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The Human Termanation Guide
THE HUMAN TERMINATION GUIDE BOOK By Anna Farahmand and Micheal Webber © 2009 By Anna farahmand and Micheal Webber © 2009 Micheal Webber The copy write belongs to the authors. ---No legal action will be entered into regarding the copying printing or sharing of this document in its unaltered form so …...........please copy upload and share the wisdom of this document.................. – No profiting from sales of this of this document will be tolerated. – (Micheal Webber) Published by Dead Phoenix, Press Michael Webber # 4361/ 616 Corporate Way, Suite 2 Valley Cottage, NY 10989-2050 US He who knows and knows he knows He is a wise man, seek him. He who knows and knows not he knows, He is asleep, wake him. He who knows not and knows he knows not, He is a child, teach him. He who knows not and knows not he knows not, He is a fool, shun him. Preface Until now, many documents have bean written on anarchy, terrorism, conspiracy theories and guerrilla warfare, but there is no document which covers all of them in one. Every one must know who was he and person would like to be? Or all his life is affected by others. I will try to show the readers how ideology changes their world for benefit of a few. Most documents want to introduce an enemy but don’t offer the meaning of that enemy. They want to brain wash you with their ideology and use you as a killer. our stupid ideology make us different from other animals and all things we are suffering now is because of this .we want to stay alive forever and speak proudly that humans are the only valuable species, “but Mankind is the most dangerous, destructive, selfish and unethical animal on the earth”. -
A MEDIUM for MODERNISM: BRITISH POETRY and AMERICAN AUDIENCES April 1997-August 1997
A MEDIUM FOR MODERNISM: BRITISH POETRY AND AMERICAN AUDIENCES April 1997-August 1997 CASE 1 1. Photograph of Harriet Monroe. 1914. Archival Photographic Files Harriet Monroe (1860-1936) was born in Chicago and pursued a career as a journalist, art critic, and poet. In 1889 she wrote the verse for the opening of the Auditorium Theater, and in 1893 she was commissioned to compose the dedicatory ode for the World’s Columbian Exposition. Monroe’s difficulties finding publishers and readers for her work led her to establish Poetry: A Magazine of Verse to publish and encourage appreciation for the best new writing. 2. Joan Fitzgerald (b. 1930). Bronze head of Ezra Pound. Venice, 1963. On Loan from Richard G. Stern This portrait head was made from life by the American artist Joan Fitzgerald in the winter and spring of 1963. Pound was then living in Venice, where Fitzgerald had moved to take advantage of a foundry which cast her work. Fitzgerald made another, somewhat more abstract, head of Pound, which is in the National Portrait Gallery in Washington, D.C. Pound preferred this version, now in the collection of Richard G. Stern. Pound’s last years were lived in the political shadows cast by his indictment for treason because of the broadcasts he made from Italy during the war years. Pound was returned to the United States in 1945; he was declared unfit to stand trial on grounds of insanity and confined to St. Elizabeth’s Hospital for thirteen years. Stern’s novel Stitch (1965) contains a fictional account of some of these events. -
The Fragmentation of Imagism It Was 1912, and a New Mode of Poetry Was Taking Root
The Fragmentation of Imagism It was 1912, and a new mode of poetry was taking root. Sparked by the ideas of T.E. Hulme and from distaste of the drippy sentimentalism of the Romantic era (Britannica “Imagist”), Ezra Pound, Richard Aldington, and H.D. literally wrote the rules of Imagism. Their dry, concise look at an image or “complex,” as Pound described it, helped lay the foundation for modernist poetry. However, the Imagists’ granite rules could not ensure strict adherence to their form, not even from founding members of Imagism themselves. As the years went by, the Imagists themselves grew weary of their own form by both their own admittance and through their later works. Ezra Pound was the first leader of the Imagist movement, and his autocratic grip on the concept of Imagism may be partly to blame for the fragmentation of the movement. Pound makes it quite clear that, “At least for myself, I want [twentieth-century poetry] so, austere, direction, free from emotional slither (“A Retrospect” 23).” He carefully selected and edited poems for published volumes of Imagist poetry, but the appearance of the popular and wealthy poet heiress Amy Lowell swept in a new democratic format for the group’s publications. Authors were to select what they considered their best work, without the stamp of approval from Pound deeming it true to the Imagist credo (Bradshaw 159). Amy Lowell and Ezra Pound clashed quite famously over the direction Imagism would take, as seen in Lowell’s poem to Pound, harshly dubbed “Astigmatism.” The poem pulls no punches; the analogy is clear in Lowell’s image of the Poet smashing lovely flowers of all kinds, saying “They are useless. -
First World War Poems Free
FREE FIRST WORLD WAR POEMS PDF Sir Andrew Motion | 192 pages | 07 Oct 2004 | FABER & FABER | 9780571221202 | English | London, United Kingdom First World - Prose & Poetry To commemorate the centennial of World War I, we present a selection of poets who served as soldiers, medical staff, journalists, or volunteers. Some poets glorified the cause patriotically—trumpeting the older, traditional notions of duty and honor, while mourning the millions of dead. Our list—sorted by country, then alphabetically—is not comprehensive, but it serves as a starting point for readers interested in exploring the Great War from many perspectives. We'll be adding more poets to this list periodically. Also be sure to take a First World War Poems at our sampler First World War Poems the Poetry First World War Poems World War I. Prose Home Harriet Blog. Visit Home Events Exhibitions First World War Poems. Newsletter Subscribe Give. Poetry Foundation. Back to Previous. World War I Poets. From Apollinaire to Rilke, and from Brooke to Sassoon: a sampling of war poets. Rainer Maria Rilke. Georg Trakl. Franz Werfel. John McCrae. Robert W. Richard Aldington. Laurence Binyon. Edmund Blunden. Vera Mary Brittain. Rupert Brooke. Margaret Postgate Cole. May Wedderburn Cannan. Ford Madox Ford. Wilfrid Wilson Gibson. Robert Graves. Julian Grenfell. Ivor Gurney. Robert Nichols. Wilfred Owen. Herbert Read. Edgell Rickword. Isaac Rosenberg. Siegfried Sassoon. May Sinclair. Edward Thomas. Arthur Graeme West. Guillaume Apollinaire. Jean Cocteau. Gottfried Benn. Wilhelm Klemm. August Stramm. Francis Ledwidge. Eugenio Montale. Giuseppe Ungaretti. Alexandr Blok. Nikolai Gumilev. Sergei Yesenin. Hugh MacDiarmid. Charles Hamilton Sorley. Hervey Allen. John Peale Bishop. -
Richard Aldington: a Biography
RICHARD ALDINGTON:A BIOGRAPHY Also by Charles Doyle JAMES K. BAXTER WILLIAM CARLOS WILLIAMS: THE CRITICAL HERITAGE (editor) *WILLIAM CARLOS WILLIAMS AND THE AMERICAN POEM WALLACE STEVENS: THE CRITICAL HERITAGE (editor) *Also published by Palgrave Macmillan Richard Aldington: A Biography CHARLES DOYLE M MACMILLAN © Charles Doyle 1989 Softcover reprint ofthe hardcover 1st edition 1989 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright Act 1956 (as amended), or under the terns of any license permitting limited copying issued by the Copyright Licensing Agency, 33-4 Alfred Place, London WC1E 7DP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published in 1989 Published by THE MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 2XS and London Companies and representatives throughout the world British Library Cataloguing in Publication Data Doyle, Charles, 1928- Richard Aldington: a biography. 1. English literature. Aldington, Richard, 1892-1962 I. Title 828' .91209 ISI3N 978-1-349-10226-6 ISBN 978-1-349-10224-2 (eBook) DOI 10.1007/978-1-349-10224-2 To Alister Kershaw Contents Listof Illustrations ix Acknowledgements Xl Introduction xiii 1 Chrysalis, 1892-1911 1 2 Pound and H. D., 1912-13 13 3 Egoists, 1914 26 4 Images, Lost and Found, 1915-16 38 5 War, 1916-18 54 6 Aftermaths, 1919-20 68 7 Malthouse Cottage: Working at the Writer's Trade, 1921-25 77 8 Malthouse Cottage: Eliot, 1919-27 90 9 Malthouse Cottage: The Late 1920s, 1926-28 106 10 Port-Cros and After, 1928-29 119 11 A Careeras a Novelist, 1929-31 138 12 1931-33 151 13 1933--36 164 14 1937-38 177 15 Farewell to Europe, 1939-40 191 16 1941-42 206 17 1943--46 215 18 1946-50 230 19 1950-54 245 20 TheT. -
543 Cass Street, Chicago Copyright 1915 by Harriet Monroe
FEBRUARY, 1915 The Chinese Nightingale . Vachel Lindsay Silence Edgar Lee Masters Two Poems Victor Starbuck The Idler—The Poet. The Fisher Lad Francis Buzzell Voices of Women . Margaret Widdemer A Lost Friend—The Net—The Singer at the Gate—The Last Song of Bilitis. A Call in Hell Violet Hunt Dancers Richard Aldington Palace Music Hall—Interlude. Four Poems Orrick Johns Sister of the Rose—The Rain—The Battle of Men and God—The Haunt. Comments and Reviews The Renaissance—Modern German Poetry- Reviews—Our Contemporaries—Notes. 543 Cass Street, Chicago Copyright 1915 by Harriet Monroe. All rights reserved. VOL. V No. V FEBRUARY, 1915 THE CHINESE NIGHTINGALE A Song in Chinese Tapestries Dedicated to S. T. F. "HOW, how," he said. "Friend Chang," I said, "San Francisco sleeps as the dead— Ended license, lust and play: Why do you iron the night away ? Your big clock speaks with a deadly sound, With a tick and a wail till dawn comes round. While the monster shadows glower and creep, What can be better for man than sleep?" "I will tell you a secret," Chang replied; "My breast with vision is satisfied, And I see green trees and fluttering wings, And my deathless bird from Shanghai sings." [199] POETRY: A Magazine of Verse Then he lit five fire-crackers in a pan. "Pop, pop!" said the fire-crackers, "cra-cra-crack!" He lit a joss-stick long and black. Then the proud gray joss in the corner stirred; On his wrist appeared a gray small bird, And this was the song of the gray small bird: "Where is the princess, loved forever, Who made Chang first of the kings of men?" And the joss in the corner stirred again; And the carved dog, curled in his arms, awoke, Barked forth a smoke-cloud that whirled and broke. -
Female Characters in the Novel “Death of a Hero” by Richard Aldington
Philology Matters Volume 2021 Issue 2 Article 7 6-25-2021 FEMALE CHARACTERS IN THE NOVEL “DEATH OF A HERO” BY RICHARD ALDINGTON Shakhnoza Chorieva Uzbekistan State World Languages University, Tashkent, Uzbekistan, [email protected] Follow this and additional works at: https://uzjournals.edu.uz/philolm Part of the English Language and Literature Commons, Language Interpretation and Translation Commons, Linguistics Commons, Other Languages, Societies, and Cultures Commons, and the Reading and Language Commons Recommended Citation Chorieva, Shakhnoza (2021) "FEMALE CHARACTERS IN THE NOVEL “DEATH OF A HERO” BY RICHARD ALDINGTON," Philology Matters: Vol. 2021 : Iss. 2 , Article 7. DOI: 10.36078/987654493 Available at: https://uzjournals.edu.uz/philolm/vol2021/iss2/7 This Article is brought to you for free and open access by 2030 Uzbekistan Research Online. It has been accepted for inclusion in Philology Matters by an authorized editor of 2030 Uzbekistan Research Online. For more information, please contact [email protected]. 2021 Vol. 37 No. 2 Philology Matters / ISSN: 1994 – 4233 LITERATURE CRITICAL STUDIES ФМ Uzbekistan State World Languages University DOI: 10.36078/987654493 Received: May 31, 2021 Accepted: June 20, 2021 Available online: June 25, 2021 Shakhnoza Chorieva Шахноза Чориева PhD student, Uzbekistan State World Ўзбекистон давлат жаҳон тиллари университети Languages University таянч докторанти Tashkent, Uzbekistan Тошкент, Ўзбекистон E-mail: [email protected] FEMALE CHARACTERS IN THE NOVEL РИЧАРД ОЛДИНГТОННИНГ “DEATH OF A HERO” «ҚАҲРАМОННИНГ ЎЛИМИ» BY RICHARD ALDINGTON РОМАНИДА АЁЛ ОБРАЗЛАРИ ANNOTATION АННОТАЦИЯ The literary process in the first half of the Йигирманчи асрнинг биринчи ярмидаги twentieth century acquires new styles, new адабий жараён янги услубларни кашф этди techniques, it combines modernism and realism. -
University of Southampton Research Repository
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] UNIVERSITY OF SOUTHAMPTON LANGUAGE AND REIFICATION IN IMAGIST POETICS 1909-1930 A THESIS SUBMITTED TO THE FACULTY OF ARTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH BY ANDREW JOHN THACKER OCTOBER 1990 TO MY MOTHER AND FATHER One has to be downright obstinate not to see the complicity of artistic and social reification, and to ignore the untruth of reification, which is that it fetishizes what is a processual relation between moments. The work of art is both a process and an instant. Its objectification, while a necessary condition of aesthetic autonomy, is also a petrifying tendency. The more the social labour embodied in an art work becomes objectified and organized, the more it sounds empty and alien to the work. -
Letters Home
LETTERS HOME Henningham Family Press & The Poetry Library Southbank Centre Guillaume Apollinaire - The Stabbed Dove and the Fountain Calligrams / Guillaume Apollinaire ; translated from the French by Anne Hyde Greet Published: [United States] : Unicorn Press, 1973. CALLIGRAMME find out more The French poet Guillaume Apollinaire was a LETTER soldier in the First World War. He sent letters GAME home with poems on that also look like pictures. 1 What shapes can you see in Apollinaire’s poem? Can you make your own shape poem? Writing Tips: You can make your poem from words that exist in another poem, or words from any book. Only use the words you need to make your poem. You can change the meaning of a poem by making it a different shape. BLAST, 1914 Public Domain VORTICISM find out more Some artists thought words in books should LETTER show lots of energy. GAME This time, draw your own letters from the 2 alphabet that are full of energy. (There’s an example on the next page) Drawing Tips: You can pick just a few letters of the alphabet or split the letters between different people. You don’t have to do the whole alphabet. You can use real objects. Can you make letters by bending paper clips, joining dot patterns on a dice, or stretching rubber bands between your fingers? You can be inspired by other things that are full of energy like tornadoes, water, lightning, and stars. Trench (bold,italic), 2010 © Henningham Family Press In this example the Henningham Family Press were inspired by the Vorticists to make an ABC that looks like the trenches soldiers lived in. -
Charlie Chaplin, Interview with Garson Kanin
Chaplin and the Poets: The Image as Knowledge, Method, and Theory "I always knew I was a poet" --Charlie Chaplin, interview with Garson Kanin l. The Solution Let me begin by admitting that the solution preceded the problem --or, at least, that the pedagogical solution, which seemed at first provisional, helped me to define the fuller ideological and structural problem. About three years ago I began to teach Charlie Chaplin films to punctuate my course in Modernist Poetics and Aesthetics, at MIT. The course, which I'd taught intermittently since the late l980s, had begun to wobble a bit, in my ideological understanding of Modernism as a cultural context. The students hadn't changed substantially, neither in their demographics nor in their reasons for wanting to study Modernist poems. They represent(ed) a reasonable cross-section of MIT undergraduates: insightful, overcaffeinated, poorly prepared in general, well-prepared for class, visually literate, analytical, comfortable with manipulation of abstractions within symbolic systems, a bit silly at times, lurchingly sentimental at the end of term. (Clearly, I had already been thinking of my students as personifying Chaplin-like qualities, before I'd asked why.) I had had a hunch that Chaplin films might be useful as a structure in the course. I followed the hunch. When I asked the new structure why it had worked, the answers invited a new configuration of my academic field (Modernist verbal arts), especially in the relations between verbal and visual forms and between high-culture and pop-culture energies, within that field. I had been having trouble integrating, to my own satisfaction, several demands of the intermediate- and-advanced level classes on Modernism. -
The Annotated Waste Land with Eliot's Contemporary Prose
the annotated waste land with eliot’s contemporary prose edited, with annotations and introduction, by lawrence rainey The Annotated Waste Land with Eliot’s Contemporary Prose Second Edition yale university press new haven & london First published 2005 by Yale University Press. Second Edition published 2006 by Yale University Press. Copyright © 2005, 2006 by Lawrence Rainey. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Set in Scala by Duke & Company, Devon, Pennsylvania Printed in the United States of America. Library of Congress Control Number: 2006926386 A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Commit- tee on Production Guidelines for Book Longevity of the Council on Library Resources. ISBN-13: 978-0-300-11994-7 (pbk. : alk. paper) ISBN-10: 0-300-11994-1 (pbk. : alk. paper) 10987654321 contents introduction 1 A Note on the Text 45 the waste land 57 Editor’s Annotations to The Waste Land 75 Historical Collation 127 eliot’s contemporary prose London Letter, March 1921 135 The Romantic Englishman, the Comic Spirit, and the Function of Criticism 141 The Lesson of Baudelaire 144 Andrew Marvell 146 Prose and Verse 158 vi contents London Letter, May 1921 166 John Dryden 172 London Letter, July 1921 183 London Letter, September 1921 188 The Metaphysical Poets 192 Notes to Eliot’s Contemporary Prose 202 selected bibliography 251 general index 261 index to eliot’s contemporary prose 267 Illustrations follow page 74 the annotated waste land with eliot’s contemporary prose Introduction Lawrence Rainey when donald hall arrived in London in September 1951, bear- ing an invitation to meet the most celebrated poet of his age, T. -
The Beardsley's Home Page
The Beardsley's Home Page We are dedicated to our Lord and Savior Jesus Christ as His servants and to exposing error taught as truth. You Are On Our Home Page Newest Articles Sowers of the Word The Sunday School No One Will Be “Left Behind” …But You Will Be Separated! February 2013 Teacher's Edition Oxford 1880s KJV - You like J.N. Darby and C.I. Scofield? Some lies stretch back some 173 years! A Bible once endorsed by C.H. Bible - - Spurgeon – Our Blog Truth with Snares!? Christian-Yoga Studio Owner Claims No Compromise of Faith? - Owner states, "...we practice a hatha-based yoga." Biblical Discernment Ministries - Maintained as part of our Ministry The Organic Church God's Word Beardsley Ministry & BDM Site Search Or Compost? Articles Important for Bible Believers WWW The Beardsley Ministry and Biblical Discernment Ministries So-called Fundamentalists (In name only) (We do not guarantee the "Google" search is complete but it has been useful) Some advertising from Google sponsors may appear in connection with your searches. All free search engines have such advertising. In the interest of having site search capability, we have elected to use Google at this time because it is a free service. If you come across any particularly offensive advertisements, we have no control over them. However, feel free to notify Google with any complaints on the ads. So-called Christian Rock / CCM Dangers Dangers of Promise Keepers (from 1990s) Please read this before e-mailing us an accusatory response! We get numerous ugly responses from people who "profess" to be Christians that quickly label us: "Pharisees," "slanderers," "false accusers," "legalists" and etc.