DOCSLIB.ORG

120-125, Europe

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
120-125, Europe appropriate changes. by Hans Kloppert Multiple toms and tuned bass drums were The competitive drum and bugle corps introduced, adding a activity in Europe was introduced on the sound that had been continent by the Dutch. The Netherlands has previously unknown in always had a rich amateur music Europe. Visits by culture. Today the country still American high school has a large number of marching bands to Europe were also e bands, showbands, ensembles, e a great influence on the (photo by Mike Shayes from the collection of community bands, percussion Avant )C. ourir, the Netherlands, 1985 Drum Corps Dutch marching (band) units and baton teams, most of World activity. p which are members of the KNFM p show aspect was gradually introduced. One of the other leading trendsetters of (Royal Dutch Federation for When Wim Schouten, a member of Jubal, the drum corps activity in Europe is Amateur Music Groups). o and his wife, Willy, left their country to definitely Beatrix. The corps also originated The introduction of drum corps o immigrate to Akron, PA, in the 1950s, they as a drum and fife corps and adapted to field was exactly the addition the r didn’t take much time to discover the shows early. Changing its name several times country had been waiting for to r American drum corps scene and attended from Beatrix Drum and Fife Corps to Beatrix complete the existing vivid several American Legion national and state Drumfanfare, Beatrix Band and later Beatrix u amateur music activity. The first u competitions. Wim was incredibly impressed Drum and Bugle Corps shows what progress official Drum Corps Holland with the level the drum (fife) and bugle corps the unit has gone through over five decades. Championships When Beatrix started entering band E were held in E competitions in the 1970s after having added 1981 in the valved instruments to their brass section, town of they were more successful than most other Bunschoten. units had ever been. They won the national Odilo from title at the Wereld Muziek Concours (World Hilversum was Music Championships) in Kerkrade in 1974. crowned the That same year Beatrix started an first DCH international exchange with the Edmonton champion. The All-Girl Corps from Canada. Taking a unit real from Europe to the United States back then introduction of was an almost unprecedented occasion. the drum corps After Jan Meijer and Jaap van Waveren, (photo by Ron phenomenon WBeaalltoricxh, tfhroem N eththee crolallnedcsti,o Jnu olyf 28, 2000, at Murfre)e. sboro, TN, during their U.S. tour the pioneers of Beatrix, spent a summer with goes back into Drum Corps World different Drum Corps International corps, history a lot further, however. activity in the United States had already Beatrix made a trip to Birmingham, AL, in The oldest Dutch corps by far is Jubal reached, especially by the corps that soon 1979 to perform at the DCI Championships. from Dordrecht. Originally founded as a became his favorite, the Hawthorne The impact this trip had was so strong that drum and fife corps in April of 1911, the Caballeros. there was no doubt in changing the unit into corps is still active today. Jubal and many Photographs he took at contests and notes a drum and bugle corps, even though their units in the Netherlands found their origins he made were sent back to the Netherlands to type of show already had all the ingredients. in the CJMV, the Dutch equivalent of the inform Jubal on the possible new YMCA. Most of the corps of today started out adventure they might consider as drum and fife corps. conquering. The G-bugle was a Following Jubal’s example, many groups totally unknown instrument in throughout the country were formed in the Europe and Wim Schouten years that followed. Among these were contacted Donald E. Getzen in 1960 Juliana from Amersfoort, formed in 1926; to buy a complete set for Jubal. Excelsior from Rotterdam (1928); De Pijpers The fifes, which had been a Jubal from Vlaardingen (1929); Excelsior from Goes trademark for 50 years, were (1930); Jong Jubal from Dordrecht (1932); partially replaced by bugles; horns Juliana from and baritones in the key of G. Jubal Middelburg became the first drum (fife) and (1933); De bugle corps outside the United Apeldoornse States and Canada to use this type of Pijpers from brass instrument and it was (photo by David Apeldoorn introduced to the European crowds RJuicbea lf,r othme tNhet hceorllleacntdiosn, Jouf ly 26, 2002, during )t.heir U.S. tour (1933); Beatrix and amateur music scene. Drum Corps World from Hilversum Reactions were diverse, but drum corps was The first drum corps contest in Europe (1946); Kunst born in Europe. was held on Dutch grounds, creating the en Genoegen Among the drum and fife corps, field birth of both national and international from Leiden shows evolved in the 1960s. Influences from competition in Europe. The Anglo-Dutch (photo by (1949); and DVS the United States were inevitable. Drill forms contest was held in Eemnes in May 1979. HBoarnsso lKinlop, pBeerltg firuomm, 1th9e8 9co llection of ). from Katwijk were still rather traditional. When the first The good relationships some Dutch units had Drum Corps World (1953). Super-8 films and recordings arrived in with corps and bands from England resulted About half of these eventually adopted the Europe, some units copied them. It took in the strong beginning of a series of annual drum corps style. In the 1950s, the so-called until the mid-1970s for more units to adopt contests well before both DCH and Drum “National Fife Days” were organized. At some the drum corps style. Most, however, still Corps United Kingdom were formed. The of these well-run events more than 1,000 played B-flat brass instruments. Anglo-Dutch contest continued until 1983. musicians gathered to perform. Also the field Field percussion underwent the Juliana won the first Anglo-Dutch contest. 120 Since the judges were mainly Jubal and feeder corps class title. Beatrix instructors, these two corps The first drum and bugle corps from performed in exhibition. Belgium, Borsalino from the town of Drum Corps Holland Auvelais, showed its talents at some of the The need for a national organization that regional DCH contests that season. The ran contests became stronger. Anton de corps was crowned the first DCBelgium Graaf, organizer of the first Anglo-Dutch champion at the end of the decade. Borsalino contest, was one of the co-founders of Drum was the pioneer of the corps activity in Corps Holland, which first started in 1980, Belgium. almost parallel to the founding of DCUK. In 1985, German corps started their own The first DCH Championships were held a organization, Drum Corps Deutschland. In year later. Surprisingly, both leading Belgium, drum corps fans slowly started pioneers for this activity, Jubal and Beatrix, thinking of building a national organization. did not compete. A total of five open class The competition season in the corps and two cadet class corps were present. Netherlands has always run from the second ö ö (photo by R.W. Harris from the Unfortunately, none of these seven corps is cWolllepcetrio L n owfe n, Germany, 1985 ). week of May through the last weekend of still active today. Drum Corps World September. This might sound long compared Champions Odilo from Hilversum stopped longer an all-girl unit. the DCA or DCI seasons, but the biggest competing after the 1985 season. Wesopa Oranje Nassau from Vlissingen and Bato difference is that the season in the from Weesp folded in 1984. Excelsior from from Haarlem joined DCH in 1983. Bato was Netherlands is split in two. Baarn and In Aethere Musica from Eemnes especially known for the fact that they All Dutch corps usually have their first merged in 1984, but are now only active in learned two different shows. Beside their public performance on the queen’s birthday, the winter guard circuit. For scores of all competitive performance, they also had a April 30, which is a national holiday in the DCH Championships, refer to pages 273-274 traditional Dutch show, complete with country. Then the contests run through the in “A History of Drum & Bugle Corps,” folklore costumes, cheese carriers, tulips and end of June when the activity takes an volume 1. everything else foreigners think Holland is all almost two-month summer break. This is An immediate growth in competition was about. because most Dutch families go on seen in 1982 when Jubal, Beatrix and Oranje The next three seasons were DCH’s best as summer vacation to sunny beach resorts far as the number of corps in competition is abroad. concerned. Sixteen corps performed at the In this period, corps would be too championships. One of the new corps in the incomplete and therefore the entire activity 1984 season was De Pijpers from Vlaardingen. lies still until the end of August. In They only performed one season under that September, DCH usually organized two name and later chose the more accessible contests before championships, traditionally name Avalance. held on the last Saturday of the month. Two corps from the same hometown of The weather has affected the DCH season Vlissingen entered competition as well: just about every year. Fall often starts early Juliana and Blue Spirit. It is no surprise that in the Netherlands. September has always there was a strong competition between these been a risky period. At many championships two units. Excelsior from Goes also joined the corps have had to perform in the rain. In DCH at about the same time.
Load more

Recommended publications
  • Drum Corps International and the Cavaliers
    TOUR HOUSING Drum Corps International and The Cavaliers Drum Corps International (DCI) is a non-profit organization that offers a competitive circuit for independent non-profit youth performing arts organizations from around the world. These ensembles, known as drum and bugle corps, attract members from across the country and around the world and make up what is widely recognized as Marching Music’s Major League ™. The average age of membership in these ensembles is approximately 20 years old. The nature of their performances is similar to a college marching band format but they do not perform at sporting events. Programs are more sophisticated, with much more time and expertise given to perfecting shows that are as athletic as they are artistic. DCI competitions attract tens of thousands of people in live audience settings and live feed cinema viewings every year. The members of corps such as The Cavaliers spend the entire summer touring the United States, Canada and in some cases overseas. Each member pays dues for this experience, which are used to hire staff and cover food and travel expenses. Staff members range from professional educators to Broadway designers and are significant contributors to the educational experience the members receive. Corps raise additional funds through private industry and municipalities to meet the immense cost of travel. Corps members routinely sleep on buses and in school gymnasiums while on the road. On rare occasions, they enjoy the luxury of dorm room accommodations. The drum corps activity is a national treasure that can only exist because of partnerships with sponsoring schools who furnish rehearsal and housing facilities.
    [Show full text]
  • Participation in Winter Guard International As Experienced by Ten Stakeholders: a Phenomenological Study
    The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 2018 Participation in Winter Guard International as Experienced by Ten Stakeholders: A Phenomenological Study Jeremy Morgan University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Music Education Commons Recommended Citation Morgan, Jeremy, "Participation in Winter Guard International as Experienced by Ten Stakeholders: A Phenomenological Study" (2018). Dissertations. 1587. https://aquila.usm.edu/dissertations/1587 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. Participation in Winter Guard International as Experienced by Ten Stakeholders: A Phenomenological Study by Jeremy Paul Morgan A Dissertation Submitted to the Graduate School, the College of Arts and Sciences and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Approved by: Dr. Edward Hafer, Committee Chair Dr. Mark Waymire Dr. Amanda Schlegel Dr. Webb Parker ____________________ ____________________ ____________________ Dr. Edward Hafer Dr. Richard Kravchak Dr. Karen S. Coats Committee Chair Director of School of Dean of the Graduate School Music December 2018 COPYRIGHT BY Jeremy Paul Morgan 2018 Published by the Graduate School ABSTRACT The purpose of this phenomenological study was to describe the essence of Winter Guard International (WGI) as lived by ten stakeholders, invested individuals currently serving in leadership roles within the percussion and winds divisions of the WGI organization.
    [Show full text]
  • Faculty Biographies Division Coordinators and Educational Consultants
    2012 Summer Symposium, presented by Faculty Biographies Division Coordinators and Educational Consultants Mark Buselli Jazz Band Division Coordinator Mark Buselli is Director of Jazz Studies at Ball State University. Awards include a 2010-2011 BSU College of Fine Arts Dean’s Creative Arts Award, a Creative Renewal grant from the Indianapolis Arts Council in 2005, a teacher of the year award in 2004 at Butler University, a Creative Vision award from NUVO in May of 2007, a top 10 CD release of 2009 (December 2009) in JAZZIZ magazine for “An Old Soul,” and a top 100 CD of the decade (January 2010) in DownBeat magazine for the Buselli/Wallarab release of “Basically Baker.” Mr. Buselli has over 40 arrangements published for big bands, brass ensemble and piano/trumpet. He has nine recordings out as a leader on the Owlstudios and OA2 record labels. He has written/arranged/performed for numerous artists.Mr. Buselli currently serves as Education Director of the Buselli Wallarab Jazz Orchestra/Midcoast Swing Orchestra in Indianapolis, where he has created numerous educational opportunities for over 10,000 students. Mr. Buselli graduated from the Berklee School of Music in Boston and received his Master of Music degree in Jazz Studies from Indiana University. Thomas Caneva Concert Band Division Coordinator Dr. Thomas Caneva is Director of Bands, Professor of Music and Coordinator of Ensembles and Conducting at Ball State University. At Ball State, Dr. Caneva’s responsibilities include conducting the Wind Ensemble, coordinating the graduate wind conducting program, teaching undergraduate conducting and administering the entire band program. Under his direction, the Ball State University Wind Ensemble has performed at CBDNA Regional and National Conferences, the American Bandmasters Association Convention, and state and regional MENC conventions.
    [Show full text]
  • Super Regional Championship at Indianapolis November 4-5, 2016 Ÿ Lucas Oil Stadium Ÿ Indianapolis, in Adjudicator Biographies National Presenting Sponsor
    Super Regional Championship at Indianapolis November 4-5, 2016 Lucas Oil Stadium Indianapolis, IN Adjudicator Biographies National Presenting Sponsor MUSIC PANEL (alphabetical by last name) Ed Argenziano, Clearwater, FL Edward D. Argenziano, received his Bachelor of Science Degree in Music Ed. from William Paterson University. Masters of Arts Degree, Music Performance, from Montclair State University. Edward has been a teacher of secondary schools in New Jersey for 30 years and, currently the Fine Arts Department Chairperson & Director of Bands and Orchestras at Clearwater High School. He has also served as the music composition middle college teacher for Fairleigh Dickinson University. Since 1987, Edward has been extremely involved as a music/percussion clinician and music adjudicator and has toured extensively throughout the United States, Canada, Netherlands and Japan. He has been involved with Drum Corps International (DCI) since 1973 as a performer, Percussion Caption Administrator, Percussion Arranger/Show Designer for a handful of corps, and is currently judging Winter Guard International (WGI). Percussion judge, Bands of America (BOA), and DCI. Carl Bly, Winchester, VA Mr. Carl A. Bly taught for 30 years at Centreville High School and Lake Braddock Secondary School in Fairfax County, Va., was the Concert Band and Orchestra Director at Georgetown University in Washington, D.C., and has taught at Shenandoah University in Winchester, Va. Mr. Bly’s bands have earned international reputations and have been finalists at the Bands of America’s (BOA) Grand National Championships in Indianapolis, Ind. His concert bands have performed at the Mid-West Band and Orchestra Clinic in Chicago, BOA’s National Concert Band Festival, and in the concert halls of the Kennedy Center, DAR Constitution Hall, Wolf Trap for the Performing Arts in Washington, D.C., and the Legrande Theatre in Quebec, Canada.
    [Show full text]
  • Caring for the Corps
    PRACTICE ADVANCEMENT Caring for the Corps AS TOLD TO JAIMIE SIEGLE Left: Students gain clinical experience in the performing arts setting touring with the drum corps, a disciplined group of up to 150 performers that tours extensively each summer. Right: Maj. Brian Dix, U.S. Marine Drum & Bugle Corps commanding officer, performs as the Body Bearers fire the ceremonial cannons during a concert at Marine Barracks Washington, D.C., this summer. (Photo by Cpl. Dan Hosack/U.S. Marine Corps) Among the many facets of the performing arts setting is the drum and bugle corps, a niche of competitive marching band-like “troops” with touring schedules and routines that are not for the faint of heart, reflecting virtues such as precision, discipline and teamwork, corps members learn qualities required in the military setting but are valuable in any work environment. As if embedded into a battalion of soldiers, ATs who work with Drum Corps International teams participate in every aspect of “Cadet” life, from touring on the bus to sleeping on the floor. Read on as Brian Seiler, MS, PES, ATC, and Alyssa McPherson, MS, LAT, ATC discuss the challenges, surprises and lessons learned throughout their summers working with corps athletes. Former U.S. Marine Derek Soloway, ATC, LAT, PES, a licensed athletic trainer working as a Level 3 Fitness Specialist at Henderson Hall, also describes his experience working with a unique group of Marine Corps soldiers. What led you to the athletic training my surgeon insisted that I see his in-house retired. I noticed the guys taking care of the profession? athletic trainer, as opposed to a traditional players when they got hurt.
    [Show full text]
  • Gail Schultz International Fellowship Information, Instructions and Application for 2022
    Gail Schultz International Fellowship Information, Instructions and Application for 2022 Over the course of five-decades, Gail Schultz served as a hard-working friend, enthusiastic supporter and graceful ambassador—not only of The Blue Devils, but for the entire drum corps community. Her deep passion for global stewardship and international participation became renowned and respected worldwide, and her generosity and kindness has had a positive impact on countless lives both near and far. Gail’s involvement with The Blue Devils began in 1971, when her daughter Christine joined the Twirlers and her son Steven joined the Jr. Drum & Bell Corps. Before long, Gail was managing multiple Blue Devil programs and serving on the board of directors—including multiple terms as its president. Having chaired the Precision West drum corps competition for a decade, she then helped establish the DCI West competition at Stanford Stadium and chaired that event for another decade. Serving as Marketing and Development Director, Gail coordinated special events and recruitment drives, created public relations materials, and represented The Blue Devils to the Concord Chamber of Commerce as well as civic and fraternal organizations throughout the area. As Promotions Manager, Gail coordinated all aspects of the souvenir sales on tour and in-house and developed our first e-commerce operation. She became an iconic and critical part of the drum corps activity, serving not only as the lead voice for how all drum corps merchandising operations were managed and operated, but also as a mentor and friend to all who worked in the souvenir marketplaces. Because of Gail, the corps’ souvenir trailer was not only a successful financial asset but became the social center for all drum corps fans, regardless of affiliation.
    [Show full text]
  • Tim Darbonne | Drill Designer/ Program Coordinator
    ​ Tim Darbonne | Drill Designer/ Program Coordinator Tim Darbonne began his performing career as a baritone player in the Erath High School Band from Erath, Louisiana. After graduating he went on to march Lead Euphonium with the 18 time World Champion Blue Devils Drum and Bugle Corps and aged out in 2007 as a part of the corps' 12th DCI Championship. In 2011 Tim returned to Concord to join "BD" as a member of the visual staff, a position he holds to this day. During his seven years on staff the corps has won four DCI World Championships, four Best Visual Performance Awards, and has placed no lower than second overall. Tim has designed for ensembles in 19 different states and 3 different countries. The ensembles he has designed for have earned numerous "Superior" ratings, "Best in Class" awards, State Champion awards, and BOA Regional Finalist awards. Tim made his drum corps design debut in 2011 with The Music City Drum and Bugle Corps from Nashville, Tennessee. He then went on to be the drill designer for Pacific Crest Drum and Bugle Corps from Diamond Bar, California in 2013 and 2014. Under Tim's tenure, Pacific Crest received it's highest placement and composite score in the corps' history. Tim was a co-founder of the Louisiana Stars Drum and Bugle Corps where he was also the Visual Designer/Supervisor in 2014 - 2015. In 2017, he designed the drill for the Long Island Sunrisers, a storied drum corps within the DCA Circuit. Tim was the drill designer for The Guardians Drum and Bugle Corps during the 2018 season which was also the corps' highest placement and composite score in the corps' history.
    [Show full text]
  • Bands of America Houston, TX Regional Championship October 6Th, 2018 ! Woodforest Bank Stadium! Houston, TX
    Bands of America Houston, TX Regional Championship October 6th, 2018 ! Woodforest Bank Stadium! Houston, TX Adjudicator Biographies National Presenting Sponsor MUSIC PANEL (alphabetical by last name) Wayne Dillon, Crawford, NJ Wayne Dillon holds a Masters degree in Jazz performance/pedagogy from The University of Miami (Fl). He completed both his Honors Fine Arts and Education degrees from York University in Toronto Canada. Wayne is currently the Director of Bands at the Frank J. Ciccarell Academy in Elizabeth N.J. His teaching responsibilities include Music Technology, along with Jazz, Symphonic and Marching Band. The Elizabeth HS Symphonic and Jazz bands have consistently earned superior ratings during Wayne’s tenure. The Marching Band was awarded three consecutive State Championships from 2005-2007. In 2011,2012 and 2013 the marching band was named USSBA State and National Champions in group VA. Wayne is an active adjudicator for Drum Corps International, Bands of America and Winter Guard International. He has judged the prestigious National championships for all three organizations over the past thirty years. He is currently a judge liaison for DCI, responsible for judge assignments and training. He is currently an educational clinician for the Conn-Selmer music Corporation. Wayne has served as the brass caption head with the Boston Crusaders Drum and Bugle Corps from Boston Mass. He has also worked on the music staff of the ten- time world champion Cadets of Bergen County NJ, serving as the music supervisor in 2002. In 2010-2011, Wayne served as a staff member for the US Army All American Marching Band. As a performer, Wayne has played with The Studio Jazz band and the Art Blakey jazz ensemble from the University of Miami.
    [Show full text]
  • 2009 Summer Program Book
    2019 Southern California Summer Music Games THE PASADENA TOURNAMENT OF ROSES IS PROUD TO SUPPORT THE 2019 Drum Corps at the Rose Bowl PRESENTED BY PACIFIC CREST YOUTH ARTS ORGANIZATION WITH THE WORLD’S ANYTHING FINEST ANYTHING DRUM CORPS IS POSSIBLE! www.stanbury.com - 4 - SUPERVISOR HAHN is proud to sponsor the PACIFIC CREST OUTREACH PROGRAM. Best wishes to all of the students! - 6 - The “How To” Series is a brand new collection ONLINE LEARNING of online design courses for Marching Band. We offer courses in Music Design, Visual FOR PROFESSIONALS & Design, Color Guard Design, and Percussion STUDENTS OF THE design, taught by some of the top experts in MARCHING ARTS their fields. We also offer a comprehensive online course in Student Leadership for both current and future Drum Majors, Section Leaders and Captains. Course Offerings: LEADERSHIP: AUDITION STRATEGIES AND INTERVIEW TECHNIQUES LEADERSHIP: BECOMING A SUCCESSFUL STUDENT LEADER VISUAL DESIGN FOR MARCHING BAND PERCUSSION DESIGN FOR MARCHING BAND MUSIC DESIGN FOR MARCHING B A N D WWW.E-ADJUDICATE.COM Where are YOU marching this fall? RCC Marching Tigers NEW MEMBER NIGHT Wednesday, August 14 6pm - Stover Music Hall BATTERY Wednesday, August 14 7:30pm - Lovekin Portable 2019 WINDS Thursday, August 15 AUDITION 6pm - Stover Music Hall GUARD Monday, August 19 DATES 6pm - Wheelock Stadium FRONT ENSEMBLE Monday, August 19 6pm - Wheelock Stadium See our full calendar at: www.rccband.org @ RCC_BAND - 11 - CALIFORNIA STATE BAND CHAMPIONSHIPS Presented by the Southwest Music Education Association Saturday September 21 2019 FREE sessions for students, directors and boosters Ramona High School FREE on-fi eld clinics with adjudicators See our website for more details FREE exhibition performance with adjudicator commentary www.marchingartsexperience.com - 12 - UCLA Bruin Marching Band “The Solid Gold Sound” The Rose Bowl is the home stadium for the UCLA Bruin Marching Band.
    [Show full text]
  • Poc Judge Bios 2016
    PARADE OF CHAMPIONS JAMES MADISON UNIVERSITY 2016 ADJUDICATORS LUTHER APPEL is the current director of bands at Bay Port High School in Green Bay Wisconsin and has been involved with the marching arts for 35 years. He was the director of the Regina Lions Band from Regina Saskatchewan which won 14 consecutive Canadian Marching Band Championships as well as performing at the Midwest Band Director's Clinic in Chicago and the IAJE International Jazz Convention. He served as the program manager for the Colts Drum and Bugle Corps and currently is a DCI music and brass judge as well as judging marching band competitions throughout the country. DAVID DUFFY is a native of Collinsville, Virginia. A 1985 graduate of Fieldale-Collinsville High School, he attended James Madison University in Harrisonburg, Virginia, where he studied Bass Trombone Performance and Music Education. He was a proud member of “Virginia’s Finest” and he graduated in 1989, with a Bachelor’s Degree in Music Education. Mr. Duffy has been the director of bands at Powhatan High School, Nelson County High School, and John D. Bassett Middle School in the Commonwealth of Virginia and at West Johnston High School in North Carolina. He has been the director of WGI finalists in all categories of color guard including, Powhatan High School, Bassett High School, Dominion, the STUDY, and West Johnston High School. His design credits include the Magic of Orlando Drum and Bugle Corps, and the Spirit of Atlanta Drum and Bugle Corps. His groups have performed BOA finals and have been seen at the Macy’s Parade and the Disney World Christmas Day Parade.
    [Show full text]
  • 2017 Drum Corps International Championship Events
    2017 Drum Corps International Championship Events Corps Information Packet Monday, August 7 – Tuesday, August 8 -- Michigan City, IN Wednesday, August 9 – Saturday, August 12 -- Indianapolis, IN 2017 DCI World Championships Week Overview All times are subject to change. CENTRAL TIME ZONE FOR MICHIGAN CITY EVENTS Monday 11 a.m. – 2 p.m. Marketplace set up Ames Field, Michigan City 8/7/17 12 p.m. – 2 p.m. Corps Check-in Ames Field, Michigan City 3:45 p.m. – 10:45 p.m. Open Class Prelims Ames Field, Michigan City 9:52 p.m. Directors’ Meeting Ames Field, Michigan City Tuesday 6 p.m. – 11 p.m. Open Class Finals Ames Field, Michigan City 8/8/17 EASTERN TIME ZONE FOR INDIANAPOLIS EVENTS Wednesday 7 a.m. – 5 p.m. Stadium Set-up Lucas Oil Stadium 8/9/17 10 a.m. – 5 p.m. Marketplace Load-in Lucas Oil Stadium 12 p.m. – 5 p.m. DCI Performers Showcase Indiana Convention Center/Arts Garden presented by System Blue 10 a.m. – 5 p.m. WC Corps Credential Pick-Up Lucas Oil Stadium 4 p.m. – 5 p.m. Managers Stadium Walk-Through Lucas Oil Stadium 6:30 p.m. – 8:30 p.m. Hall of Fame Dinner Omni Severin Hotel 7 p.m. – 9 p.m. DCI Judges Dinner Omni Severin Hotel 9 p.m. – 2 a.m. DCI Gala and HOF Celebration Historic Union Station Thursday 8 a.m. – 10 p.m. Warm-up Zone Military Park 8/10/17 9 a.m. – 11 p.m. World Championship Prelims Lucas Oil Stadium 6:47 p.m.
    [Show full text]
  • The Evolution of Musical and Visual Design
    4 r The evolution of e t p a musical and h C visual design by Dr. Rosalie Sward All of the corps that came on the scene early 1981; Michael J. Cahill’s article, “A Capsule appreciate it if you would report to me any and have disappeared, all of the corps that History of the Drum and Bugle Corps,” which corrections or additions that you feel should be arrived early and still remain, and all of the appeared in the October, 1982, issue of the made in conjunction with my portion of this corps that came later, had something special Instrumentalist magazine, from which I derived book and, at a later, date I may be able to make that they contributed to the drum and bugle my overview and much of the early history of those available. Please e-mail me at corps activity. It is called evolution. the activity; and Brian Tolzmann’s Drum Corps [email protected]. To fully comprehend the evolution of music Information Archives, which supplied the corps Finally, please note that when individual in the drum and bugle corps activity, one must repertoires that I did not have. corps repertoires are listed, there is often just a also consider the changes in the visual area of A number of other resources and sampling of the program for that year. If the the activity that were taking place knowledgeable people have provided important statement says “their program included . .” simultaneously, as they did not exist information. These will be listed at the end of that means that the listed selections may be independently.
    [Show full text]