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SHOOT Magazine | January/February 2020 www.SHOOTonline.com January/February 2020 Production Outlook 12 DGA Awards Preview 16 The Road To Oscar Series Part 15, Page 4 Producers Guild Awards 22 TV Awards Season 23 ASC Awards Preview 24 VES Awards Preview 25 Sundance 28 TO GET CONNECTED ACADEMY AWARD® NOMINEE BEST DOCUMENTARY “THE BEST DOCUMENTARY OF THE YEAR. Compassionate, observant and emotionally resonant. Pristine in its production values, unfailingly empathic in its approach, populated by unforgettable characters, ‘American Factory’ might be categorized under ‘nonfi ction,’ but NO FILM THIS YEAR WAS MORE DRAMATICALLY COMPELLING.” - ANN HORNADAY, WINNER WINNER WINNER WINNER BEST POLITICAL BEST DOCUMENTARY BEST DIRECTOR BEST DOCUMENTARY/ DOCUMENTARY GOTHAM STEVEN BOGNAR AND NON-FICTION FILM INDEPENDENT FILM AWARDS JULIA REICHERT LOS ANGELES FILM CRITICS BEST DIRECTOR ASSOCIATION AWARD CRITICS’ CHOICE IDA DOCUMENTARY DOCUMENTARY AWARDS AWARDS WINNER WINNER NOMINEE WINNER WINNER BEST DOCUMENTARY THE ALLAN KING AWARD BRITISH OUTSTANDING ACHIEVEMENT OUTSTANDING ACHIEVEMENT OKLAHOMA FOR BEST FEATURE ACADEMY IN NONFICTION IN DIRECTION FILM CRITICS CIRCLE DOCUMENTARY FILM FEATURE FILMMAKING STEVEN BOGNAR AND TORONTO FILM CRITICS AWARDS CINEMA EYE AWARD JULIA REICHERT ASSOCIATION DOCUMENTARY CINEMA EYE AWARD FOR YOUR CONSIDERATION BEST DOCUMENTARY FEATURE DIRECTED BY STEVEN BOGNAR AND JULIA REICHERT SHOOT MAGAZINE, COVER 2 REVISION 4 DECEMBER ISSUE: ROAD TO OSCAR FEATURE NETFLIX: AMERICAN FACTORY PUB DATE: 01/27/20 TRIM: 9” X 10.875” BLEED: 9.25” X 11.125” ® Perspectives ACADEMY AWARD NOMINEE The Leading Publication For Film, TV & Commercial Production and Post January/February 2020 spot.com.mentary By Robert Goldrich Volume 61 • Number 1 BEST DOCUMENTARY www.SHOOTonline.com EDITORIAL Publisher & Editorial Director Coming Attractions Roberta Griefer 203.227.1699 ext. 701 [email protected] Editor “ Robert Goldrich In this issue’s preview the first woman in DGA Awards history Kayiza--who’s handled in the ad arena by THE BEST DOCUMENTARY OF THE YEAR. 203.227.1699 ext 702 [email protected] coverage of the DGA to have commercial and narrative feature Little Minx--had a short selected for the Compassionate, observant and emotionally resonant. Pristine in its production values, unfailingly empathic in its approach, ADVERTISING Awards and the Sun- nominations to her credit. It’s a career festival for the second consecutive year. In Digital & Print Rates & Information populated by unforgettable characters, ‘American Factory’ might be categorized under ‘nonfiction,’ but [email protected] dance Film Festival, which has seen Har’el also serve as an ac- 2019, she made the Sundance cut in the 203.227.1699 ext. 701 NO FILM THIS YEAR WAS MORE DRAMATICALLY COMPELLING.” www.shootonline.com/go/advertise a couple of female filmmakers loom tivist helping to open up opportunities for Documentary Short competition with - ANN HORNADAY, Advertising Production large, helping us keep our New Year’s women in film. In 2016, she founded Free Edgecombe. And this year she’s back in Gerald Giannone [email protected] resolution of accentuating the positive. The Bid as a response to her own experi- the docu short lineup with See You Next 203.227.1699 ext. 700 So while there are no women nominees ence of the ad industry’s hiring inequali- Time. In-between those two Sundance OFFICES for the Best Director Oscar this year de- ties. The Free The Bid pledge prompted tours, Edgecombe earned her a slot in Main Office WINNER WINNER WINNER WINNER 606 Post Road East #650 spite some deserv- BEST POLITICAL BEST DOCUMENTARY BEST DIRECTOR BEST DOCUMENTARY/ Westport, CT 06880 USA DOCUMENTARY GOTHAM STEVEN BOGNAR AND NON-FICTION FILM ing candidates, there In this issue's preview coverage of the DGA Awards and the INDEPENDENT 203.227.1699 Fax: 203.571.3355 FILM AWARDS JULIA REICHERT LOS ANGELES FILM CRITICS BEST DIRECTOR ASSOCIATION AWARD West are at the same time CRITICS’ CHOICE IDA DOCUMENTARY Sundance Fest, a couple of female filmmakers loom large. DOCUMENTARY AWARDS AWARDS 203.227.1699 ext 702 examples of progress Print Production being made in terms of diverse talent be- brands and their agencies to include at SHOOT’s 2019 New Directors Showcase. Jim Theodorou WINNER WINNER NOMINEE WINNER WINNER [email protected] ing recognized on other industry fronts. least one woman among the three direc- Kayiza is now working on a short that BEST DOCUMENTARY THE ALLAN KING AWARD BRITISH OUTSTANDING ACHIEVEMENT OUTSTANDING ACHIEVEMENT OKLAHOMA FOR BEST FEATURE ACADEMY IN NONFICTION IN DIRECTION Circulation On the DGA score, Alma Har’el was tors bidding for every commercial job. might become something bigger as she FILM CRITICS FEATURE FILMMAKING STEVEN BOGNAR AND 203.227.1699 ext 4 [email protected] CIRCLE DOCUMENTARY FILM just nominated for Outstanding Directo- This led to measurable increases in the looks to diversify into the narrative space. TORONTO FILM CRITICS AWARDS CINEMA EYE AWARD JULIA REICHERT SHOOT Publicity Wire ASSOCIATION DOCUMENTARY CINEMA EYE AWARD 203.227.1699 ext 700 [email protected] rial Achievement of a First-Time Feature number of women creators considered So with 2020 getting underway, our © 2020 DCA Business Media LLC. All rights reserved. Film Director on the strength of Honey and hired for major ads. Free The Bid has hope is that the preview coverage of the SHOOT and SHOOTonline are registered U.S. trademarks. Boy (Amazon Studios). This marked the continued to evolve, looking to extend its DGA Awards and Sundance is also a har- No part of this publication may be reproduced, stored in any retrieval system, or transmitted, in any form or by any means, second career DGA Awards nod for Har’el reach as Free the Work which is designed binger of more such coming attractions electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. who was recognized in the commercials to nurture more creators from underrep- with women not only gaining opportuni- Print Issues Subscription Service [email protected] category in 2018. Har’el, who’s repped resented backgrounds. ties but also recognition for their directo- Find PDF Versions by Epoch Films in the ad arena, thus is As for Sundance, director Crystal rial endeavors. and order issues backissues.SHOOTonline.com SHOOT (ISSN# 1055-9825) printed edition is published bimonthly for members by DCA Business Media LLC, 606 POV By Christopher O’Reilly Post Road East, #650, Westport, CT 06880. Printed periodicals postage paid at Westport, CT and at additional mailing offices. POSTMASTER: Send address changes to SHOOT, P.O. Box 184, Lowell, MA 01853 USPS (06-234) AR Is Ready For Its Close-up In 2020 SHOOT ePubs The SHOOT >e.dition weekly ePub is published on Friday. The SHOOT Dailies are published daily Mon.-Fri. According to Statista, power to entertain, engage and persuade. building, not just a generic GPS location. Brand New[s] weekly ePub is published Wednesdays. SHOOT Screenwork published Mondays. the AR/VR market is The challenge is agencies and studios Think of this as a digital layer twinned www.shootonline.com/subscribe forecast to be worth still see AR as very much an “object track- perfectly with the real world you inhabit. $18.8 billion in 2020, ing experience.” For them, 2020 may be Storytellers will soon see how location- SHOOT is printed in the U.S.A. almost double from 2019. That number the year their minds are officially blown, based AR can transform venues--con- is expected to continue to rise dramati- thanks in large part to the emergence of cert/sports venues, museums, stores and cally in the coming years. The alacrity in two technologies: the AR cloud and 5G malls, educational institutions all over the the AR market has also been boosted by networks. The advent of new technolo- world--into a new canvas for creativity. brands’ growing frustration over limita- gies brings a new type of AR experience The technology will provide a new suite SHOOT is a member of: tions in traditional ad mediums. Invest- that is far more intelligent, immersive and of utilities that provide the connective tis- ment in AR by big tech has also steadily useful for brands, and best of all it’s here sue between the real world and online. increased in the past few years: Facebook ready for the creative undertaking. With the emergence of 5G networks announced an update to its Spark AR With the AR cloud enabling some- and new VPS technologies alongside our Follow SHOOT via hashtag #SHOOTONLINE at: platform at the 2019 F8 conference while thing we at Nexus call “Enhanced Loca- own creative tool set Gilda, we can now FOR YOUR CONSIDERATION BEST DOCUMENTARY FEATURE Apple and SAP extended their partner- tions,” a new kind of reality is starting to accurately locate ourselves within the real ship to focus on increasing augmented appear directly on top of the world we live world and create an accurate digital twin. reality adoption among businesses. in. Far more than just a semi-intelligent The result is the ability to bring to life Cover photo credits for The Road To Oscar (top left, Taken together, these developments sticker that sits on top of a surface, this engaging content and experiences in real clockwise): 1917, photo by Francois Duhamel/Universal Pictures; American Factory, photo by Aubrey Keith/Netflix; offer big opportunities for the production new AR understands the real-world lo- world locations like never before. Les Miserables, Amazon; Jojo Rabbit, photo by Kimberley and post communities, but that can only cation you are in with a high degree of These technologies, harnessed in the French/Fox Searchlight; Joker, photo by Niko Tavernise/ Warner Bros.; Parasite, Neon. Producers Guild Awards: Ted happen if brand managers, studio execs, accuracy. With it, we can guide users to pursuit of genius creative, can finally el- Sarandos, PGA; TV Awards Season, Mrs.
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