Nathan Lincoln-Decusatis
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
[email protected] N
FOR IMMEDIATE RELEASE UPDATED May 28, 2015 February 17, 2015 Contact: Katherine E. Johnson (212) 875-5718; [email protected] NEW YORK PHILHARMONIC TO RETURN TO BRAVO! VAIL FOR 13th-ANNUAL SUMMER RESIDENCY, JULY 24–31, 2015 Music Director Alan Gilbert To Lead Three Programs Bramwell Tovey and Joshua Weilerstein Also To Conduct Soloists To Include Violinist Midori, Cellist Alisa Weilerstein, Pianists Jon Kimura Parker and Anne-Marie McDermott, Acting Concertmaster Sheryl Staples, Principal Viola Cynthia Phelps, Soprano Julia Bullock, and Tenor Ben Bliss New York Philharmonic Musicians To Perform Chamber Concert The New York Philharmonic will return to Bravo! Vail in Colorado for the Orchestra’s 13th- annual summer residency there, featuring six concerts July 24–31, 2015, as well as a chamber music concert performed by Philharmonic musicians. Music Director Alan Gilbert will conduct three programs, July 29–31, including an all-American program and works by Mendelssohn, Mahler, Mozart, and Shostakovich. The other Philharmonic concerts, conducted by Bramwell Tovey (July 24 and 26) and former New York Philharmonic Assistant Conductor Joshua Weilerstein (July 25), will feature works by Grieg, Elgar, Tchaikovsky, Rachmaninoff, and Richard Strauss, among others. The soloists appearing during the Orchestra’s residency are pianists Jon Kimura Parker and Anne-Marie McDermott, cellist Alisa Weilerstein, violinist Midori, soprano Julia Bullock and tenor Ben Bliss, and Acting Concertmaster Sheryl Staples and Principal Viola Cynthia Phelps. The New York Philharmonic has performed at Bravo! Vail each summer since 2003. Alan Gilbert will lead the concert on Wednesday, July 29, featuring Mendelssohn’s Violin Concerto, with Midori as soloist, and Mahler’s Symphony No. -
"If There Were More Cynthia Phelpses Around, There Might Be More Viola Recitals…She Is a Master of Her Instrument -- Rema
"If there were more Cynthia Phelpses around, there might be more viola recitals…she is a master of her instrument -- remarkable technique and warm, full sound." – THE WALL STREET JOURNAL "Not only does CYNTHIA PHELPS produce one of the richest, deepest viola timbres in the world, she is a superb musician" (Seattle Post-Intelligencer). Principal Violist of the New York Philharmonic, Ms. Phelps has distinguished herself both here and abroad as one of the leading instrumentalists of our time. The recipient of numerous honors and awards, including the Pro Musicis International Award and first prize at both the Lionel Tertis International Viola Competition and the Washington International String Competition, she has captivated audiences with her compelling solo and chamber music performances. She is "a performer of top rank...the sounds she drew were not only completely unproblematical --technically faultless, generously nuanced-- but sensuously breathtaking" (The Boston Globe). Ms. Phelps performs throughout the world as soloist with orchestras, including the Minnesota Orchestra, Shanghai, San Diego, Santa Barbara, Eastern Music Festival and Vermont Symphonies, Orquesta Sinfonica de Bilbao, and Rochester and Hong Kong Philharmonic among others. World-wide, her electrifying solo appearances with the New York Philharmonic garner raves; they have included Berlioz's Harold in Italy, the Bartok Viola Concerto, Strauss's Don Quixote, the Benjamin Lees Concerto for String Quartet, the premiere of a concerto written for her by Sofia Gubaidulina and most recently, the premiere of a new concerto by the young composer Julia Adolphe written for her. She has appeared as soloist with the orchestra across the globe, including Vienna’s Musikverein, London’s Royal Festival Hall, and the Concertgebouw in Amsterdam among others. -
Soundadvice: New York Philharmonic Earshot Readings: Composer Spotlight - Julia Adolphe 5/30/14 10:01 AM
SoundAdvice: New York Philharmonic EarShot Readings: Composer Spotlight - Julia Adolphe 5/30/14 10:01 AM Share 0 More Next Blog» Create Blog Sign In THURSDAY, MAY 29, 2014 ABOUT SOUNDADVICE New York Philharmonic EarShot Readings: Composer SoundAdvice is the place where Spotlight - Julia Adolphe composers and artists share the inside story of their work with listeners and audiences. Here you'll find SoundAdvice sits down with Julia Adolphe, one of the composers selected to insights into the creative process. participate in the New York Philharmonic EarShot Readings in June, part of Whether in rehearsal, a readings the inaugural NY PHIL BIENNIAL. Her piece, Dark Sand, Sifting Light, will be program, or concert, these artists read on June 3, followed by feedback from the New York Philharmonic share the anticipation, the challenges, musicians, maestro Alan Gilbert, and mentor composers. risks and rewards of putting themselves on the line, creating a new piece of orchestra music and hearing it realized "right before your ears." SEARCH THIS BLOG Search BLOG ARCHIVE ▼ 2014 (24) ▼ May (11) New York Philharmonic EarShot American Composers Orchestra: What was the inspiration for your piece that Readings: Composer S... will be read at the New York Philharmonic EarShot Readings? How has that been incorporated into the work? New York Philharmonic EarShot Readings: Composer S... Julia Adolphe: The inspiration for Dark Sand, Sifting Light came from the sonic 23rd Annual Underwood New experience of hearing music in the distance. I’ve always loved the sound of a piano Music Readings: Composer... http://acosoundadvice.blogspot.com/2014/05/new-york-philharmonic-earshot-readings_29.html Page 1 of 5 SoundAdvice: New York Philharmonic EarShot Readings: Composer Spotlight - Julia Adolphe 5/30/14 10:01 AM being heard from an open window, a familiar melody drifting into focus from far 23rd Annual Underwood New away. -
The Music of Pierre Jalbert
" an acknowledged chamber-music master." – THE NEW YORKER American composer Pierre Jalbert has been recognized for his richly colored and superbly crafted scores and “music of fierce and delicate inventiveness [with] kaleidoscope of moods and effects.” (Cleveland Plain Dealer) Painting vibrant and picturesque sonic portraits for the listener, he has developed a musical language that is engaging, expressive, and deeply personal. Among his many honors are the Rome Prize, BBC Masterprize, Chamber Music Society of Lincoln Center's Stoeger Award, given biennially "in recognition of significant contributions to the chamber music repertory," and an award from the American Academy of Arts and Letters. Jalbert’s work has drawn inspiration from a variety of sources ranging from plainchant melodies to natural phenomena, and his French-Canadian heritage, hearing English folk songs and Catholic liturgical music growing up. He has earned a reputation for his mastery of color, in both his chamber and orchestral scores, creating timbres that are vivid yet refined and tonally centered, combining modal, tonal, and dissonant sonorities as it travels new and unusual paths, while retaining a sense of harmonic motion culminating in a completed journey. His music has been commissioned and performed worldwide, including the St. Paul and Los Angeles Chamber orchestras, the American Composers Orchestra, and the Symphonies of Houston, Vermont, Albany, Budapest, London, Boston and Milwaukee, the National Symphony, Cabrillo and Eastern Festival Orchestras. He received two Meet the Composer grants, including one for its “Magnum Opus Project.” Jalbert served as Composer-in-Residence with the Los Angeles Chamber Orchestra, California Symphony and Chicago's Music in the Loft. -
Commissions and Premieres
Commissions and Premieres In its 2020–2021 season, Carnegie Hall continues its longstanding commitment to the music of tomorrow, commissioning 19 works, and presenting 8 world and 24 New York premieres. This includes daring new solo, chamber, and orchestral works by established and emerging composers, as well as thought-provoking performances that cross musical genres. Carnegie Hall Commissions COMPOSER TITLE PERFORMERS THOMAS ADÈS Angel Symphony City of Birmingham Symphony Orchestra (NY Premiere, co-commissioned by Carnegie Hall) Mirga Gražinytė-Tyla, Music Director and Conductor LERA AUERBACH New Work Artemis Quartet (NY Premiere, co-commissioned by Carnegie Hall) KINAN AZMEH New Work Kinan Azmeh Cityband (World Premiere, commissioned by Carnegie Hall) LISA BIELAWA Sanctuary American Composers Orchestra (NY Premiere, co-commissioned by Carnegie Hall) George Manahan, Music Director and Conductor Jennifer Koh, Violin TYONDAI BRAXTON New Work Third Coast Percussion (NY Premiere, co-commissioned by Carnegie Hall) Movement Art Is feat. Jon Boogz & Lil Buck, Co-Founders, Choreographers, and Movement Artists OSVALDO GOLIJOV Falling Out of Time Silkroad Ensemble (NY Premiere, co-commissioned by Carnegie Hall) JLIN New Work Third Coast Percussion (NY Premiere, co-commissioned by Carnegie Hall) Movement Art Is feat. Jon Boogz & Lil Buck, Co-Founders, Choreographers, and Movement Artists VLADIMIR MARTYNOV New Work Kronos Quartet (NY Premiere, co-commissioned by Carnegie Hall) JESSIE MONTGOMERY Divided Sphinx Virtuosi (NY Premiere, co-commissioned -
A Composer's Début, at the Philharmonic
A Composer’s Début, at the Philharmonic - The New Yorker 11/27/16, 11:27 PM The New Yorker Goings on About Town Sign in List Map Explore Search CLASSICAL MUSIC NOVEMBER 21, 2016 A Composer’s Début, at the Philharmonic Julia Adolphe, twenty-eight years old and completing a doctorate, is starting at the top with her viola concerto. By Alex Ross http://www.newyorker.com/magazine/2016/11/21/a-composers-debut-at-the-philharmonic Page 1 of 4 A Composer’s Début, at the Philharmonic - The New Yorker 11/27/16, 11:27 PM Cynthia Phelps, the principal violist of the Philharmonic, premières a new concerto by Julia Adolphe. Illustration by Wesley Allsbrook hen New York Philharmonic audiences hear the first performances of Julia W Adolphe’s viola concerto “Unearth, Release” (Nov. 17-19), they may not realize the amount of labor that goes into creating an orchestral piece from scratch: the concerto lasts approximately nineteen minutes and took about a year to compose. Adolphe, who is twenty-eight years old and is completing a doctorate at the University of Southern California’s Thornton School of Music, received the commission in late 2014, after winning a competition at the American Composers Orchestra. She met with Cynthia Phelps, the Philharmonic’s principal violist, who will be the soloist in the première, and studied her sound. Adolphe began sketching, on paper and on the computer; she went through various drafts, tried out the piece in a viola-and-piano version, and, this past summer, had run-throughs with orchestras at U.S.C. -
Wind Symphony and Wind Ensemble with Guest Composer, Geoffrey Gordon
KENNESAW STATE UNIVERSITY SCHOOL OF MUSIC Wind Symphony DEBRA TRAFICANTE CONDUCTOR and Wind Ensemble DAVID T. KEHLER MUSIC DIRECTOR AND CONDUCTOR with Guest Composer Geoffrey Gordon Monday, November 14, 2016 at 8 pm Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Thirty-ninth Concert of the 2016-17 Concert Season program KSU WIND SYMPHONY MICHAEL DAUGHERTY (b. 1954) Desi (1991) IRA HEARSHEN (b. 1948) Symphony on Themes of John Phillip Sousa II. After the Thunderer (1994) JOHN BARNES CHANCE (1932-1972) Variations on a Korean Folk Song (1965) JOHN MACKEY (b. 1973) Kingfisher’s Catch Fire (2007) intermission KSU WIND ENSEMBLE NIKOLAI RIMSKY-KORSAKOV (1844-1908) Procession of the Nobles (1870/1938) (celebrating KSU’s Year of Russia) GEOFFREY GORDON (b. 1968) ROCKS (2016) *World Premiere I. Obsidian II. Slate III. Blue Lapis IV. Amethyst V. Sulfur ALFRED REED (1921-2005) Russian Christmas Music (1944) (celebrating KSU’s Year of Russia) program notes Desi | Michael Daughtery Michael Daugherty was born into a musical family on April 28, 1954, in Cedar Rapids, Iowa. His father Willis Daugherty (1929-2011) was a jazz and country and western drummer, his mother Evelyn Daugherty (1927-1974) was an amateur singer, and his grandmother Josephine Daugherty (1907- 1991) was a pianist for silent film. As a GRAMMY® award-winning composer, Michael Daugherty is one of the most commissioned, performed, and recorded composers on the American concert music scene today. Daugherty first came to international attention when the Baltimore Symphony Orchestra, conducted by David Zinman, performed his Metropolis Symphony at Carnegie Hall in 1994. Since that time, Daugherty’s music has entered the orchestral, band and chamber music repertory and made him, according to the League of American Orchestras, one of the ten most performed American composers. -
Program Book
ROSSEN MILANOV Music Director YOUR ORCHESTRA 2020-2021 YOUR HOME 4 October 2020 Inon Barnatan WALKER / MOZAR T / RACHMANINOFF 2020-21 ROSSEN MILANOV, Edward T. Cone Music Director Sunday October 4, 2020, 4pm Virtual Concert WALKER / MOZART / RACHMANINOFF Rossen Milanov, conductor Inon Barnatan, piano Mr. Barnatan’s appearance is made possible by a generous gift from Yvonne Marcuse. George Walker Lyric for Strings W.A. Mozart Divertimento in D Major, K. 136 I. Allegro II. Andante III. Presto Sergei Rachmaninoff Symphonic Dances, Op. 45 Arr. for solo piano I. Non allegro by Inon Barnatan II. Andante con moto (Tempo di valse) III. Lento assai – Allegro vivace This concert is made possible in part by the generous support of Harriet and Jay Vawter. Orchestral works recorded at Morven Museum & Garden princetonsymphony.org / 3 Proud Supporter of PRINCETON SYMPHONY ORCHESTRA AN EXCEPTIONAL TEAM AT A LOCAL ADDRESS WEALTH MANAGEMENT, BANKING & INSURANCE 47 Hulfish Street Suite 400 Princeton, NJ 08542 609.683.1022 | bmt.com Deposit products offered by Bryn Mawr Trust.Member FDIC Products and services are provided through Bryn Mawr Bank Corporation and its various affiliates and subsidiaries. Insurance products are offered through BMT Insurance Advisors, a subsidiary of Bryn Mawr Trust. Not available in all states. ©2020 Bryn Mawr Trust INVESTMENTS & INSURANCE: NOT A DEPOSIT. NOT FDIC – INSURED. NOT INSURED BY ANY FEDERAL GOVERNMENT AGENCY. NOT GUARANTEED BY THE BANK. MAY GO DOWN IN VALUE. PAST PERFORMANCE IS NO GUARANTEE OF FUTURE RESULTS. Princeton Symphony Orchestra The Princeton Symphony Orchestra (PSO) is a cultural centerpiece of the Princeton community and one of New Jersey’s finest music organizations, a position established through performances of beloved masterworks, innovative music by living composers, and an extensive network of educational programs offered to area students free of charge. -
FOR IMMEDIATE RELEASE ARTIST and PROGRAM CHANGES July 17, 2017
FOR IMMEDIATE RELEASE ARTIST AND PROGRAM CHANGES July 17, 2017 Contact: Katherine E. Johnson (212) 875-5700; [email protected] Bravo! Vail Contacts: Amanda Sweet (347) 564-3371; [email protected] Lisa Mallory (970) 827-4310; (917) 655-0958; [email protected] Concertmaster FRANK HUANG, Pianist DANIIL TRIFONOV, and Music Director ALAN GILBERT To Replace The Mary and James G. Wallach Artist-in-Residence LEONIDAS KAVAKOS As Violinist and Conductor During New York Philharmonic’s 15th Annual BRAVO! VAIL Summer Residency MOZART’s Violin Concerto No. 5, Turkish With Concertmaster FRANK HUANG in His Bravo! Vail Concerto Debut BERLIOZ’s Symphonie fantastique Led by ALAN GILBERT July 22 CHOPIN’s Piano Concerto No. 1 with Pianist DANIIL TRIFONOV in His Bravo! Vail Debut SCHUMANN’s Symphony No. 2 Led by ALAN GILBERT July 23 The New York Philharmonic and Bravo! Vail today announced that Concertmaster Frank Huang, pianist Daniil Trifonov, and Music Director Alan Gilbert will replace The Mary and James G. Wallach Artist-in-Residence Leonidas Kavakos, who has withdrawn due to a family emergency, as violinist and conductor in concerts taking place Saturday, July 22 and Sunday, July 23 at Bravo! Vail during the Orchestra’s 15th annual summer residency. On Saturday, July 22, Concertmaster Frank Huang will be the soloist in Mozart’s Violin Concerto No. 5, Turkish, in his Bravo! Vail concerto debut, conducted by Music Director Alan Gilbert, replacing the previously announced performance of Brahms’s Violin Concerto with Leonidas Kavakos. As previously announced, Alan Gilbert will conduct Berlioz’s Symphonie fantastique. On Sunday, July 23, pianist and Philharmonic Board Member Daniil Trifonov will perform Chopin’s Piano Concerto No. -
MATTHIAS PINTSCHER to Lead New York Philharmonic in NEW
Contact: Katherine E. Johnson (212) 875-5718; [email protected] National Press Representative: Julia Kirchhausen (917) 453-8386; [email protected] JUNE 6, 2014, AT AVERY FISHER HALL: MATTHIAS PINTSCHER To Lead New York Philharmonic in NEW YORK PREMIERES of His CELLO CONCERTO, Reflections on Narcissus, with Cellist ALISA WEILERSTEIN, and CARTER’S Instances Concert To Feature WORLD PREMIERE of Work Selected from National Open Call for Scores Facilitated by American Composers Orchestra’s EarShot Program As part of the NY PHIL BIENNIAL, conductor-composer Matthias Pintscher (Germany, b. 1971) leads the New York Philharmonic in his own Reflections on Narcissus, a cello concerto spotlighting cellist Alisa Weilerstein, followed by the last completed work by American icon Elliott Carter (United States, 1908–2012), June 6, 2014, in Avery Fisher Hall. Mr. Pintscher will open the concert with the World Premiere of one of three works by composers discovered through the assistance of the EarShot National Orchestral Composition Discovery Network. “It is very moving for me to be given the honor of performing Carter’s last finished orchestral composition, Instances, in New York, since he and the Philharmonic have a long history together,” Matthias Pintscher said. “When I was looking at the score for Instances, I was reminded of Giuseppe Verdi, as both he and Carter brought a lightness and freshness to the musical compositions of their old age. Carter’s music is beautifully transparent, highly expressive, and at ease with itself without ever losing its directness of expression. My own work on this program, Reflections on Narcissus, is less a cello concerto than a symphonic and virtuosic dialogue between a solo cello and a huge orchestra. -
April 06 WEB Prog.Qxd
\ The San Francisco Contemporary Music Players cordially invites you to attend a 35th Anniversary Benefit Concert and Gala Reception Sunday May 21, 2006, 4 – 7 pm San Francisco’s Treasure Island Lou Harrison, Simfony #13 for percussion Edmund Campion, Outside Music Igor Stravinsky, The Soldier’s Tale featuring Roy Malan, violin Julie Steinberg, keyboard David Milnes, Music Director And honoring Roy Malan for thirty years of service to the ensemble Jean-Louis and Jane LeRoux, Honorary Co-chairs Tickets $150 ($75 for ages 35 and under) (all but $40 of ticket price is tax-deductible) 415-278-9566, [email protected] \ SAN FRANCISCO CONTEMPORARY MUSIC PLAYERS Performers David Milnes, Music Director Tod Brody, flute William Wohlmacher, clarinet (Logan, Ueno) Monday, 24 April 2006 8 pm Carey Bell, clarinet (Eckardt, Dennehy) Yerba Buena Center for the Arts - Forum Samuel Williams, electric guitar Roy Malan, violin (Logan, Dennehy) Graeme Jennings, violin (Eckardt) BLOOD AND GLAMOUR: Robin Hong, viola Stephen Harrison, cello NEW MUSIC FROM THE CITY Thalia Moore, cello Richard Worn, contrabass (Ueno) Michel Taddei, contrabass (Dennehy) DONNACHA DENNEHY Julie Steinberg, piano (Logan, Eckardt) Glamour Sleeper (2002-03) Teresa McCollough, piano (Ueno) United States Premiere Christopher Froh, percussion (Dennehy) Daniel Kennedy, percussion (Ueno) William Winant, percussion (Logan) WENDELL LOGAN Transition (2005) World Premiere, Commission KEN UENO We thank the Fromm Music Foundation for its assitance in commissiong Wendell Logan’s Transition and for helping to underwrite tonight’s premiere performance. blood blossoms . (2002) This concert presentation of works by Jason Eckardt, Wendell Logan and Ken Ueno is made possible in part by the generous support of the National Endowment for the Arts, ~ INTERMISSION ~ the Aaron Copland Fund for Music, and the Alice M. -
NFA 2021 Program Book Concert Programs 8 3 21
THURSDAY Annual Meeting and Opening Flute Orchestra Concert Thursday, August 12, 2021 9:00–10:00 AM CDT Adah Toland Jones, conductor Kathy Farmer, coordinator Valse, from Sleeping Beauty Pyotr Ilyich Tchaikovsky (1840–93) Out of the Chaos of My Doubt Gordon Jones (b. 1947) Interlude No. 1 Rêverie Claude Debussy (1862–1918) Out of the Chaos of My Doubt Gordon Jones (b. 1947) Interlude No. 2 Talisman Alexandra Molnar-Suhajda (b. 1975) Out of the Chaos of My Doubt Gordon Jones (b. 1947) Interlude No. 3 Sierra Morning Freedom Jonathan Cohen (b. 1954) 2. Peregrine Bugler’s Dream Leo Arnaud (1904–91) 7 Decades of Innovating the Imagined: Celebrating the Music of Robert Dick Thursday, August 12, 2021 10:00–11:00 AM CDT Flames Must Not Encircle Sides Robert Dick (b. 1950) Lisa Bost-Sandberg Afterlight Dick Bonnie McAlvin Fire's Bird Dick Mary Kay Fink Book of Shadows Dick Leonard Garrison, bass flute Time is a Two Way Street Dick I. II. Robert Dick and Melissa Keeling High School Soloist Competition Final Round: Part I Thursday, August 12, 2021 10:00–11:30 AM CDT Amy I-Yun Tu, coordinator Katie Leung, piano Recorded round judges: Brian Dunbar, Luke Fitzpatrick, Izumi Miyahara Final round judges: Julietta Curenton, Eric Lamb, Susan Milan, Daniel Velasco, Laurel Zucker Finalists in alphabetical order: Emily DeNucci Joanna Hsieh Choyi Lee Xiaoxi Li Finalists will perform the following works in the order of their choosing: For Each Inch Cut Andrew Rodriguez (b. 1989) World Premiere Valse Caprice Daniel S. Wood (1872–1927) Sonata Francis Poulenc (1899–1963) 1.