Creating a Legend: Alexander Kartveli, the Story of a Georgian Genius in American Aviation
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ready-Made-Mode Über Vetements
MODE READY-MADE-MODE Über Vetements Monica Titton ie Mode von Vetements (›vêtements‹: frz. für ›Kleidung‹) ist unschein- 69 D bar, dezidiert alltagstauglich und eigentlich nichts Besonderes. Trotzdem sind die Sachen ausverkauft und das Label extrem gehypt. Hinter Vetements steht ein 5- bis 15-köpfiges Design-Kollektiv mit Sitz in Paris, die erste Kollek- tion wurde im Frühjahr 2014 im Pariser Schwulenclub Le Dépot vorgestellt. Zunächst kannte man Vetements nur in engsten Pariser Modekreisen. Spätes- tens seit Demna Gvasalia, gewissermaßen das Oberhaupt des Kollektivs, im Oktober 2015 die Nachfolge von Alexander Wang als Chefdesigner des altehr- würdigen Modehauses Balenciaga antrat, wurde Vetements jedoch einer breite- ren Öffentlichkeit bekannt. Die Modewelt ist freilich in ihrer Einschätzung gespalten wie schon lange nicht mehr – erstaunlich für eine Branche, in der Provokationen und Regelbrü- che auf der Tagesordnung stehen und darum keine mehr sind. Die Abneigung und Verstörung hat tatsächlich mit der Mode des Labels zu tun. Vetements spuckt der Modewelt vertraute, jedoch subtil modifizierte Alltagskleidung vor die Füße: zum Beispiel überdimensionierte Bomber-Jacken, bodenlange schwar- ze Regenmäntel mit »Vetements«-Logo oder »Polizei«-Schriftzug auf dem Rü- cken, aus zwei verschiedenen Paar alten Levi’s zusammengenähte Jeans mit aus- gefransten, asymmetrischen Hosensäumen, martialische Plateaustiefeletten, unauffällig geschnittene, aber schmeichelnde geblümte Sommerkleider, Over- size-Kapuzenpullover und Sweatshirts mit Textfragmenten am Ärmel oder auf der Brust und stinknormale Baumwoll-T-Shirts mit passiv-aggressiven Slogans POP. Kultur und Kritik ◆ Heft 9 Herbst 2016 ◆ S. 69–79 ◆ © transcript (»Hello Boys«, »May the bridges I burn light the way«, »You Fuckin’ Ass- hole«). Der Stil von Vetements ist die Antithese zu luxuriöser High Fashion und lässt sich als post-sowjetischer Normcore beschreiben, als eine Mischung aus Berghain-Look und 90er-Jahre-Anti-Fashion. -
Praising Vetements: the Celebrity Digital Surface and the Making of a Leading Fashion Brand
Essays — Peer Reviewed ZoneModa Journal. Vol. 7 (2017) https://doi.org/10.6092/issn.2611-0563/7603 ISSN 2611-0563 (Ap)Praising Vetements: the Celebrity Digital Surface and the Making of a Leading Fashion Brand David Sanchez-Aguilera Published: December 29, 2017 Abstract In this paper, I situate the meteoric rise of the Parisian fashion collective Vetements within the paratex- tual circulation of celebrity images that have accompanied the press, media, and publicity coverage for this brand. I argue that “selling out” is a pithy turn-of-phrase that is useful for understanding Vetements’ aesethetic and business sensibilities. As the literalness of the translation of Vetements into “clothes” makes clear, Vetements strips the wide-eyed lure of luxury fashion—one that evokes both the extrava- gancy of the runway or red carpet and the expert craftsmanship of couture—and replaces it with a form of what I am calling spectacular mundanity, offering products that are simultaneously more and less real than your mother’s weathered, vintage Champion hoodie. The brand’s exchange value, I argue, is made extravagant not through any notion of intrinsic worth, as is the case with couture and the logics of congealed labor and expert craft held therein, but rather through the symbolic surplus value generated through the brand’s proximity to celebrity culture and its discursively constructed status as an “it brand”. Keywords: Commodity Fetishism; Reality Television; Instagram; Demna Gvasalia; Meme David Sanchez-Aguilera: UC San Diego (United States) Corresponding Author: [email protected] He is a 4th year Ph.D. student at UC San Diego in the Department of Ethnic Studies. -
Bridging the Two Cultures: Georgian Contemporary Artists Exhibited In
SILK IN GEORGIAN CULTURE AND RELIGION: PAST AND PRESENT Dr. Prof. Irina Bakhtadze INTRODUCTION Silk is a Philosophy Today, silk producers and designers have found new application of silk fiber. Silk is a philosophy: it is everywhere and yet invisible; Silk is a bridge between civilizations (Ancient Silk Rout), between the epochs - past and present; Silk has been a part of many religions - Christian, Muslim, Buddhism, appearing in religious attire, embroidery and different religious items; it has become a material and immaterial commodity throughout centuries; Silk is transparent and light, and still very firm; Its softness, elegance and grace have inspired poets and artists, and is loved by rich and poor alike. Silk could become our vision of peaceful world which is not cruel, vulgar and coarse; Silk is our wish to see the future relations between the nations as soft and transparent, as firm and clear as silk itself; Silk is a network made of delicate thin silk thread which unites world nations, many of which are presented here at the conference; Silk is like a Sphinx which is being revived all the time; it finds new life forms and is virtually immortal! It continues to find new applications in industry, art, fashion. Historical roots: Sericulture in Orthodox, Islamic and other religions have always been a part of common historical memory. Historical roots of silk production in Georgia, wide application of silk fiber and silk thread in different branches of industry, culture, religion, art and lifestyle, historical annals reflecting sericulture and silk application – all evidence about the significance of sericulture and silk production in Georgia Ancient trade route from west to East -“Silk Road” passed through Georgia which played an important role in popularization of silk production and silk trade. -
Design to Algorithmic-Design, Design Used to Dictate
Back in 2003, Berlin was described by its former mayor Klaus Wowereit as “arm, aber sexy” (poor, but sexy) – despite being one of the fastest- rising property markets in the world, with as much as 35 percent overvaluation. Berlin still boasts many creatives, with more affordable studio and living spaces than New York or 01/08 London, albeit fewer job opportunities.1 To understand why most freelance creatives struggle with depression and face the stigmas associated with mental illness in Berlin, one could look at some commonly used words that exist only in the German language: Unverbindlich, non committed; Phlegmatisch, skipping everything to the point of not doing anything; Ahmet ğüt Verrafft, people who are confused about life; and something right-wing extremists like to use: Links-Grün-versifft, left-green-dirty. From Self- ÊÊÊÊÊÊÊÊÊÊYes, Berlin is still proudly a stronghold of the left, green, and dirty; and its queer club Design to scene also actively fights to protect the city’s politically engaged culture so that Berlin doesn’t Algorithmic- become just another global center for entertainment.2 In spite of all this, it’s not at all a coincidence that Germany was represented at Design the 2017 Venice Biennale by an artist who wore a Balenciaga hat while receiving the Golden Lion award for best pavilion.3 This was perhaps a double confirmation of the institutionalization of streetwear garments as high fashion, developing hand in hand with the adoption of “attitude” as high art. This is a far cry from the days when, for example, legendary fashion designer and activist Katharine Hamnett met with Prime Minister Margaret Thatcher in 1984 and wore a T-shirt that read “58% DON’T WANT PERSHING,” protesting the installation of US missiles on t British soil. -
Part 2 of This Article Will Describe the Thunderchief's
On the cover: Two F-16C Fighting Falcons from the 177th Fighter Wing fly over MetLife Stadium in East Rutherford, New Jersey on Nov. 8, 2015 prior to the “Salute The Service” game between the NY Jets and the Jacksonville Jaguars. The ceremonies were opened by an enlistment of new troops in the end zone, followed by jumpers from the United States Military Academy- West Point Parachute Team and concluded with a giant 40 yard U.S. flag being unfurled by representatives from each branch of service for the singing of the National Anthem and the flyover. (Photo courtesy of John Iocono - Pro Football Hall of Fame) NOVEMBER 2015, VOL. 49 NO. 11 THE CONTRAIL STAFF 177TH FW COMMANDER COL . JOHN R. DiDONNA CHIEF, PUBLIC AFFAIRS CAPT. AMANDA BATIZ EDITOR/PUBLIC AFFAIRS SUPERINTENDENT MASTER SGT. ANDREW J. MOSELEY PHOTOJOURNALIST TECH. SGT. ANDREW J. MERLOCK PHOTOJOURNALIST SENIOR AIRMAN SHANE S. KARP PHOTOJOURNALIST SENIOR AIRMAN AMBER POWELL AVIATION HISTORIAN DR. RICHARD PORCELLI WWW.177FW.ANG.AF.MIL This funded newspaper is an authorized monthly publication for members of the U.S. Military Services. Contents of The Contrail are not necessarily the official view of, or endorsed by, the 177th Fighter Wing, the U.S. Government, the Department of Defense or the Depart- On desktop computers, click For back issues of The Contrail, ment of the Air Force. The editorial content is edited, prepared, and provided by the Public Affairs Office of the 177th Fighter Wing. All Ctrl+L for full screen. On mobile, and other multimedia products photographs are Air Force photographs unless otherwise indicated. -
Ruling GD Supports Salome Zurabishvili in Presidential Elections
Issue no: 1082/146 • SEPTEMBER 11 - 13, 2018 • PUBLISHED TWICE WEEKLY PRICE: GEL 2.50 In this week’s issue... FOCUS City Hall, Tbilisi Transport ON GEORGIAN FASHION Company Meet with We take a look at the latest global designer successes from Stadler Georgia PAGE 3 NEWS PAGE 1 ADC & USAID Zrda Invest in Regional Economic Development of Anaklia/ Zugdidi & Surroundings BUSINESS PAGE 6 Vetements. Design by Demna Gvasalia Welcome to Georgia! Extends Registration to Ruling GD Supports Salome 2018 Tourism Awards BUSINESS PAGE 8 Zurabishvili in Presidential Elections Georgia Listed among BY THEA MORRISON Top 5 Fastest Growing uling party Georgian Dream (GD), Tourist Destinations which decided not to have their BUSINESS PAGE 8 own candidate for the presidential elections scheduled for October 28, will back independent candidate EMUI 9.0 Promises SalomeR Zurabishvili. The decision of the party was announced by the Parliament Speaker Irakli Kobakhidze on Unrivaled Experience of September 9 after the political council meeting. Kobakhidze said the Georgian Dream was HUAWEI Mate 20 series sticking to its decision not to nominate its own candidate for the elections. BUSINESS PAGE 10 “Georgia is a Parliamentary Republic, where power is concentrated between the parliament and the government, where the President enjoys Prepared for Georgia Today Business by only representative functions; and in this sys- Markets As of 07-Sep-2018 tem, the President has to be above partisan STOCKS Price w/w m/m BONDS Price w/w m/m politics, has to be unbiased and should not rep- Bank of Georgia (BGEO LN) GBP 17.03 +3,0% -5,4% GEOROG 04/21 103.06 (YTM 5.48%) -0,0% +0,8% Georgia Capital (CGEO LN) GBP 10.28 +0,1% +2,7% GEORG 04/21 105.38 (YTM 4.64%) -0,0% -1,1% resent the interests of the ruling party or the GHG (GHG LN) GBP 2.31 +0,4% -13,5% GRAIL 07/22 106.01 (YTM 5.97%) -0,1% -0,5% opposition, but rather be a defender of the peo- He then called on Georgian society to support the legislative body. -
P-47 Thunderbolt
P-47 Thunderbolt USAAF P-47D "Razorback" configuration Type Fighter-bomber Manufacturer Republic Aviation Company Designed by Alexander de Seversky Alexander Kartveli Maiden flight 6 May 1941 Introduction 1942 Retired 1955, US ANG Primary user United States Army Air Force Number built 15,686 Unit cost US$83,000 in 1945[1] Variants Republic XP-72 The American Republic P-47 Thunderbolt, also known as T-bolt, Juggernaut or Jug was the largest single-engined fighter of its day. It was one of the main United States Army Air Force (USAAF) fighters of the Second World War. The P-47 was effective in air combat but proved especially adept in the ground attack role. Its modern-day equivalent, the A-10 Thunderbolt II takes its name from the P- 47. The Thunderbolt also served with a number of other Allied air forces. Development The P-47 Thunderbolt was the product of two Georgian immigrants, Alexander de Seversky and Alexander Kartveli, who had left their homeland to escape the Bolsheviks. P-43 Lancer / XP-47B 1 P-47 fires its M2 machine guns during night gunnery. In 1939, the Republic Aviation Company designed an AP-4 demonstrator powered by a Pratt & Whitney R-1830 radial engine with a belly-mounted turbocharger. While the resulting P-43 Lancer was in limited production, Republic had been working on an improved P-44 Rocket with a more powerful engine, as well as on a fighter designated the AP-10. The latter was a a lightweight aircraft powered by the Allison V-1710 liquid-cooled V-12 engine and armed with a pair of .50 caliber (12.7 mm) machine guns. -
Industry Structure, Innovation, and Competition in the U.S
The U.S. Combat Aircraft Industry 1909-2000 Structure Competition Innovation Mark Lorell Prepared for the Office of the Secretary of Defense R NATIONAL DEFENSE RESEARCH INSTITUTE Approved for public release; distribution unlimited The research described in this report was sponsored by the Office of the Secretary of Defense (OSD). The research was conducted in RAND’s National Defense Research Institute, a federally funded research and development center supported by the OSD, the Joint Staff, the unified commands, and the defense agencies under Contract DASW01-01-C-0004. Library of Congress Cataloging-in-Publication Data Lorell, Mark A., 1947- The U.S. combat aircraft industry, 1909–2000 : structure, competition, innovation / Mark A. Lorell. p. cm. “MR-1696.” ISBN 0-8330-3366-2 (pbk.) 1. Aircraft industry—United States—History. 2. Aircraft industry—United States—Military aspects—History. 3. Fighter planes—United States—History. I.Title. HD9711.U6L67 2003 338.4'7623746'09730904—dc21 2003008114 RAND is a nonprofit institution that helps improve policy and decisionmaking through research and analysis. RAND® is a registered trademark. RAND’s publications do not necessarily reflect the opinions or policies of its research sponsors. Cover design by Peter Soriano © Copyright 2003 RAND All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from RAND. Published 2003 by RAND 1700 Main Street, P.O. Box 2138, Santa Monica, CA 90407-2138 1200 South Hayes Street, Arlington, VA 22202-5050 201 North Craig Street, Suite 202, Pittsburgh, PA 15213-1516 RAND URL: http://www.rand.org/ To order RAND documents or to obtain additional information, contact Distribution Services: Telephone: (310) 451-7002; Fax: (310) 451-6915; Email: [email protected] PREFACE Congress has expressed concerns about three areas of the U.S. -
Sample-Magazine-Layout
These Two Guys Are Changing How We Think About Fashion Alessandro Michele and Demna Gvasalia with German Shepard, Gucci Alessandro Michele of Gucci and Demna Gvasalia of Balenciaga and Vetements are making clothes that capture the zeitgeist. By: Alexander Fury T brought them together for the April 11, 2016 first time to have a little chat. “RULE-BREAKING” IS A PHRASE thrown the whole thing. And so, genuine rule-breakers around in fashion a lot. But who makes these don’t come along that often. Fashion enjoys the rules? And aren’t rules what fashion is based on? status quo. It sells clothes, it makes money. After all, fashion isn’t just the clothes on your But what if the rules are broken? People have back. ¬It’s the form of those clothes at a given stopped buying clothes with quite the alacrity moment, adhering to certain codes that define they used to, and large conglomerates have be- them as forward-thinking, as now, as à la mode. gun to see their profits slip southward. Design- How they want to look, maybe even feel? The to Michele’s out-of-the-backroom appointment. Which often, as on a menu, translates simplistical- ers are fleeing houses after a few short seasons. soft sell, rather than the hard? He debuted his first collection for Balenciaga last ly to a lump of something fancy plopped on top Plenty of brands, rattled by the instability of It matters, at least, to two. One is the design- month to ecstatic reviews. of an existing offering, as opposed to tinkering luxury markets, are now trying to close the gap er Alessandro Michele, who after anonymously Relative anonymity is the immediate connec- about with the guts or really changing anything. -
F the 177Th Fighter Wing, After Receiving the Bronze Star Medal at Atlantic City Air National Guard Base, N.J., Feb
On the Cover: New Jersey Air National Guard Tech. Sgt. Christopher Donohue, right, is congratu- lated by Col. Kerry M. Gentry, commander of the 177th Fighter Wing, after receiving the Bronze Star Medal at Atlantic City Air National Guard Base, N.J., Feb. 8, 2015. ANG/Tech. Sgt. Matt Hecht FEBRUARY 2015, VOL. 49 NO. 2 THE CONTRAIL STAFF 177TH FW COMMANDER COL . KERRY M. GENTRY PUBLIC AFFAIRS OFFICER 1ST LT. AMANDA BATIZ PUBLIC AFFAIRS MANAGER MASTER SGT. ANDREW J. MOSELEY PHOTOJOURNALIST TECH. SGT. ANDREW J. MERLOCK PHOTOJOURNALIST SENIOR AIRMAN SHANE S. KARP PHOTOJOURNALIST AIRMAN 1st CLASS AMBER POWELL EDITOR/BROADCAST JOURNALIST TECH. SGT. MATT HECHT AVIATION HISTORIAN DR. RICHARD PORCELLI WWW.177FW.ANG.AF.MIL This funded newspaper is an authorized monthly publication for members of the U.S. Military Services. Contents of The Contrail are not On desktop computers, click For back issues of The Contrail, necessarily the official view of, or endorsed by, the 177th Fighter Wing, the U.S. Government, the Department of Defense or the Depart- Ctrl+L for full screen. On mobile, and other multimedia products ment of the Air Force. The editorial content is edited, prepared, and provided by the Public Affairs Office of the 177th Fighter Wing. All tablet, or touch screen device, from the 177th Fighter Wing, photographs are Air Force photographs unless otherwise indicated. tap or swipe to flip the page. please visit us at DVIDS! Story by Brig. Gen. Michael L. Cuniff, The Adjutant General of New Jersey New Year’s resolutions Sexual harassment and assault aren’t just a mili- Family support keeps our force strong because it Cyber Operations Squadron to help protect Air probably date back to tary problem, they are a societal problem. -
A LIFE of FLIGHT – European Pioneers of Early Aviation *
A LIFE OF FLIGHT – European Pioneers of Early Aviation * This study follows the life of aviation pioneer Erich Schatzki and highlights the careers of some of his peers. Schatzki worked in many different countries, starting in Germany where he was, until 1934, the technical manager of Lufthansa. He was party to the coming of American airliner technology to Europe and played later a creative role in the building of military and civilian aircraft in the Netherlands, USA and Israel. The story of Erich Schatzki is not just a story of aviation but also of the political upheavals of the 20th century. 1. 1898 – 1991 Erich Schatzki and Family Erich Schatzki, born January 23 1898 in Klafeld (Siegen) Nord-Rhein Westfalen, Germany. Died in Palo Alto, CA USA on August 28, 1991. German/American/Israeli pilot, aircraft designer, manager, entrepreneur and lecturer. Son of the Jewish engineer Ferdinand Schatzki (1857–1910), Oberingenieur at the Siegener Verzinkerei AG in Klafeld-Geisweid, Germany, and his wife Beate Stern from Schmallenberg. Erich S. had four brothers, who all survived the Second World War. Walter became a book seller and antiquarian in New York; Richard a famous radiologist at Boston MA, where he discovered the so-called Schatzi-ring, a throat affliction. He loved music and had at home two Steinway grand pianos. Paul studied medicine and became a well known physician in Australia and Herbert was a textile manufacturer. Their lives were strongly marked by their Jewish lineage that forced them to flee their country of birth in the 1930’s. 1 Erich Schatzki (1898-1991) Erich studied engineering at Hannover and Darmstadt Technische Hochschule (1923). -
Modern Combat Aircraft (1945 – 2010)
I MODERN COMBAT AIRCRAFT (1945 – 2010) Modern Combat Aircraft (1945-2010) is a brief overview of the most famous military aircraft developed by the end of World War II until now. Fixed-wing airplanes and helicopters are presented by the role fulfilled, by the nation of origin (manufacturer), and year of first flight. For each aircraft is available a photo, a brief introduction, and information about its development, design and operational life. The work is made using English Wikipedia, but also other Web sites. FIGHTER-MULTIROLE UNITED STATES UNITED STATES No. Aircraft 1° fly Pg. No. Aircraft 1° fly Pg. Lockheed General Dynamics 001 1944 3 011 1964 27 P-80 Shooting Star F-111 Aardvark Republic Grumman 002 1946 5 012 1970 29 F-84 Thunderjet F-14 Tomcat North American Northrop 003 1947 7 013 1972 33 F-86 Sabre F-5E/F Tiger II North American McDonnell Douglas 004 1953 9 014 1972 35 F-100 Super Sabre F-15 Eagle Convair General Dynamics 005 1953 11 015 1974 39 F-102 Delta Dagger F-16 Fighting Falcon Lockheed McDonnell Douglas 006 1954 13 016 1978 43 F-104 Starfighter F/A-18 Hornet Republic Boeing 007 1955 17 017 1995 45 F-105 Thunderchief F/A-18E/F Super Hornet Vought Lockheed Martin 008 1955 19 018 1997 47 F-8 Crusader F-22 Raptor Convair Lockheed Martin 009 1956 21 019 2006 51 F-106 Delta Dart F-35 Lightning II McDonnell Douglas 010 1958 23 F-4 Phantom II SOVIET UNION SOVIET UNION No.