DOCSLIB.ORG

Oxford Proudly Supports the Cincinnati Symphony Orchestra

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Oxford Proudly Supports the Cincinnati Symphony Orchestra Oxford proudly supports the Cincinnati Symphony Orchestra. Oxford is independent and unbiased — and always will be. We are committed to providing multi-generational estate planning advice and forward-thinking investment solutions to families and institutions. CHICAGO ) CINCINNATI ) GRAND RAPIDS ) INDIANAPOLIS ) TWIN CITIES 513.246.0800) WWW.OFGLTD.COM/CSO Give your children the gift of planning well. “The last thing I want is for my daughter to have to take care of me down the URDGVKHōVJRWKHUKDQGVIXOODOUHDG\:LWK&RQƓGHQW/LYLQJP\SHUVRQDO &DUH&RRUGLQDWRUZLOOKDQGOHDOOWKHGHWDLOVRIP\IXWXUHFDUHVRVKHGRHVQōW KDYHWRZRUU\3OXVWKHLUZHOOQHVVSURJUDPVDQGQHWZRUNRIUHVRXUFHVKHOSPH VWD\KHDOWK\DQGDFWLYHVR,FDQNHHSXS ZLWKP\JUDQGFKLOGUHQ$QGEHVWRIDOO I can stay in my home that I love.” Ŋ&RQƓGHQW/LYLQJPHPEHU If you’re between 50 and 80 and in good health, join us for an informational event. 8KUKV%QPƂFGPV.KXKPIQTIQTECNN Confi dent Living, a Life Enriching Communities program, is affi liated with the West Ohio Conference of the United Methodist Church and welcomes people of all faiths. We do not discriminate and we provide free assistance in your native language, if needed. Find our complete non-discrimination policy at LEC.org. APRIL/MAY 2019 CONTENTS CONCERTS FEATURES 52 Described by The Times 24 CSO Chamber Players: The 12 Looking Forward to 125 Youngest Master, Apr. 26 London as 19 Remembering Michael Gielen “without 27 CSO: Ravel + Debussy: 20 Honoring Retiring Orchestra question Colors of Spain, Apr. 27–28 the most 38 Guest artists: Matthias Members Timothy Lees and astounding Pintscher, conductor; Steven Rosen pianist of our age,” Grammy Alisa Weilerstein, cello Q&A with Matthias Pintscher 37 winner Daniil Trifonov makes 41 CSO: Trifonov Plays his CSO debut performing Beethoven, May 3–4 Beethoven’s Emperor Concerto 52 Guest artist: Daniil DEPARTMENTS May 3–4. Louis Langrée Trifonov, piano conducts this program, which CSO: Season Finale: Louis 55 6 A Letter from the President also features the music of John Conducts Mahler 5, May 10–11 Adams, Arvo Pärt and Igor 60 Guest artist: Stefani 8 Your Concert Experience/ Stravinsky. Matsuo, violin FAQs 10 Orchestra Roster 60 CSO Associate 38 14 Artistic Leadership: Cellist Alisa Louis Langrée and Concertmaster Weilerstein, John Morris Russell Stefani Matsuo “whose takes center 17 If It Sounds Good, emotionally stage as Music It Is Good! by JMR resonant Director performances… 22 Spotlight: Sammie Hendley, Louis Langrée have earned her Volunteer closes the international 62 Directors & Advisors 2018–19 season recognition,” May 10–11 with returns to 63 Financial Support two works Music Hall for 71 Administration from Viennese performances of un despertar Masters: 72 Coda (“an awakening”), written for Mozart’s Violin her by Matthias Pintscher, who Concerto No. 4 and Mahler’s conducts these performances Symphony No. 5. Apr. 27–28. Also on the program: Spanish-inflected music by Ravel and Debussy. 2 | FANFARE CINCINNATI | cincinnatisymphony.org FANFARE CINCINNATI STAFF: Cincinnati Symphony Orchestra and Cincinnati Pops Vice President of Communications Chris Pinelo Director of Communications Franck Mercurio Digital Communications Manager Lee Snow Communications Assistant Kayla Moore Editor/Layout McKibben Publications All contents © 2018–19. The contents cannot be reproduced in any manner, whole or in part, without written permission from the Cincinnati Symphony © Dario Acosta, Deutsche Grammophon Orchestra and Cincinnati Pops. ON THE COVER Grammy-winning CINCINNATI SYMPHONY ORCHESTRA & Russian pianist Daniil Trifonov has made CINCINNATI POPS a spectacular ascent in the classical music Music Hall world as a solo artist, champion of the 1241 Elm Street concerto repertoire, chamber and vocal Cincinnati, OH 45202 collaborator, and composer. He makes his Administrative Offices: 513.621.1919 [email protected] CSO debut May 3–4 performing Beethoven’s Piano Concerto No. 5. Read more about Daniil Box Office Trifonov on p. 52. Music Hall 1241 Elm Street Cincinnati, OH 45202 CINCINNATI MAGAZINE: 513.381.3300 Advertising and Publishing Partners [email protected] for Fanfare Cincinnati Group Sales Publisher 513.744.3590 Ivy Bayer [email protected] Production Director & IT Systems Administrator Vu Luong TTY/TDD Marketing Director Use TTY/TDD Relay Service 7-1-1 Chris Ohmer cincinnatisymphony.org | cincinnatipops.org Advertising & Marketing Designer Stephanie Youngquist facebook.com/CincySymphony or / CincinnatiPops Custom Publishing Account Manager Maggie Wint Goecke twitter.com/CincySymphony or / Senior Outside Account Representative CincinnatiPops Laura Bowling instagram.com/cincysymphony Operations Director Missy Beiting Business Coordinator RECYCLE FANFARE CINCINNATI Erica Birkle Advertising and Business Offices You are welcome to take this copy of Carew Tower Fanfare Cincinnati home with you as a 441 Vine Street, Suite 200 souvenir of your concert experience. Cincinnati, OH 45202 Alternatively, please share Fanfare 513.421.4300 Cincinnati with a friend or leave it with Subscriptions: 1.800.846.4333 an usher for recycling. Thank you! cincinnatimagazine.com 4 | FANFARE CINCINNATI | cincinnatisymphony.org Saturday, June 29, 2019 Gardens open from 9 am–5 pm Visit 10 magnificent private gardens which incorporate native plants in unique and creative ways, as well as native gardens at Cincinnati Country Day School and Cincinnati Nature Center. Featured gardens in Hyde Park, Indian Hill, Terrace Park and Loveland include a gorgeous 1.7-acre prairie with a cantilevered gazebo overlooking a pond, a French-inspired estate with formal courtyards and a lawn-free yard filled with low-maintenance shrubs, grasses and perennials. Presenting Sponsor: Wimberg Landscaping Tickets: $40 per person www.CincyNature.org A LETTER FROM THE PRESIDENT—Jonathan Martin Dear Friends, The CSO’s musicians also perform throughout June and July with Cincinnati Opera in fi ve dif- As our 2019–20 season ferent productions. More information is available at Music Hall concludes, at cincinnatiopera.org. I want to off er our grati- The Orchestra plays as the Cincinnati Pops tude on behalf of the with John Morris Russell during the summer Board of Directors, Lou- months, with a concert set to live fi reworks fol- is Langrée, John Morris lowing the Reds game on June 14 and, of course, Russell, the musicians our annual “Red, White and Boom” celebration and dedicated staff , for on the Fourth of July at Riverbend with Rozzi’s making the Cincinnati Famous Fireworks. The Pops will also be out at Symphony Orchestra Woodland Mound on July 24 for a free concert, and Cincinnati Pops a thanks to the Great Parks of Hamilton County. part of your lives, and a priority in a community Finally this summer, CSO Look Around is that deeply values the arts. a free event on Saturday, August 3, that will The CSO is a year-round orchestra and we bring together 30 local ensembles with the continue to serve the community through the Orchestra for an enveloping musical experience rest of May and into the summer. The May Fes- in Over-the-Rhine and Washington Park. There tival is a treasured tradition in Cincinnati, and are more details coming at cincinnatisymphony. the CSO performs as the offi cial orchestra and org/lookaround. is responsible for working with the Festival’s Best wishes for a great summer, and we look artistic leadership in Principal Conductor Juanjo forward to seeing you for the opening of the Mena and Director of Choruses Robert Porco on CSO’s 125th anniversary season in September. the programming of eight unique concert expe- Enjoy the performance! riences. This year’s Festival includes premieres, new collaborations, and a scintillating wall of sound that must be experienced live in concert. I invite you to fi nd out more at mayfestival.com. 6 | FANFARE CINCINNATI | cincinnatisymphony.org Your Visit the Society for the the perfect way to get to Preservation of Music Hall at know the music and musicians spmhcincinnati.org to learn on a program. Program Concert more about the storied history notes can be found at of Music Hall or schedule a cincinnatisymphony.org. Experience guided tour of this historic Cincinnati treasure. BRAVO SHOP The Bravo Shop, located near MUSIC HALL THE CINCINNATI SYMPHONY the escalators, features CSO Welcome to Music Hall, a ORCHESTRA and Pops merchandise, audio National Historic Landmark Founded in 1895, the recordings, and locally crafted and the crown jewel of Cincinnati Symphony items. Stop in and say hi! Over-the-Rhine. Built in Orchestra is the sixth oldest 1878, this building is a orchestra in the United States CONCESSIONS welcoming beacon for the and represents the evolution Enjoy exciting options curated community and a pantheon of 200 years of musical by a council of Cincinnati of the arts for generations tradition in the Queen City. tastemakers, including locally to come. Reopened in fall of The Cincinnati Orchestra roasted coffee, wine offerings, 2017 following a complete Association Company, delicious flavors from Findlay renovation, Music Hall’s legacy founded by 15 enthusiastic Market and Divine’s European is ensured for decades to women under the presidency Chocolates. Skip the line come. of Mrs. William Howard Taft, by pre-ordering drinks for sponsored nine concerts in its intermission. Note that drinks Originally built to house the inaugural season. with ice are not allowed in the May Festival, Music Hall has auditorium during classical been home to the Cincinnati CLASSICAL CONVERSATIONS
Load more

Recommended publications
  • Michael Gielen EDITION
    Michael Gielen 1927 Born in Dresden on 29 July 1940–1950 Family emigrates to Argentina. Tuition in piano and music theory, then studied music and philosophy; first compositions. Works as répetiteur at the Teatro Colón with Erich Kleiber 1950/51 Returns to Europe, to the Vienna State Opera; works as repetiteur and has first encounters with Karajan, Mitropoulos, Böhm and others 1952 First conducting appearance at the Vienna Konzerthaus; first recordings for American record labels 1954 First conducting appearance at the Vienna State Opera 1960–64 Principal Conductor at the Royal Opera, Stockholm 1964–1984 Collaboration with the Southern Radio Symphony Orchestra (which later became the Stuttgart Radio Symphony Orchestra); regular conductor for a while alongside Sergiu Celibidache 1965 World premiere of B. A. Zimmermann’s opera “Die Soldaten” in Cologne and world premiere of Ligeti’s “Requiem” at Swedish Radio, Stockholm 1966–1975 Regular collaboration with the Symphony Orchestra of Saarland Radio (which later became the Saarbrücken Radio Symphony Orchestra, then once more in 2008 with its successor organization, the German Radio Philharmonic) 1967 Start of regular collaboration with the Southwestern Radio Orchestra (which later became the Symphony Orchestra of Southwestern Radio). Before that, a record production for Vox around 1956/57 and a concert in 1961. 1968–1973 Principal Conductor of the Belgian National Orchestra 1973–1975/6 Principal Conductor at the Dutch Opera, Amsterdam 1977–1987 Head of Opera and General Music Director at the Frankfurt Opera 1978–1981 First Guest Conductor of the BBC Symphony Orchestra, London 1980–1986 Music Director of the Cincinnati Symphony Orchestra 1985 Hessian Culture Prize 1986 Theodor W.
    [Show full text]
  • [email protected] N
    FOR IMMEDIATE RELEASE UPDATED May 28, 2015 February 17, 2015 Contact: Katherine E. Johnson (212) 875-5718; [email protected] NEW YORK PHILHARMONIC TO RETURN TO BRAVO! VAIL FOR 13th-ANNUAL SUMMER RESIDENCY, JULY 24–31, 2015 Music Director Alan Gilbert To Lead Three Programs Bramwell Tovey and Joshua Weilerstein Also To Conduct Soloists To Include Violinist Midori, Cellist Alisa Weilerstein, Pianists Jon Kimura Parker and Anne-Marie McDermott, Acting Concertmaster Sheryl Staples, Principal Viola Cynthia Phelps, Soprano Julia Bullock, and Tenor Ben Bliss New York Philharmonic Musicians To Perform Chamber Concert The New York Philharmonic will return to Bravo! Vail in Colorado for the Orchestra’s 13th- annual summer residency there, featuring six concerts July 24–31, 2015, as well as a chamber music concert performed by Philharmonic musicians. Music Director Alan Gilbert will conduct three programs, July 29–31, including an all-American program and works by Mendelssohn, Mahler, Mozart, and Shostakovich. The other Philharmonic concerts, conducted by Bramwell Tovey (July 24 and 26) and former New York Philharmonic Assistant Conductor Joshua Weilerstein (July 25), will feature works by Grieg, Elgar, Tchaikovsky, Rachmaninoff, and Richard Strauss, among others. The soloists appearing during the Orchestra’s residency are pianists Jon Kimura Parker and Anne-Marie McDermott, cellist Alisa Weilerstein, violinist Midori, soprano Julia Bullock and tenor Ben Bliss, and Acting Concertmaster Sheryl Staples and Principal Viola Cynthia Phelps. The New York Philharmonic has performed at Bravo! Vail each summer since 2003. Alan Gilbert will lead the concert on Wednesday, July 29, featuring Mendelssohn’s Violin Concerto, with Midori as soloist, and Mahler’s Symphony No.
    [Show full text]
  • Michael Gielen Edition
    MICHAEL GIELEN EDITION MICHAEL GIELEN EDITION 50 years of recordings in 10 volumes NEW in May 2018 SWR19022CD SWR19007CD SWR19014CD SWR19061CD SWR19028CD SWR19023CD SWR19042CD KEY FEATURES • 10 boxed sets to be released between 2016 and 2019 • Each volume largely comprises recordings never previously released, remastered EMI and Intercord recordings, and previously issued SWR recordings • Michael Gielen is one of the most prominent conductors of the 20th and 21st centuries • He celebrates his 90th birthday in July 2017 On 30 October 2014, Michael Gielen issued a press release announcing that he had been forced to end his conducting activities for health reasons. On this occasion, and also with his 90th birthday on 20 July 2017 in mind, it is time to listen to the different phases of a long conducting career. The Michael Gielen EDITION offers this opportunity. It comprises several volumes of varying size, dedicated to individual composers – Beethoven, Bruckner, Brahms, Mahler, Bartók, Stravinsky, Schoenberg, Berg and Webern – and others focusing on major historical periods: from Bach to Schubert; from Carl Maria von Weber to Sergei Rachmaninov; late Romantic or early modern works, while another volume is devoted to compositions written after the Second World War. The recordings presented here are from the archives of the former South German Radio, Stuttgart (SDR) and Southwestern Radio, Baden-Baden (SWF), as well as their successor organizations SWR, and Saarland radio (SR) – that is, recordings from a period of over 50 years: from the mid-1960s to Gielen’s last concert with the SWR Symphony Orchestra of Baden-Baden and Freiburg in January 2014.
    [Show full text]
  • Liner Notes, Visit Our Web Site: Recording: March 22, 2012, Philharmonie in Berlin, Germany
    21802.booklet.16.aas 5/23/18 1:44 PM Page 2 CHRISTIAN WOLFF station Südwestfunk for Donaueschinger Musiktage 1998, and first performed on October 16, 1998 by the SWF Symphony Orchestra, conducted by Jürg Wyttenbach, 2 Orchestra Pieces with Robyn Schulkowsky as solo percussionist. mong the many developments that have transformed the Western Wolff had the idea that the second part could have the character of a sort classical orchestra over the last 100 years or so, two major of percussion concerto for Schulkowsky, a longstanding colleague and friend with tendencies may be identified: whom he had already worked closely, and in whose musicality, breadth of interests, experience, and virtuosity he has found great inspiration. He saw the introduction of 1—the expansion of the orchestra to include a wide range of a solo percussion part as a fitting way of paying tribute to the memory of David instruments and sound sources from outside and beyond the Tudor, whose pre-eminent pianistic skill, inventiveness, and creativity had exercised A19th-century classical tradition, in particular the greatly extended use of pitched such a crucial influence on the development of many of his earlier compositions. and unpitched percussion. The first part of John, David, as Wolff describes it, was composed by 2—the discovery and invention of new groupings and relationships within the combining and juxtaposing a number of “songs,” each of which is made up of a orchestra, through the reordering, realignment, and spatial distribution of its specified number of sounds: originally between 1 and 80 (with reference to traditional instrumental resources.
    [Show full text]
  • Premieren Der Oper Frankfurt Ab September 1945 Bis Heute
    Premieren der Oper Frankfurt ab September 1945 bis heute Musikalische Leitung der Titel (Title) Komponist (Composer) Premiere (Conductor) Regie (Director) Premierendatum (Date) Spielzeit (Season) 1945/1946 Tosca Giacomo Puccini Ljubomir Romansky Walter Jokisch 29. September 1945 Das Land des Lächelns Franz Lehár Ljubomir Romansky Paul Kötter 3. Oktober 1945 Le nozze di Figaro W.A. Mozart Dr. Karl Schubert Dominik Hartmann 21. Oktober 1945 Wiener Blut Johann Strauß Horst-Dietrich Schoch Walter Jokisch 11. November 1945 Fidelio Ludwig van Beethoven Bruno Vondenhoff Walter Jokisch 9. Dezember 1945 Margarethe Charles Gounod Ljubomir Romansky Walter Jokisch 10. Januar 1946 Otto und Theophano Georg Friedrich Händel Bruno Vondenhoff Walter Jokisch 22. Februar 1946 Die Fledermaus Johann Strauß Ljubomir Romansky Paul Kötter 24. März 1946 Zar und Zimmermann Albert Lortzing Ljubomir Romansky Heinrich Altmann 12. Mai 1946 Jenufa Leoš Janáček Bruno Vondenhoff Heinrich Altmann 19. Juni 1946 Spielzeit 1946/1947 Ein Maskenball Giuseppe Verdi Bruno Vondenhoff Hans Strohbach 29. September 1946 Così fan tutte W.A. Mozart Bruno Vondenhoff Hans Strohbach 10. November 1946 Gräfin Mariza Emmerich Kálmán Georg Uhlig Heinrich Altmann 15. Dezember 1946 Hoffmanns Erzählungen Jacques Offenbach Werner Bitter Karl Puhlmann 2. Februar 1947 Die Geschichte vom Soldaten Igor Strawinsky Werner Bitter Walter Jokisch 30. April 1947 Mathis der Maler Paul Hindemith Bruno Vondenhoff Hans Strohbach 8. Mai 1947 Cavalleria rusticana / Pietro Mascagni / Werner Bitter Heinrich Altmann 1. Juni 1947 Der Bajazzo Ruggero Leoncavallo Spielzeit 1947/1948 Ariadne auf Naxos Richard Strauss Bruno Vondenhoff Hans Strohbach 12. September 1947 La Bohème Giacomo Puccini Werner Bitter Hanns Friederici 2. November 1947 Die Entführung aus dem W.A.
    [Show full text]
  • Conducting Studies Conference 2016
    Conducting Studies Conference 2016 24th – 26th June St Anne’s College University of Oxford Conducting Studies Conference 2016 24-26 June, St Anne’s College WELCOME It is with great pleasure that we welcome you to St Anne’s College and the Oxford Conducting Institute Conducting Studies Conference 2016. The conference brings together 44 speakers from around the globe presenting on a wide range of topics demonstrating the rich and multifaceted realm of conducting studies. The practice of conducting has significant impact on music-making across a wide variety of ensembles and musical contexts. While professional organizations and educational institutions have worked to develop the field through conducting masterclasses and conferences focused on professional development, and academic researchers have sought to explicate various aspects of conducting through focussed studies, there has yet to be a space where this knowledge has been brought together and explored as a cohesive topic. The OCI Conducting Studies Conference aims to redress this by bringing together practitioners and researchers into productive dialogue, promoting practice as research and raising awareness of the state of research in the field of conducting studies. We hope that this conference will provide a fruitful exchange of ideas and serve as a lightning rod for the further development of conducting studies research. The OCI Conducting Studies Conference Committee, Cayenna Ponchione-Bailey Dr John Traill Dr Benjamin Loeb Dr Anthony Gritten University of Oxford University of
    [Show full text]
  • Biography Marc Piollet – Season 2020/2021, English (Pdf)
    KünstlerSekretariat am Gasteig Elisabeth Ehlers · Lothar Schacke· Verena Vetter Montgelasstraße 2 · 81679 München Tel +49 89 44488790 · Fax +49 89 4489522 www.ks-gasteig.de · [email protected] MARC PIOLLET Conductor Born in Paris in 1962, conductor Marc Piollet studied at the Hochschule der Künste in Berlin and a�ended masterclasses with John Eliot Gardiner, Michael Gielen and Kurt Masur. In 1995 he was a prizewinner at the Dirigenten-Forum of the Deutscher Musikrat. A�er early posts as First Kapellmeister at the Philharmonisches Staatsorchester Halle and the Staatstheater Kassel he was Music Director of the Vienna Volksoper from 2003 un�l 2005. From 2004 un�l 2012 he was General Music Director at the Hessisches Staatstheater Wiesbaden where he conducted acclaimed performances of Wagner's complete Ring and numerous new produc�ons. In the 2020/2021 season, new produc�ons of Werther will take Marc Piollet to the Staatstheater Stu�gart and the Hungarian State Opera; he will also make his debut at the Israeli Opera, with Aida; another highlight will be the new produc�on of Tristan und Isolde at Teatro Petruzzelli Bari. Concert engagements will take him to the Orchestra of the Komische Oper Berlin, the Qatar Philharmonic Orchestra and the Aachen Symphony Orchestra. In recent seasons Marc Piollet has also worked with leading opera houses, including Royal Theatre in Copenhagen (La Bohème with Anna Netrebko as Mimi), Bavarian State Opera as part of the Munich Opera Fes�val (Les Contes d'Hoffmann), Opéra Na�onal de Paris (Il barbiere di Siviglia, Les Contes d'Hoffmann with Rolando Villazón in the �tle role), Staatstheater Stu�gart (Jenůfa, Bluebeard's Castle/Erwartung), Teatro Colón in Buenos Aires (Carmen and Don Giovanni), Vienna State Opera (Il barbiere di Siviglia) as well as Gran Teatre del Liceu in Barcelona (La Bohème and Carmen staged by Calixto Bieito).
    [Show full text]
  • 19 by Gianmario Borio* Among the Early Sources Preserved in The
    Beiträge Mauricio Kagel’s Analysis of Schoenberg’s Phantasy for Violin with Piano Accompaniment op. 47 by Gianmario Borio* Among the early sources preserved in the Mauricio Kagel Collection is a dossier dedicated to Schoenberg’s Phantasy op. 47, containing an annotated copy of the score, a series of notes on various aspects of its compositional technique, some annotated samples, and a rough draft of a text most likely intended for publication. This material can only be dated hypothetically on the basis of historical evidence. On August 7, 1953, the Phantasy was per- formed at a concert organized by the Agrupación Nueva Música, in which Kagel participated as a pianist; a fleeting reference to the first book by Allen Forte, seen at the bottom of the table of transpositions, allows us to define the dossier’s terminus post quem; lastly, the language used in the notes, considered along with their underlying topics, seems to rule out the possi- bility that they were written during his early years in Germany.1 Kagel’s analysis reveals much about the set of problems with which he was dealing during the composition of Sexteto de cuerdas and the first version of Anagra- ma.2 It also sheds light on the origin of some of the more durable premises of his thought and, on a more general level, represents a significant episode in the reception of the Phantasy itself. * This article originated as part of the project Composers Analysing Other Composers, on which I have been working for a number of years. The first results of the project were pub- lished in “L’analyse musicale comme processus d’appropriation historique: Webern à Darmstadt,” in Circuit: Musiques contemporaines, 15 (2005), no.
    [Show full text]
  • Program Book
    ROSSEN MILANOV Music Director YOUR ORCHESTRA 2020-2021 YOUR HOME 4 October 2020 Inon Barnatan WALKER / MOZAR T / RACHMANINOFF 2020-21 ROSSEN MILANOV, Edward T. Cone Music Director Sunday October 4, 2020, 4pm Virtual Concert WALKER / MOZART / RACHMANINOFF Rossen Milanov, conductor Inon Barnatan, piano Mr. Barnatan’s appearance is made possible by a generous gift from Yvonne Marcuse. George Walker Lyric for Strings W.A. Mozart Divertimento in D Major, K. 136 I. Allegro II. Andante III. Presto Sergei Rachmaninoff Symphonic Dances, Op. 45 Arr. for solo piano I. Non allegro by Inon Barnatan II. Andante con moto (Tempo di valse) III. Lento assai – Allegro vivace This concert is made possible in part by the generous support of Harriet and Jay Vawter. Orchestral works recorded at Morven Museum & Garden princetonsymphony.org / 3 Proud Supporter of PRINCETON SYMPHONY ORCHESTRA AN EXCEPTIONAL TEAM AT A LOCAL ADDRESS WEALTH MANAGEMENT, BANKING & INSURANCE 47 Hulfish Street Suite 400 Princeton, NJ 08542 609.683.1022 | bmt.com Deposit products offered by Bryn Mawr Trust.Member FDIC Products and services are provided through Bryn Mawr Bank Corporation and its various affiliates and subsidiaries. Insurance products are offered through BMT Insurance Advisors, a subsidiary of Bryn Mawr Trust. Not available in all states. ©2020 Bryn Mawr Trust INVESTMENTS & INSURANCE: NOT A DEPOSIT. NOT FDIC – INSURED. NOT INSURED BY ANY FEDERAL GOVERNMENT AGENCY. NOT GUARANTEED BY THE BANK. MAY GO DOWN IN VALUE. PAST PERFORMANCE IS NO GUARANTEE OF FUTURE RESULTS. Princeton Symphony Orchestra The Princeton Symphony Orchestra (PSO) is a cultural centerpiece of the Princeton community and one of New Jersey’s finest music organizations, a position established through performances of beloved masterworks, innovative music by living composers, and an extensive network of educational programs offered to area students free of charge.
    [Show full text]
  • MATTHIAS PINTSCHER to Lead New York Philharmonic in NEW
    Contact: Katherine E. Johnson (212) 875-5718; [email protected] National Press Representative: Julia Kirchhausen (917) 453-8386; [email protected] JUNE 6, 2014, AT AVERY FISHER HALL: MATTHIAS PINTSCHER To Lead New York Philharmonic in NEW YORK PREMIERES of His CELLO CONCERTO, Reflections on Narcissus, with Cellist ALISA WEILERSTEIN, and CARTER’S Instances Concert To Feature WORLD PREMIERE of Work Selected from National Open Call for Scores Facilitated by American Composers Orchestra’s EarShot Program As part of the NY PHIL BIENNIAL, conductor-composer Matthias Pintscher (Germany, b. 1971) leads the New York Philharmonic in his own Reflections on Narcissus, a cello concerto spotlighting cellist Alisa Weilerstein, followed by the last completed work by American icon Elliott Carter (United States, 1908–2012), June 6, 2014, in Avery Fisher Hall. Mr. Pintscher will open the concert with the World Premiere of one of three works by composers discovered through the assistance of the EarShot National Orchestral Composition Discovery Network. “It is very moving for me to be given the honor of performing Carter’s last finished orchestral composition, Instances, in New York, since he and the Philharmonic have a long history together,” Matthias Pintscher said. “When I was looking at the score for Instances, I was reminded of Giuseppe Verdi, as both he and Carter brought a lightness and freshness to the musical compositions of their old age. Carter’s music is beautifully transparent, highly expressive, and at ease with itself without ever losing its directness of expression. My own work on this program, Reflections on Narcissus, is less a cello concerto than a symphonic and virtuosic dialogue between a solo cello and a huge orchestra.
    [Show full text]
  • NFA 2021 Program Book Concert Programs 8 3 21
    THURSDAY Annual Meeting and Opening Flute Orchestra Concert Thursday, August 12, 2021 9:00–10:00 AM CDT Adah Toland Jones, conductor Kathy Farmer, coordinator Valse, from Sleeping Beauty Pyotr Ilyich Tchaikovsky (1840–93) Out of the Chaos of My Doubt Gordon Jones (b. 1947) Interlude No. 1 Rêverie Claude Debussy (1862–1918) Out of the Chaos of My Doubt Gordon Jones (b. 1947) Interlude No. 2 Talisman Alexandra Molnar-Suhajda (b. 1975) Out of the Chaos of My Doubt Gordon Jones (b. 1947) Interlude No. 3 Sierra Morning Freedom Jonathan Cohen (b. 1954) 2. Peregrine Bugler’s Dream Leo Arnaud (1904–91) 7 Decades of Innovating the Imagined: Celebrating the Music of Robert Dick Thursday, August 12, 2021 10:00–11:00 AM CDT Flames Must Not Encircle Sides Robert Dick (b. 1950) Lisa Bost-Sandberg Afterlight Dick Bonnie McAlvin Fire's Bird Dick Mary Kay Fink Book of Shadows Dick Leonard Garrison, bass flute Time is a Two Way Street Dick I. II. Robert Dick and Melissa Keeling High School Soloist Competition Final Round: Part I Thursday, August 12, 2021 10:00–11:30 AM CDT Amy I-Yun Tu, coordinator Katie Leung, piano Recorded round judges: Brian Dunbar, Luke Fitzpatrick, Izumi Miyahara Final round judges: Julietta Curenton, Eric Lamb, Susan Milan, Daniel Velasco, Laurel Zucker Finalists in alphabetical order: Emily DeNucci Joanna Hsieh Choyi Lee Xiaoxi Li Finalists will perform the following works in the order of their choosing: For Each Inch Cut Andrew Rodriguez (b. 1989) World Premiere Valse Caprice Daniel S. Wood (1872–1927) Sonata Francis Poulenc (1899–1963) 1.
    [Show full text]
  • Jan Dewilde Paper 2009
    Frank Van der Stucken (1858-1929): a friend of Grieg and translator of his songs Lecture for International Edvard Grieg Conference, Berlin, 13-16 May 2009 This paper fits in with a research project that is presently being implemented in the library of the Royal Conservatoire of Antwerp about the composer-conductor Frank Van der Stucken. The library preserves a large collection of scores and documents of Van der Stucken, which form the basis of this research. The contacts between Edvard Grieg and the Flemish composer-pianist Arthur De Greef (1862-1940), who met in 1888, are well documented, but the piano virtuoso De Greef wasn’t Grieg’s first Flemish contact. One decade before, Grieg had already got to know an American composer with Flemish roots, namely Frank Van der Stucken. Frank Van der Stucken was born in 1858 in Fredericksburg, Texas, as the son of a Flemish father and a German mother.1 When the Secession War (1861-1865) had finished, the family no longer felt safe in Texas and in 1865 they returned to father Van der Stucken’s native town of Antwerp (Belgium). There Van der Stucken junior studied at the Flemish School of Music – the later Royal Flemish Conservatoire. He was a student of the director Peter Benoit (1834-1901), the standard bearer of nationalist music in Flanders. After his studies with Benoit, Van der Stucken went to Leipzig in 1878, like so many of his contemporaries, with a view to continuing his formation with Carl Reinecke. That’s where he first met Grieg, who became his friend.
    [Show full text]