on the Novels of Marilynne Robinson," Pro Rege: Vol. 48: No. 1, 14 - 16. Available at: https://digitalcollections.dordt.edu/pro_rege/vol48/iss1/3 This Feature Article is brought to you for free and open access by the University Publications at Digital Collections @ Dordt. It has been accepted for inclusion in Pro Rege by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. Editor’s Note: Elayne Apol Heynen wrote this paper for a Kuyper Scholars Seminar to precede the Prodigal Love of God Conference, held at Dordt, April 4-6, 2019, and co-sponsored by the Lilly Fellowship Program as a regional conference. Grace: A Reflection on the Novels of Marilynne Robinson the simple joy of the words on the page. For this joy in words is what makes her writing so memo- rable: each sentence is delectable, meant to be read and then re-read, reveled in and embraced before the reader moves on to see what the next sentence might bring. Her novels call the reader to slow down, to notice the beauty of the ordinary, both in the beauty of her writing and the beauty of the lives she writes about. If one could take a common kitchen sponge, saturate the sponge with the words from her novels, and then wring out the sponge, what one would see drip out slowly would unmis- takably be grace.
    [Show full text]