Math 2 Part 1 Answer

Total Page:16

File Type:pdf, Size:1020Kb

Math 2 Part 1 Answer Answer Key Level 2 Math Part 1 © 2019 Jenny Phillips Lesson 1 - Student Worksheet Lesson 1 - Bonus Activity Student Worksheet Bonus Independent Activity Lots of Lines Draw an example of each type of line. Flower Fun The following addition and subtraction problems have flowers and leaves in place of numbers. Figure out what number is represented by each flower and leaf by looking at the equations below, and then write the flower value in the corresponding box in the Key. = 3 Key = 8 Parallel Intersecting Perpendicular Circle the sets of lines with the color indicated, depending on what type = 6 = 5 = 7 of lines they are. Some sets may be circled more than once. Parallel Intersecting Perpendicular (blue) (red) (green) + = 6 =+ 14 =+ 10 =+ 12 =+ 15 =+ 16 − = 5 9 − = 4 Solve the following problems. 6 + 4 = _______10 10 − 6 = _______4 7 + 2 = _______9 9 − 2 = _______7 + = 11 16 − = 8 5 + 3 = _______8 10 − 7 = _______3 7 + 3 = _______10 9 − 3 = _______6 Level 2 Math Lesson 1 - Page 4 Level 2 Math Lesson 1 - Page 5 Materials: Lesson 2 - Student Worksheet • standard supplies Lesson 2 Addition Strategies Sort Addition Strategies There are four addition strategies we can use to help us quickly solve an addition problem. Each of these are listed on the leaves of the four-leaf clover. Cut out the equations at the bottom of the page and solve them. As you solve each equation, determine which addition strategy you used to find the answer and place it onto Daily Dose Lesson the matching leaf on the four-leaf clover. Today’s Date: Math Activity Box: Doubles Dash Game Write today’s date in numerical form. Mat, Sidewalk Chalk Twenty Frame, marble manipulatives, Game Instructions booklet, timer Standard Supplies: dry-erase sleeve, dry-erase board, a dry-erase marker Making Ten Skip Counting: Practice Ideas (optional) See the Skip Counting Ideas Count by list in the About This Course Counting Newspapers 10s to 100 section of the Part 1 course book. “Eight newspapers left to deliver on Banks Street and two left on Peterson Boulevard,” said Asher. Math Facts Practice: “That makes ten newspapers left to deliver this Making Ten and Then morning!” As Asher delivered the papers, he 8 3 7 always made sure to keep a careful count of the Near Doubles newspapers he had delivered and the ones he + 8 + 3 + 7 had left to deliver. 16 6 14 Doubles 6 4 9 + 6 + 4 + 9 12 8 18 Time: 11 18 11 10 13 14 11 10 12 Asher had learned several ways to count and add : : up numbers quickly. Today, we are going to review 11 00 4 30 and practice four different strategies for addition. 8 + 2 = 8 + 3 = 9 + = 7 + 6 = 5 + 6 = 7 + = 6 + = 6 + 4 = 7 + 4 = Level 2 Math Lesson 2 - Page 6 Level 2 Math Lesson 2 - Page 9 Level 2 Math Answer Key Page 2 Materials: Lesson 3 - Bonus Activity Lesson 3 • standard supplies Shape Search Horizontal & Vertical Lines Lots of shapes are hiding in the design below. Using a crayon or colored pencil, trace the outline of the following shapes (with the indicated color) as you find them in the design. Then record the number of each shape that you found inside the colored shape. Note: Some shapes overlap or are part of other shapes. Count each and every one you find! Daily Dose Lesson Answers may vary. An example is shown below. Today’s Date: Math Activity Box: Paper Route Work Mat, Write today’s date in numerical form. 1 set of the 1–12 Numbered Game Cards, an additional number 6 Game Card, Game Instructions booklet Standard Supplies: dry-erase board, dry-erase square triangle rhombus rectangle marker Skip Counting: Practice Ideas (optional) See the Skip Counting Ideas Appendix: Horizontal Line illustration, Vertical Count by: list in the About This Course Line illustration, the four Wrought Iron Fence 5s to 100 section of the Part 1 course book for a variety of ideas. illustrations used in Lesson 1 Math Facts Practice: Parallel, Perpendicular, and Intersecting Lines Review 10 6 9 Lay the Wrought Iron Fence − 2 − 2 − 2 illustration faceup on the table. 8 4 7 What are parallel lines?a Have the child show you examples of parallel lines on the Wrought Iron Fence illustration. 7 11 8 What are intersecting lines?b Have the child − 2 − 2 − 2 show you examples of intersecting lines on the Wrought Iron Fence illustration. 5 9 6 What are perpendicular lines?c Have the child show you examples of perpendicular lines on Time: the Wrought Iron Fence illustration. If needed, show the child the three small cards from Lesson 1 that show the three types of lines. : : 2 45 8 15 Note: The square will be recognized as a rhombus and also as a special type of rectangle in future levels. Level 2 Math Lesson 3 - Page 13 Level 2 Math Lesson 3 - Page 11 Materials: Lesson 4 - Student Worksheet Lesson 4 • standard supplies Missing Numbers Missing Numbers Find the missing number in each equation. To do so, add dots to the blank side of the domino until the dots on both sides add up to the number on the seashell. Then fill in the missing number in the equation. (The dots do not need to be arranged like typical dominoes.) Daily Dose Lesson 9 14 Today’s Date: Math Activity Box: Domino Cards Write today’s date in numerical form. Standard Supplies: dry-erase board, dry-erase marker 16 Fact Family Review Do you remember what a fact family is? Skip Counting: Practice Ideas (optional) 6 + _____ = 9 _____5 + 9 = 14 See the Skip Counting Ideas Pause for response. A fact family is a group of 3 Count by: list in the About This Course math facts that use the same numbers. As we 2s to 100 section of the Part 1 course book for a variety of ideas. arrange the numbers differently, we can create two addition equations and two subtraction Math Facts Practice: equations with the same set of numbers. We can use our knowledge of fact families to help 13 14 7 9 6 us solve addition and subtraction equations. 9 + _____7 = 16 + 3 + 2 + 4 We are going to create a fact family of two 10 11 10 addition equations and two subtraction equations. Place the three-five domino card on the table with it turned so that the three–dot side is on the left. Here we 9 + _____4 = 13 11 _____6 + 8 = 14 8 5 7 have 3 dots plus 5 dots. How many dots is that + 2 + 5 + 2 altogether?a Have the child write “3 + 5 = 8” in the top row of boxes on the next page. 10 10 9 Turn the domino card so the side with five dots 13 is on the left. If we switch the order so that it 12 Time: is 5 plus 3, what will the answer be?b Have the child write the equation in the second row of 7 + _____ = 11 boxes on the next page. 4 Now let’s create our subtraction equations. The largest number is going to be the first, because that is how many we have altogether. Have the 7 + _____ = 12 : : child write “8” in the first boxes of the two _____8 + 5 = 13 5 12 15 5 45 subtraction equations on the next page. Level 2 Math Lesson 4 - Page 14 Level 2 Math Lesson 4 - Page 17 Level 2 Math Answer Key Page 3 Materials: Lesson 5 - Student Worksheet Lesson 5 • standard supplies Nature Hike Cardinal Directions & Coordinates You’re going on a nature hike! Study the map below and answer the questions. Picnic Table Big Pine Tr e e Lesson Daily Dose Fire Pit Today’s Date: Math Activity Box: Paper Route Work Mat, one River Write today’s date in numerical form. game pawn dry-erase board, dry-erase Standard Supplies: Berry Bush marker, dry-erase sleeve Boulders Skip Counting: Practice Ideas (optional) A New House Pond See the Skip Counting Ideas Asher had been delivering newspapers all Count by: list in the About This Course Wild Flowers 2s to 100 section of the Part 1 course book summer long. He had worked hard to memorize Forest for a variety of ideas. his route and deliver all his papers quickly. Math Facts Practice: One day, a new house appeared on his delivery list, and Asher wasn’t sure how to find it! Luckily, Trail Head 10 10 10 Asher’s father had a solution. He handed Asher an old brown box. Asher carefully opened it to − 3 − 8 − 4 find his grandfather’s compass. It was a family heirloom. 7 2 6 “This used to be mine. I used it to help me find my way when I was your age. The red needle 10 10 10 always points north,” his father explained. − 6 − 7 − 5 1. What is directly north of the Berry Bush?______________________________Fire Pit 2. What is in (A,1)? _____________________________________________________Trail Head 4 3 5 3. What are the coordinates for the Big Pine Tree? _______________________E, 4 Time: 4. What is directly east of the Boulders? _________________________________Wild Flowers 5. What are the coordinates of the Boulders? ____________________________A, 2 6. What is in (D,1)?______________________________________________________Forest Asher was amazed. He took the compass and 7. What is directly west of the Pond? ____________________________________Forest 7 : 05 10 : 20 slowly turned it in his hand. Sure enough, it always pointed north. 8. What is in (C,4)?_____________________________________________________Picnic table Level 2 Math Lesson 5 - Page 18 Level 2 Math Lesson 5 - Page 21 Lesson 5 - Bonus Activity Materials: Lesson 6 • standard supplies Math Fact Find Counting by 3s Solve each equation below and then find the equation in the number search.
Recommended publications
  • I Feel a Power in Me Which I Must Develop, a Fire
    vanGogh engl_001_035_rl:vanGogh engl_001_035 09.06.2009 11:19 Uhr Seite 1 ”I feel a power in me which I must develop, a fire that I may not quench, but must keep ablaze, though I do not know to what end it will lead me, and shouldn’t be surprised if it were a gloomy one.“ Vincent van Gogh to his brother Theo in November 1882 vanGogh engl_001_035_rl:vanGogh engl_001_035 09.06.2009 11:19 Uhr Seite 2 vanGogh engl_001_035_rl:vanGogh engl_001_035 09.06.2009 11:19 Uhr Seite 3 VINCENT VAN GOGH Isabel Kuhl PRESTEL MUNICH · BERLIN · LONDON · NEW YORK vanGogh engl_001_035_rl:vanGogh engl_001_035 09.06.2009 11:19 Uhr Seite 4 vanGogh engl_001_035_rl:vanGogh engl_001_035 09.06.2009 11:19 Uhr Seite 5 Contents 37 The Artist seen through his own Eyes 49 A Letter-Writer and his Brother 67 Painting in Black 91 Greyish Pink and Bright Yellow: The Art of Colour 117 Biography and Works 136 List of Illustrations 139 Selected Bibliography 140 Location of Key Works 142 Index vanGogh engl_001_035_rl:vanGogh engl_001_035 09.06.2009 11:19 Uhr Seite 6 “I mean painting is a home …” Vincent to Theo, June 1885 The Bridge at Langlois with Women Washing, March 1888 (detail; see page 131) vanGogh engl_001_035_rl:vanGogh engl_001_035 09.06.2009 11:19 Uhr Seite 7 vanGogh engl_001_035_rl:vanGogh engl_001_035 09.06.2009 11:20 Uhr Seite 8 “But I must continue on the path I have taken now. If I don’t do anything, if I don’t study, if I don’t go on seeking any longer, I am lost.
    [Show full text]
  • The Self in the Poetry of Anne Sexton
    Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1984 The Self in the Poetry of Anne Sexton Katherine Frances McSpadden Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation McSpadden, Katherine Frances, "The Self in the Poetry of Anne Sexton" (1984). Dissertations. 2327. https://ecommons.luc.edu/luc_diss/2327 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1984 Katherine Frances McSpadden THE SELF IN THE POETRY OF ANNE SEXTON by Katherine Frances McSpadden A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 1984 ACKNOWLEDGMENTS I would like to acknowledge the members of my dissertation committee for their generous assistance: my director Dr. Harry T. Puckett, Assistant Professor of English at Loyola University, for his insightful guidance and patient support; Dr. Paul R. Messbarger, Associate Professor of English at Loyola, for his kind and enthusiastic praise of my work; and Dr. Rosemary C. Hartnett, Assistant Professor of English at Loyola, for many years of professional and personal friendship. All three members of my committee have shown a spirit of colleagueship and of eagerly sharing the experience of learning which will serve as a model for my own teaching experiences.
    [Show full text]
  • Grade 7 Collection
    Class of ’16: The Stories of Us Grade 7 English Ms. Andrews 2010-2011 Poets Alice Bennett Aria Nicoletti Ashley Sowah Caroline Morrow Elizabeth McCauley Emma Pasqualino Francesca Matarese Gabriela Baron Georgia Jones Hannah Fitts Helary Gladstone Isabel Harrington Izzy Ackerman Jane Addington­May Jessica Purdy Katie Coggins Katrina Claflin Larissa Klufas Laura Davison Lilia Smyth Meghan Faria Meredith Brown Morgan Andrade Rachel Briden Renée Mackintosh Sarina Trant Sophia Theriault Sylvie Schneider Taylor Gunn From Here I Am, and There to Remain By Alice Bennett I am from hats, and red lipstick tasting like celery. From 5:30 in the morning, groggy and tired, To 6:00 at night, sweaty from the machinery. I am from summers under the rhododendrons, and winters filled with Sibling’s laughter at new toys and trinkets. I am from those who don’t understand, and those who think they do. From the feel of sand as I walk alone on the beach, surrounded by others. The taste of blood as I lose a tooth, and from the combination of six perfumes. I am from Mozart and Bach, pop and classical. I from metal strings, and face paint while I try to sit still on the plastic stool. From the wish to live another’s life, and the tears of knowing it shall not be. I am from fevers, and earaches, my face hot from throwing a tantrum in the snow. I’m from Thayer and George, and back again just to lose a few more pounds. The preppy, and the depressed am I from.
    [Show full text]
  • The Battle-Ground
    The Battle−Ground Ellen Glasgow The Battle−Ground Table of Contents The Battle−Ground...................................................................................................................................................1 Ellen Glasgow................................................................................................................................................1 BOOK FIRST. GOLDEN YEARS.............................................................................................................................2 I. "DE HINE FOOT ER A HE FRAWG"......................................................................................................2 II. AT THE FULL OF THE MOON..............................................................................................................8 III. THE COMING OF THE BOY..............................................................................................................14 IV. A HOUSE WITH AN OPEN DOOR....................................................................................................21 V. THE SCHOOL FOR GENTLEMEN......................................................................................................25 VI. COLLEGE DAYS.................................................................................................................................31 BOOK SECOND. YOUNG BLOOD.......................................................................................................................39 I. THE MAJOR'S CHRISTMAS.................................................................................................................39
    [Show full text]
  • 'Out in the Dark'
    111111111111111111111111111111111111111111111111111111111111 3703791732 'Out in the dark' An exploration of and creative response to the process of poetic composition with reference to Edward Thomas and a self-reflexive study Judy Kendall A thesis submitted to the University of Gloucestershire in accordance with the requirements of the degree of Doctor of Philosophy in the Faculty of Humanities September 2005 Abstract Research through practice into the actual process of composing, such as William James on automatic writing and thought processes, or Sigmund Freud on creative writing and the unconscious, is rare, and needs extension and updating. This study builds a new theoretical framework for critical and practical work on imaginative composition by investigation of Edward Thomas's composing processes and complementary analysis of the processes of writing my own poetry collection. Thomas's emphasis on fragmentation of thought, hesitancy and silence in the content and form of his poetry, positioning him on the borders of Modernism, reflects essential aspects of his composing processes, as documented in his notes, letters, prose and poetry. The creating and revisiting of my own works-in-progress and final collection, in the light of the study of Thomas and in dialogue with readers, reveals further insights into poetic composition. Chapter One examines the point at which poems emerge and the influence of external writing conditions. Chapters Two and Three look at absence in the composing process in ellipses, aporia, gaps and unfinishedness, and in the art of submission as it is used in composing. Chapter Four investigates distraction, non-logical connections and physical and temporal disturbances in composing.
    [Show full text]
  • Vincent Van Gogh Draille De Forbin
    fr —— Arles / en Vincent van Gogh Draille de Forbin D570n Voie Communale de la Chaussée Chemin de des Segonaux des de Chemin Petite Chemin de Tarascon de Chemin Petite Draille de Coupin Chemin du temple Petite route de Tarascon Draille du Mas Mollin Rue Joseph Seguin ZI NORD R ue Jose ph Rainard n o i t a r é b i L a l Prison e d d u a t n u i l e u i L o M e s u e n u e v q c c i A a J n r e p e o u C R e l p s a m e M T x u a n n o g e S e é l i l a u G d u d s e a d l o c i N in e m e u h R e C l l D570n i a r n D o l l o C n e i i n m e e g h A u v C E . t e d e e m i e A u R e u R l a Rue Henri Laugier e é Li e l i l b l p é a r G m a e tion T e u R x u a n u n d o g e S Rue Galilée c i n r pe o C in m e Rt h e de C Fontvieille s a l o c i N s Moines e d des emin Ch e u R n i m e h C Trébon e i r g D570n d r n a o l l H A e d .
    [Show full text]
  • Minutes of the Michigan Annual Conference of the Methodist Episcopal Church
    Minutes of the Michigan annual conference of the Methodist Episcopal Church. Methodist Episcopal Church. Ann Arbor, Mich. : The Conference, 1878-1938. http://hdl.handle.net/2027/wu.89077107910 Public Domain, Google-digitized http://www.hathitrust.org/access_use#pd-google We have determined this work to be in the public domain, meaning that it is not subject to copyright. Users are free to copy, use, and redistribute the work in part or in whole. It is possible that current copyright holders, heirs or the estate of the authors of individual portions of the work, such as illustrations or photographs, assert copyrights over these portions. Depending on the nature of subsequent use that is made, additional rights may need to be obtained independently of anything we can address. The digital images and OCR of this work were produced by Google, Inc. (indicated by a watermark on each page in the PageTurner). Google requests that the images and OCR not be re-hosted, redistributed or used commercially. The images are provided for educational, scholarly, non-commercial purposes. K TIM; ICHIGAN ANNUAL CONFERENCE OK T1IK I, 'I! ;E^: ^- ION, SEPTKMBER 5 VM L. ITAHUIS. \VI 'ALL. Sr, I.TTAKY. RECORD STEAM PRINTING HOUSE. CONTENTS, FACIE. Appointments Albion College Trustees elect nl is Anniversaries ( '.institution 1>. S. I-', s ft4 Committees of Examination -4 Committees— Standing 4 Conference Societies :, Roll 09 Disciplinary Quest ii ins Flowers, J. A.. Case of 47 Historical liccurd T.'i Journal 7-21 Lay Electoral Conference ;,!i Lay Electoral Conference, Members of t;i Local Preachers 72 Memoirs 51-58 liesolutions r, t [it-ports 30-47 Statistics —Appendix OF THE MICHIGAN ANNUAL CONFERENCE OF THE IS SESSIOltT.
    [Show full text]
  • The Battle Ground
    The Battle Ground Ellen Glasgow The Battle Ground Table of Contents The Battle Ground....................................................................................................................................................1 Ellen Glasgow................................................................................................................................................1 BOOK FIRST. GOLDEN YEARS.............................................................................................................................2 I. DE HINE FOOT ER A HE FRAWG ....................................................................................................2 II. AT THE FULL OF THE MOON..............................................................................................................8 III. THE COMING OF THE BOY..............................................................................................................14 IV. A HOUSE WITH AN OPEN DOOR....................................................................................................21 V. THE SCHOOL FOR GENTLEMEN......................................................................................................25 VI. COLLEGE DAYS.................................................................................................................................31 BOOK SECOND. YOUNG BLOOD.......................................................................................................................39 I. THE MAJOR'S CHRISTMAS.................................................................................................................39
    [Show full text]
  • A Study of Vincent Van Gogh's Ambivalent Engagement with Prostitution, Highlighted by the 1888 Courrier Francais Controversy
    University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2018 Une certain equivoque? A study of Vincent van Gogh's ambivalent engagement with prostitution, highlighted by the 1888 Courrier Francais controversy Saint-Davis, Fiona B. http://hdl.handle.net/10026.1/12814 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. UNE CERTAIN ÉQUIVOQUE? A STUDY OF VINCENT VAN GOGH'S AMBIVALENT ENGAGEMENT WITH PROSTITUTION, HIGHLIGHTED BY THE 1888 COURRIER FRANÇAIS CENSORSHIP CONTROVERSY. by Fiona B. Saint-Davis A thesis submitted to the University of Plymouth in partial fulfilment for the degree of RESEARCH MASTERS School of Humanities and Performing Arts September 2018 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author's prior consent. 2 Acknowledgements I am indebted to my tutors for their professional guidance and personal inspiration throughout this project. Professor Gemma Blackshaw, as my Director of Studies, has always been there for me with just the right word of advice and reassurance, often suggesting new avenues to explore, and encouraging me to own my research and situate it within current scholarship.
    [Show full text]
  • Chopin on the Cinema Screen. Aesthetic and Cultural Determinants
    Interdisciplinary Studies in Musicology g, 2011 © Department o f Musicology, Adam Mickiewicz University, Poznań, Poland KRZYSZTOF KORNACKI (Gdańsk) Chopin on the cinema screen. Aesthetic and cultural determinants ABSTRACT: As with most film subjects, the way Chopin has been presented in the cinema has been the result of a particular poetic (depending on the genre) and cultural context. The author classifies cinematographic Chopinalia on the basis of the former determinant, although without neglecting entirely, in some sections of the text, to treat film as a text of culture. The clear majority of documentary and educational films about Chopin have been made in Poland (as a form of promotion for the country, which does not boast too many icons of world culture). For both aesthetic and cultural reasons, the boundary between documentary and educational film has become blurred. Historical documentaries have used the same iconographic material, film shots and utterances, and also - for the purposes of musical illustration - the same Chopin works as educational films. Cultural considerations have affected the thematic restrictions in respect to silver screen discourse about Chopin: in both genres, it re­ flects a rather stereotypical approach to the composer’s life story, with no room for the “Chopin mysteries” (e.g. his fascination with Tytus Woyciechowski) that have long been addressed in the literature. In experimental and animated film, the accent has been shifted - in keeping with the essence of those genres - from Chopin’s biography to his music. Nevertheless, here too the pressure of cultural (national) context has determined the choice of film material accompanying particular works.
    [Show full text]
  • 2019 Comic Books & Graphic Novels
    22019019 CCOMICOMIC BBOOKSOOKS & GGRAPHICRAPHIC NNOVELSOVELS A SELECTIONSELECTION OFOF FRENCHFRENCH TTITLESITLES Cover illustration: Adaptation of the novel by Jean-Patrick Manchette, Nada © Éditions Gallimard, 1972 Graphic Novel Adaptation © Dupuis 2018, by Manchette, Doug Headline, Cabanes All rights reserved Promoting French publishing around the world For almost 140 years, BIEF has been promoting French publishers’ creations on the international scene with the vocation of facilitating and developing exchange between French and foreign professionals in the publishing industry. This catalogue presents 16 publishing houses and 80 titles. It is intended as both a working and reference tool for all those interested in comics and graphic novels published in France, especially foreign publishers, booksellers and librarians keen to build their list of translated and/or adapted works in this sector. This catalogue was created to promote the discovery of the great variety in and the high quality of comics and graphic novel publishing in France, to help publishers, booksellers and librarians strengthen existing ties with their French counterparts. Index of publishers / Comic Books & Graphic Novels 4 Les Arènes 7 Groupe Bayard 10 Casterman 13 Dargaud – Dupuis – Le Lombard 16 Groupe Delcourt – Delcourt – Soleil 19 Denoël Graphic 22 Futuropolis 25 Gallimard Bande dessinée 28 Glénat 31 Éditions de la Gouttière 34 Les Humanoïdes Associés – Humanoids 37 Michel Lafon 40 Petit à Petit 43 Rue de Sèvres 46 Sarbacane 49 Steinkis Groupe Founded: 1996 Titles in catalogue: 500 Les Arènes Titles published annually: 80 Emblematic titles or series Une Histoire de sexe, by Philippe Brenot and Laetitia Coryn: 50,000 copies sold; translated into 11 languages Calme et attentif comme une grenouille; Cahiers de sérénité, by Eline Snel: 400,000 copies sold; translated into 21 languages Les Arènes was founded by Laurent Beccaria in 1997 La Vie secrète des arbres for the unique purpose of publishing a single work, (translated from German), by Une Guerre (A War) by Dominique Lorentz.
    [Show full text]
  • Football Games, Remains a Problem
    The Archives of The University of Notre Dame 607 Hesburgh Library Notre Dame, IN 46556 574-631-6448 [email protected] Notre Dame Archives: Alumnus «o NOTRE DAME >^^', I ij ^M mm II . This mogartne is published ^-mOT^^^K^Vf^Llniveroty' i i- Notre Dome. Notre Dome, ]nd. Enf^nJU^^^H^TCIoss matf«j • Oct. I. 1939. at the post office, Mot^^dlBKl., under t Koctof Aug. 24, 191Z '^^tiS •-•'-'-•^'^•^ ••^V:,.;/,. .•>_-.y.^.,?,V ,v:V-,.--'-* .^'.-^i-' .,..••. .'ULW-MP^WIBaagSa^esB ll' • J mm |$hifeywiiiM'^ilehf! in tw m^m^^iiyi-6fiii...^., , . „ , ,..„, , -....— ^._ , |VTir<>h>prd^^«^t^ for -66: Innovation: also makes its mark ihtitii issue With th«.report^^<^ iJm^f^|f%e<9«^ in the;July%ug^ nans frpnt^^tnofnrsf ^ # ^^^g^«^^j^;,^;^^~;i^^^ s THE falling autumn leaves Shifting to the undergraduate their transportation. I signal the end of summer, fresh schools. Father Walsh noted the But not all is in their favor alone. A changes in the academic, topo­ Junior Seminar, heretofore only for The campus resident will now have graphic and disciplinary complexion liberal arts students, this year will to cope with a no-curfew regulation. of Notre Dame will mark the birth be taught to engineering students. Rev. Joseph B. Simons CSC, dean of of the 125th school year. Also on the undergraduate horizon students, says, "Except for fresh­ The population of the University, is the expansion of the coexchange men, there will be no curfew. We as it does every September, will program started last year with St. are leaving that sort of thing up to burgeon—this fall to a total enroll­ Mary's.
    [Show full text]