World Heritage & Kumano Kodo Cherry Blossom Tour
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JAPAN's MOST UNFORGETTABLE SHRINES Relaxing Is One Thing
JAPAN’S MOST UNFORGETTABLE SHRINES Relaxing is one thing, but to feel at peace, you need to step away from the neon signs and busy streets and explore the spiritual side of Japan. Shrines are an integral part of Japanese cultural tapestry. You will find these places of worship hidden in forest sandwiched between office towers on busy streets or clinging into mountain tops visiting them can be a spiritual experience, a chance to gain insights into Japanese tradition and history, or simply enjoy serene escape from the busy city life. Shrines are considered to be the residences of Kami (Shinto gods) and are used as places of worship. The names of Shinto shrines in Japan can end in –jinja, jingu (for Imperial shrines), or taisha. Shrines are built to serve the Shinto religious tradition and are characterized by a Torii gate at the entrance decorated with vermillion, and are guarded by fox, dog, or other animal statues. The architecture of a shrine typically includes a main sanctuary (honden), where the shrine’s sacred object is kept, and a worship hall (haiden), where people make prayers and offerings. Some shrines may have treasury buildings and stages for dance or theatre performances. There are close to 80,000 Shinto shrines in Japan and are of several different categories like: • Sengen shrines- dedicated to the Shinto deity of Mt. Fuji • Hachiman shrines- dedicated to the Kami of war • Inari shrines- dedicated to the Kami of huge harvest of grains • Kumano shrines - dedicated to the twelve Kami, three Grand Shrines in the three Kumano mountains • Tenjin shrines- dedicated to the Kami of Sugawara No Michizane, a politician and scholar FUSHIMI INARI SHRINE Fushimi Inari Shrine (伏見稲荷大社, Fushimi Inari Taisha) is an important Shinto shrine in southern Kyoto. -
Through the Case of Izumo Taishakyo Mission of Hawaii
The Japanese and Okinawan American Communities and Shintoism in Hawaii: Through the Case of Izumo Taishakyo Mission of Hawaii A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʽI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN AMERICAN STUDIES MAY 2012 By Sawako Kinjo Thesis Committee: Dennis M. Ogawa, Chairperson Katsunori Yamazato Akemi Kikumura Yano Keywords: Japanese American Community, Shintoism in Hawaii, Izumo Taishayo Mission of Hawaii To My Parents, Sonoe and Yoshihiro Kinjo, and My Family in Okinawa and in Hawaii Acknowledgement First and foremost, I would like to express my deep and sincere gratitude to my committee chair, Professor Dennis M. Ogawa, whose guidance, patience, motivation, enthusiasm, and immense knowledge have provided a good basis for the present thesis. I also attribute the completion of my master’s thesis to his encouragement and understanding and without his thoughtful support, this thesis would not have been accomplished or written. I also wish to express my warm and cordial thanks to my committee members, Professor Katsunori Yamazato, an affiliate faculty from the University of the Ryukyus, and Dr. Akemi Kikumura Yano, an affiliate faculty and President and Chief Executive Officer (CEO) of the Japanese American National Museum, for their encouragement, helpful reference, and insightful comments and questions. My sincere thanks also goes to the interviewees, Richard T. Miyao, Robert Nakasone, Vince A. Morikawa, Daniel Chinen, Joseph Peters, and Jikai Yamazato, for kindly offering me opportunities to interview with them. It is a pleasure to thank those who made this thesis possible. -
Your Unpublished Thesis, Submitted for a Degree at Williams College and Administered by the Williams College Libraries, Will Be Made Available for Research Use
WILLIAMS COLLEGE LIBRARIES COPYRIGHT ASSIGNMENT AND INSTRUCTIONS FOR A STUDENT THESIS Your unpublished thesis, submitted for a degree at Williams College and administered by the Williams College Libraries, will be made available for research use. You may, through this form, provide instructions regarding copyright, access, dissemination and reproduction of your thesis. The College has the right in all cases to maintain and preserve theses both in hardcopy and electronic format, and to make such copies as the Libraries require for their research and archival functions. t:;t.. � The faculty advisor/s to the student writing the thesis Claims joint authorship in this work. _ 1/we have included in this thesis copyrighted material for which 1/we have not received permission from the copyright holder/s. If you do not secure copyright permissions by the time your thesis is submitted, you will still be allowed to submit. However, if the necessary copyright permissions are not received, e-posting of your thesis may be affected. Copyrighted material may include images (tables, drawings, photographs, figures, maps, graphs, etc.), sound files, video material, data sets, and large portions of text. l. COPYRIGHT An author by law owns the copyright to his/her work, whether or not a copyright symbol and date are placed on the piece. Please choose one ofthe options below with respect to the copyright in your thesis. _ 1/we choose not to retain the copyright to the thesis, and hereby assign the copyright to Williams College. Selecting this option will assign copyright to the College. If the author/s wishes later to pub! ish the work, he/she/they will need to obtain permission to do so from the Libraries, which will be granted except in unusual circumstances. -
80Th Anniversary Celebration Konko Mission of Wahiawa
80th Anniversary Celebration Konko Mission of Wahiawa Konko Mission of Wahiawa 207 Muliwai Avenue Wahiawa, HI. 96786 Phone & Fax: (808) 621-6667 E-mail: [email protected] “Thank you for the blessings till today” Sunday, March 15, 2020 Konko Mission of Wahiawa 80th Anniversary 60 Konko Mission of Wahiawa 80th Anniversary 1 49) Mansho, Rene 108) Yasutake, Rev. Tetsuro (Waipahu Kyokai) 50) Masaki, Chelsea 109) Yasutake, Rev. Mitsuko (Waipahu Kyokai) 51) Masaki, Hunter 110) Yasutake, Rev. Akinobu (Waipahu Kyokai) 52) Masaki, Judy 111) Yasutake, Rev. Miyoko (Waipahu Kyokai) 53) Masaki, Sean 112) Yasutake, Judy 54) Matsunaga, Tsugumi 113) Yasutake, Rev. Hisayo (Wailuku Kyokai) 55) Matsuoka, Rev. Edna (Wahiawa Kyokai) 114) Yasutake, Rev. Kanae (Wailuku Kyokai) 56) Matsuoka, Clayton 115) Yasutake, Aimee Guests 57) Miyahara, Nolan 116) Yasutake, Rev. Michiyoshi (Amagi Kyokai) 58) Miyasaka, Janet 117) Yasutake, Rev. Sachiko (Amagi Kyokai) 1) Adkison, Bryce 59) Miyashiro, Leong-Courtney 118) Yee, Jeremy 60) Montes, Rie 119) Yip, Fong 2) Adkison, Jason 3) Adkison, Jayden 61) Motosue, Reiko 120) Yip, Paley 62) Newell, Yuka 121) Zhao, Lyndon 4) Adkison, Trisha 5) Arakaki, Terry Jean 63) Nguyen, Chris 122) Zhao, Susan 64) Noguchi, Hugh 6) Esteban, Joyce 65) Oda, Glenn 7) Fukagawa, Rev. Shoryu (Ryusenji Soto Mission) 66) Oda, Claire 8) Fukushima, Dennis 9) Furusho, Alex 67) Ohata, Nancy 68) Ogino, Kiyoteru 10) Furusho, Masumi 11) Furusho, Nicholas 69) Okuno, Loren 70) Okuno, Rev. Setsuko (Hanapepe Kyokai) 12) Furusho, Randy 13) Grange, Evan 71) -
The Miare Festival Is an Expression of the Living Faith of Local Fishermen. Chapter 3 Justification for Inscription
The Miare Festival is an expression of the living faith of local fishermen. Chapter 3 Justification for Inscription 3.1.a Brief Synthesis 3.1.b Criteria Under Which Inscription is Proposed 3.1.c Statement of Integrity 3.1.d Statement of Authenticity 3.1.e Protection and Management Requirements 3.2 Comparative Analysis 3.3 Proposed Statement of Outstanding Universal Value The Sacred Island of Okinoshima and Associated Sites in the Munakata Region Chapter 3 Justification for Inscription Justification for Inscription 3.1.a Brief Synthesis The Sacred Island of Okinoshima and Associated Sites in the Munakata Region is located in the western coastal area of Japan. It is a serial cultural property that has eight component parts, all of which are linked to the worship of a sacred island that has continued from the fourth century to the present day. These component parts include Okitsu-miya of Munakata Taisha, which encompasses the entire island of Okinoshima and its three attendant reefs, located in the strait between the Japanese archipelago and the Korean peninsula; Okitsu- miya Yohaisho and Nakatsu-miya of Munakata Taisha, located on the island of Oshima; and Hetsu-miya of Munakata Taisha and the Shimbaru-Nuyama Mounded Tomb Group, located on the main island of Kyushu. Okinoshima has unique archaeological sites that have survived nearly intact, providing a chronological account of how ancient rituals based on nature worship developed from the fourth to the ninth centuries. It is of outstanding archaeological value also because of the number and quality of offerings discovered there, underscoring the great importance of the rituals and serving as evidence of their evolution over a period of 500 years, in the midst of a process of dynamic overseas exchange in East Asia. -
Rites of Blind Biwa Players
ASIA 2017; 71(2): 567–583 Saida Khalmirzaeva* Rites of Blind Biwa Players DOI 10.1515/asia-2017-0034 Abstract: Not much is known about the past activities of blind biwa players from Kyushu. During the twentieth century a number of researchers and folklorists, such as Tanabe Hisao, Kimura Yūshō,KimuraRirō,Nomura(Ga) Machiko, Narita Mamoru, Hyōdō Hiromi and Hugh de Ferranti, collected data on blind biwa players in various regions of Kyushu, made recordings of their performances and conducted detailed research on the history and nature of their tradition. However, despite these efforts to document and publicize the tradition of blind biwa players and its representatives and their repertory, it ended around the end of the twentieth century. The most extensively docu- mented individual was Yamashika Yoshiyuki 山鹿良之 (1901–1996), one of the last representatives of the tradition of blind biwa players, who was known among researchers and folklorists for his skill in performing and an abundant repertory that included rites and a great many tales. Yamashika was born in 1901 in a farmer family in Ōhara of Tamana District, the present-day Kobaru of Nankan, Kumamoto Prefecture. Yamashika lost the sight in his left eye at the age of four. At the age of twenty-two Yamashika apprenticed with a biwa player named Ezaki Shotarō 江崎初太郎 from Amakusa. From his teacher Yamashika learned such tales as Miyako Gassen Chikushi Kudari 都合戦筑紫 下り, Kikuchi Kuzure 菊池くづれ, Kugami Gassen くがみ合戦, Owari Sōdō 尾張 騒動, Sumidagawa 隅田川 and Mochi Gassen 餅合戦. After three years Yamashika returned home. He was not capable of doing much farm work because his eyesight had deteriorated further by then. -
The Origins of Japanese Culture Uncovered Using DNA ―What Happens When We Cut Into the World of the Kojiki Myths Using the Latest Science
The Origins of Japanese Culture Uncovered Using DNA ―What happens when we cut into the world of the Kojiki myths using the latest science Miura Sukeyuki – Professor, Rissho University & Shinoda Kenichi – Director, Department of Anthropology, Japanese National Museum of Nature and Science MIURA Sukeyuki: The Kojiki (Records of Ancient Matters) has one distinguishing feature in the fact it includes a mixture of both Southern and Northern style myths. This is proof that Japanese culture was originally not only one culture, but rather came into existence while being influenced by its various surroundings; but when it comes to trying to seek out the origins of that culture, as we would expect, there are limits to how far we can get using only an arts and humanities-based approach. That’s where your (Professor Shinoda’s) area of expertise— molecular anthropology—comes in and corroborates things scientifically for us. Miura Sukeyuki , Professor, Rissho By analyzing the DNA remaining in ancient human skeletal remains, University your research closing in on the origins of the Japanese people is beginning to unravel when the Jomon and Yayoi peoples and so on came to the Japanese archipelago, where they came from, and the course of their movements, isn’t it? In recent times we’ve come to look forward to the possibility that, by watching the latest developments in scientific research, we may be able to newly uncover the origins of Japanese culture. SHINODA Kenichi: Speaking of the Kojiki , during my time as a student my mentor examined the bones of O-no-Yasumaro, who is regarded as being the person who compiled and edited it. -
The Myth of the Goddess of the Undersea World and the Tale of Empress Jingu’S Subjugation of Silla
Japanese Journal of Religious Studies 1993 20/2-3 The Myth of the Goddess of the Undersea World and the Tale of Empress Jingu’s Subjugation of Silla Akima Toshio In prewar Japan, the mythical tale of Empress Jingii’s 神功皇后 conquest of the Korean kingdoms comprised an important part of elementary school history education, and was utilized to justify Japan5s coloniza tion of Korea. After the war the same story came to be interpreted by some Japanese historians—most prominently Egami Namio— as proof or the exact opposite, namely, as evidence of a conquest of Japan by a people of nomadic origin who came from Korea. This theory, known as the horse-rider theory, has found more than a few enthusiastic sup porters amone Korean historians and the Japanese reading public, as well as some Western scholars. There are also several Japanese spe cialists in Japanese history and Japan-Korea relations who have been influenced by the theory, although most have not accepted the idea (Egami himself started as a specialist in the history of northeast Asia).1 * The first draft of this essay was written during my fellowship with the International Research Center for Japanese Studies, and was read in a seminar organized by the institu tion on 31 January 199丄. 1 am indebted to all researchers at the center who participated in the seminar for their many valuable suggestions. I would also like to express my gratitude to Umehara Takeshi, the director general of the center, and Nakanism Susumu, also of the center, who made my research there possible. -
Harai-Kiyome Di Kuil Takekoma Takekoma Jinja De No Harai
HARAI-KIYOME DI KUIL TAKEKOMA TAKEKOMA JINJA DE NO HARAI-KIYOME SKRIPSI Skripsi ini diajukan kepada panitia ujian Fakultas Ilmu Budaya Universitas Sumatera Utara Medan untuk melengkapi salah satu syarat ujian Sarjana dalam Bidang Ilmu Sastra Jepang Oleh: M. BRAWIJAYA NIM: 140708100 PROGRAM STUDI SASTRA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS SUMATERA UTARA MEDAN 2019 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA KATA PENGANTAR Puji dan syukur penulis ucapkan kepada Allah SWT karena dengan rahmat dan hidayah-Nya penulis diberikan kesehatan selama mengikuti perkuliahan hingga penulis dapat menyelesaikan skripsi ini. Usaha yang diiringi dengan doa merupakan dua hal yang membuat penulis mampu menyelesaikan skripsi ini. Penulisan skripsi yang berjudul “HARAI-KIYOME DI KUIL TAKEKOMA” ini penulis susun sebagai salah satu syarat untuk meraih gelar sarjana pada Departemen Sastra Jepang Fakultas Ilmu Budaya Universitas Sumatera Utara. Dalam penulisan skripsi ini penulis tidak terlepas dari bimbingan, dukungan, dorongan serta bantuan dari berbagai pihak. Oleh karena itu, pada kesempatan ini penulis ingin menyampaikan rasa terima kasih yang sebesar- besarnya kepada: 1. Bapak Dr. Budi Agustono, M.S selaku Dekan Fakultas Ilmu Budaya Universitas Sumatera Utara. 2. Bapak Prof. Hamzon Situmorang, M.S, Ph.D., selaku ketua Program Studi Sastra Jepang Fakultas Ilmu Budaya Universitas Sumatera Utara. 3. Bapak Drs. Amin Sihombing.,M.Si selaku dosen pembimbing sekaligus Dosen Penasehat Akademik, yang telah ikhlas memberikan dorongan dan meluangkan banyak waktu, pikiran, serta tenaga dalam membimbing penulis sehingga skripsi ini dapat penulis selesaikan dengan baik. 4. Bapak Alimansyar, SS,M.A.,Ph.D selaku dosen Bahasa Jepang yang bersedia membimbing, meluangkan waktu, pikiran serta memberikan i UNIVERSITAS SUMATERA UTARA sumber-sumber data untuk penulis sehingga skripsi ini dapat penulis selesaikan dengan baik. -
Traditions, Onsens, & Hiking the Kumano Kodo
JAPAN Traditions, Onsens, & Hiking the Kumano Kodo April 16 - 26, 2020 adventurewomen 14 mount auburn street, watertown ma 02472 t: (617) 544-9393 t: (800) 804-8686 www.adventurewomen.com 1 JAPAN Traditions, Onsens, & Hiking the Kumano Kodo April 16 - 26, 2020 TRIP HIGHLIGHTS ` Hike from village-to-village along the ancient pilgrimage route of the Kumano Kodo resting at night in traditional inns ` Hike with one of the few female “yamabushi”, or mountain ascetic priests and learn about the preservation of Japan’s regional traditions ` Meet Ama pearl divers, Japanese women who free-dive for pearl oysters ` Experience the etiquette and tradition of a formal Japanese tea ceremony ` Relax in the evening in natural hot spring baths with a soothing glass of wine TRIP ROUTE adventurewomen 14 mount auburn street, watertown ma 02472 t: (617) 544-9393 t: (800) 804-8686 www.adventurewomen.com 2 JAPAN Traditions, Onsens, & Hiking the Kumano Kodo April 16 - 26, 2020 QUICK VIEW ITINERARY Day 1: arrive Kyoto, welcome dinner Day 2: explore Ginkakuji Temple, walk the Philosopher’s Pathway, meet an apprentice Geisha Day 3: experience Todaiji Temple, walk in Nara Park, Japanese tea ceremony Day 4: hike on the Kumano Kodo from Takijiri to Takahara Day 5: hike from Takahara to Chikatsuyu Day 6: hike to Hongu with a female ascetic priest, make traditional washi paper Day 7: visit a tuna market, explore Nachi Taisha Day 8: take the train to Ise, visit the Geku, end the day in the inner shrine of Naiku Day 9: visit the Ama Divers, take the bullet train to Tokyo Day 10: walk in the Hama Rikyu Gardens, visit the Ginza district, explore Grand Meiji Shrine Day 11: depart for the US TRIP PRICE Main Trip: $8,390 Optional Single Accommodations: $1,500 adventurewomen 14 mount auburn street, watertown ma 02472 t: (617) 544-9393 t: (800) 804-8686 www.adventurewomen.com 3 JAPAN Traditions, Onsens, & Hiking the Kumano Kodo April 16 - 26, 2020 your adventure in depth DAY 1 Arrive in Kyoto Thursday Arrive in Osaka today and transfer to Kyoto. -
State Shinto”
Recent Research on “State Shinto” Okuyama Michiaki 奥山倫明 Nanzan Institute for Religion & Culture As a scholarly concept, the concept of State Shinto has been developing, especially after 1945, to refer to the prewar situation surrounding the sup- port and management shrine matters by the state. Academic works are accumulating, both on the concept of State Shinto itself and on the elements that concretely constituted State Shinto. This essay will first summarize the scholarly institutions surrounding the researches related to State Shinto developed in the past fifteen years or so. Then it will try to give an overview of the related sites and facilities of State Shinto, elements that concretely constituted prewar State Shinto. elen Hardacre published Shinto: A History in 2017. In this book she “tries to address the issue of continuity in Shinto history from a new vantage point,” after Kuroda Toshio’s theory on Shinto dismantled “the rhetoric of Shinto as ‘the indigenous religion of HJapan’” in the 1980s (5). Hardacre discusses the subject of modern Shinto in the following five chapters in this book: Chapter 12 entitled “Shinto and the Meiji State”; Chapter 13 “Shinto and Imperial Japan; Chapter 14 “Shinto from 1945 through 1989”; Chapter 15 “Shrine Festivals and Their Changing Place in the Public Sphere”; and Chapter 16 “Heisei Shinto.” These five chapters occupy approximately one-third of the main text of the volume (198 among 552 pages). In this book, “State Shinto” is not a main topic, but nevertheless she pays sig- nificant attention to it. In the introduction that summarizes the contents of each chapter, Hardacre comments on the term “State Shinto” in referring to Chapter 12. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first.