UC Hopes to Clarify Tenure Ambiguities
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1. Mapplethorpe, Robert, “Patti Smith 1 Fifth Avenue,” 1978
Olivia Swinford April 16, 2015 Mood Board 1 Citations 1. Mapplethorpe, Robert, “Patti Smith 1 Fifth Avenue,” 1978. Smith, Patti. Just Kids. New York: Ecco, 2010. 2. "Publicity Shots 1978 - Blondie." Blondie. Accessed April 16, 2015. http://www.blondie.net/photos/publicity-shots/#gallery/1277/1/0. 3. "See Who Was Playing at CBGB This Week in 1975." - The Strut. June 16, 2011. Accessed April 16, 2015. http://www.thestrut.com/2011/06/16/see-who-was-playing-at-cbgb- this-week-in-1975/. 4. Galindo, Brian. "17 Awesome Photos That Captured CBGB's Iconic 1970s Punk Scene." BuzzFeed. September 9, 2014. Accessed April 16, 2015. http://www.buzzfeed.com/briangalindo/17-awesome- photos-that-captured-cbgbs-iconic-1970s-punk- scen?utm_term=1dpwbpa&sub=3440532_3765090#.fd4LQj1Am. 5. Galindo, Brian. "17 Awesome Photos That Captured CBGB's Iconic 1970s Punk Scene." BuzzFeed. September 9, 2014. Accessed April 16, 2015. http://www.buzzfeed.com/briangalindo/17-awesome- photos-that-captured-cbgbs-iconic-1970s-punk- scen?utm_term=1dpwbpa&sub=3440532_3765090#.fd4LQj1Am. 6. Bokuniewicz, Carol "Album Cover, Talking Heads: Remain in Light, 1980." Cooper Hewitt, Smithsonian Design Museum. Accessed April 16, 2015. https://collection.cooperhewitt.org/objects/18644717/. 7. "Patti Smith Group -- Because The Night." Patti Smith Group -- Because The Night. Accessed April 16, 2015. http://www.springsteenlyrics.com/collection/moreinfo.php?item=6096 &height=500&width=700. 8. "Photos | Sex Pistols | The Official Website." Sex Pistols The Official Website. January 1, 2012. Accessed April 16, 2015. http://www.sexpistolsofficial.com/photos/?wppa-album=4&wppa- photo=302&wppa-occur=1. 9. "Punk Art Catalogue - Section II: Punk Magazine & School of Visual Arts - 98 Bowery: 1969-1989." Punk Art Catalogue - Section II: Punk Magazine & School of Visual Arts - 98 Bowery: 1969-1989. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
ADAM and the ANTS Adam and the Ants Were Formed in 1977 in London, England
ADAM AND THE ANTS Adam and the Ants were formed in 1977 in London, England. They existed in two incarnations. One of which lasted from 1977 until 1982 known as The Ants. This was considered their Punk era. The second incarnation known as Adam and the Ants also featured Adam Ant on vocals, but the rest of the band changed quite frequently. This would mark their shift to new wave/post-punk. They would release ten studio albums and twenty-five singles. Their hits include Stand and Deliver, Antmusic, Antrap, Prince Charming, and Kings of the Wild Frontier. A large part of their identity was the uniform Adam Ant wore on stage that consisted of blue and gold material as well as his sophisticated and dramatic stage presence. Click the band name above. ECHO AND THE BUNNYMEN Formed in Liverpool, England in 1978 post-punk/new wave band Echo and the Bunnymen consisted of Ian McCulloch (vocals, guitar), Will Sergeant (guitar), Les Pattinson (bass), and Pete de Freitas (drums). They produced thirteen studio albums and thirty singles. Their debut album Crocodiles would make it to the top twenty list in the UK. Some of their hits include Killing Moon, Bring on the Dancing Horses, The Cutter, Rescue, Back of Love, and Lips Like Sugar. A very large part of their identity was silohuettes. Their music videos and album covers often included silohuettes of the band. They also have somewhat dark undertones to their music that are conveyed through the design. Click the band name above. THE CLASH Formed in London, England in 1976, The Clash were a punk rock group consisting of Joe Strummer (vocals, guitar), Mick Jones (vocals, guitar), Paul Simonon (bass), and Topper Headon (drums). -
Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B. -
“The Greatest Gift Is the Realization That Life Does Not Consist Either In
“The greatest gift is the realization that life does not consist either in wallowing in the past or peering anxiously into the future; and it is appalling to contemplate the great number of often painful steps by which ones arrives at a truth so old, so obvious, and so frequently expressed. It is good for one to appreciate that life is now. Whatever it offers, little or much, life is now –this day-this hour.” Charles Macomb Flandrau Ernest Hemingway drank here. Cuban revolutionaries Fidel Castro and Che Guevera drank here. A longhaired young hippie musician named Jimmy Buffett drank and performed here, too. From the 1930’s through today this rustic dive bar has seen more than its share of the famous and the infamous. It’s a little joint called Capt. Tony’s in Key West, Florida. Eighty-seven-year-old Anthony ‘Capt. Tony’ Tarracino has been the owner and proprietor of this boozy establishment since 1959. It seems Tony, as a young mobster, got himself into some serious trouble with ‘the family’ back in New Jersey and needed to lay low for a while. In those days, the mosquito invested ‘keys’ (or islands) on the southernmost end of Florida’s coastline was a fine place for wise guys on the lam to hide out. And this was well before the tee-shirt shops, restaurants, bars, art galleries, charming B&B’s and quaint hotels turned Key West into a serious year-round tourist destination. Sure, there were some ‘artsy’ types like Hemingway and Tennessee Williams living in Key West during the late 50’s when Tony bought the bar, but it was a seaside shanty town where muscular hard-working men in shrimp boats and cutters fished all day for a living. -
Hugh Corn Well Sammy Hagar Skids
HUGH CORN WELL Has his bails removed SAMMY HAGAR hits Britain SKIDS in colour KATE BUSH COMPETITION HUGH CORNWELL pc by PAUL COX IF' A disco in St Tropez refused John entrance II would have thought he'd PAUL heave a sigh of relief at this news but no, he was determined to wiggle his bum to the jungle rhythms). The irate John promptty went around the back SEES and pole vaulted over the well, only to discover there was a 20 foot drop and made a teensy bit of a mess of his tootsies. RED The wiry Kenny Everett was in forming people of his own athletic prowess in various directions (I'M too (and buys it) much of a lady to tepeatl. Plus, horror of honors there were boys dancing with boys GOSH. WHAT a thrilling week, comments about the Revike awful • Wan Krer one of the few what with the glortous Indian party on Richard Brennen', barge (I felt like an extra in the Long Ships) as members of the Patti Smith Summer, the golden sun beating Mr Ronald Herbert said "apart from bend who doesn't weer gins down on Yates' rippling IOCks. I the noise there was adiabolical mess knickers or steel Penes sat in the garden eating boxes of numeious beauty aids, left in the street. - What was this Mr Kipling mince pies (getting in auditioned for logy Poes mess Ipondered , Bits of Fay Fife's band at Rockfield on the mood for Christmas) and wig perhaps' The "Scottish punk Saturdey. Poor boy is now reading 'True Romance'. -
Constructing the Temporal and Spatial in Commercial Punk Imagery
This is a repository copy of Punk’s dead knot: Constructing the temporal and spatial in commercial punk imagery. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/109284/ Version: Accepted Version Article: Trowell, I.M. (2016) Punk’s dead knot: Constructing the temporal and spatial in commercial punk imagery. Punk & Post Punk, 5 (2). pp. 181-199. ISSN 2044-1983 https://doi.org/10.1386/punk.5.2.181_1 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ P dead knot: constructing the temporal and spatial in commercial punk imagery Abstract: This article analyses two deliberately constructed visual artefacts broadly classed within the punk style; a photograph from 1976 and a 30 second commercial from 2016. -
Please Kill Me
Nouveau théâtre de Montreuil – centre dramatique national 1 PLEASE KILL ME d’après le roman de Legs McNeil et Gillian McCain traduit ddee l’anglais par Héloïse Esquié adaptation, conception et mise en scène Mathieu Bauer collaboration artistique et adapation musicale Sylvain Cartigny vvvidéovidéo Stéphane Lavoix lululumièrelu mière JeanJean----MarcMarc Skatchko son DDDominiqueDominique Bataille aaavecavec Matthias Girbig etetet Kate Strong batterie Mathieu Bauer sampler , basse Lazare Boghossian guitare , basse Sylvain Cartigny Production : pour la création Sentimental Bourreau, Les Subsistances (Lyon), avec le soutien de la Spedidam. pour la reprise Nouveau théâtre de Montreuil –centre dramatique national. Avec l’aimable autorisation de Riverside Literary Agency La traduction d’Héloïse Esquié est éditée aux éditions Allia. Durée : 1h35 Extraits du spectacle en suivant le lien http://youtu.be/9oqR_AM-mBU Plus de photos !!! sur le site www.nouveau-theatre-montreuil.com Spectacle disponible en tournée en 2012 et 2013 en langue française et en langue anglaise Contact diffusion Lydie Corcuera : 00 33 (0)1 48 70 48 98 [email protected] Nouveau théâtre de Montreuil – centre dramatique national 2 PLEASE KILL ME ««« Le rock’n’roll est tellement génial, des ggensens devraient mourir pour lui.» Cette remarque de Lou Reed tirée du livre d’entretiens Please kill me , de Legs McNeil et Gilian McCain, donne la mesure de ce qui est en jeu dans ce spectacle sur les traces d’Iggy Pop, Jim Morrison Richard Hell, Lou Reed, Tom Verlaine, Dee Dee et Joey Ramone, Sid Vicious, Stable Star ou Billy Murcia. Le rock, cette vieille histoire toujours jeune, relève de la pulsion dionysiaque autant que d’une joyeuse révolte adolescente. -
THE FILTH and the FURY Außer Konkurrenz the FILTH and the FURY the FILTH and the FURY
Wettbewerb/IFB 2000 THE FILTH AND THE FURY Außer Konkurrenz THE FILTH AND THE FURY THE FILTH AND THE FURY Regie: Julien Temple Großbritannien 1999 Dokumentarfilm The Sex Pistols Paul Cook Länge 105 Min. Steve Jones Format 35 mm, 1:1.85 Glen Matlock Farbe Johnny Rotten (John Lydon) Stabliste Sid Vicious Recherche John Shearlaw Zusätzliche Kamera Geordie Devas Schnitt Niven Howie Schnittassistenz Elaine Hughes On-line-Schnitt Lars Woodruffe Tonschnitt Paul Davies Ton John Hennessey Nick Robertson Geoff Tookey Mischung Dave McGrath Assistenz Andrew Stirk Produzentinnen Anita Camarata Amanda Temple Executive Producers Eric Gardner Jonathan Weisgal THE FILTH AND THE FURY Co-Produktion Nitrate Film Zwanzig Jahre nach THE GREAT ROCK’N’ROLL SWINDLE erzählt Julien Tem- Produktion ple die Geschichte der Sex Pistols noch einmal – oder vielmehr: Er läßt sie Jersey Shore Productions erzählen,und diesmal nicht von ihrem Manager Malcolm McLaren,sondern c/o FilmFour International von den Bandmitgliedern selbst. 76 Charlotte St Kompiliert aus Dokumentaraufnahmen aus den 70er Jahren, die zum gro- GB-London W1P ILX Tel.:171-868 77 00 ßen Teil bislang unveröffentlicht waren, sowie aktuellen Interviews und Fax:171-868 77 66 einem längeren Gespräch, das Julien Temple 1978 mit dem Bassisten Sid Vicious wenige Monate vor dessen Tod im Londoner Hyde Park geführt hat, Weltvertrieb zeichnet der Film das numehr autorisierte Porträt einer der einflußreichsten FilmFour International Bands der Rock-Geschichte.Obwohl sie nur wenig mehr als zwei Jahre lang 76 Charlotte St GB-London W1P ILX – von November 1975 bis Anfang 1978 – existierten, haben die Sex Pistols, Tel.:171-868 77 00 indem sie den Punk zwar nicht erfanden, aber weltweit bekanntmachten, Fax:171-868 77 66 mit nur einer einzigen Platte die Pop-Musik revolutioniert.„Never Mind the Bollocks“ war das Fanal für eine ganze Generation: Drei Akkorde genügten, um in drei Minuten alles zu sagen, was gesagt werden mußte. -
AND YOU WILL KNOW US Mistakes & Regrets .1-2-5 What
... AND YOU WILL KNOW US Mistakes & Regrets .1-2-5 What You Don't Know 10 COMMANDMENTS Not True 1989 100 FLOWERS The Long Arm Of The Social Sciences 100 FLOWERS The Long Arm Of The Social Sciences 100 WATT SMILE Miss You 15 MINUTES Last Chance For You 16 HORSEPOWER 16 Horsepower A&M 540 436 2 CD D 1995 16 HORSEPOWER Sackcloth'n'Ashes PREMAX' TAPESLEEVES PTS 0198 MC A 1996 16 HORSEPOWER Low Estate PREMAX' TAPESLEEVES PTS 0198 MC A 1997 16 HORSEPOWER Clogger 16 HORSEPOWER Cinder Alley 4 PROMILLE Alte Schule 45 GRAVE Insurance From God 45 GRAVE School's Out 4-SKINS One Law For Them 64 SPIDERS Bulemic Saturday 198? 64 SPIDERS There Ain't 198? 99 TALES Baby Out Of Jail A GLOBAL THREAT Cut Ups A GUY CALLED GERALD Humanity A GUY CALLED GERALD Humanity (Funkstörung Remix) A SUBTLE PLAGUE First Street Blues 1997 A SUBTLE PLAGUE Might As Well Get Juiced A SUBTLE PLAGUE Hey Cop A-10 Massive At The Blind School AC 001 12" I 1987 A-10 Bad Karma 1988 AARDVARKS You're My Loving Way AARON NEVILLE Tell It Like It Is ABBA Ring Ring/Rock'n Roll Band POLYDOR 2041 422 7" D 1973 ABBA Waterloo (Swedish version)/Watch Out POLYDOR 2040 117 7" A 1974 ABDELLI Adarghal (The Blind In Spirit) A-BONES Music Minus Five NORTON ED-233 12" US 1993 A-BONES You Can't Beat It ABRISS WEST Kapitalismus tötet ABSOLUTE GREY No Man's Land 1986 ABSOLUTE GREY Broken Promise STRANGE WAYS WAY 101 CD D 1995 ABSOLUTE ZEROS Don't Cry ABSTÜRZENDE BRIEFTAUBEN Das Kriegen Wir schon Hin AU-WEIA SYSTEM 001 12" D 1986 ABSTÜRZENDE BRIEFTAUBEN We Break Together BUCKEL 002 12" D 1987 ABSTÜRZENDE -
Psaudio Copper
Issue 94 SEPTEMBER 23RD, 2019 Welcome to Copper #94! As this issue goes live, I'll have just returned from a quick trip to NY and back----so sorry, no analysis of the Phil Collins song. I'll leave that to our busy friend, Christian James Hand. In this issue, Professor Larry Schenbeck looks at copycats---long before the "My Sweet Lord" debacle; Dan Schwartz examines an amazing gift from a famous friend; Richard Murison explores his family tree; Roy Hall remembers his (very active!!) dating life; Anne E. Johnson’s Off the Charts brings us lesser-known cuts from Siouxsie and the Banshees; J.I. Agnew goes into meticulous detail on the meticulous process of record quality control; Woody Woodward begins a new series on guitar god Jeff Beck; Anne’s Something Old/Something New brings us several recent recordings of Haydn Symphonies; the batting average of Tom Gibbs' record reviews drops from .800 last issue to .666 in this issue; and I look at inevitability in The Audio Cynic, and examine direct-drive turntables in Vintage Whine. I'm pleased to welcome a new contributor: Bob Wood will be telling stories of his long career in radio, and as a voice-over artist. I think you'll enjoy Bob's True-Life Radio Tales. Rocky Mountain Audio Fest is the subject of a feature, written by moi. And finally---- Copper #94 wraps up with Charles Rodrigues on divine intervention, and another stunning Parting Shot from our friend, James Schrimpf. Until next time, Leebs. In The Beginning TRUE-LIFE RADIO TALES Written by Bob Wood Believe it or not, several people have encouraged me to write about my time in radio. -
A Memoir Pdf, Epub, Ebook
CLOTHES, CLOTHES, CLOTHES. MUSIC, MUSIC, MUSIC. BOYS, BOYS, BOYS.: A MEMOIR PDF, EPUB, EBOOK Viv Albertine | 432 pages | 25 Nov 2014 | Thomas Dunne Books | 9781250065995 | English | United States Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys.: A Memoir PDF Book Viv Albertine from an interview because we hadn't seen any girls on stage before we used to have massively long discussions about how we should stand on stage. Rating details. One of those men was her manager, who not long ago told her she needed a ghostwriter for this memoir. Feb 20, Edmole rated it it was amazing. She could barely play guitar, yet she became the lead guitarist for the punk-era band the Slits. We got bored with Candy quite quickly and stopped taking her for walks. The album Dionne Warwick sings Burt Bacharach. So we tried to push her in instead. Who Killed John Lennon? Community Reviews. All this influences my work and I try to shock in all areas of my life, especially in my drawings and clothes. Music, Music, Music. After almost dying of cervical cancer, it takes her ten years to fully regain her health and life. Patti Smith. Boys, Boys, Boys , please sign up. He uses everyday language to tell me, his girlfriend, to stop messing around. We were together for three years and are still friends now, which I think is nice. On loving music, especially certain albums, passionately: The first album I bought when I got back from Amsterdam was an Island sampler, Nice Enough to Eat. Viv Albertine was in the band, The Slits, that were a great big deal in my young age.