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Atypi Hong Kong 2012 Black and Between White 墨 [mò] ATypI Hong Kong 2012.... Theme Venues The theme of this years conference is 墨 [mò] - The 2012 conference uses three superb venues within between black and white. Mò - meaning ink - is at the easy reach of one another. heart of Chinese calligraphy and painting as well as a metaphor for intellectual pursuits. ‘Know the white and guard the black`(知白守黑) is an expression from philosopher Lao Tzu that speaks of a virtuous life as Workshops and specialist sessions on Wednesday 10 well as an aesthetic sensibility. A Chinese calligrapher and Thursday 11 October, plus the conference opening aims to achieve equilibrium of black and white not in keynote & reception on Thursday evening, will be held an absolute sense, but an organic and intuitive balance. at InnoCentre. Hotel Icon hosts the ATypI general confer- The importance of the balancing of black and white ence programme from Friday 12 to Sunday 14 October is a shared value between both Eastern and Western typographic cultures. When we put something in black and white, we speak of the essence of the written word as a means to exchange and preserve information and knowledge for all, playing an important role in our Exhibitions will be held on the campus of the Hong Kong culture and society. ‘Between black and white‚‘not only Polytechnic University celebrates this shared tradition but also acknowledges http://www.atypi.org/hong-kong-2012 that black and white form a complementary relationship http://www.qrstuff.com with each other, hence a wide spectrum of viewpoints are possible between the two. Venues Theme Keynote Speakers Program This year’s ATypI conference in Hong Kong celebrates diversity and multilingualism. We aim to foster a culture of international exchange and cross-cultural dialogue for all matters related to typography. We encourage propos- als of case studies, theoretical discussions, workshops and panel discussions concerning typography and type design from historical, cultural, aesthetic, linguistic as well as technological perspectives. We are also interested in addressing continuity and change in the practices of typography, highlighting future challenges, opportuni- ties or even redefinitions of the profession. In addition, we plan to hold special interest forums dedicated to typographic education and research, advocacy for good typography in the business realm, as well as type technology. ATypI Hong Kong 2012 墨 [mò] Between Black and White Program Keynote Speakers Keynote Keynote Katsumi Asaba Henry Steiner Keynote speakers: Keynote speaker – Thursday 11 October 2012 Keynote speaker – Thursday 11 October 2012 AboutBorn in ATypI 1940. Hong Founded Kong the2012 Katsumi keynote Asaba speakers Design Studio An Austrian from New York, graphic designer Henry in 1975, he has designed many advertisements for Japa- Steiner came to Hong Kong in 1951 has been living Katsuminese companies. Asaba He produced the poster of the Nagano here ever since. He is dubbed ‘the father of Hong Kong Keynotewintertime speaker Olympics – Thursday and the 11logo October marks 2012 of enterprises graphic design’. Steiner is best known for his corporate Bornand so in on.1940. Asaba Founded is the thechairman Katsumi of Asabathe Tokyo Design Type Studio identity designs, and has created identities for some inDirectors 1975, heClub has (TDC), designed an organisation many advertisements that explore for the Japa - of the most recognizable brands, such as IBM, Hyatt neserelationships companies. between He produced written andthe postervisual ofexpressions. the Nagano Regency, Hilton Hotels, Dow Jones, HSBC, Standard Char- wintertimeHe also the Olympicschairman and of the the Japan logo marks Graphic of Designersenterprises tered and Unilever. Since 1975 Steiner has designed five andAssociation so on. Asaba(JAGDA) is the and chairman a committee of the member Tokyo Typeof the sets of Hong Kong banknotes for the Standard Chartered DirectorsTokyo Art ClubDirectors (TDC), Club an (ADC).organisation He also that represents explore the Bank. Steiner was educated at La Sorbonne in Paris relationshipsAlliance Graphique between Internationale written and (AGI)visual inexpressions. Japan. Asaba and at Yale University in the US. In 1964, he founded Hehas also a particular the chairman interest of inthe the Japan rich Graphiccultural Designersheritage of Steiner & Co in Hong Kong. Henry Steiner pioneered the Associationwriting in Asia. (JAGDA) His principal and a committee area of expertise member lies of thein the expression of identity through branding, particularly in Tokyopictographic Art Directors Dongba Club script (ADC). used He in alsorituals represents by the Naxi the Asia where his skill for incorporating Eastern cultural Alliancetribe in China.Graphique He has Internationale been awarded (AGI) the inTokyo Japan. ADC Asaba symbols into Western design has garnered international hasGrand a particular Prix, the Medalinterest with in thepurple rich ribbon,cultural among heritage others. of acclaim. Steiner was included in Icograda’s list of the writingHe also inholds Asia. the His title principal of sixth area degree of expertise master lies in the Masters of the 20th Century in 2002, and was named pictographic in table tennis Dongba (Japan script Table used Tennis in rituals Speakers a World Master by Idea magazine. byAssociation). the Naxi tribe in China. He has been Alliance Graphique Internationale awarded the Tokyo ADC Grand Prix, the (AGI) member since 1980. Medal with purple ribbon, among others. He also holds the title of sixth degree master in table tennis (Japan Table Tennis Association). Min Wang Keynote speaker – Friday 12 October 2012 Min Wang is a professor at the China Central Academy of Fine Arts (CAFA). He is currently serving as dean of the Speakers Keynote School of Min Wang Fiona Ross Keynote speaker – Friday 12 October 2012 Keynote speaker (curator’s talk) – Friday Min Wang is a professor at the China Central 12 October 2012 Academy of Fine Arts (CAFA). He is currently Dr Fiona Ross specializes in non-Latin serving as dean of the School of Design type design and typography, having a Keynote at CAFA and director of the Art Research background in languages with a PhD in Centre for the Olympic Games. He also Indian Palaeography (SOAS). From 1978 serves as Standing Expert on Image and Identity for to 1989 she worked for Linotype Limited the Beijing 2008 Olympic Committee. He received his (UK), with responsibility for the design BA in graphic art from China Academy of Fine Arts and of their non-Latin fonts and typesetting MFA from Yale University School of Art. He is the design schemes. Since 1989 she has worked as a consultant, director at Square Two Design, which he joined in 1998 author, lecturer, and type designer; her recent work as after serving eight years as design manager, senior art a designer has been in collaboration with Tim Holloway director and graphic designer at Adobe Systems. He and John Hudson (as Associate Designer at Tiro Type- has been a visiting fellow in Germany at Akademie der works), developing original typeface designs for clients Bildenden Kunste, Munich and Hochschule der Kunste, that include Ananda Bazar Patrika, Adobe, Microsoft, Berlin. In 1989, he began lecturing in graphic design at and Harvard University Press for the Murty Classical of Yale University School of Art, teaching graduate students Library of India. In 2003 Fiona joined the Department of until 1997. Min’s work has been exhibited internationally Typography & Graphic Communication at the University and is in the collections of the Museum für Kunst und of Reading (UK), where she is Reader in Non-Latin Type Gewerbe in Hamburg, and the Museum für Gestaltung Design and Curator of the Department’s Non-Latin Type Zürich Kunstgewerbemuseum, Switzerland. Min has Collection. given talks and has been invited to judge design compe- titions in many countries and was appointed Honorary Professor by Shanghai University Fine Art College. Square Two Design clients include: Adobe, IBM, Intel, and Stanford University. Type Directors Club Speakers Speakers Program Keynote Sammy Or Keynote speaker – Sunday 14 October 2012 Sammy Or is one of the most important and prolific Chinese type designers working in Asia. With 30 years 10 October – Research, case studies & workshops of experience, he founded is Visionmark Limited in Research, case studies and practical workshops 2002, a typeface design studio, where he is currently director and principal typeface designer. He is also a visiting lecturer at the Hong Kong Polytechnic Univer- sity School of Design. Throughout his long career, Or has worked for the Hong Kong Mass Transit Railway 11 October – Type technologies & workshops Corporation as Sign Systems Designer, Monotype Far Type technology presentations and workshops East Limited as Type Manager and principal typeface design, as well as vice-president and principal typeface designer for DynaLab Inc. in Taiwan. He founded Type Technology Limited in the 1980s, which was the first 11–14 October – General programme foundry to develop outline Chinese fonts. The ‘Li’ Three and a bit days of presentations to make the main series of typefaces and Monotype Sung and Hei series ‘between black and white’ conference are amongst his most well-known and widely used typefaces. Speakers Schedule Exhibitions Plus/Minus type exhibitions Letter.2 type design competition Several exhibitions on typography will be Podium, Hong Kong Polytechnic University held at the Hong Kong Polytechnic Univer- In
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