What Is Right with Marriage
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Who's Who at Metro-Goldwyn-Mayer (1939)
W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Osamu Tezuka and the First Story Manga
Osamu Tezuka and the First Story Manga powerful preconceived notion that manga was for fun and laughs ha ha ha, no matter how cinematically complex you draw something, it Ryan Holmberg was simply not going to be a ‘story.’ That’s just cinematic enjoyment. A true ‘story’ is like an epic drama, or even a bildungsroman [kyo-yo- sho- setsu], with ups and downs in the drama, and a view of what it means Osamu Tezuka’s (1928–89) The Mysterious Underground Men to be human. Human life is not always happy. There is tragicomedy, ( Chiteikoku no kaijin, February 1948) occupies an elevated position a humanism that is a jumbled mix of tragedy and comedy. The in the history of Japanese comics. It might not be as legendary as depiction of characters’ personalities also becomes necessary. First the artist’s debut book, the collaborative New Treasure Island (Shin there is the need for dramaturgy. And it was in order to establish takarajima, January 1947), but as the “first of my story manga,” as the dramaturgy that this sort of cinematic imagery came about, after the author put it in his afterword to the 1982 reissue of The Mysterious fact.” Underground Men, it was arguably more foundational for the Previous Japanese cartoonists might have liked movies and subsequent evolution of the medium than New Treasure Island’s use of the theater, Tezuka continues, “but what they created was not drama. wordless cinematic breakdowns. It was farce, and vaudeville. The focus was on wit and gags, ending with Of course, there had been book-length children’s comics with everyone laughing ha ha ha. -
Motion Picture Reviews
MOTION PICTURE REVIEWS WOMEN’S UNIVKSI17 CLUB LOS ANGCLCS.CAL/r Vol. Ill 1932 Digitized by the Internet Archive in 2016 with funding from Media History Digital Library https://archive.org/details/motionpicturerev00wome_1 MOTION PICTURE REVIEWS THE WOMEN'S UNIVERSITY CLUB LOS ANGELES, CALIFORNIA JANUARY 1932 THE WOMEN’S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN 943 South Hoover Street <$xj> Telephone DRexel 2177 <Sx8> Copyright by Women’s University Club 1931 WEBBCRAFT PRINTERS. 1051 ARLINGTON AVE , LOS ANGELES Motion Picture Reviews Three MOTION • PICTURE • REVIEWS Published monthly by THE WOMEN’S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN Mrs. John Vruwink Mrs. Gerard A. Murray ) Co-Chairmen Mrs. Palmer Cook, \ Preview Chairman Editors Mrs. J. Allen Davis Mrs. Arthur Jones Mrs. Walter Van Dyke Mrs. Palmer Cook M rs. John Vruwink, Mrs. F. H. Partridge Address all communications to The Women’s University Club, 943 South Hoover Street, Los Angeles, California. VOL. III. No. 1 JANUARY, 1932 10c per Copy, $1.00 per Year FEATURE FILMS 4 BEAU HUNKS » » lem and the crime situation, realistic and ex- Laurel and Hardy. Direction by James citing. Mr. Huston gives an excellent charac- terization. Horne. M.G.M. Adolescents, 12 to 16 Children, 8 to 12 When Hardy’s best girl refuses him, he and Laurel join the Foreign Legion and become Not suitable No heroes through a series of blunders only possi- C+-9 ble to these incomparable comedians. The picture follows the well known Laurel and COCK OF THE AIR » » Hardy formula and will delight their many Billie Dove, Chester Morris, .Watt Moore followers. -
The Secret Life of Comics: Socializing and Seriality Carol L. Tilley
The Secret Life of Comics: Socializing and Seriality Carol L. Tilley, Presenter Sara Bahnmaier, Recorder Dr. Carol Tilley delivered a vision session to the 32nd annual meeting of NASIG in Indianapolis, Indiana, on the history of comics readership and libraries, particularly in the United States during the mid-twentieth century, and the relevance of comics to libraries in the present. It raised awareness for the audience about progress that has been made on comics collecting and programming, as well as the need for librarians to continue and heighten their enthusiasm for this work . It also reminded us that comics tell stories and communicate ideas. They are part of our cultural heritage and they have been for decades. In questions and answers, the audience discussed both the challenges and the rewards of acquiring and organizing comics at their own institutions. (After the introduction by Steve Kelley on behalf of NASIG): It helps me to acknowledge the ground on which I stand by connecting the personal with the professional. Let me start here: Steve mentioned that I’m a native of Indiana and I was born and raised in Vevay, Indiana, near to but a little cut off from Indianapolis by the hills and the river. I was really fortunate as a kid growing up to be living on the same block as the library. Because the library and my parents’ house were the only buildings in town with the same dark red wire-cut brick, and the same red Spanish clay tile roof, I assumed that it was a link between the library and me. -
Richard Kostelanetz
Other Works by Richard Kostelanetz Fifty Untitled Constructivst Fictions (1991); Constructs Five (1991); Books Authored Flipping (1991); Constructs Six (1991); Two Intervals (1991); Parallel Intervals (1991) The Theatre of Mixed Means (1968); Master Minds (1969); Visual Lan guage (1970); In the Beginning (1971); The End of Intelligent Writing (1974); I Articulations/Short Fictions (1974); Recyclings, Volume One (1974); Openings & Closings (1975); Portraits from Memory (1975); Audiotapes Constructs (1975); Numbers: Poems & Stories (1975); Modulations/ Extrapolate/Come Here (1975); Illuminations (1977); One Night Stood Experimental Prose (1976); Openings & Closings (1976); Foreshortenings (1977); Word sand (1978); ConstructsTwo (1978); “The End” Appendix/ & Other Stories (1977); Praying to the Lord (1977, 1981); Asdescent/ “The End” Essentials (1979); Twenties in the Sixties (1979); And So Forth Anacatabasis (1978); Invocations (1981); Seductions (1981); The Gos (1979); More Short Fictions (1980); Metamorphosis in the Arts (1980); pels/Die Evangelien (1982); Relationships (1983); The Eight Nights of The Old Poetries and the New (19 81); Reincarnations (1981); Autobiogra Hanukah (1983);Two German Horspiel (1983);New York City (1984); phies (1981); Arenas/Fields/Pitches/Turfs (1982); Epiphanies (1983); ASpecial Time (1985); Le Bateau Ivre/The Drunken Boat (1986); Resume American Imaginations (1983); Recyclings (1984); Autobiographicn New (1988); Onomatopoeia (1988); Carnival of the Animals (1988); Ameri York Berlin (1986); The Old Fictions -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... The Graphic Memoir and the Cartoonist’s Memory A Dissertation Presented by Alice Claire Burrows to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Comparative Literature Stony Brook University August 2016 Stony Brook University The Graduate School Alice Claire Burrows We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. _________________________________________________________ Raiford Guins, Professor, Chairperson of Defense _________________________________________________________ Robert Harvey, Distinguished Professor, Cultural Analysis & Theory, Dissertation Advisor _________________________________________________________ Krin Gabbard, Professor Emeritus, Cultural Analysis & Theory _________________________________________________________ Sandy Petrey, Professor Emeritus, Cultural Analysis & Theory _________________________________________________________ David Hajdu, Associate Professor, Columbia University, Graduate School of Journalism This dissertation is accepted by the Graduate School ___________________________ Charles Taber Dean of the Graduate School ii Abstract of the Dissertation -
Full Report (PDF 851KB)
Preface This is a report about strengthening marital relationships. It is about preventing marital distress and the consequent breakdown of relationships. It arises from our concern for children; for their future, their happiness, and their ability to form their own loving and fulfilling relationships. Marriage has been substantially redefined in recent times. In the words of Dr Don Edgar, the former director of the Australian Institute of Family Studies, marriage has been defined backwards by reference to divorce over the past two decades. Marriage and divorce have often resulted in polarised views within the community. A debate continues between those who say that divorce is a right, not to be encumbered in any way; and those who maintain that it has led to social breakdown and adverse consequences for both adults and children. We believe that there is another, alternative way forward through the adoption of a national strategy to strengthen marriages and relationships. This strategy calls for a renewed focus on the underlying objectives of marriage and family law in Australia, and the determination to achieve a new balance. The introduction of the Family Law Act 1975 reflected changes to matrimonial laws in much of the western world. Prior to 1959, divorce law in Australia remained under the jurisdictions of the States. In that year, the Commonwealth Government, pursuant to s 51 of the Constitution, introduced its own legislation in the form of the Matrimonial Causes Bill. The effect of the Bill was to consolidate the laws of the States into a code of general application throughout Australia. The Act provided 14 grounds for divorce. -
Graphic Novel Il Graphic Novel Crossover Per La Per Modernità
Biblioteca di Studi E. Bacchereti, F. Fastelli, D Salvadori Fastelli, F. E. Bacchereti, a cura di di Filologia Moderna Elisabetta Bacchereti Federico Fastelli Diego Salvadori Il Un graphic novel graphic Il graphic novel crossover per la modernità per la . Un crossover per la modernità FUP FIRENZE PRESSUNIVERSITY BIBLIOTECA DI STUDI DI FILOLOGIA MODERNA ISSN 2420-8361 (ONLINE) – 56 – DIPARTIMENTO DI FORMAZIONE, LINGUE, INTERCULTURA, LETTERATURE E PSICOLOGIA DEPARTMENT OF EDUCATION, LANGUAGES, INTERCULTURES, LITERATURES AND PSYCHOLOGY (FORLILPSI) Università degli Studi di Firenze / University of Florence BIBLIOTECA DI STUDI DI FILOLOGIA MODERNA (BSFM) Collana Open Access “diamante” fondata e diretta da Beatrice Tottossy dal 2004 al 2020 “Diamond” Open Access Series founded and directed by Beatrice Tottossy (2004-2020) Direttori / Editors-in-Chief Giovanna Siedina, Teresa Spignoli, Rita Svandrlik Coordinatore tecnico-editoriale / Managing Editor Arianna Antonielli Comitato scientifico internazionale / International Scientific Board (http://www.fupress.com/comitatoscientifico/biblioteca-di-studi-di-filologia-moderna/23) Enza Biagini (Professore Emerito), Nicholas Brownlees, Martha Canfield, Richard Allen Cave (Emeritus Professor, Royal Holloway, University of London), Massimo Ciaravolo (Università Ca’ Foscari Venezia), Anna Dolfi (Professore Emerito), Mario Domenichelli (Professore Emerito), Maria Teresa Fancelli (Professore Emerito), Massimo Fanfani, Federico Fastelli, Paul Geyer (Rheinische Friedrich-Wilhelms-Universität Bonn), Sergej Akimovich -
Sequential Art, Graphic Novels, and Comics Brian Kelley
SANE journal: Sequential Art Narrative in Education Volume 1 Article 10 Issue 1 Comics in the Contact Zone 1-1-2010 Sequential Art, Graphic Novels, and Comics Brian Kelley Follow this and additional works at: http://digitalcommons.unl.edu/sane Part of the American Literature Commons, American Popular Culture Commons, Art Education Commons, Comparative Literature Commons, Creative Writing Commons, Curriculum and Instruction Commons, Educational Assessment, Evaluation, and Research Commons, Educational Methods Commons, Educational Psychology Commons, Feminist, Gender, and Sexuality Studies Commons, Higher Education Commons, Illustration Commons, Interdisciplinary Arts and Media Commons, Rhetoric and Composition Commons, and the Visual Studies Commons Recommended Citation Kelley, Brian (2010) "Sequential Art, Graphic Novels, and Comics," SANE journal: Sequential Art Narrative in Education: Vol. 1: Iss. 1, Article 10. Available at: http://digitalcommons.unl.edu/sane/vol1/iss1/10 This Emanata is brought to you for free and open access by DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in SANE journal: Sequential Art Narrative in Education by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. WW Kelley: Sequential Art, Graphic Novels, and Comics Sequential Art, Graphic Novels, & Comics “Anyone interested in comics, from the cAsuAl broWser to the seAsoned professionAl, Will leArn something neW by reAding this pAper.” — gene Yang* *author of American Born Chinese (2007, First Second Books); Loyola Chin & the San Peligran Order (2004, SLG Publishing); Gordon Yamamoto, King of the Geeks (2004, SLG Publishing); co-author, The Eternal Smile (2009, First Second Books) Published by DigitalCommons@University of Nebraska - Lincoln, 2010 1 SANE journal: Sequential Art Narrative in Education, Vol. -
DOCUMENT RESUME AUTHOR Camperell, Kay, Ed.; Hayes
DOCUMENT RESUME ED 419 221 CS 013 186 AUTHOR Camperell, Kay, Ed.; Hayes, Bernard L., Ed.; Telfer, Richard, Ed. TITLE Promises, Progress and Possibilities: Perspectives of Literacy Education. INSTITUTION American Reading Forum. ISSN ISSN-0895-3562 PUB DATE 1997-00-00 NOTE 242p.; For Volume 16, see ED 405 572. Selected papers presented at the Annual Conference of the American Reading Forum (Sanibel Island, FL, December 1996). PUB TYPE Collected Works General (020) Collected Works Serials (022) Speeches/Meeting Papers (150) JOURNAL CIT Yearbook of the American Reading Forum; v17 1997 EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS Basic Skills; Educational Cooperation; Elementary Secondary Education; Higher Education; *Internet; *Literacy; National Standards; Picture Books; Preservice Teachers; *Professional Development; Reading Comprehension; *Reading Instruction; Reading Motivation; Reading Research; Standardized Tests; Story Telling; Teacher Education IDENTIFIERS *Educational Issues ABSTRACT Papers in this collection focus on diverse issues in literacy ranging from motivation to wordless books to professional development schools. Papers in the collection, and their authors, are as follows: "The New Literacy and Reading Workshop: How Comfortable Is Too Comfortable?" (Jeanne Henry); "Fostering Reading Motivation: Insights from Theory and Research" (Linda B. Gambrell and Rose Marie Codling); "Standards for the English Language Arts: Stylish but Stillborn" (Thomas Cloer, Jr.); "Skill Standards: Establishing a Framework for Basic Skills" (Eunice N. Askov); "Balanced Reading Programs: Exploring Their Essentials" (Mona W. Matthews; Jerry L. Johns; Victoria J. Risko; Marian Tonjes); "Wordless Books: Promise and Possibilities, A Genre Comes of Age" (Sarah Dowhower); "Reading Instruction in the Middle School Mathematics Classroom" (Chet H. Laine; Terry L. Bullock; Bob Drake); "The Relationship of Standardized Reading Scores to Children's Self-Perception as Readers" (Thomas Cloer, Jr. -
100 YEARS at the PHOENIX Archive of an Oxford Cinema 1913 – 2013
100 YEARS AT THE PHOENIX Archive of an Oxford Cinema 1913 – 2013 Hiu M Chan Dedicated to the Phoenix and Oxford with love This archive is part of a post-graduate research project and so is work-in-progress. While every effort has been made to weed out errors and inconsistencies – derived from the source material (newspaper microfi che archives) – some will have inevitably slipped through. If you spot any errors and omissions please get in touch via the website http://phoenixcentenary.wordpress.com and we will update the database. The publishers are not responsible for the verifi cation of the entries; that is my remit. Thank you. Hiu M Chan and the Phoenix Centenary Project Published in conjunction with the centenary of the Oxford Phoenix Picture, 57 Walton Street, Oxford OX2 6AE © Hiu M Chan, 2013 All right reserved No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form by any means, electronic or mechanical, without prior written permission of the author. ISBN 978-0-9567405-5-7 Design: Nick Withers Associate Editor: James Harrison Film lists typeset in Helvetica Neue Digitally printed and bound in England by Charlesworth Press, Wakefi eld, Yorkshire A special limited hardback edition was also published exclusively for use in the cinema on the 100th anniversary, 15th March 2013. For further details, research feedback, or to input any updates, corrections or amendments please contact: www.hiuandfi lm.com Oxfordfolio, 100A Cowley Road, Oxford OX4 1JE Preface 15th March 2013 marks the 100th anniversary of the Phoenix Picturehouse Cinema in Oxford.