Campanology No 6
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2010 AMTA Conference Promises to Bring You Many Opportunities to Network, Learn, Think, Play, and Re-Energize
Celebrating years Celebrating years ofof musicmusic therapytherapy the past... t of k ou oc R re utu e F th to in with ll nd o Music a R Therapy official conference program RENAISSANCE CLEVELAND HOTEL Program Sponsored by: CLEVELAND, OHIO welcome ...from the Conference Chair elcome and thank you for joining us in Cleveland to celebrate sixty years of music Wtherapy. And there is much to celebrate! Review the past with the historical posters, informative presentations and the inaugural Bitcon Lecture combining history, music and audience involvement. Enjoy the present by taking advantage of networking, making music with friends, new and old, and exploring some of the many exciting opportunities available just a short distance from the hotel. The conference offers an extensive array of opportunities for learning with institutes, continuing education, and concurrent sessions. Take advantage of the exceptional opportunities to prepare yourself for the future as you attend innovative sessions, and talk with colleagues at the clinical practice forum or the poster research session. After being energized and inspired the challenge is to leave Cleveland with both plans and dreams for what we can accomplish individually and together for music therapy as Amy Furman, MM, MT-BC; we roll into the next sixty years. AMTA Vice President and Conference Chair ...from the AMTA President n behalf of the AMTA Board of Directors, as well as local friends, family and colleagues, Oit is my distinct privilege and pleasure to welcome you to Cleveland to “rock out of the past and roll into the future with music therapy”! In my opinion, there is no better time or place to celebrate 60 years of the music therapy profession. -
Joanne Droppers Collection Biography Joanne Was Born In
Joanne Droppers Collection Biography Joanne was born in Ithaca, NY, on March, 29, 1932, the youngest child of Walter C. and Minnie W. Muenscher. She graduated from Cornell University in 1953 with a bachelor’s degree in music. It was at Cornell that she met and dated Garrett Droppers, who sang in the choir she directed. They were married in August 1953. She originally came to Alfred in 1961, when Garrett was appointed a professor of history at Alfred University. The couple had lived in Madison, WI, and Orono, ME, before settling in Alfred. In addition to being a housewife and mother to their three children, Joanne was employed periodically as an administrative assistant. Joanne loved playing piano and singing with her family. She was organist for several Episcopal congregations, a hand bell ringer, and played violin in local community orchestras. In 1976, she became a member of the American Guild of Carillonneurs and in 1977 she was appointed carillonneur for Alfred University, a position she held for 17 years. As Alfred University carillonneur, Joanne toured the United States and Canada, performing on many North American carillons. She also composed and arranged a number of songs for carillon, including Bach’s Suite #11 for Lute and Tubular Bells. One of her favorite tunes was the Oscar Meyer Weiner jingle, which she arranged for carillon and played at Alfred’s annual Hot Dog Day celebration. Garrett Droppers predeceased Joanne in 1986, and after her retirement in 1994, she moved to Arlington, VA, to be near her grandsons. While in Virginia, she continued her musical pursuits by playing carillons in the area. -
SAVED by the BELL ! the RESURRECTION of the WHITECHAPEL BELL FOUNDRY a Proposal by Factum Foundation & the United Kingdom Historic Building Preservation Trust
SAVED BY THE BELL ! THE RESURRECTION OF THE WHITECHAPEL BELL FOUNDRY a proposal by Factum Foundation & The United Kingdom Historic Building Preservation Trust Prepared by Skene Catling de la Peña June 2018 Robeson House, 10a Newton Road, London W2 5LS Plaques on the wall above the old blacksmith’s shop, honouring the lives of foundry workers over the centuries. Their bells still ring out through London. A final board now reads, “Whitechapel Bell Foundry, 1570-2017”. Memorial plaques in the Bell Foundry workshop honouring former workers. Cover: Whitechapel Bell Foundry Courtyard, 2016. Photograph by John Claridge. Back Cover: Chains in the Whitechapel Bell Foundry, 2016. Photograph by John Claridge. CONTENTS Overview – Executive Summary 5 Introduction 7 1 A Brief History of the Bell Foundry in Whitechapel 9 2 The Whitechapel Bell Foundry – Summary of the Situation 11 3 The Partners: UKHBPT and Factum Foundation 12 3 . 1 The United Kingdom Historic Building Preservation Trust (UKHBPT) 12 3 . 2 Factum Foundation 13 4 A 21st Century Bell Foundry 15 4 .1 Scanning and Input Methods 19 4 . 2 Output Methods 19 4 . 3 Statements by Participating Foundrymen 21 4 . 3 . 1 Nigel Taylor of WBF – The Future of the Whitechapel Bell Foundry 21 4 . 3 . 2 . Andrew Lacey – Centre for the Study of Historical Casting Techniques 23 4 . 4 Digital Restoration 25 4 . 5 Archive for Campanology 25 4 . 6 Projects for the Whitechapel Bell Foundry 27 5 Architectural Approach 28 5 .1 Architectural Approach to the Resurrection of the Bell Foundry in Whitechapel – Introduction 28 5 . 2 Architects – Practice Profiles: 29 Skene Catling de la Peña 29 Purcell Architects 30 5 . -
A New History of the Carillon
A New History of the Carillon TIFFANY K. NG Rombouts, Luc. Singing Bronze: A History of Carillon Music. Translated by Com- municationwise. Leuven: Leuven University Press, 2014, 368 pp. HE CARILLON IS HIDDEN IN plain sight: the instrument and its players cannot be found performing in concert halls, yet while carillonneurs and Tkeyboards are invisible, their towers provide a musical soundscape and focal point for over six hundred cities, neighborhoods, campuses, and parks in Europe, North America, and beyond. The carillon, a keyboard instrument of at least two octaves of precisely tuned bronze bells, played from a mechanical- action keyboard and pedalboard, and usually concealed in a tower, has not received a comprehensive historical treatment since André Lehr’s The Art of the Carillon in the Low Countries (1991). A Dutch bellfounder and campanologist, Lehr contributed a positivist history that was far-ranging and thorough. In 1998, Alain Corbin’s important study Village Bells: Sound and Meaning in the Nineteenth-Century French Countryside (translated from the 1994 French original) approached the broader field of campanology as a history of the senses.1 Belgian carillonneur and musicologist Luc Rombouts has now compiled his extensive knowledge of carillon history in the Netherlands, Belgium, and the United States, as well as of less visible carillon cultures from Curaçao to Japan, into Singing Bronze: A History of Carillon Music, the most valuable scholarly account of the instrument to date. Rombouts’s original Dutch book, Zingend Brons (Leuven: Davidsfonds, 2010), is the more comprehensive version of the two, directed at a general readership in the Low Countries familiar with carillon music, and at carillonneurs and music scholars. -
Church Bells Vol 31
Church Bells and Illustrated Church Sews. \D ecerr.bir The Heavitree Society of Change-ringers. Bells anfc Bell**ringtrtg> A t S t. Michael’s, Heavitree, Exeter, on November 22nd, HollisG Five-part peal of G r a n d s ir e T r i p l e s , 5040 changes, in 3 hrs. 18 mins. Meetings for Practice. Tenor, 26 cwt. The Moyal Cumberland Society : at the Chapel-of-Ease, Holloway, on John Ford. , .. 1 Frank Murphy . , . 5 December 12th, and St. Martin’s-in-the-Fields, on December 14th. Thomas Laver* .. .. 2 John R. Sandover .. 6 The St. James’s Society: at St. Clement Danes, Strand, on December Ferris Shepherd .. .. 3 William Mogridge , . 7 10th. William Shepherd .. 4 William Lowton* .. 8 The Ancient Society of College Youths: at St. Michael’s, Cornhill, and Conducted by Ferris Shepherd. Rung for the occasion of the St. Mary Abbot's, Kensington, on December 11th; Christ Church, welcome home of General Sir Redvers Bufier, K.C.B., from the South Spitalfields, December 12th; St. Matthew’s, Upper Claptor, on African war. [* First peal.] December 13th; St. Stephen’s, Westminster, on December 14th. The Waterloo Society. The Waterloo Society: at St. John’s, Waterloo Road, on December 12th. A t St. George’s, Camberwell, on December 1st, Holt's Original peal The St. Margaret’s Society: at St. Margaret’s, Westminster, on of G r a n d s ir e T r i p l e s , 5040 changes, in 2 hrs. 50 mine. December 13th. Ernest H. Oxenham William Weatherstone . -
Instructions for Caroling Safely
Why Should We Sing? Greetings and thank you for downloading this resource. We hope that it will give you ideas, guidelines, and an easy jumpstart to “fill the night with music and light.” Your presence in the world will help others see the light of hope and the music of good will for all people in this challenging time. This is why we sing. Whether you are worshiping online or in adapted in-person gatherings, singing in enclosed spaces is still not advised. So what do we do when it isn’t safe to sing inside? We take it outside! Let us reclaim and amplify this beloved tradition of caroling, bringing more hope, love, joy, and peace to the world. Who Should Sing? Everyone! This could be an endeavor led by members of your choir and musical ensembles. Perhaps they are leaders of small groupings of people from your church, ensuring that everyone gets a chance to participate and have solid, confident leadership. If you have a larger choir, perhaps smaller groupings of singers from the choir are sent out to different parts of your community or member’s homes (especially those that will not be able to get out themselves). You may have already-established groups of people who meet for small group fellowship and study and they could form a caroling group. The booklets and recordings are set up in such a way that even households with no prior caroling experience could engage in singing together for their own enjoyment. www.worshipdesignstudio.com/carol2020 1 How Shall We Sing? Safety Guidelines While we all continue to yearn for a sense of normalcy and to be able to celebrate this important part of the Christian Year, we also take our responsibility to “love thy neighbor” very seriously. -
Change Ringing
G. L. van der Sluijs Change ringing Bachelor thesis, June 7, 2016 Supervisor: dr. M. J. Bright Mathematisch Instituut, Universiteit Leiden Contents Introduction 3 1 Preliminaries 4 1.1 Change ringing terminology . 4 1.2 Words.................................. 7 2 The existence of an extent 8 2.1 Plain changes . 8 2.2 The Cayley graph . 8 2.3 Existence of an extent using only three changes . 10 3 Grandsire Triples 12 3.1 Description and basic properties . 12 3.2 Thompson’s proof . 14 3.3 The largest possible touch . 16 4 Rankin’s campanological theorem 18 4.1 Rankin’s theorem . 18 4.2 Application to Grandsire Triples . 18 4.3 Application to Double Norwich Court Bob Major . 19 5 The existence and construction of extents 21 5.1 Extent existence theorems . 21 5.2 Existence of Plain Bob Major extent with special bob leads . 23 5.3 Extent construction of Plain Bob Doubles . 23 References 26 2 Introduction This bachelor thesis will be concerned with the old English art of ringing church bells called change ringing. The development of change ringing in the early 17th century was mainly due to the invention of the full-circle wheel on which the bells were mounted. By pulling a rope, a bell would make a rotation of almost 360 degrees with a period of approximately two seconds. The time between two strikes of the same bell could be controlled rather accurately, which made it possible to ring a certain number of bells all after each other and keep repeating this in the same order. -
S'pring Carill-O'n Festival 1996
S'PRING CARILL-O'N FESTIVAL 1996 Margo Halsted has been the University Carillonneur and Assistant Professor of Campanology at the University of Friday, April 26 ~;::t:;:;:==~ Michigan School of Music since September 1987. For the 5 years 1977-87 she was Lecturer in Music and Carillon 5:00p.m. Carillon Recital neur at the University of California Riverside. Her Tin-shi Tam, ISU Carillonneur degrees are from Stanford University in Music and Education and the University of California, River side, in Music. In 1981 she earned a diploma from the Netherlands Carillon School. f=.===t~====~t=~ As a carillon recitalist, Halsted has performed Saturday, April 27 r extensively in the United States and Europe. Interested in early carillon music, she has dis covered, researched and published articles on 2:00 p.m. Seminar two historic manuscripts from Antwerp, and "The Carillon of Yesterday and she is currently working on publishing some Today" of the oldest carillon music found to date. Five Margo Halsted, guest carillonneur of her carillon compositions have been published. Music Hall, Room 130 Margo Halsted is an active participant in the Guild of Caril t=t====~ lonneurs in North America. She has been the consultant 3:00p.m. Carillon Recital for five chime and carillon installations. In 1995, the Margo Halsted, guest carillonneur GCNA presented her with a certificate for "Exceptional Service." 4:00 p.m. Campanile Tour Halsted was awarded the Berkeley Medal from the University of California, Berkeley, is an Honorary Member of the Belgian Carillon School and is listed in Who's Who in American Music. -
Bell Ringers' Bruises and Broken Bones: Capers and Crises in Campanology
necrosis of one rectus abdominis, a comparatively two out of 12 patients survived2). The lesson for today small weight of muscle, and from this the patient died is that many of these dialyses for traumatic anuria of uraemia a few days later. Compartmental muscle are avoidable by adequate first aid hydration and necrosis may have a similar outcome."9 alkalinisation as well as by an adequate dietary regimen The most important finding of this work in New- during recovery. castle, however, was the very high incidence of Finally, tribute should be paid to the Medical BMJ: first published as 10.1136/bmj.301.6766.1415 on 22 December 1990. Downloaded from death and of uraemia after resuscitation in patients Research Council, its scientific workers, and the with fractures of the pelvis. Many muscle fibres (as enthusiastic physicians, surgeons, pathologists, and contrasted with muscle tendons) are attached to nurses of the emergency medical service and of the the pelvis, and traumatic ruptures of muscle bellies armed forces during the war years-they contributed produce considerable ischaemic muscle necrosis due so much to our knowledge of this subject. mostly to damage to small blood vessels. Erasmus Barlow and I thought that such cases should be given 1 Bywaters EGL, Beall D. Crush injuries and renal function. BM7 1941;i: 427-32. adequate alkaline fluid on admission, both by mouth 2 Bywaters EGL. Ischaemic muscle necrosis. JAMA 1944;124:1103-9. and by vein. 3 Richards NT, Tattersall J, McCann M, Samson A, Mathias P, Johnson A. Dialysis for acute renal failure due to crush injuries after the Armenian By early 1945 we were back in London, then under earthquake. -
Campanologist Chronicles
25 24 CAMPANOLOGIST CHRONICLES The Parish Church has an up and coming band of ringers. Not only do they ring the bells for Sunday services and Tuesday practice night’s, but they also help with the ringing the church bells at Albury and Little Hadham. There aren’t as many ringers about as there once were. Bell ringing is something for both young and old. It helps keep you both physi- cally and mentally fit. It is a quite a commitment, week in week out ringing for both Sunday services and practice nights, as well as the occasional wedding and christening. Many of you will remember Charlie Jordan, he was taught to ring when he was 12 years old and was still ringing at 80. The bells at Much Hadham are hung for full circle ringing. This is where a wheel and rope are attached to the side each bell and the bell is swung back and forth on a headstock by a bell ringer through a little more than 360 degrees to get bell over the balance point for setting in a safe position of rest. Learning to ring is a bit like learning to ride bike. Letting go of the rope at the right time so you don’t go up in the air, helps! The ringing that takes place in known as ‘change ringing’ with both call chang- es and method ringing being rung. Due to the full circle ringing each bell can be carefully controlled to ‘strike’ with its clapper once every change. The simplest change is called ‘Rounds’ where the bells are in the order of 12345678, bells can be called to move one place at a time to reach tuneful changes such as ‘Queens’ 13572468 or ‘Whittington’s’ 12753468 “turn again Whittington” as Dick did all those years ago on his way to London. -
Educational Programs Given at ABA Conventions 19662015
Educational Programs Given at ABA Conventions 19662015 2015 – KANSAS CITY, MISSOURI Fostoria Bells Lynda Randolph, Lecturer The Making of the Convention Bell Kathleen Collins, Lecturer Bells: Red, White & Blue Marg Oelrich, Lecturer The Lives & Bells of Curtis & Lenore Hammond Betty Goodson, Lecturer Salamander Bells Ruth Mularcik, Lecturer The Lives & Bells of Dorothy Anthony & Gerry Ballantyne The Sacred Chimes of Asia Betty Goodson, Lecturer Sita Venkataramani, Lecturer Who Lives in a House Like This? Russian Traditions Through Bells Joan Elliott, Lecturer Larissa Franczek, Lecturer Scrubbers – Land of Vishnu, Rikki Tikki Tavi, Small Facts About Big Bells Siddhartha Neil Goeppinger, Lecturer Ed Hendzlik, Lecturer 2013 – ATLANTA, GEORGIA Metal Companion Pieces Alan Burgdorf, Lecturer Georgia Bells A to Z Ossie Parrott, Lecturer A Few Porcelain Things Denny Moore, Lecturer Convention Bell & Bell Foundry on Wheels Verdin Co., Dave Verdin, Lecturer Going, Going, Gone on eBay Marilyn Grismere, Lecturer Blue Bells Jan Martin, Lecturer Bears, Bells & Bear Bells Rhonda Galle and Mary Anderson, Lecturers Bells I Can't Sell Laura Johnson, Lecturer The Making of the Convention Bell Kathleen Collins, Lecturer What is that on my bell? Judy Blake, Lecture Bells of Wood and Rattles Pat Peterson, Lecturer Christmas and Bells, Ringing in the Holidays Roger Cusick, Lecturer 2014 – RICHMOND, VIRGINIA The challenge of making marriage bells Understanding Filigree Art glass Bells Don Murat, Lecturer Virginia Wilson and Tony Toccalino, Lecturers Locomotive -
Handbells a Magazine for Handbell and Handchime Directors and Ringers, Developed to Further the Gospel of Christ Through the Gift of Music
FINAL ISSUE VOLUME 36 • NUMBER 1 • FALL 2019 Handbells A magazine for handbell and handchime directors and ringers, developed to further the gospel of Christ through the gift of music Christmas Medley .................................................. 30 includes Angels We Have Heard on High and Joy to the World! The Lord Is Come 3-5 octaves handbells • Level 3+ • Arranged by Carl Seal Go, Tell It on the Mountain* ....................................... .6 3 octaves handbells • Level 3 • Arranged by Glenn Eernisse How Great Our Joy* ................................................ 10 5 octaves handbells • Level 3 • Arranged by David R. Kent O Come, All Ye Faithful* .......................................... 16 3-5 octaves handbells • Level 3 • Arranged by Brian Childers Oh, Come, Little Children* ....................................... 23 2-3 octaves handbells • Level 1+ • Arranged by Clifton Davis Silent Night, Holy Night* ........................................... 22 3 octaves handbells • Level 2+ • Arranged by Ken Litton We Gather Together* .................................................. 3 3 octaves handbells, 3 octaves handchimes • Level 2 • Arranged by Carl Seal Q Download resources for congregational use of this song at Handbells_Fall_2019.indd 1 3/22/19 8:16 AM LifeWay has enjoyed a rich history of providing resources for handbell choirs for nearly 100 years! 3 Our Handbells magazine has represented a significant part of that story. Because our churches We Gather Together continue to move online to find resources for music and worship, we are following you there! As we close out the physical release of Handbells with this edition, we say, “Welcome, handbells, to LifeWay.com!” 3 octaves / Level 2 Dutch Folk Song Arranged by Carl Seal Optional Handchimes - 3 octaves LifeWay.com is one of the largest and most comprehensive sites for church resources anywhere! Beginning now, church musicians can find great resources for handbells at the place with all kinds of resources! Your LifeWay account makes it easy to order what you need.