Improving Maternal Health in Africa
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Embleton, Nadia (2019) Re‐imagining Nigerian unity : identity, ethno‐nationalism and the depiction of the nation in Nigerian novels by female authors. PhD thesis. SOAS University of London. http://eprints.soas.ac.uk/30987 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Reimagining Nigerian Unity: Identity, Ethno-Nationalism and the Depiction of the Nation in Nigerian Novels by Female Authors Nadia Embleton Thesis submitted for the degree of PhD 2017 Department of Africa SOAS, University of London 1 Declaration for SOAS PhD thesis I have read and understood Regulation 21 of the General and Admissions Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
Journal of Mennonite Writing Mennonite Experience | Many Voices
Journal of Mennonite Writing Mennonite Experience | Many Voices VOLUME 9 JANUARY 2016 ISSUE 2 Journal of Mennonite Writing Mennonite Experience | Many Voices About The Journal of Mennonite Writing is a quarterly online journal devoted to literary, artistic, and cultural production. Each issue focuses on a particular theme, author, or genre within Mennonite Writing, and includes poetry, fiction, essays, and criticism. The Journal of Mennonite Writing is published by the Center for Men- nonite Writing, an online community hosted at MennoniteWriting.org. The Center (CMW) provides resources for the study of Anabaptist and Mennonite-related artistic, cultural, and intellectual thought. It also houses Ervin Beck’s bibliogra- phies of Mennonite literature—one for U.S. authors, and one, with Hildi Froese Tiessen, for Canadian authors—updated annually. Co-Editors Ann Hostetler, Professor of English, Goshen College, Goshen, IN Ervin Beck, Goshen College Professor Emeritus, Goshen, IN Advisory Board Beth Martin Birky, Goshen College, Indiana Jeff Gundy, Bluffton University, Ohio Julia Spicher Kasdorf, The Pennsylvania State University Robert J. Meyer-Lee, Agnes Scott College, Atlanta Paul Meyer Reimer, Goshen College Maurice Mierau, author, Winnipeg, Manitoba Barbara Nickel, author, Fraser Valley, BC John D. Roth, Goshen College Kyle Schlabach, Goshen College Duane Stoltzfus, Goshen College Hildi Froese Tiessen, Professor Emerita Conrad Grebel University College Submission Guidelines Address inquiries to Editor at [email protected] and include a biography that describes your connection to Mennonite faith, culture, heritage, or identity. Work should be submitted as a Word attachment. Our issues are thematic, as announced through the Center for Mennonite Writing at www.mennonitewriting. org, but we also accept submissions of poetry, fiction, memoir, and critical essays year round. -
Und Jugendliteratur]
TIckETS Kasse Haus der Berliner Festspiele Schaperstraße 24 10719 Berlin Mo–Sa 14.00–18.00 Uhr Abendkasse eine Stunde vor Vorstellungsbeginn Online www.berlinerfestspiele.de Gebühr 2 pro Bestellvorgang TelefOn 030. 25 48 91 00 Gebühr 3 pro Bestellvorgang Die hier angegebenen Ticketpreise gelten, sofern nicht unter der jeweiligen Veranstaltung ein abweichender Preis vermerkt ist. EINTRITTSPREISE normal ermäßigt Schüler Eröffnung 12,– 08,– 04,– Einzelkarte 08,– 06,– 04,– Tageskarte 18,– 12,– 08,– Gesamtkarte Festival 60,– 50,– 40,– Gesamt- und Tageskarten gelten für die Veranstaltungen im Haus der Berliner Festspiele [außer Vormittagsveranstaltungen der Kinder- und Jugendliteratur]. Es besteht kein Anspruch auf Einlass bei ausver- kauften Veranstaltungen. Karten für die Veranstaltungen an anderen Orten erhalten Sie im Haus der Berliner Festspiele und an den jewei- ligen Abendkassen. Das internationale literaturfestival berlin ist eine Veranstaltung der Peter-Weiss-Stiftung für Kunst und Politik e. V. Es wird ermöglicht aus Mitteln des Hauptstadtkulturfonds. Wir sorgen für Übersetzung! Unsere Veranstaltungen werden, falls nicht anders gekennzeichnet, ins Deutsche übersetzt. Veranstaltungen, die mit diesem Zeichen ge- kennzeichnet sind, werden simultan übersetzt Bitte vergewissern Sie sich vor der Veranstaltung, dass Sie Kopfhörer erhalten haben. 2 Gestaltung / Cover Banerjee Sunandini * Gestaltung / Programm [veruschkaT616 götz] mit Katrin Kassel und Dani Ziegan GRUSSwort FRaNk-walTER STEINmEIER Die Internationale Politik befindet sich heute permanent im Krisenmodus. Zahl und Intensität von Konflikten nehmen zu, und die Bedrohungen berühren unmittelbar unseren Alltag. Dennoch dürfen wir in dieser Lage großer Verunsicherung nicht an simple Lösungen glauben. Es macht mir Sorge, dass eine enge und engherzige Sicht auf die Dinge heute so populär scheint. Je komplizierter die Welt, je komplexer die Krisen, desto größer scheint das Bedürfnis nach einfachen Antwor- ten. -
KENYA POPULATION SITUATION ANALYSIS Kenya Population Situation Analysis
REPUBLIC OF KENYA KENYA POPULATION SITUATION ANALYSIS Kenya Population Situation Analysis Published by the Government of Kenya supported by United Nations Population Fund (UNFPA) Kenya Country Oce National Council for Population and Development (NCPD) P.O. Box 48994 – 00100, Nairobi, Kenya Tel: +254-20-271-1600/01 Fax: +254-20-271-6058 Email: [email protected] Website: www.ncpd-ke.org United Nations Population Fund (UNFPA) Kenya Country Oce P.O. Box 30218 – 00100, Nairobi, Kenya Tel: +254-20-76244023/01/04 Fax: +254-20-7624422 Website: http://kenya.unfpa.org © NCPD July 2013 The views and opinions expressed in this report are those of the contributors. Any part of this document may be freely reviewed, quoted, reproduced or translated in full or in part, provided the source is acknowledged. It may not be sold or used inconjunction with commercial purposes or for prot. KENYA POPULATION SITUATION ANALYSIS JULY 2013 KENYA POPULATION SITUATION ANALYSIS i ii KENYA POPULATION SITUATION ANALYSIS TABLE OF CONTENTS LIST OF ACRONYMS AND ABBREVIATIONS ........................................................................................iv FOREWORD ..........................................................................................................................................ix ACKNOWLEDGEMENT ..........................................................................................................................x EXECUTIVE SUMMARY ........................................................................................................................xi -
The Path of Somali Refugees Into Exile Exile Into Refugees Somali of Path the Joëlle Moret, Simone Baglioni, Denise Efionayi-Mäder
The Path of Somalis have been leaving their country for the last fifteen years, fleeing civil war, difficult economic conditions, drought and famine, and now constitute one of the largest diasporas in the world. Somali Refugees into Exile A Comparative Analysis of Secondary Movements Organized in the framework of collaboration between UNHCR and and Policy Responses different countries, this research focuses on the secondary movements of Somali refugees. It was carried out as a multi-sited project in the following countries: Djibouti, Egypt, Ethiopia, Kenya, the Netherlands, Efionayi-Mäder Denise Baglioni, Simone Moret, Joëlle South Africa, Switzerland and Yemen. The report provides a detailed insight into the movements of Somali refugees that is, their trajectories, the different stages in their migra- tion history and their underlying motivations. It also gives a compara- tive overview of different protection regimes and practices. Authors: Joëlle Moret is a social anthropologist and scientific collaborator at the SFM. Simone Baglioni is a political scientist and scientific collaborator at the SFM and at the University Bocconi in Italy. Denise Efionayi-Mäder is a sociologist and co-director of the SFM. ISBN-10: 2-940379-00-9 ISBN-13: 978-2-940379-00-2 The Path of Somali Refugees into Exile Exile into Refugees Somali of Path The Joëlle Moret, Simone Baglioni, Denise Efionayi-Mäder � � SFM Studies 46 SFM Studies 46 Studies SFM � SFM Studies 46 Joëlle Moret Simone Baglioni Denise Efionayi-Mäder The Path of Somali Refugees into Exile A Comparative -
Recognising Talent in Fiction, Film and Art
EMERGING VOICES RECOGNISING TALENT IN FICTION, FILM AND ART SUPPORTED BY: Emerging Voices 2015 Today we celebrate the voices of tomorrow. OppenheimerFunds and the Financial Times would like to congratulate the 2015 Emerging Voices Awards winners and say thank you to all the writers, filmmakers and artists in emerging markets who continue to inspire us every day. Art, Cristina Planas Fiction, Chigozie Obioma Film, Yuhang Ho For more information about the Emerging Voices Awards, visit emergingvoicesawards.com and join the conversation with #EmergingVoices. ©2015 OppenheimerFunds Distributor, Inc. FOREWORD ‘THESE AWARDSFULFILLED ALL THE ORD HOPESWEHAD WHENWESTARTED’ REW FO hy aset of awards for artists, Elif Shafak and Alaa Al Aswany, celebrated film-makers and writers from novelists from Turkey and Egypt respectively, emerging market countries? debating the nature of literature, we knew we When Justin Leverenz, director were privileged to be present. Wof emerging market equities at In the art category, the judges were most OppenheimerFunds, approached the Financial impressed by Lima-based Cristina Planas, Times with the idea, we were intrigued. whose work took in environmental, politicaland The FT has long been following the rise to religious themes. The tworunners-up, Fabiola prominence of those countries challenging the MenchelliTejeda, wholives in Mexico City, and financial, strategic and political dominance Pablo Mora Ortega, born in Medellín, Colombia, of the hitherto wealthyworld. What did their submitted strikingly different works. Menchelli artists have to teach us? This would be a Tejeda’s photographs showedthe interaction chance to find out. of light and shadow. Ortega’s installation, It would be disingenuous not to pointout sculptures and video showedwhat he called “the that there were financial motivations too. -
Prizing African Literature: Awards and Cultural Value
Prizing African Literature: Awards and Cultural Value Doseline Wanjiru Kiguru Dissertation presented for the degree of Doctor of Philosophy in the Faculty of Arts and Social Sciences, Stellenbosch University Supervisors: Dr. Daniel Roux and Dr. Mathilda Slabbert Department of English Studies Stellenbosch University March 2016 i Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained herein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2016 Signature…………….………….. Copyright © 2016 Stellenbosch University All rights reserved ii Stellenbosch University https://scholar.sun.ac.za Dedication To Dr. Mutuma Ruteere iii Stellenbosch University https://scholar.sun.ac.za Abstract This study investigates the centrality of international literary awards in African literary production with an emphasis on the Caine Prize for African Writing (CP) and the Commonwealth Short Story Prize (CWSSP). It acknowledges that the production of cultural value in any kind of setting is not always just a social process, but it is also always politicised and leaning towards the prevailing social power. The prize-winning short stories are highly influenced or dependent on the material conditions of the stories’ production and consumption. The content is shaped by the prize, its requirements, rules, and regulations as well as the politics associated with the specific prize. As James English (2005) asserts, “[t]here is no evading the social and political freight of a global award at a time when global markets determine more and more the fate of local symbolic economies” (298). -
Caine Prize Annual Report 2015.Indd
THE CAINE PRIZE FOR AFRICAN WRITING Always something new from Africa Annual report 2015 2015 Shortlisted writers in Oxford, UK (from left): Masande Ntshanga, F.T. Kola, Elnathan John, Namwali Serpell and Segun Afolabi. The Caine Prize is supported by Sigrid Rausing and Eric Abraham Other partners include: The British Council, The Wyfold Charitable Trust, the Royal Over-Seas League, Commonwealth Writers (an initiative of the Commonwealth Foundation), The Morel Trust, Adam and Victoria Freudenheim, John and Judy Niepold, Arindam Bhattacharjee and other generous donors. Report on the 2015 Caine Prize and related activities 2015 Prize “Africa’s most important literary award.” International Herald Tribune This year’s Prize was won by Namwali Serpell from Zambia, for her story ‘The Sack’ published in Africa39 (Bloomsbury, London, 2014). Namwali Serpell’s first published story, ‘Muzungu’, was shortlisted for the 2010 Caine Prize for African Writing. In 2014, she was selected as one of the most promising African writers for the Africa39 Anthology, a project of the Hay Festival. Since winning the Caine Prize in July, Chatto & Windus in the UK and Hogarth in the US have bought world rights to her debut novel The Old Drift. For the first time in the history of the Caine Prize, the winner shared her prize money with the other shortlisted writers. Namwali Serpell next to the bust Chair of judges, Zoë Wicomb praised ‘The Sack’ as ‘an extraordinary story of the late Sir Michael Caine. about the aftermath of revolution with its liberatory promises shattered. It makes demands on the reader and challenges conventions of the genre. -
Centre for New Writing, Bring a Host of International Literary Stars to Manchester to Discuss and Read from Their Work
LITERATURE LIVE: Centre SPRING 2018 These unique literature events, organised by The University of for New Manchester’s Centre for New Writing, bring a host of international literary stars to Manchester to discuss and read from their work. Writing Anniversary Season Throughout the 2017/2018 season we celebrate the Centre for New Writing’s tenth year anniversary. Danez Smith: Don’t Call Us Dead Venue International Part of Manchester Literature Festival Anthony Burgess Manchester Foundation Time & Date 7pm, Monday named as a Hong © David 22 January 2018 (doors open at 6.30pm) UNESCO Price City of Literature £7 / £5 The University of Manchester is proud to be part of the city-wide consortium that led the successful bid to join UNESCO’s worldwide Creative Cities network as a City of Literature. This is a cause for great celebration, which will help us to strengthen our university’s many partnerships with the city and its communities. Our staff and student writers know that Manchester is a City of Literature, a place whose graduates include Anthony Burgess and the war poet Alun Lewis, Jeanette Winterson, Booker winner Barry Unsworth and bestseller Sophie Hannah. We all benefit from the presence in Danez Smith the city of great publishers like Carcanet and Comma and from what this announcement We are thrilled to welcome to Manchester acclaimed American poet Danez Smith. recognises – the enormous array of literary events, festivals and opportunities for A founding member of the Dark Noise Collective, Danez is an electrifying performer engagement with new writing and new audiences which Manchester offers. -
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ACKNOWLEDGEMENT For the preparation of this SLM covering the Unit-3 OF GE in accordance with the Model Syllabus, we have borrowed the content from the Wiki source, Internet Archive, free online encyclopaedia. Odisha State Open University acknowledges the authors, editors and the publishers with heartfelt thanks for extending their support. GENERIC ELECTIVE IN ENGLISH (GEEG) GEEG-2 Gender and Human Rights BLOCK-3 FEMINIST WRITINGS : CHIMAMANDA NGOZI ADICHIE AND ROKEYA SAKHAWAT HOSSAIN UNIT 1 CHIMAMANDA NAGOZI ADICHIE’S WE ALL SHOULD BE FEMINISTS UNIT 2 SULTANA’S DREAM (A NOVELLA): ROKEYA SAKHAWAT HOSSAIN UNIT 1 : CHIMAMANDA NAGOZI ADICHIE’S WE ALL SHOULD BE FEMINISTS Structure 1.0 Objectives 1.1 Introduction 1.2 Chimamanda Ngozi Adichie 1.2.1 About the Author 1.3 Introduction 1.4 Text 1.5 Synopsis 1.6 Let us Sum Up 1.0 OBJECTIVES We Should All Be Feminists includes anecdotes and analyses about what it means to be a feminist. She argues that "feminist" isn't an insult, but rather a label that should be embraced by all .The book is critical of the way masculinity is constructed, suggesting that society as a whole must change if we are to reach equality. 1) Gender matters everywhere in the world. And I would like today to ask that we should begin to dream about and plan for a different world. A fairer world. A world of happier men and happier women who are truer to themselves. And this is how to start: we must raise our daughters differently. We must also raise our sons differently.” 2) Adichie writes about her experiences growing up in Nigeria to illustrate this point. -
Borders Review of the 2019 Pen Anthology
BORDERS REVIEW OF THE 2019 PEN ANTHOLOGY SILVER LINING In 2003, the Nigerian chapter of PEN International published Melody of Stones, its first anthology of Nigerian writing. Silver Lining, is PEN Nigeria’s second anthology. Published by University Press Plc in the second half of 2019, Pen Nigeria President, Folu Agoi and Professor Akachi Adimora-Ezeigbo, the editors, spoke in their Editorial about the need to REVIEW OF SILVER LINING (Borders copyright ©2019 - Olatoun Gabi-Williams) Page 1 put together a ‘robust’ work of Nigerian literature; one which will project, as ‘one vibrant voice’, an intergenerational caucus of artists and thinkers: early career, mid- career and veterans. No legislated themes or approaches: writers were asked to make their own choices about what to express and how. Before I begin my review of Silver Lining, I would like to take a quick look at examples of the world-wide campaign to mainstream African literature. It continues to gain ground. France-based Nakiri – Rights Solution and digital distributor, Italy- based StreetLib , two stakeholders in the success of African publishing, have come together to scale the sale of foreign rights and distribution of francophone books across international and linguistic boundaries, leveraging expertise in rights trading and cutting-edge digital technology. Individual linguists across Africa and community resources such as the Red Sea Cultural Centre, Hargeysa, Somaliland, are translating books and short stories into local languages to encourage consumption of African literature by the widest possible local audience. The Mabati Cornell Kiswahili Prize for African literature was inaugurated for the purpose of translating texts from, between and into African languages and to promote writing in African languages. -
AFRICAN FUTURES 2030 | FREE TRADE, PEACE and PROSPERITY European Union Institute for Security Studies (EUISS)
CHAILLOT PAPER / PAPER CHAILLOT 164 AFRICAN FUTURES 2030 AFRICAN FUTURES 2030 AFRICAN Free trade, peace and prosperity Edited by Giovanni Faleg | FREE TRADE, PEACE AND PROSPERITY PEACE TRADE, FREE With contributions from Paul M. Bisca, Edward K. Brown, Enrico Calandro, Jakkie Cilliers, Mesfin Gebremichael, Joachim Isacsson, Fergus Kell, Olivier Lavinal, Katariina Mustasilta, Luigi Narbone, Carlo Palleschi, Carlo Papa, Patryk Pawlak, Clara Portela, Melanie Robinson, Nicolò Sartori, Fabrizio Tassinari, Bernardo Venturi, Alex Vines and Sean Woolfrey CHAILLOT PAPER / 164 February 2021 European Union Institute for Security Studies (EUISS) 100, avenue de Suffren 75015 Paris http://www.iss.europa.eu Director: Gustav Lindstrom © EU Institute for Security Studies, 2021. Reproduction is authorised, provided the source is acknowledged, save where otherwise stated. The views expressed in this publication are solely those of the author(s) and do not necessarily reflect the views of the European Union. print ISBN 978-92-9198-983-6 online ISBN 978-92-9198-982-9 CATALOGUE NUMBER QN-AA-20-008-EN-C CATALOGUE NUMBER QN-AA-20-008-EN-N ISSN 1017-7566 ISSN 1683-4917 DOI 10.2815/750 DOI 10.2815/458263 Published by the EU Institute for Security Studies and printed in Belgium by Bietlot. Luxembourg: Publications Office of the European Union, 2021. Cover image credit: Bella The Brave/unsplash AFRICAN FUTURES 2030 Free trade, peace and prosperity Edited by Giovanni Faleg With contributions from Paul M. Bisca, Edward K. Brown, Enrico Calandro, Jakkie Cilliers, Mesfin