TORRANCE HERALD, Torvance, California PAGE 5-A at the Fox Redondo Baby Movie Star Thurs., Fri., Sat

Total Page:16

File Type:pdf, Size:1020Kb

TORRANCE HERALD, Torvance, California PAGE 5-A at the Fox Redondo Baby Movie Star Thurs., Fri., Sat THURSDAY, OCTOBER 26, 1933. TORRANCE HERALD, Torvance, California PAGE 5-A At the Fox Redondo Baby Movie Star Thurs., Fri., Sat. Appears In Person Starts Sunday At the Fox Redondo Wild Boys of the RoacT At the At Uptown Theatre Torrance Tuesday and Wednesday Arthur James Maskrey, one of the |)a by star's who Is under con­ tract with Jack Hays Kducatlonal t'lc'tiires, has recently made his personal appearance with the pic­ ture, "Kid In Hollywood," taking the pnrt as Director Von Stumlile- I'lim, one of the six series pro- iluci'il und released through Fix. This clever little actor has come t» the llnellght through a series of productions, some of which h.-ive been "Polly Tix In Wash­ ington," "War Babies," "Kid In Hollywood," "Kids Last Fight," and others, all Jack Hays produc­ tions. Mr. Hays Is now preparing his second series of pictures in which Arthur James will take a leading part for the "heavy. Hi' has received his training- at atharine Hepburn, sensational the "Ha by Stars Studio," 10025 ima personality, now co-star- Culver boulevard, Culver City, I with Douglas Fairbanks, Jr., from which all the children for "Morning Glory," RKO-Radio this oductio Selc ed. the adventuresome advertising man and free lover in "No Marriage .._!/' RKO-Radio picture, with Elizabeth Alien, coming to the Lomita, Theatre Sunday, Monday* and Tuesday, October 29, 30 and 31. On the tame bill for these three days will be shown another big feature, James Cagney in "Mayor of Hell." THEATRE A apeeial vaudeville show on the stage will be added Sunday night. The new Fox star, Lillian Harvey, as she appears in Musical Hit of Year Starts * THURSDAY, FRIDAY, SATURDAY, OCT. 26-27-28 "My Weakness," starting a three-day engagement at the Fox Redondo Sunday. Tonight At Torrance Theatre s that's th carter of Dorothy; Coonan, who, instead of rising to stardom wear­ Deluxe Stage ing silks and satins, climbed the Show Tonight rage of a hobo. At the right above she is shown as she appeared in the "Gold Diggers of 1933," and at and Tomorrow the left as she appears as a "Hobo Again on Tuesday and Wednes­ Girl" in her latest success, "Wild day, the Torrance Theatre, accord­ Boys of the Roar!," which comes ing to Its established policy, pro- to the Torrance Theatre Tuesday You Wanted , j.. sentH a deluxe stage show In con- Another"42nd and. Wednesday, October ,31 and junctlon ^ & ^^ ^^ 1. Street" .. program. But we're giving "Black Beauty" ) 1'atrona of the Torrance Theatri you MORE than are beginning to realize that the you asked for Coming Saturday quality of these stage attractioni are of the finest available talent more lavish spec­ to Fox Redondo "GOLD DIGGERS OF Ralph Porbas wi4l be seen In another thrilling mystery melodrami coming direct to the Torranci tacle more laugh* of r*die We, "Th» Phantom Broadcast," at the Lomlta Theatre r«rner Brothers super musical tre from the leading theatres Beer Sales Drop .more beautiful Wednesday and Thursday, November 1 and 2. Also in the cast are Romance, pathos and . utroni production, which has been break- girl* - bigger itan Vivienne Osborne, Gail Patrick, Paul Page. Guinn Williams and Bockr human interest are the high point; itown and principal theatres During September ig box office attendance records liffe FeUowes. 'In "Hark Heauty," which will bi f the country. hereever it has been shown, ... but die same shown at the children's matinee' comes to the Torrance Theatre for producer-Warner; The show coming this week SACRAMENTO.'- ijcer drlnkin jjnlx on Saturday at the Fox Rp- la , California during Septembc a three-day run starting tonight, Broel ^rmifo Theatre, r.ullt around- one ompHses a great variety of en- and continuing Friday and Satur­ fcf the most appealing subjects In ertainment. Heading the program was not as heavy as In August, day. Above is shown Joan Blon­ I the world, the love between man H the Singer comedy quartet, an the state board of equalization dell indulging in one of h«r "Gold- rand horse., this plcturizatlon of iRgregatlnn of voices such as sel- announced today. Digging" moods with Guy Kibbee, lom heard In harmony songs, !"tHe famous novel by Anna Sewell A total tax of $71,260 wan col­ the indulgent victim. HAWTHORNE is the kind of an offering that loupled with comedy antics that tyes at the heartstrings. It is a ire highly amusing. Also on the lected by the state in September, Gen. Adm. 15c; Loges 25c; Children lOc picture every child .will long re- irogram are the- Roundas Duo, a representing sales of 3,561,006 gal­ European novelty bicycle act that lons. In August a total of 3,897,135 "Gold Diggers" s also a comedy hit, featuring SUNDAY, MONDAY AND TUESDAY, OCT. 29-30-31 gallons was distributed, with Why »ay you can't afford it? daring bicycle tricks and musical Elected to the Screen Hall of Fame When your home is burning down Famous all over the world tax of I7T.942. At Plaza Three Coming Direct to the Plaza From Its Three Weeks would you hesitate to put a nickel his old man characterisations Eighteen California lir e w c r I into the pay station to get the 'hll Rich, direct from the RKO produced 91 per cent of total d Showing at the RK.O Hill Street Theatre In L. A. »tre. With him Is his pretty Nites Next Week fire department? In the stnte, the bo partner. Miss Adalr. Phil's comedy tributions of the kind that makes It a report showed. Exceptional Program For th$ With Warren William, er-to-be-forgottcn act. The Week Outlined At Show Intyres make this an all- DULL HEADACHES CONE Aline MacMahon, Joan comedy program. The show Is House In Hawthorne ighs from start to finish and SIMPLE REMEDY DOES IT Blondell, Dick s every member of the family Headache* cauned by conallpa- Dances und enseml.li-H for \Vur- Ginger Jto0«r«* Guy II enjoy. m are gone after, on ner Urns. mn:<i<-nl i.ni| .111, rii,l<* The feature picture will be llerlka. This c all puls spec-lark, "(lull! DlKKilM of r.l.13.'1 KibbM, and Wild lloyn ol the Road," a plc- t of BOTH i wels. Gives 1 whluh will 1>« stmwn Wwln-sfluy" ure of the present day, starring Thursday and I-'dduy. N'ovemliotTK" Dorothy Co. rvouanens. Dolley Oru* Co. RUBY KEELEft 'rankle Darro. 2 und ». at the Plaea Theatre, aiik nd Rochelle Hudson. »aid to In- tin- must lavish and motion pk-l'iir,-. Two liun.ln-d Kill* In <H';en LOMITA THEATRE helU'ill nkirts ilani < <m :i hi lical HERE'S THE ONE PICTURE YOU MUST NOT MISS stall-way in tin- i-xinnsll "S'i:idii* SUNDAY, MONDAY, OCT. 29-30 Wiiltz" nuniln'r. nin-lni: the .lunce. It's a grand and glorious entertainment. Hailed by 15c "fiV?!?* lOc the girls play upon nin-niaated BIG DOUBLE BILL the general public and the nation's leading critics as violins, winding urnumt the Eta*t one of the finest pictures ever produced. WED., THURS., OCT. 25-26 LAST TIMES TONITE] stairway, whirling almiit n t,'llnten- Colleen Moore and Spencer Tracy Ing pool and an iM|it:illy 'ilixtcnlnB ADDED ATTRACTIONS Ray Walker"SKYWAY" and Kathryn Crawford in 1 floor. It i» n trliiuiph i.r rhyllmb "Power and the Glory** The 8th Chapter of "TARZAN THE FEARLESS" ot II he heart thrill Also "RACE NIGHT" and High date Vodvil ALSO Musical Ftaturette "RUMBLE RHYTHM" an ntli- George O'Brien in ZANE GREY'S of your life.' licnche*. mimnil*. ti-ui-i ..i spun Organlogue by JESSE CRAWFORD HEPBURN FRI. & SAT., OCT. 27-28 TWO BIG FEATURE8J KliiHH and xllk. anil a l«rkground NEWS AND CARTOON Adolphe Men'jou and Grata Ninon in of fantastic Kha|ii<s und lorms WM "Life In the Raw" ' DOUGLAS FAIRBANKS Jr. constructed. The number Itself 4» . "The Circus Queen Murder" lave und zippy. buy* and ifiil.i to- WEDNESDAY, THURSDAY, and FRIDAY LORY" ALSO Kether. und like nothing >'vcr seen TUESDAY, WEDNESDAY, OCT. 31-NOV. 1 Pauline Frederick and Theodore Von Eltz in t«>ror<>. NOVEMBER 1-2-3 Fur "Tlie l-'oiBotten Man" num. Enga'gement ADOLPHE MENJOU "SELF DEFENSE" "Wild Boys of the Road" wu i <* A « V DUNCAN IKT thf Kill* rump over Klxantl* Ep. No. 1, "THE THREE MUSKETEERS" I mid mill* on whirh thi-v keep With Frankie Darro and Great Cast THE SHOW OF THE CENTURY _. * , C. AUBREY SMITH Ep. No. 1, "SECRET SERVVICE SAUNDEFIS" Tta master producers who gave you "42nd Street" Disney * rXmUd ky LowM Slur- CV.T i.i)lnn but III-VIT an U liv lead the way again with an amazing Innovation in Pied Piper Ji^iMn/».»>.I).. Olaylnr A hurkRi-nund of sIKvp cnl'i* HH FOUR ACTS VAUDEVILLE large tin Entertainment! Scaled to Spectacular Grandeur! SUN., WON., TUE8., OCT. 29-30-31 2 Big Feature! ullv ROUNDAS DUO Packed to the hilt with Novelty and Surprise! and »llvw ciilna foi r.i^iuiii-- inrn SUNDAY "NO MARRIAGE TIES" Ihn eluliorati- si-ttnu n.r -\\' ( -'r» (FUN ON WHEELS) 5 New Song Hits 300 Glorious Girls In thu MOIH-J." a.,"th,T ..I tin- uri- MONDAY UMiml numhi-rx In thU iinu««i; pic­ THE McINTYRES TUESDAY ture. SUNDAY NITE HIGH CLASS VODVIL Th.-m- iliim-i-i. ;u'iil .-i- "l-l i "MIRTH AND MAGIC" Also Special Attraction Charlie Chaplin in Gold Diggers "THE FLOOR WALKER" PHIL RICH & ADAIR who »r04>- lh<- hll lllllhlr HI ' r'T|.»- "THAT LOVAIJLE OLD MAN" Stl*et." The i.iinliii'11 .11 !t»ilr Iff ' WED., THURS., NOV.
Recommended publications
  • (Dayton, Ohio), 1941-08-22
    * . * > v ;. r^'-v-. „» - <• '» 7- >" " » . «\ C'"- «, -r z* % ;-»••. - v • * "r^r • T -••.>'"*-• > fj -a> >:*•>} v^V -• r ••'.*<<:-. **•<*: '•, ?"""', •"", •, > ^ 4 \v- ; sr^ i' „ 1 * ^ -- "\ 1 •' '' >•• , s - "• * , 1 ;** i*« '- -; > * - •% * . v<f - - i * > ;, t ' } i - '* „ ' - 1 '•* *', - n * « i' a ^ - "' -*•'' . "'-1, * ,* , *r i ar -'•"' ' • • !>* . .. : • t ' ••.••• , • " • „•. • •• .. • - 4 v : > " ;/' : , Cf"_ \. "7-.- .;• • ^y ;„K,- •" .'-. 7;;;; * "> * J , ' ' " V- ••.-r-,^--' ••••''-.••--•. .0.-: ,• , . ' ••••,• • • .'.-:--v. •• ?-.;•/ >i, o'•- »7-* '.•.- ,;'. •' ;••:"* i-. .'• ' ' -"v" ••"•'• •"•. :••'••';7.*<.. -"if '-i FRIDAY, AUGUST 22,1941 mem THE FORUM * l»AGE SEVEN ' ' ;',y "! * • \ r 5 THEATRICALS SPORTS - LECTURES \v 111 Ralph Jones and V. Hickman * ^ EAST END are visiting friends and relatives LUPIN0 AND GARFIELD Maaton Moreland Co-Stars With while on a 10 day leaves of ab­ v: CAGNEY CAPITULATES TO 1 * I4 NEWS • • "' " sence. STAR IN DYNAMIC FILM ' 4 Frankie Darro In The Gangs All Well, friends, this just about Ml. Pii|«h B«pti*t Churcb winds up our column this week Beginning Sunday the Classic sinister influence. She doe«vn*t SCREEN KISSES - BETTE'S Sunrise Prayer Meeting. 6:30 and may I extend my thanks to theatre will present "Out of the know, of course, that her "go Hera|At The Palace Sun-Mon-Tues Sunday School 9:30 each of you for your cooperation. ..^ ..,lr.. .. ... .... .... ., Morning Worship ....11:30 Fog," a dynai.ii•; new Warnei getting" boy friend is extorting • * • If this column can be of service Bros, film that co-stars Ida money from her father. Before THE REASON to you or your family, call 81967 Lupino and John Garfield, the he leaves that- night he has Willicm Louis of 806 Irwin and you will help others to keep pair who made so great an im­ her promise to go to Cuba with "(GET "EADY FOR A RIOT CA«Ji1 street is home from the hospital informed by reading The Forum.
    [Show full text]
  • Dictionary of Westerns in Cinema
    PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas.
    [Show full text]
  • 16Mm WALTER O. CUTLOHN, Inc
    IW16 16mm SOUND UHFILM WALTER O. CUTLOHN, Inc. 35 WEST 45th STREET NEW YORK, N. Y. Gentlemen: et The filo Ti^ to a i ,aS shown stu< faculty and I tcust com hold in getting i* It is a very a. tionally and able From the bave teen collection n V m li East reinger v Jjibrary Dear Mrs. I intone Please fi B ;ictur;7which cc the special on June 5. best t of the e in genetic poychology. school systen San Francisco, California sour an having a, grateful for having set-i fine film. of this 2006 preview this Gratefully/yours, BOARD OF EDUCATION COLLEGE BUFFALO 1940 February 3, cooper- your kind to would like il program. i our "^Jir^^assrtsation with &3S*3~*:3 -sr-sss* teaching S n.r.. ^tending In the*. - ..... falconer, INTRODUCTION The subjects listed in this catalogue were selected because of their excellence from the standpoint of subject matter, photography, sound quality and intelligent presentation. They are composed of feature productions with well-known actors, and short subjects which consist of musicals, cartoons, sports, comedies, travels and miscellaneous films. A number of these are in color. We have particularly stressed pictures suitable for schools, churches and general audiences, but in addition have added a number of programs which will appeal more to mature groups. Pictures marked (*) have been approved by THE NATIONAL BOARD OF REVIEW and/or THE LEGION OF DECENCY as partic- ularly suited for Family, Church or School presentation. Feature pictures marked have been approved by a selected committee of experienced reviewers as suitable for general audiences.
    [Show full text]
  • Gene Autry and the Phantom Empire Gene Autry and the Phantom Empire (1935): the Cowboy in the Wired West of the Future Ron Briley
    Briley: Gene Autry and The Phantom Empire Gene Autry and The Phantom Empire (1935): The Cowboy in the Wired West of the Future Ron Briley 44 ProducedGene by The Autry Berkeley attempts Electronic to control Press,a Muranian 2010 robot while being stalked by rebel forces. 1 Used by permission of the Autry Qualified Interest Trust and the Autry Foundation Journal of Texas Music History, Vol. 10 [2010], Iss. 1, Art. 5 Gene Autry and The Phantom Empire (1935): The Cowboy in the Wired West of the Future In 1935, budding cowboy singing star Gene Ron Briley Autry appeared in the Mascot Pictures serial The Phantom Empire. The film offers a blending of the Western and science fiction genres, and Autry employs such modern devices as aircraft, radio, television, and even laser rays to protect Radio Ranch from the predatory designs of evil scientists and business interests seeking to exploit the radium deposits found in the subterranean city of Murania, located below the ranch. Autry is able to save the ranch from these threats, both alien and domestic, by completing his scheduled radio broadcasts. The premise of the film is that 45 the Western environment may only be preserved through an adaptation to modernism, which will reduce regional isolationism and ensure the overall survival of the American West. Thus, as the protagonist of The Phantom Empire portraying himself, Autry appears as somewhat of a New Deal cowboy protecting the common people of 1 the West from greedy outside business interests. In his post World War II career as an entertainer and entrepreneur, Autry maintained the Hollywood cowboy image he had successfully cultivated throughout the 1930s.
    [Show full text]
  • Theater Playbills and Programs Collection, 1875-1972
    Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items.
    [Show full text]
  • Crime Wave for Clara CRIME WAVE
    Crime Wave For Clara CRIME WAVE The Filmgoers’ Guide to the Great Crime Movies HOWARD HUGHES Disclaimer: Some images in the original version of this book are not available for inclusion in the eBook. Published in 2006 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States and Canada distributed by Palgrave Macmillan, a division of St. Martin’s Press, 175 Fifth Avenue, New York NY 10010 Copyright © Howard Hughes, 2006 The right of Howard Hughes to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. The TCM logo and trademark and all related elements are trademarks of and © Turner Entertainment Networks International Limited. A Time Warner Company. All rights reserved. © and TM 2006 Turner Entertainment Networks International Limited. ISBN 10: 1 84511 219 9 EAN 13: 978 1 84511 219 6 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Typeset in Ehrhardt by Dexter Haven Associates Ltd, London Printed and bound in Great Britain by TJ International,
    [Show full text]
  • Wings of Desire
    August 28, 2012 (XXV:1) William A. Wellman, WINGS (1927, 144 min) 1929 Academy Awards for Best Picture (Wellman) and Best Effects, Engineering Effects (Roy Pomeroy) 1997 Selected for National Film Registry Directed by William A. Wellman Based on a story by John Monk Saunders Screenplay by Hope Loring and Louis D. Lighton Produced by B.P. Schulberg (associate producer) and Lucien Hubbard (producer, uncredited) Original Music by J.S. Zamecnik Cinematography by Harry Perry Film Editing by E. Lloyd Sheldon (editor-in-chief) and Lucien Arlette Marchal...Celeste Hubbard Hedda Hopper...Mrs. Powell Art Direction by Hans Dreier Carl von Haartman...German Officer Costume Design by Travis Banton and Edith Head Gloria Wellman...Peasant Child Conductor (2012 restored score): Peter Boyer William A. Wellman...Doughboy Arranger and orchestrator (2012 restoration): Dominik Hauser F.M. Andrews.... commander: military pilots William A. Wellman (February 29, S.C. Campbell....supervisor: flying sequences 1896, Brookline, Massachusetts – Sterling Campbell....technical director: flight sequences December 9, 1975, Los Angeles, James A. Healy.... supervisor: flying sequences California) directed 83 films, some of A.M. Jones.... supervisor: ground troop maneuvers which are 1958 Lafayette Escadrille, E.P. Ketchum.... supervisor: trench system reproduction 1958 Darby's Rangers, 1955 Blood F.P. Lahm.... commander: military pilots Alley, 1954 Track of the Cat, 1954 The Robert Mortimer.... ordnance supervisor High and the Mighty, 1953 Island in the Ted Parson.... supervisor: flying sequences Sky, 1952 My Man and I, 1951 Carl von Haartman.... supervisor: flying sequences Westward the Women, 1951 It's a Big Country, 1951 Across the Wide Clara Bow...Mary Preston Missouri, 1950 The Next Voice You Charles 'Buddy' Rogers...Jack Powell Hear..., 1949 Battleground, 1948 Yellow Sky, 1948 The Iron Curtain, Richard Arlen...David Armstrong 1947 Magic Town, 1946 Gallant Journey, 1945 Story of G.I.
    [Show full text]
  • TCM Presents ... There's NO Place Like Hollywood
    THERE’S NO PLACE LIKE HOLLYWOOD The Definitive Classic Movie Memorabilia Auction MONDAY NOVEMBER 24, 2014 at 1pm NEW YORK TCM PRESENTS ... There’s NO PLACE LIKE HOLLYWOOD Monday November 24, 2014 at 1pm New York BONHAMS INQUIRIES Automated Results Service 580 Madison Avenue Catherine Williamson, Ph.D. +1 (800) 223 2854 New York, New York 10022 Director, Fine Books & Manuscripts/ bonhams.com Entertainment Memorabilia Online bidding will be available for +1 (323) 436 5442 this auction. For further information PREVIEW [email protected] please visit: Los Angeles www.bonhams.com/22196 Thursday November 6, 12pm to 5pm Lucy Carr, Associate Specialist Friday November 7, 12pm to 5pm Entertainment Memorabilia Please see pages 2 to 7 Saturday November 8, 12pm to 5pm +1 (323) 436 5467 for bidder information including Sunday November 9, 12pm to 5pm [email protected] Conditions of Sale, after-sale collection and shipment. New York Dana Hawkes, Consultant Thursday November 20, 12pm to 5pm Entertainment Memorabilia ILLUSTRATIONS Friday November 21, 10am to 5pm +1 (978) 283 1518 Front cover: Lots 83 (Photograph Saturday November 22, 12pm to 5pm [email protected] © Turner Entertainment Co.) and 251 Sunday November 23, 12pm to 5pm Inside front covers: Lots 291 and 347 Monday November 24, 10am to 1pm Katherine Schofield Session page: Lot 48 Head of Department, UK Inside back cover: Lot 244 BIDS Entertainment Memorabilia Back cover: Lot 128 +1 (212) 644 9001 +44 (0) 20 7393 3871 +1 (212) 644 9009 fax [email protected] To bid via the internet please Lisa Charlesworth visit www.bonhams.com Business Administrator +1 (323) 436 5410 SALE NUMBER: 22196 [email protected] Lots 1 - 376 CATALOG: Softcover $45 Limited edition hardcover $100 © 2014, Bonhams & Butterfields Auctioneers Corp.; All rights reserved.
    [Show full text]
  • PDF EPUB} the Autobiography of the Dark Prince As Written by Elias Sutterby by Dan Wingreen XLCR Studios
    Read Ebook {PDF EPUB} The Autobiography of the Dark Prince as Written by Elias Sutterby by Dan Wingreen XLCR Studios. Louis Feuillade (director) Father-in-law of 'Maurice Champreux' (qv) and grandfather of 'Jacques Champreux' (qv)., Biography in: John Wakeman, editor. "World Film Directors, Volume One, 1890-1945". Pages 319-325. New York: The H.W. Wilson Company, 1987., He was the most prolific film director in history, not counting television directors. Death Notes: Nice, Alpes-Maritimes, Provence-Alpes-Côte d'Azur, France Prolific pave the mode of completed 700 films, notation of them concise or medium-length. Feuillade come his selling beside Gaumont where on earth, with recipe of powerfully as direct his to the point features, he be appointed ocular director delimited by running away of crop in 1907. Feuillade's trade was largely comprise of copy phase; his most basic series, begin in 1910 and figure 15 episode, was LE FILM ESTHÉTIQUE, a financially bungled rob a slot at at "high-brow" reveal. More grassroots was _La fight telle qu'elle est (1911)_ (qv) which moved from the costume pageantry of his before work to a more faithful, if a little melodramatic, realize of grant life span. Feuillade also directed score of short films feature the characters Bébé and 'René Poyen' (qv). Feuillade's most gleeful feature-length serials be _Fantômas - À l'ombre de la decapitate (1913)_ (qv), which chronicle the diabolical exploit of the "emperor of horridness," and _Les vampires (1915)_ (qv), which trail a mugger gang lead by Irma Vep ('Musidora' (qv)) and was noted in flying buttress of its agile expenditure of location and prosaic, almost surreal finesse.
    [Show full text]
  • Hollywood Westerns Available on DVD-R, Mpeg2 & Mpeg4 Digital Files
    Hollywood Westerns Available on DVD-R, Mpeg2 & Mpeg4 Digital Files. Abilene Town 1946 Randolph Scott, Ann Dvorak American Empire 1942 Richard Dix, Leo Carillo, Preston Foster. The Big Trees 1952, color Kirk Douglas, Edgar Buchanan. Buckskin Frontier 1943 Richard Dix, Jane Wyatt. Bushwhackers 1952 John Ireland, Wayne Morris, Dorothy Malone. Cry Blood Apache 1970, color Jody McCrea, Joel McCrea. Daniel Boone, Trail Blazer 1957, color Bruce Bennett, Lon Chaney Jr. Deadly Companions 1961, color Maureen O’Hara, Brian Keith, Steve Cochran. Desperate Mission 1969, color Ricardo Montalban, Slim Pickens. Fighting Caravans 1931 Gary Cooper, Lili Damita. Fighting Westerner 1935 Randolph Scott, Ann Sheridan. Four Rode Out 1970, color Sue Lyon, Pernell Roberts. Gatling Gun 1971, color Guy Stockwell, Woody Strode Hanged Man 1974, color Steve Forrest, Dean Jagger. High Lonesome 1950, color John Drew Barrymore. Joshua 1976, color Fred Williamson, Cal Bartlett. Kansas Pacific 1953, color Sterling Hayden, Eve Miller, Barton MacLane. Kid Vengeance 1977, color Lee Van Cleef, Jim Brown. Man From Texas 1948 James Craig, Lynn Bari. Mohawk 1956, color Scott Brady, Rita Gam My Outlaw Brother 1951 Mickey Rooney, Wanda Hendrix. One-Eyed Jacks 1961, color Marlon Brando, Karl Malden. The Outlaw 1943 Jane Russell, Jack Buetel, Thomas Mitchell. Over the Hill Gang 1969, color Walter Brennan, Edgar Buchanan, A. Devine. Over the Hill Gang Rides Again 1970, color Fred Astaire, Walter Brennan, Buchanan. Powderkeg 1971, color Rod Taylor, Dennis Cole. Proud and the Damned 1972, color Chuck Connors, Cesar Romero. Proud Rebel 1958, color Alan Ladd, Olivia de Havilland. Rage at Dawn 1955, color Randolph Scott, Forrest Tucker.
    [Show full text]
  • Picture Show Annual (1941)
    S; yVivvwy U^vV-XC* VwvV*!Lt *Lov<- ^Wi , JCCC -3«c. i c^L*rO. Digitized by the Internet Archive in 2015 https://archive.org/details/pictureshowannua00amal_14 im&m Robert Young and Helen Gilbert in “ Florian. On the Cover : Bette Davis and Errol Flynn in “ The Private Lives of Elizabeth and Essex." r think most cinemagoers favour the idea of the revival of favourite films, for to those who saw the originals there are the memories of the past and also comparisons between the old produc- tions and the new, particularly in respect to those that have been made both as a silent and a talkie. To the newer generation of the cinema public there is interest in comparing the old-time screen stones with the modem ones. “ ” To be technically correct, revival is not the right word, for the old favourites are re-made, but in the majority of cases the original film is not altered to any great extent so far as the story is concerned, though the introduction of spoken dialogue must necessarily be more expensive them that recorded by the printed sub-title of the silent picture. On the whole, the re-making of popular pictures is done so well that it is deserving of the highest praise, but there is one criticism I have to make. I think it is a great mistake to alter the original title. Take a person who saw the original film passing by a cinema which is showing a revival under a new title. There is nothing to indicate that this is a new version of an old favourite, and such a person might well walk on to another cinema, missing what would have been a real treat.
    [Show full text]
  • WILLIAM WELLMAN, TRA MUTO E SONORO William Wellman, Between Silent and Sound
    WILLIAM WELLMAN, TRA MUTO E SONORO William Wellman, between Silent and Sound Programma a cura di / Programme curated by Peter von Bagh Note di / Notes by Gina Telaroli, Peter von Bagh e Paola Cristalli 224 Dopo gli omaggi a von Sternberg, Capra, Ford, Hawks, Our American Masters’ retrospective adds William Wellman Walsh e Dwan, quest’anno la retrospettiva dedicata ai mae- (1896-1975) to the company of von Sternberg, Capra, Ford, stri del cinema americano celebra William Wellman (1896- Hawks, Walsh and Dwan, once again presenting all the silents, 1975) proponendone tutti i film muti, i primi sonori e al- the early sound films and some of the later masterpieces. cuni capolavori della maturità. The scarcity of silent Wellman prints is a sad fact:You Never Le copie disponibili dei muti di Wellman sono purtroppo Know Women, in 1926 already his 12th film, shows an insid- molto poche: You Never Know Women (1926, e già il suo er’s view, like Wings (1927) about fliers and war;Beggars of dodicesimo) è un film sullo spettacolo che offre un punto Life (1928) is a touching prelude to the Depression-era roads, di vista dall’interno del mestiere, come accadrà con Wings leading to great Wellman territory in the period ‘before the (1927), film di piloti e di guerra. Beggars of Life (1928) in- Code’, when he created many of the era’s lasting, most hard-hit- troduce al grande territorio wellmaniano dei film pre-Hays. ting films. His was a personal moral, outside the fake morality Wellman seguiva una morale personale, estranea al morali- that society was preaching.
    [Show full text]